更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 165 件 阿伯特·赛耶 作品收录于我们的目录中
简而言之
在 阿伯特·赛耶 留下的所有原作中，最著名的作品是 The Sisters, (painting) (1884)。 紧随其后的是 Diana, (painting) (1896) 和 Nantucket Sand Dune (1890)。 我们的目录收录了 阿伯特·赛耶 的 165 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
The Sisters, (painting) is an oil on canvas created by Abbott Handerson Thayer in 1884. The work captures two figures, Bessie Stillman and Clara Stillman, caught in a moment of quiet proximity. They are positioned within a doorway, their forms defined by the soft light of a studio setting. The portrait was commissioned by their brother, the banker James Stillman, for his own private collection.
This 1896 portrait presents a grayscale depiction of a woman, likely representing the goddess Diana. Rendered in a soft, atmospheric style, the work focuses on the interplay of light and shadow to define form rather than relying on sharp detail. The subject is captured in a classic three-quarter pose, positioned slightly off-center against a dark, undefined background that creates a sense of depth through chiaroscuro.
Nantucket Sand Dune is a landscape painting of a beach. The work is attributed to Abbott Handerson Thayer, though closer study identifies the artist as Charles Morgan McIlhenney. This oil on canvas piece dates to about 1890. The composition focuses on the coastal geography of Nantucket, Massachusetts.
In this 1920 self-portrait, we are invited into a quiet, intense confrontation with the artist himself. The subject, a bald man, meets our eyes with a steady, unblinking gaze that feels deeply personal. There is a certain ruggedness to the way the light falls across his features, catching the brow and the ridge of the nose while casting the rest of his face into a heavy, contemplative shadow. It is…
There is a certain weight to the way this tiger meets your gaze. Painted around 1874, this oil on canvas presents a portrait that feels less like a study of an animal and more like an encounter with a living consciousness. The tiger's head emerges from a dark, indeterminate background, a choice that forces the viewer to confront the subject without the distraction of a landscape or a cage. The…
Abbott Handerson Thayer’s 1881 portrait of Mrs. William F. Milton stands as a testament to the artistic sensibilities of late Victorian England—specifically, the burgeoning movement known as Aestheticism. More than just a likeness, it's an exquisitely crafted visual meditation on beauty, dignity, and societal expectations, reflecting the influence of classical art and a desire for elevated craftsmanship.
The painting Angel by Abbott Handerson Thayer captures a moment of profound stillness. Created in 1887, this work presents a figure that seems to exist between the earthly and the divine. The subject is a portrait of the artist's daughter, Mary, who appears here at eleven years of age. She gazes out from the canvas, her presence carrying a quiet weight that anchors the entire composition.
In Sleep, Abbott Handerson Thayer presents a quiet, intimate scene of childhood. The oil painting, created about 1877, focuses on a young boy resting in bed. He is captured in a state of peaceful slumber, his form settled deeply into his bedding. Beside him lies a teddy bear, a small companion that adds a sense of comfort to the private moment. This subject matter reflects a gentle, sentimental view of…
The oil on canvas titled Young Woman in Fur Coat is a work by Abbott Handerson Thayer. Created about 1910, the painting captures a female figure in a moment of stillness. The subject is draped in a dress and a heavy fur accessory that anchors the composition.
In the quietude of 1877, Abbott Handerson Thayer captures a moment of profound stillness in his work titled Sleep, (painting). The scene unfolds with a gentle intimacy, centering on the theme of childhood innocence and the deep, undisturbed rest of youth. Every brushstroke seems to hold its breath, preserving a sense of peace that feels as though it might be broken by the slightest sound.
