更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 79 件 阿尔伯特·冯·凯勒 作品收录于我们的目录中
简而言之
The Midnight Dance (1876) 是阿尔伯特·冯·凯勒最受瞩目的画作。 随后，目光会移向 In the moonlight (1894) 和 Portrait of a Standing Lady with Fan (1871)。 在 阿尔伯特·冯·凯勒 的 79 件作品中，这 72 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Created in 1876, this work reflects a fascination with the unseen forces that govern human behavior. The scene moves beyond a simple genre study to touch upon the subconscious. The dancers appear to be caught in a trance, their movements dictated by something more profound than mere music. This sense of psychological depth is felt in the way the figures interact with the dark, wooded environment. The presence of the…
The painting presents a nude female figure suspended from a wooden structure. Her body is oriented vertically, with arms outstretched and the head tilted backward. This posture creates an elongated silhouette against a dark, textured background. The lighting is directional, casting strong shadows that define the contours of the anatomy and the edges of the wooden beams. The color palette relies heavily on cool tones, specifically shades of blue and…
The artwork titled Portrait of a Standing Lady with Fan is a work by the artist Albert Von Keller. This portrait of a woman captures a solitary figure in a moment of stillness. It was painted in 1871.
In "For the Audience" by Albert Von Keller, the viewer is invited into a quiet, monochromatic space through a frontal perspective. The composition is centered around a large, ornate doorway or portal, which acts as the primary architectural anchor. This threshold is framed by massive, classical columns and pilasters that provide a sense of structural weight and depth. The entire scene is rendered in a strictly grayscale palette, relying on…
The painting presents a horizontal, panoramic scene of human figures in a state of continuous motion. Rendered in a monochromatic palette of black, grey, and white, the work avoids color to focus on the interplay of light and shadow. The figures appear to emerge from a deep, dark void, their forms defined by a chiaroscuro effect where light seems to emanate from the bodies themselves. The brushwork is thick and…
The gaze of Frau Catore meets us from within the 1871 oil on canvas, a full-length vertical portrait that captures her in a moment of quiet, dignified presence. In this work, the artist Albert Von Keller presents his subject with a formal poise that commands the space. She stands in a three-quarter pose, her figure centered against a dark, indeterminate void that pushes her presence toward the viewer. There is…
The scene unfolds within the quiet, private confines of a domestic space in Musical Entertainment. This work by Albert Von Keller captures a fleeting moment of intimacy, where the soft light catches the voluminous folds of a woman's gown as she sits poised in her chair. A man stands nearby, his profile etched against the shadows, while another figure lingers in the mid-ground, perhaps lost in the melody of an…
A three-quarter profile view captures a young woman emerging from a deep, atmospheric shadow. Rendered in a monochromatic, grayscale palette, the portrait emphasizes the interplay of light and shadow across her delicate features. She gazes toward the viewer's left with a serene, contemplative expression, her presence defined by the soft, directional light hitting her face and neck. The composition relies on a tension between the vertical lines of her high-collared…
The oil painting titled Resting nymph with satyr was created by the artist Albert Von Keller. This work dates to 1869. The composition depicts a mythological scene involving a female figure and a male figure within a shaded landscape.
The Actress Mimi Cramer is a portrait painted by Albert Von Keller in 1874. The subject of this work is the actress Mimi Cramer, captured in a moment of stillness. This oil on canvas work resides within the collection of the Lenbachhaus.
Raising of the Daughter of Jairus1877 · 巴伐利亚州绘画收藏馆
12
Lady reading1876 · 巴伐利亚州绘画收藏馆
13
Andromeda1876 · 巴伐利亚州绘画收藏馆
14
Irene von Keller, the Wife of the Artist1879 · 巴伐利亚州绘画收藏馆
15
Study of a Female Corpse1885 · 巴伐利亚州绘画收藏馆
16
Mystic Healing of the Sick1885 · 巴伐利亚州绘画收藏馆
17
Raising of the Daughter of Jairus1885 · 巴伐利亚州绘画收藏馆
18
Study of a Girl's Corpse1885 · 巴伐利亚州绘画收藏馆
19
Empress Faustina in the Temple of Juno at Praeneste1881 · 巴伐利亚州绘画收藏馆
20
Awakening of the Daughter of Jairus1881 · 巴伐利亚州绘画收藏馆
21
Portrait of a Woman1882
22
The Little Parisienne1882 · 巴伐利亚州绘画收藏馆
23
Self portrait of Albert von Keller as a young man1880 · 巴伐利亚州绘画收藏馆
24
Irene von Keller with Son Balthasar1888 · 伦巴赫美术馆
