更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 37 件 阿尔伯特·魏斯格伯 作品收录于我们的目录中
简而言之
David and Goliath (1914) 是 阿尔伯特·魏斯格伯 最受瞩目的画作；原作收藏于 Saarbrücken 的 Saarland Museum。 随后，目光会移向 The Poet Ludwig Scharf (1905) 和 The Painter Wilhelm Koeppen (1901)。 在 阿尔伯特·魏斯格伯 的 37 件作品中，这 34 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Albert Weisgerber’s 1914 oil on canvas, David and Goliath, captures the tension of the biblical confrontation between the young shepherd and the Philistine giant. The work measures 104 x 122 cm. It presents the moment of anticipation before the combat, focusing on the disparity between the two combatants.
This portrait, titled The Poet Ludwig Scharf, was painted by the German artist Albert Weisgerber. It offers a quiet, intimate encounter with the subject, captured in a moment of stillness. The work was created about 1905, a period when the artist was deeply immersed in the creative circles of Munich.
In this portrait, titled The Painter Wilhelm Koeppen, Albert Weisgerber presents a quiet, three-quarter view of the subject. The man is depicted from the waist up, positioned slightly off-center as he faces toward the left of the frame. He possesses short, dark hair and wears spectacles, which lend a sense of intellectual presence to his gaze. His attire consists of a high white collar and a dark jacket, creating a…
In the painting Parisian Restaurant by Albert Weisgerber, the composition is structured by several strong vertical elements. On the left side of the frame, a red pillar provides a solid vertical boundary. In the center, the dark figure of a man stands, creating a central axis that divides the interior space from the view beyond. This arrangement frames a view of a busy street scene located in the background. The…
In this work, Saint Sebastian by Albert Weisgerber, we encounter the martyrdom of the saint through a stark, vertical arrangement. The composition centers on a nude man, his form elongated and positioned against a backdrop of simplified, vertical tree trunks. He is tied to a post or a tree, his arms raised and bound high above his head. This posture emphasizes a state of profound suffering, a physical vulnerability captured…
This work exists at a crossroads of visual history. While the subject matter feels candid and documentary, the way the light interacts with the environment hints at a deeper interest in the atmosphere of a specific place and time. The presence of the bicycle and the paved path speaks to a world in transition, where traditional natural settings meet the modern tools of movement and leisure. There is a sense…
The artwork titled Porträt des Max Halbe. is a portrait painted by the artist Albert Weisgerber. This work depicts the subject, Max Halbe, in a bust-length composition. The painting was created about 1909. The image presented is a monochromatic, sepia-toned reproduction of the original oil on canvas, capturing the subject in a serious posture.
In this 1906 portrait, we find ourselves in the presence of a man caught in a moment of profound stillness. He is positioned in profile, his gaze fixed intently upon a large canvas that occupies the center of his attention. There is a palpable sense of intimacy here, as if we have stumbled upon a private ritual within a studio or gallery. The light, arriving softly from the left, carves…
A nude male figure stands rigid within a dense, dark forest. The composition relies on heavy verticality, with the trunks of trees and the upright posture of the subject creating a sense of claustrophobic depth. Shadows obscure specific anatomical details, leaving the figure’s presence felt through mass and silhouette rather than precise line. The atmosphere is heavy, defined by a subdued palette of deep blues, greens, and ochre.