Landscape at Fontainebleau Forest1876
12
Mary1885 · 史密森尼美国艺术博物馆
13
Fisherman Mending Nets1883 · High Museum of Art
14
Mother and Child1886 · Rhode Island School of Design Museum of Art
15
Hebe1890 · 克利夫兰艺术博物馆
16
Hebe, (painting)1890
17
Oil Sketch of a Young Boy1895 · 波士顿美术馆
18
Caritas1895 · 波士顿美术馆
19
Portrait of Bessie Price1897
20
Caritas, (painting)1895
21
Red Flamingoes1905
22
The Angel1903 · 波士顿美术馆
23
Angel1901 · 哈佛艺术博物馆
24
Study of Alma Wollerman, (painting)1908
25
Male Wood Duck in a Forest Pool, study for book Concealing Coloration in the Animal Kingdom1909 · 史密森尼美国艺术博物馆
26
Boy and Angel1918 · 布法罗 AKG 艺术博物馆
27
Abbott Handerson Thayer (a Self Portrait), (painting)1918 · 国家博物馆
28
Mount Monadnock1915 · Fogg Art Museum
29
Portrait of a woman1898 · 国家博物馆
30
Male Wood Duck in a Forest Pool1905
31
Roses1890 · 史密森尼美国艺术博物馆
32
Mount Monadnock1918 · 洛杉矶县立艺术博物馆
33
Girl Arranging Her Hair1918
34
Half Draped Figure1885 · 史密森尼美国艺术博物馆
35
Girl in White (also known as Margaret Greene)1888 · 波士顿美术馆
36
Winged Figure1889 · 芝加哥艺术学院
37
Sketch of Monadnock Mountain1897 · 底特律艺术学院
38
(Picking up the Scent), (painting)1870
39
Mount Monadnock1914 · 国家美术馆
40
The Light of the "Smudge" and After Sunset Glow: Row Song at Chateaugay1874 · 哈佛艺术博物馆
41
The Light of the Smudge and the After Sunset Glow Row Song at Chateaugay, (painting)1874
42
Chadwick.s Dog1874
43
Tiger's Head1874
44
Sphinx Caterpillar, study for book Concealing Coloration in the Animal Kingdom1885 · 史密森尼美国艺术博物馆
45
Lunar Caterpillar, study for book Concealing Coloration in the Animal Kingdom1885 · 史密森尼美国艺术博物馆
46
Heterocampa Biundata, Walker, study for book Concealing Coloration in the Animal Kingdom1885 · 史密森尼美国艺术博物馆
47
Portrait of a Woman (Gertrude Bloede), (painting)1881
48
Jessie Jay Burge, (painting)1880
49
Half Draped Figure1885
50
Waterlilies1884
51
The Garden1884
52
Still Life with Rhododendron1886 · 印第安纳波利斯艺术博物馆
53
Roses1890
54
Little Girl with Flowers, (painting)1890
55
Virgin Enthroned1891 · 史密森尼美国艺术博物馆
56
A Study of an Old Woman1890
57
Flower Studies1886
58
Flower Studies1886 · 史密森尼美国艺术博物馆
59
Virgin Enthroned1891
60
Brother and Sister (Mary and Gerald Thayer)1889 · 史密森尼美国艺术博物馆
61
Minerva in a Chariot1894 · 史密森尼美国艺术博物馆
62
A Bride, (painting)1895 · 史密森尼美国艺术博物馆
63
Woman in Grecian Gown1894
64
Bessie Price, (painting)1897
65
My Children (also known as Mary, Gerald, and Gladys Thayer)1897 · 史密森尼美国艺术博物馆
66
Cornish Headlands1898
67
Minerva in a Chariot1894
68
Dublin Pond, New Hampshire1894
69
My Children (Mary, Gerald, and Gladys Thayer)1897
70
A Bride1895
71
A Winged Figure1904
72
Mount Monadnock, (painting)1903
73
Thayer's Mountain, (painting)1903
74
Portrait of a Lady (also known as Mrs. William B. Cabot)1900
75
Portrait of a Lady (Mrs. William B. Cabot)1902 · 史密森尼美国艺术博物馆
76
Stevenson Memorial1903
77
Winter, Monadnock1900 · 史密森尼美国艺术博物馆
78
Margaret MacKittrick1903 · 印第安纳波利斯艺术博物馆
79
Roseate Spoonbills1905 · 史密森尼美国艺术博物馆
80
The Sky Simulated by White Flamingoes1905 · 史密森尼美国艺术博物馆
81
Peacock in the Woods1907
82
Sunset1905
83
Portrait of a GirlRhode Island School of Design Museum of Art
84
An Angel密尔沃基艺术博物馆
85
Sunrise, San Remo1909 · Vanderbilt Museum of Art
86
Portrait of a LadyVanderbilt Museum of Art
87
Girl in White, (painting)
88
Child, (painting)
89
Young Girl, (painting)
90
Girl's Head, (painting)
91
Female Nude, (painting)
92
Young Woman in Fur Coat, (painting)1910
93
Girl Fixing Her Hair, (painting)1909
94
Roseate Spoonbill, study for book Concealing Coloration in the Animal Kingdom, (painting)1909
95
A Woman with a Fur-Lined Hood1908
96
Study of Alma Wollerman1908
97
Red Flamingoes, study for book Concealing Coloration in the Animal Kingdom, (painting)1909
98
The Sky Simulated by Red Flamingoes, study for book Concealing Coloration in the Animal Kingdom), (painting)1909
99
Blue Jays in Winter, study for book Concealing Coloration in the Animal Kingdom1909 · 史密森尼美国艺术博物馆
100
The Sky Simulated by White Flamingoes study for book, Concealing Coloration in the Animal Kingdom1909