25
The Judgment of Paris1891 · 伦巴赫美术馆
26
In the Salon1886 · 巴伐利亚州绘画收藏馆
27
The Artist's Son as a Child1889 · 巴伐利亚州绘画收藏馆
28
Irene von Keller, the Wife of the Artist1888 · 巴伐利亚州绘画收藏馆
29
The Transfer of the Corpse from La Tour d'Auvergne1889 · 巴伐利亚州绘画收藏馆
30
Somnambulist1886 · 巴伐利亚州绘画收藏馆
31
Irene von Keller, the Wife of the Artist1888 · 巴伐利亚州绘画收藏馆
32
"witch sleep", Burning a witch1888
33
Madame La Suire1887 · 苏黎世艺术馆
34
Irene von Keller, the Wife of the Artist1896 · 巴伐利亚州绘画收藏馆
35
Im Mondschein1894
36
Irene von Keller, the artist's wife1896 · 巴伐利亚州绘画收藏馆
37
Eusapia Palladino1904 · 伦巴赫美术馆
38
Son of the artist in uniform1899 · 巴伐利亚州绘画收藏馆
39
Similarity of a Child1906 · Východoslovenské Galéria
40
Irene von Keller on the Deathbed1907 · 巴伐利亚州绘画收藏馆
41
Parisian1910 · 巴伐利亚州绘画收藏馆
42
Countess Lily Alberti1913 · 巴伐利亚州绘画收藏馆
43
Girl carrying a boar´s headRegional Gallery in Liberec
44
Faun and Nymph1869 · 巴伐利亚州绘画收藏馆
45
Faun und Nymph1869
46
Female Nude with Mask1877 · 巴伐利亚州绘画收藏馆
47
Lady in an Armchair1876
48
Walk in the woods (Promenade im Wald)1873 · 巴伐利亚州绘画收藏馆
49
Evening1874
50
Chopin1873 · 新画廊
51
Garden Bench from Villa Wolkonsky in Rome1885 · 巴伐利亚州绘画收藏馆
52
Cypresses1885 · 巴伐利亚州绘画收藏馆
53
Raising of the Daughter of Jairus1880 · 巴伐利亚州绘画收藏馆
54
Hall in the Schloss zu Versailles1880 · 巴伐利亚州绘画收藏馆
55
In the artist's garden1884 · 巴伐利亚州绘画收藏馆
56
Milli Beckmann with Daughter, Paris1883
57
The Little Parisienne1883
58
Milli Beckmann1883
59
Hypnosis at Schrenck Notzing's1885
60
The resurrection of Jairus' daughter1886 · 巴伐利亚州绘画收藏馆
61
Empress Alexandra Fyodorovna of Russia1896
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Lily Disgeistes1895
63
Deutsch Die Tänzerin Madeleine1904 · 新画廊
64
Melancholy
65
Gisela von Wehner1908
66
Gisela von Wehner with Daughter Ilka (also known as Gisela von Wehner mit Tochter Ilka)1906
67
Deutsch Porträt der Frau des Künstlers1887 · 新画廊
68
Irene
69
A Lady
70
Madame von Keller
71
Gallant Scene in the Park
72
Study of five female nudes
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 6 家博物馆。
| 博物馆 | 城市 | 阿尔伯特·冯·凯勒 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 38 | Portrait of a Standing Lady with Fan, For the Audience, Bacchanal |
 伦巴赫美术馆 |
慕尼黑 | 4 | The Actress Mimi Cramer, Irene von Keller with Son Balthasar, The Judgment of Paris |
 新画廊 |
慕尼黑 | 3 | Chopin, Deutsch Die Tänzerin Madeleine, Deutsch Porträt der Frau des Künstlers |
 苏黎世艺术馆 |
苏黎世 | 1 | Madame La Suire |
 Východoslovenské Galéria |
科希采 | 1 | Similarity of a Child |
 Regional Gallery in Liberec |
利贝雷茨 | 1 | Girl carrying a boar´s head |
选择一个年代，探索定义该时代的原创杰作。
The painting presents a horizontal, panoramic scene of human figures in a state of continuous motion. Rendered in a monochromatic palette of black, grey, and white, the work avoids color to focus on the interplay of light and shadow. The figures appear to emerge from a deep, dark void, their forms defined by a chiaroscuro effect where light seems to emanate from the bodies themselves. The brushwork is thick and…
Created in 1876, this work reflects a fascination with the unseen forces that govern human behavior. The scene moves beyond a simple genre study to touch upon the subconscious. The dancers appear to be caught in a trance, their movements dictated by something more profound than mere music. This sense of psychological depth is felt in the way the figures interact with the dark, wooded environment. The presence of the…
The stillness of the scene is immediate in Study of a Female Corpse. Created about 1885, this work by Albert Von Keller presents a nude female figure in a state of death. The subject lies supine, her body surrendered to the weight of gravity and the quietude of the end. There is a profound sense of finality in the way the form rests against the surface, a moment frozen in…
The painting presents a nude female figure suspended from a wooden structure. Her body is oriented vertically, with arms outstretched and the head tilted backward. This posture creates an elongated silhouette against a dark, textured background. The lighting is directional, casting strong shadows that define the contours of the anatomy and the edges of the wooden beams. The color palette relies heavily on cool tones, specifically shades of blue and…
This portrait, titled Eusapia Palladino, was painted by Albert Von Keller about 1904. It presents a focused study of the Italian spiritualist physical medium, Eusapia Palladino, capturing her in a moment of intense, direct presence. The work reflects a period in the artist's career when his interests moved toward the psychological and the unseen, a fascination that deeply informed his approach to portraiture.