In this 1908 oil on canvas, we find a young man caught in a moment of quiet introspection. He is seated, dressed in a dark suit, holding the essential tools of his trade: a palette and a paintbrush. There is a certain stillness here, a pause in the creative act that allows us to look directly into the eyes of the creator. The composition is centered, pulling our attention toward…
Reclining Figure in a Mountain Landscape (Mother Earth)1914 · 巴伐利亚州绘画收藏馆
12
Somali Woman1912 · 巴伐利亚州绘画收藏馆
13
Untitled (AQQW2L)1912
14
Peasant Boy under Birches1901 · 巴伐利亚州绘画收藏馆
15
In the beer garden1905 · 波美拉尼亚州立博物馆
16
Summer Day1907 · 伦巴赫美术馆
17
Untitled (AQQW2Y)1910
18
Untitled (AQQW2U)1910 · Saarland Museum
19
Deutsch Selbstbildnis mit nacktem Oberkörper1911
20
In the Munich Hofgarden1911 · 伦巴赫美术馆
21
Riding in the English Gardens, Munich1910 · Saarland Museum
22
Forest Interior with Figures1912 · 巴伐利亚州绘画收藏馆
23
The Judgment of Paris1912 · 巴伐利亚州绘画收藏馆
24
Bathers, Combing Their Hair1913
25
Battle of the Amazons1912
26
Mountain Landscape1913
27
Reclining Woman in the Sun1913
28
Resting Couple in the Woods1914
29
Lamenting Jeremiah under the Rainbow1912
30
Untitled (AQQW2W)1912
31
Deutsch Selbstbildnis1914
32
Absalom1912 · Saarland Museum
33
Reclining Woman
34
Self portrait Deutsch am Attersee
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 5 家博物馆。
| 博物馆 | 城市 | 阿尔伯特·魏斯格伯 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 8 | The Poet Ludwig Scharf, The Painter Wilhelm Koeppen, Saint Sebastian |
 Saarland Museum |
Saarbrücken | 4 | David and Goliath, Untitled (AQQW2U), Riding in the English Gardens, Munich |
 伦巴赫美术馆 |
慕尼黑 | 3 | Parisian Restaurant, Summer Day, In the Munich Hofgarden |
 Niedersächsisches Landesmuseum Hannover |
汉诺威 | 1 | Self portrait |
 波美拉尼亚州立博物馆 |
格赖夫斯瓦尔德 | 1 | In the beer garden |
此处展示的 阿尔伯特·魏斯格伯 的原作从 1901 到 1914，跨越了 14 年，每年的作品均按年份排列如下。
选择年份以查看原作。
In this portrait, titled The Painter Wilhelm Koeppen, Albert Weisgerber presents a quiet, three-quarter view of the subject. The man is depicted from the waist up, positioned slightly off-center as he faces toward the left of the frame. He possesses short, dark hair and wears spectacles, which lend a sense of intellectual presence to his gaze. His attire consists of a high white collar and a dark jacket, creating a…
更多来自 1901
This portrait, titled The Poet Ludwig Scharf, was painted by the German artist Albert Weisgerber. It offers a quiet, intimate encounter with the subject, captured in a moment of stillness. The work was created about 1905, a period when the artist was deeply immersed in the creative circles of Munich.
更多来自 1905
In the painting Parisian Restaurant by Albert Weisgerber, the composition is structured by several strong vertical elements. On the left side of the frame, a red pillar provides a solid vertical boundary. In the center, the dark figure of a man stands, creating a central axis that divides the interior space from the view beyond. This arrangement frames a view of a busy street scene located in the background. The…
更多来自 1906
In this 1908 oil on canvas, we find a young man caught in a moment of quiet introspection. He is seated, dressed in a dark suit, holding the essential tools of his trade: a palette and a paintbrush. There is a certain stillness here, a pause in the creative act that allows us to look directly into the eyes of the creator. The composition is centered, pulling our attention toward…
This work exists at a crossroads of visual history. While the subject matter feels candid and documentary, the way the light interacts with the environment hints at a deeper interest in the atmosphere of a specific place and time. The presence of the bicycle and the paved path speaks to a world in transition, where traditional natural settings meet the modern tools of movement and leisure. There is a sense…
更多来自 1909
In this work, Saint Sebastian by Albert Weisgerber, we encounter the martyrdom of the saint through a stark, vertical arrangement. The composition centers on a nude man, his form elongated and positioned against a backdrop of simplified, vertical tree trunks. He is tied to a post or a tree, his arms raised and bound high above his head. This posture emphasizes a state of profound suffering, a physical vulnerability captured…
更多来自 1910
Albert Weisgerber created Somali Woman in 1912. The portrait focuses on a seated woman positioned within a domestic or interior setting. She is depicted in a state of stillness, reclining or sitting in the lower two-thirds of the frame. A dark, slender silhouette of a human figure stands against a wall to her left, while a large, patterned curtain or fabric hangs vertically behind her.