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 阿伯特·赛耶 的作品 | 此列表中的画作 |
|---|---|---|---|
 史密森尼美国艺术博物馆 |
华盛顿特区 | 41 | Nantucket Sand Dune, Tiger's Head, Angel |
 波士顿美术馆 |
波士顿 | 6 | Oil Sketch of a Young Boy, Caritas, The Angel |
| Vanderbilt Museum of Art | 纳什维尔 | 3 | Sunrise, San Remo, Portrait of a Lady |
 Rhode Island School of Design Museum of Art |
普罗维登斯 | 2 | Mother and Child, Portrait of a Girl |
 哈佛艺术博物馆 |
剑桥 | 2 | Angel, The Light of the "Smudge" and After Sunset Glow: Row Song at Chateaugay |
 国家博物馆 |
斯德哥尔摩 | 2 | Abbott Handerson Thayer (a Self Portrait), (painting), Portrait of a woman |
 印第安纳波利斯艺术博物馆 |
印第安纳波利斯 | 2 | Still Life with Rhododendron, Margaret MacKittrick |
 大都会艺术博物馆 |
纽约 | 2 | Mrs. William F. Milton |
选择一个年代，探索定义该时代的原创杰作。
There is a certain weight to the way this tiger meets your gaze. Painted around 1874, this oil on canvas presents a portrait that feels less like a study of an animal and more like an encounter with a living consciousness. The tiger's head emerges from a dark, indeterminate background, a choice that forces the viewer to confront the subject without the distraction of a landscape or a cage. The…
The Sisters, (painting) is an oil on canvas created by Abbott Handerson Thayer in 1884. The work captures two figures, Bessie Stillman and Clara Stillman, caught in a moment of quiet proximity. They are positioned within a doorway, their forms defined by the soft light of a studio setting. The portrait was commissioned by their brother, the banker James Stillman, for his own private collection.
This 1896 portrait presents a grayscale depiction of a woman, likely representing the goddess Diana. Rendered in a soft, atmospheric style, the work focuses on the interplay of light and shadow to define form rather than relying on sharp detail. The subject is captured in a classic three-quarter pose, positioned slightly off-center against a dark, undefined background that creates a sense of depth through chiaroscuro.
In this 1905 oil on canvas, we find ourselves observing a group of red flamingos positioned in the foreground. The birds are rendered with long, slender necks and legs that lend them a singular, almost otherworldly presence. There is a quiet energy in their arrangement, a sense of movement captured in a moment of stillness. The background remains subtle, suggesting a natural setting without drawing the eye away from the…
The oil on canvas titled Young Woman in Fur Coat is a work by Abbott Handerson Thayer. Created about 1910, the painting captures a female figure in a moment of stillness. The subject is draped in a dress and a heavy fur accessory that anchors the composition.
In this 1920 self-portrait, we are invited into a quiet, intense confrontation with the artist himself. The subject, a bald man, meets our eyes with a steady, unblinking gaze that feels deeply personal. There is a certain ruggedness to the way the light falls across his features, catching the brow and the ridge of the nose while casting the rest of his face into a heavy, contemplative shadow. It is…
The Sisters, (painting) (1884)。紧随其后的是 Diana, (painting) (1896) 和 Nantucket Sand Dune (1890)。
35岁：The Sisters, (painting)创作于1884年，阿伯特·赛耶出生于1849年。
The Sisters, (painting), Diana, (painting), Nantucket Sand Dune, Abbott Handerson Thayer Self-Portrait, Tiger's Head, Mrs. William F. Milton, Angel, Sleep, Young Woman in Fur Coat 及 Sleep, (painting)。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 165 件 阿伯特·赛耶 的作品，创作年代从 1870 年至 1920 年。
多见于 史密森尼美国艺术博物馆 (华盛顿特区), 波士顿美术馆 (波士顿) 及 Vanderbilt Museum of Art (纳什维尔)。上方的博物馆列表列出了所有相关机构。
在 1900s 期间：本页 100 件作品中有 27 件创作于该时期，其中包含 Red Flamingoes 件作品。
在本页面中，最早的作品创作于 (Picking up the Scent), (painting) (1870)，最晚的创作于 Abbott Handerson Thayer Self-Portrait (1920)。
Woman (12), Portrait (11) 及 Skin (6)，共计 100 件作品。
Oil On Canvas，共计 32 件（本页共有 100 件作品）。
根据本页面的原作，Impressionism
Nantucket Sand Dune, Tiger's Head 及 Angel：史密森尼美国艺术博物馆, 华盛顿特区收藏了本页中 21 件作品。
