更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 50 件 阿尔弗雷德·菲利普·罗尔 作品收录于我们的目录中
简而言之
在 阿尔弗雷德·菲利普·罗尔 留下的所有原作中，最著名的作品是 Portrait de Mme Roll。 紧随其后的是 Retour du bal 和 The feast of Silenus (1871)。 我们的目录收录了 阿尔弗雷德·菲利普·罗尔 的 50 件作品；画廊完整保留了 50 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · Petit Palais
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · Petit Palais
16
Louise Cattel, wet nurse1894 · 里尔美术馆
17
Alexandre Dumas fils1895 · 兰斯美术馆
18
Roll Painting1900 · Petit Palais
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · Musée d'Art Moderne et Contemporain de Strasbourg
21
In Summer, Woman with Dog1909 · Petit Palais
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · Petit Palais
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · Petit Palais
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · Petit Palais
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · Petit Palais
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · Petit Palais
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · Petit Palais
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · Petit Palais
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · Petit Palais
37
Peder Severin Kröyer (1851-1909)国家博物馆
38
Female nude sitting
39
Petite République1907 · Municipal museum (Saverne)
40
La grève de mineurs
41
Portrait de Léon Bourgeois
42
PORTRAIT DE JEUNE FILLE
43
Portrait de jeune femme
44
L'Exécution d'un trompette sous la Commune卡纳瓦勒博物馆
45
Les baigneuses Panneau décoratif (Ancien titre)
46
BathersMusée des Beaux-Arts de Dijon
47
Chevaux à l'écurie
48
Manda Lamétrie, fermière1887 · 奥赛博物馆
49
The Young Republic1908 · 奥赛博物馆
50
The Striker's WifeMusee Baron Martin
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 阿尔弗雷德·菲利普·罗尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 Petit Palais |
巴黎 | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 卡纳瓦勒博物馆 |
巴黎 | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 奥赛博物馆 |
巴黎 | 2 | Manda Lamétrie, fermière, The Young Republic |
 南特美术馆 |
南特 | 1 | Retour du bal |
 Museum of Fine Arts Ghent (MSK) |
根特 | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 布宜诺斯艾利斯国家美术馆 |
布宜诺斯艾利斯 | 1 | Woman and bull |
选择一个年代，探索定义该时代的原创杰作。
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll。紧随其后的是 Retour du bal 和 The feast of Silenus (1871)。
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife 及 Portrait of Jane Hading。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 50 件 阿尔弗雷德·菲利普·罗尔 的作品，创作年代从 1871 年至 1918 年。
多见于 Petit Palais (巴黎), Municipal museum (Saverne) (Saverne) 及 卡纳瓦勒博物馆 (巴黎)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 50 件作品中有 9 件创作于该时期，其中包含 Marianne Orfrey, Green Crier 件作品。
在本页面中，最早的作品创作于 The feast of Silenus (1871)，最晚的创作于 The Tea Cup (1918)。
Woman (19), Man (8) 及 Skin tones (5)，共计 50 件作品。
Oil On Canvas，共计 17 件（本页共有 50 件作品）。
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife 及 Portrait of Jane Hading：Petit Palais, 巴黎收藏了本页中 16 件作品。
在19世纪末法国那充满活力且剧烈变迁的时代背景下，很少有艺术家能像阿尔弗雷德·菲利普·罗尔那样，如此深刻地捕捉到一个正在转型中的国家的脉搏。罗尔于1846年出生于巴黎，出身于享有盛誉的巴黎美术学院，在让-莱昂·热罗姆、莱昂·博纳和查尔斯-弗朗索瓦·多比尼等大师严谨的学院派传统熏陶下成长。他的早年创作带有浓郁的浪漫主义色彩，在那段风格化的时期里，他的画布散发着那个时代特有的宏伟与如画的魅力。在这一形成阶段，他的作品往往回荡着博洛尼亚传统的澎湃情感与古斯塔夫·库尔贝新兴现实主义的交响，在古典美与原始观察之间创造出一种微妙的张力。
历史的动荡风暴不可逆转地改变了罗尔的职业轨迹。在普法战争期间，他曾担任民兵中尉，这段经历为他的视角注入了对人类韧性与社会动荡的深刻理解。这段冲突时期如同一座熔炉，将他的目光从纯粹的浪漫主义提炼为一种更加脚踏实地、富有同理心的现实主义。他的1875年杰作《图卢兹的洪水》是这一转变的震撼见证；通过捕捉自然灾害中生命的脆弱与即时的苦难，他超越了单纯的装饰功能，开始与法国人民的集体心理进行对话。这件现存于马洛博物馆的作品，标志着他作为一位具备深厚视觉叙事能力的艺术家的正式登场。
随着岁月的流逝，罗尔的笔触开始褪去浪漫化的棱角，转而拥抱自然主义运动中的质朴与真实。他成为了一位描绘平民的画家，将注意力转向第三共和国的社会政治动态。这种演变不仅是风格上的，更是深刻的思想变革。他试图记录真实的人类经验，尤其是工人阶级的奋斗与胜利。他的里程碑式作品《矿工罢工》（1880年）至今仍是他最重要的成就之一，将他推向了法国艺术界的顶峰。在这件作品中，他不仅仅是在描绘劳工骚乱，更是在赋予这场斗争以人性，使画中人物散发出一种超越画廊围墙、引起广泛共鸣的尊严感。
这种对社会现实主义的执着，使罗尔能够以卓越的敏锐度应对时代的复杂性。他的创作领域不断扩展，涵盖了：
他能够将从学院派导师那里学到的技术精准度，与一种进步的、近乎纪录片式的题材处理方式相结合，这使他成为法国艺术中至关重要的声音。他不仅是生活的观察者，更是时代最紧迫变革的记录者。
阿尔弗雷德·菲利普·罗尔的艺术遗产，定义于他在学院派传统旧世界与社会参与新世界之间的桥梁作用。作为国家美术学会的联合创始人，他在重塑法国艺术体制格局方面发挥了关键作用，倡导建立一个允许多元风格共存的空间。他的作品至今仍是至关重要的历史记录，捕捉到了在浪漫主义的回响与工业化及社会改革的残酷现实之间挣扎的法国本质。
通过对光影、纹理和构图的精湛掌控，罗尔确保了日常生活的苦难与美感得以永恒化。无论是通过香槟地区的壮丽远景，还是罢工运动的沉郁色调，他的艺术始终在邀请观众与过去进行一场深刻的对话。对于任何试图理解19世纪法国心跳的人来说，他都是一位举足轻重的艺术家——他观察世界的方式，不仅在于事物呈现出的表象，更在于事物被感知到的真实情感。
