阿尔布雷希特·亚当 肖像

37 幅最著名的 阿尔布雷希特·亚当 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 38 件 阿尔布雷希特·亚当 作品收录于我们的目录中

简而言之

在 阿尔布雷希特·亚当 留下的所有原作中,最著名的作品是 Eugène de Beauharnais and Napoleon in Russia (1835)。 紧随其后的是 General wounded (1802) 和 Mountain Landscape with Plowing Farmer (1825)。 我们的目录收录了 阿尔布雷希特·亚当 的 38 件作品;画廊完整保留了 37 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1786 – 1862, 诺德林根 藏品最多:巴伐利亚州绘画收藏馆

阿尔布雷希特·亚当 的十大名画:画廊精选

1
Eugène de Beauharnais and Napoleon in Russia (1835) 由 阿尔布雷希特·亚当

Eugène de Beauharnais and Napoleon in Russia

1835 · Oil

The canvas captures a heavy, decisive moment amidst the 1812 Russian campaign. Two figures on horseback dominate the composition, framed by the atmospheric tension of a landscape shaped by conflict. One man, mounted upon a white horse, carries a sword, marking him as a figure of military authority. Beside him, a companion on a brown horse engages in a quiet, intense dialogue. Their proximity and posture suggest a private exchange…

2
General wounded (1802) 由 阿尔布雷希特·亚当

General wounded

1802 · Oil · 布宜诺斯艾利斯国家美术馆, 布宜诺斯艾利斯

Albrecht Adam’s General wounded, created about 1802, captures a somber scene of military casualty set within a quiet landscape. The work focuses on the immediate aftermath of combat, centering on a wounded officer reclining against the base of a large, dark tree trunk. A second soldier, dressed in a dark uniform with red trousers, leans over the officer to tend to his wounds or check his condition. This interaction provides…

4
Hugo Philipp Graf Waldbott von Bassenheim on Horseback (1843) 由 阿尔布雷希特·亚当

Hugo Philipp Graf Waldbott von Bassenheim on Horseback

1843 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

In this 1843 oil painting, we find Hugo Philipp Graf Waldbott von Bassenheim presented with a quiet, commanding presence. He sits atop his horse, positioned centrally within a landscape that suggests the rolling hills of a private estate. The composition is vertical, drawing the eye upward from the immediate details of the foreground to the noble silhouette of the rider against a vast, cloudy sky. There is a certain stillness…

5
Caroline Gräfin Waldbott von Bassenheim on Horseback (1844) 由 阿尔布雷希特·亚当

Caroline Gräfin Waldbott von Bassenheim on Horseback

1844 · Oil On Canvas · 巴伐利亚州绘画收藏馆, 慕尼黑

The scene unfolds through the portrait titled Caroline Gräfin Waldbott von Bassenheim on Horseback, a work that captures a moment of quiet dignity. The subject of this composition is Caroline Gräfin Waldbott von Bassenheim, presented with a poise that suggests a life of high standing. She moves through the landscape atop her horse, her presence commanding the space around her. This depiction of the noblewoman offers a glimpse into the…

7
Soldiers and Horses at the Campfire (1847) 由 阿尔布雷希特·亚当

Soldiers and Horses at the Campfire

1847 · Gouache

In Soldiers and Horses at the Campfire, Albrecht Adam presents a quiet moment of respite for soldiers. The scene is set during the transitional light of dusk or dawn, a time when the world seems to hold its breath. A group of soldiers and horses are gathered around a small campfire, their forms anchored in the foreground and middle ground. This central gathering provides a sense of camaraderie amidst the…

8
The Battle of Szeged (1853) 由 阿尔布雷希特·亚当

The Battle of Szeged

1853 · Oil

Albrecht Adam captures a moment of heavy, historical friction in The Battle of Szeged. Painted about 1853, this large-scale work depicts a military conflict, likely the Battle of Szeged. The canvas holds the weight of organized troop movements set against the grim reality of casualties on the ground. It is a scene of structured violence and the sudden stillness of the fallen.

9
Field Marshal Radetzky and his staff at the Battle of Novara on March 23, 1849 (1855) 由 阿尔布雷希特·亚当

Field Marshal Radetzky and his staff at the Battle of Novara on March 23, 1849

1855 · Oil On Canvas

Field Marshal Radetzky and his staff at the Battle of Novara on March 23, 1849 by Albrecht Adam captures a decisive moment in the First Italian War of Independence. The work, created about 1855, focuses on Field Marshal Joseph Radetzky as he oversees the military operations. He is positioned on a white horse, accompanied by his general staff, in the period leading up to the fall of Milan.

10
King Vittorio Emanuele Ii Meeting Joseph Radetsky Von Radetz At Vignale (1766) 由 阿尔布雷希特·亚当

King Vittorio Emanuele Ii Meeting Joseph Radetsky Von Radetz At Vignale

1766 · Oil

In this work, titled King Vittorio Emanuele Ii Meeting Joseph Radetsky Von Radetz At Vignale, Albrecht Adam captures a specific moment of historical encounter. The painting depicts a meeting between King Vittorio Emanuele Ii and Joseph Radetsky Von Radetz at Vignale. It is a scene that places these figures within a precise setting, recorded by the hand of Albrecht Adam. The artist's signature is visible in the lower right corner,…

阿尔布雷希特·亚当 系列持续更新,第 11 至 37 项

令 阿尔布雷希特·亚当 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 阿尔布雷希特·亚当 原作的博物馆