更多来自 1912
Albert Weisgerber’s 1914 oil on canvas, David and Goliath, captures the tension of the biblical confrontation between the young shepherd and the Philistine giant. The work measures 104 x 122 cm. It presents the moment of anticipation before the combat, focusing on the disparity between the two combatants.
更多来自 1914
David and Goliath (1914)，Saarland Museum, Saarbrücken。紧随其后的是 The Poet Ludwig Scharf (1905) 和 The Painter Wilhelm Koeppen (1901)。
36岁：David and Goliath创作于1914年，阿尔伯特·魏斯格伯出生于1878年。
David and Goliath, The Poet Ludwig Scharf, The Painter Wilhelm Koeppen, Parisian Restaurant, Saint Sebastian, Forest Path, Porträt des Max Halbe., Untitled (AQQW2G), Untitled (AQQW34) 及 Self portrait。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 37 件 阿尔伯特·魏斯格伯 的作品，创作年代从 1901 年至 1914 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), Saarland Museum (Saarbrücken) 及 伦巴赫美术馆 (慕尼黑)。上方的博物馆列表列出了所有相关机构。
在 1912 期间：本页 34 件作品中有 8 件创作于该时期，其中包含 Somali Woman 件作品。
在本页面中，最早的作品创作于 The Painter Wilhelm Koeppen (1901)，最晚的创作于 David and Goliath (1914)。
Man (5), Portrait (4) 及 People (3)，共计 34 件作品。
Oil On Canvas，共计 7 件（本页共有 34 件作品）。
根据本页面的原作，Expressionism
The Poet Ludwig Scharf, The Painter Wilhelm Koeppen 及 Saint Sebastian：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 8 件作品。
在20世纪初慕尼黑那充满活力的艺术圈中，阿尔伯特·魏斯格伯（Albert Weisgerber）这个名字或许不如他的同时代艺术家那样家喻户晓，但他却是连接印象派既定传统与最终定义了表现主义的新兴运动之间至关重要的桥梁人物。1878年出生于圣英格伯特（Sankt Ingbert）的他，生命在第一次世界大战期间不幸于37岁时戛然而止，然而他的艺术遗产——一系列动人心弦的肖像画、生动的咖啡馆场景以及独特的视觉语言——至今仍能引起收藏家和艺术史学家的强烈共鸣。他的故事交织着塑造了现代艺术进程的深厚友谊、个人悲剧，以及对捕捉人类经验中瞬时时刻的执着追求。
魏斯格伯早期的艺术训练始于法兰克福，当时他作为一名装饰画家进行学徒生涯。然而，1894年迁往慕尼黑才真正点燃了他的创作灵魂。他考入了工艺美术学校（Kunstgewerbeschule，即工艺美术学校），为他后来对色彩与形式的探索奠定了基础。至关重要的是，随后他进入了慕尼黑美术学院（Akademie der Bildenden Künste）学习弗朗茨·冯·施图克（Franz von Stuck）的工作室，这一环境使他接触到了象征主义的影响以及蓬勃发展的现代艺术潮流。这段时期对他而言具有深远的塑造意义，培养了他对构图、光影的深刻理解——这些元素在他日后被他以卓越的技巧驾驭。