The Midnight Dance (1876)。紧随其后的是 In the moonlight (1894) 和 Portrait of a Standing Lady with Fan (1871)。
32岁：The Midnight Dance创作于1876年，阿尔伯特·冯·凯勒出生于1844年。
The Midnight Dance, In the moonlight, Portrait of a Standing Lady with Fan, For the Audience, Bacchanal, Portrait of Frau Catore, Musical Entertainment, Portrait of a lady, Resting nymph with satyr 及 The Actress Mimi Cramer。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 79 件 阿尔伯特·冯·凯勒 的作品，创作年代从 1868 年至 1913 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 伦巴赫美术馆 (慕尼黑) 及 新画廊 (慕尼黑)。上方的博物馆列表列出了所有相关机构。
在 1880s 期间：本页 72 件作品中有 29 件创作于该时期，其中包含 Study of a Female Corpse 件作品。
在本页面中，最早的作品创作于 Bacchanal (1868)，最晚的创作于 Countess Lily Alberti (1913)。
Woman (33), Portrait (14) 及 Shadows (9)，共计 72 件作品。
Oil On Canvas，共计 25 件（本页共有 72 件作品）。
Portrait of a Standing Lady with Fan, For the Audience 及 Bacchanal：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 38 件作品。
阿尔伯特·冯·凯勒 (1844–1920) 是德国艺术史上一个独一无二的人物——他是一位将写实主义的严谨精准与对心理学及象征主义日益增长的痴迷完美融合的画家。他出生于瑞士盖斯一个充满知识传统的家庭，早年生活被一种自律的好奇心所刻画。虽然他的父亲是一位法学教授，赋予了他严谨的思维方式，但最终定义他命运的却是对视觉表达的追求。尽管他最初在慕尼黑大学学习法律，但艺术的召唤却让他无法抗拒，促使他放弃法庭转向画室，并在那里度过了余生，去探索人类生存状态的深邃本质。
他的正式训练是在著名的慕尼黑美术学院，在阿瑟·冯·拉姆伯格的指导下开始的。正是在这里，凯勒掌握了精湛的解剖学精准度，尤其是通过那些挑战当时社会规范的、具有争议性的裸体研究。然而，这种技术基础仅仅是他演进的开始。随着他在意大利、法国、英国和荷兰的广泛旅行，凯勒吸收了印象派的光影特质和日本主义的细腻美学。然而，与许多为了追求纯粹光影而放弃结构的同辈不同，凯勒始终与德国浪漫主义传统保持着坚定的联系，在可观察的世界与不可见的心理状态之间架起了一座独特的风格桥梁。
冯·凯勒真正的才华在于他能够赋予肖像画和风俗画一种近乎令人心悸的情感共鸣。他成为了慕尼黑分离派的重要人物，这一运动旨在突破传统艺术的边界。他的作品经常以女性形象为主题，其笔触在空灵与真实之间摇摆。或许没有任何主题能像他的妻子伊琳娜·冯·艾希塔尔那样，成为他创作精神的核心。他们的伴侣关系一直持续到她1907年去世，这段关系成为了他深邃的灵感缪斯；他最终为她创作了四十多幅肖像画，捕捉到的不仅是她的外在优雅，更是她性格的精髓。
在诸如 Deutsch Porträt der Frau des Künstlers 这样的杰作中，人们可以见证他的技术造诣。他运用强烈的对比——例如洁白的蕾丝长裙与深沉如天鹅绒般的深红背景——来创造一种戏剧性的深度感。这种对光影的掌控使他能够通过纹理与色调的无声对话来引导观众的视线。他描绘石头触感或织物细腻褶皱的能力，服务于一个更高的目标：将他那些更具象征意义和心理学色彩的主题，植根于一种无可置疑的现实存在感之中。
随着职业生涯的推进，冯·凯勒的兴趣转向了神秘领域。1886年，他成为了慕尼黑心理学会的成员，这是一个在阿尔伯特·冯·施伦克-诺青指导下致力于超自然现象研究的团体。这一时期标志着他作品集的迷人转变，他开始将超心理学母题和催眠主题融入构图之中。像 Hypnosis at Schrenck Notzing's 这样的作品展示了这种转型，将写实主义的沉稳色调与未知事物带来的不安张力融合在一起。他探索了脆弱、疾病和潜意识的主题，经常将这些现代心理学探究与古典基督教象征主义联系起来。
他在巴黎沙龙上凭借 Roman Bath 取得的国际突破，巩固了他作为具有极强氛围感敏感度的画家的地位，并被拿来与莫奈和雷诺阿等大师相提并论。然而，真正确立其历史地位的，是他驾驭人类心灵阴影的能力。通过将以下元素交织在一起，他创造了一份对研究19世纪晚期艺术至关重要的遗产：
今天，阿尔伯特·冯·凯勒的作品作为一个深刻的提醒，让我们回想起那个艺术正从描绘外部现实向探索内在真理过渡的时代。他始终是一位开拓者，敢于窥视皮肤表象之下，去寻找内在的灵魂。