收藏了本页中大部分画作的 6 家博物馆。

博物馆 城市 阿尔布雷希特·亚当 的作品 此列表中的画作
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 5 Hugo Philipp Graf Waldbott von Bassenheim on Horseback, Caroline Gräfin Waldbott von Bassenheim on Horseback, Field Marshal Joseph Wenzel Graf Radetzky on Horseback
布宜诺斯艾利斯国家美术馆, 布宜诺斯艾利斯布宜诺斯艾利斯国家美术馆 布宜诺斯艾利斯 1 General wounded
伦巴赫美术馆, 慕尼黑伦巴赫美术馆 慕尼黑 1 Mountain Landscape with Plowing Farmer
老国家美术馆, 柏林老国家美术馆 柏林 1 The Battle of Abensberg on 20 April 1809
皇家收藏馆, 伦敦皇家收藏馆 伦敦 1 Interior of a Stable
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 1 Horses at the Porch

阿尔布雷希特·亚当 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 阿尔布雷希特·亚当 作品的常见问题

阿尔布雷希特·亚当 最著名的作品是哪一件?揭晓答案

Eugène de Beauharnais and Napoleon in Russia (1835)。紧随其后的是 General wounded (1802) 和 Mountain Landscape with Plowing Farmer (1825)。

创作 Eugène de Beauharnais and Napoleon in Russia 时,阿尔布雷希特·亚当 是多少岁?揭晓答案

49岁:Eugène de Beauharnais and Napoleon in Russia创作于1835年,阿尔布雷希特·亚当出生于1786年。

阿尔布雷希特·亚当 最著名的十幅画作是什么?揭晓答案

Eugène de Beauharnais and Napoleon in Russia, General wounded, Mountain Landscape with Plowing Farmer, Hugo Philipp Graf Waldbott von Bassenheim on Horseback, Caroline Gräfin Waldbott von Bassenheim on Horseback, Field Marshal Joseph Wenzel Graf Radetzky on Horseback, Soldiers and Horses at the Campfire, The Battle of Szeged, Field Marshal Radetzky and his staff at the Battle of Novara on March 23, 1849 及 King Vittorio Emanuele Ii Meeting Joseph Radetsky Von Radetz At Vignale。上方排名显示了每件作品的创作年份及馆藏机构。

阿尔布雷希特·亚当 留下了多少幅画作?揭晓答案

我们的目录收录了 38 件 阿尔布雷希特·亚当 的作品,创作年代从 1802 年至 1855 年。

阿尔布雷希特·亚当 的杰作收藏在哪些博物馆中?揭晓答案

多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 布宜诺斯艾利斯国家美术馆 (布宜诺斯艾利斯) 及 伦巴赫美术馆 (慕尼黑)。上方的博物馆列表列出了所有相关机构。

阿尔布雷希特·亚当 在哪些年份创作了最著名的作品?揭晓答案

在 1840s 期间:本页 37 件作品中有 8 件创作于该时期,其中包含 Hugo Philipp Graf Waldbott von Bassenheim on Horseback 件作品。

阿尔布雷希特·亚当 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 General wounded (1802),最晚的创作于 Field Marshal Radetzky and his staff at the Battle of Novara on March 23, 1849 (1855)。

阿尔布雷希特·亚当 最常创作的主题是什么?揭晓答案

Horse (14), Sky (9) 及 Man (6),共计 37 件作品。

阿尔布雷希特·亚当 最常用的技法是什么?揭晓答案

Oil,共计 11 件(本页共有 37 件作品)。

哪些 阿尔布雷希特·亚当 的作品在 巴伐利亚州绘画收藏馆 展出?揭晓答案

Hugo Philipp Graf Waldbott von Bassenheim on Horseback, Caroline Gräfin Waldbott von Bassenheim on Horseback 及 Field Marshal Joseph Wenzel Graf Radetzky on Horseback:巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 5 件作品。

阿尔布雷希特·亚当:生平与作品

The Chronicler of Conquest and Cavalry

Albrecht Adam stands as a profound witness to one of history's most turbulent eras, capturing the raw, visceral energy of the Napoleonic Wars through his brush. Born in Nördlingen, Germany, his early life took an unexpected turn from a confectioner's apprenticeship toward the prestigious Academy of Fine Arts in Nuremberg. This transition from the sweetness of sugar to the grit of the battlefield defined his artistic soul. As an official artist attached to the Bavarian contingent of the Grande Armée, Adam did not merely observe history from a distance; he lived within its chaos. His presence during the 1812 Russian campaign allowed him to document the harrowing march to Moscow and the devastating carnage of battles such as Borodino with an intimacy that few of his contemporaries could claim.

A Legacy of Motion and Majesty

The essence of Adam's work lies in his dual mastery of the battlefield scene and the equine form. His canvases and engravings serve as a vital historical record, blending the terrifying reality of war with a deep, anatomical reverence for the horses that powered the era's cavalry. In works such as Ownerless Horse at Moshaisk, one can feel the haunting stillness following the storm of combat, while his depictions of French cuirassiers charging into the Great Redoubt pulse with the frantic movement of steel and muscle. This fascination with the horse was not merely incidental but became a cornerstone of his identity, establishing him as a renowned equine artist whose influence would even extend to his grandson, Emil Adam.

Artistic Evolution and Historical Impact

Throughout his career, Adam’s technique evolved from capturing the marching troops of southern Germany to portraying the grand, sweeping tragedies of European conflict. His journey took him through the artistic circles of Munich and Vienna, where he refined his ability to translate the smoke and thunder of war into evocative compositions. Beyond the mere depiction of events, his memoirs and sketches provide a psychological layer to his art, offering a glimpse into the human and animal cost of Napoleon's ambitions. By weaving together the precision of military detail with the emotional weight of loss, Adam ensured that the fleeting moments of the Napoleonic period were etched permanently into the annals of art history.