19世纪90年代后期，魏斯格伯与好友阿尔弗雷德·库宾（Alfred Kubin）共同创立了艺术家团体“Sturmfackel”。这个集体为实验和协作提供了空间，让魏斯格伯得以磨炼技艺并形成自己独特的风格。正是在这段时期，他开始为极具影响力的《青年》（Jugend）杂志撰写插画，该杂志以其前卫的美学理念和对当代社会问题的关注而闻名。这些委约创作让他接触到了更广泛的受众，并进一步提升了他捕捉城市生活动态感的能力——尤其是慕尼黑咖啡馆那繁忙而喧嚣的氛围。
1904年是魏斯格伯艺术发展的关键转折点，当时他沉浸在慕尼黑充满活力的咖啡馆文化中。这一时期创作了一系列描绘城市波希米亚圈子社交互动与日常仪式的绘画——这些场景充满了能量、色彩以及一种微妙的忧郁感。这些作品通常以松散的笔触、大胆的色彩以及对主体瞬时表情的精准捕捉为特征。值得一提的是，他在这段时间遇到了玛格丽特·波尔（Margaret Pohl）；她的艺术追求和家族背景——她的父亲是布拉格一位成功的犹太银行家——被证明是对他产生重大影响的力量，促进了两人对美的共同欣赏，以及挑战传统规范的勇气。
1906年，随着几幅作品被著名收藏家购得，魏斯格伯的天赋获得了国际认可。这种成功激发了他的雄心，并引导他在1909年前往佛罗伦萨，向意大利原始艺术家（primitive artists）的作品寻求灵感。他曾尝试向更加简约和直接的风格转变，但最终还是回到了慕尼黑，并完善了他独特的表现方式。在第一次世界大战爆发前的几年里，魏斯格伯于1913年成为新慕尼黑分离派（Neue Münchener Secession）的创始成员兼主席——这是一个捍卫艺术创新并挑战既定艺术世界的团体。这段经历使他与包括阿莱克谢·冯·哈夫伦斯基（Alexej von Jawlensky）和保罗·克利（Paul Klee）在内的其他影响力人物建立了联系。
不幸的是，魏斯格伯的生命在1915年5月的弗罗梅勒斯战役（Battle of Fromelles）中画上了句点。当时他担任第16步兵团（RIR 16）第1连的连长，死于一场炮弹爆炸。他的逝世发生在战争结束前仅几个月，这对艺术界来说是深重的损失。值得注意的是，他的生命最后时刻是在阿道夫·希特勒（Adolf Hitler）的近旁度过的，后者当时被分配在团部工作。尽管英年早逝，魏斯格伯的遗产却通过他那些迷人的画作得以永存——这些作品为我们提供了一个窥视快速变革时代精神的动人视角，并作为他独特艺术愿景的见证而屹立不倒。
阿尔伯特·魏斯格伯的艺术创作展现出一种令人惊叹的多样性，其作品涵盖了肖像、风俗画以及风景画等多种题材。他的画作往往呈现出一种独特的融合感，将印象派的技法与表现主义的元素巧妙地交织在一起——这种风格倾向于使用高饱和度的色彩、强烈的情感张力以及略带变形的形体。尤为引人注目的是他对光影的运用，他通过对明暗的精准掌控，营造出一种深邃的氛围感与空间深度，仿佛能将观者瞬间拉入画作所描绘的情境之中。
他的作品常被视为多种艺术影响的综合体——他汲取了印象派对光影与色彩的敏锐捕捉，吸收了象征主义对情感与象征意义的探索，并融入了当时初露锋芒的表现主义趋势。他凭借高超的技艺将这些元素融会贯通，创造出一种既令人着迷又具有深远感染力的独特视觉语言。
阿尔伯特·魏斯格伯的艺术生涯展开于德国社会与文化发生深刻变革的时代。19世纪末至20世纪初，随着现代主义的兴起，艺术家们开始挑战传统规范，不断探索全新的表达形式。慕尼黑作为当时的艺术与文化中心，在这一运动中扮演了举足轻重的角色。通过参与“Sturmfackel”以及新慕尼黑分离派（Neue Münchener Secession）等艺术团体，魏斯格伯被置于这场艺术变革的风暴中心。
他的作品深刻反映了那个时代的焦虑与不确定性——那是一种在飞速变迁的世界中，关于流离失所、疏离感以及对生命意义之渴求的写照。尽管他的艺术生涯相对短暂，但魏斯格伯留下了大量重要的艺术遗产，至今仍持续受到艺术史学家与收藏家的研究与推崇。他的画作为我们窥见20世纪初德国的艺术图景提供了一个珍贵的窗口，见证了他的才华、远见以及那经久不衰的艺术生命力。
