纸张

学生作品指南

NUD CYCLADIC 7

姓名 班级 日期

Sarah Lucas, NUD CYCLADIC 7 (2010), Arts Council Collection. 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

基本信息

艺术家
Sarah Lucas originaluniqueart.com/zh/artists/sarah-lucas/
艺术家生卒年
1962 –
绘画
2010
原尺寸
47 x 44 cm
举办地点
Arts Council Collection originaluniqueart.com/zh/museums/arts-council-collection-lun-dun_zh/

语境中

NUD CYCLADIC 7 — Sarah Lucas

尺寸大小

原件尺寸为 47 × 44 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此作创作于何时?

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

上行:年份;下行:艺术家在各时间段起始及结束时的年龄(出生为0岁)。

创作于艺术家 48 岁时。 10 在我们目录中该艺术家的 11 件有明确日期的作品中,早于此件的作品。

▲ 此作,2010 每一幅带有日期的画作,按年代编排

早期作品:至 1996 主要执业年份:1996–2006 晚期作品:始于 2006

这三个阶段将本目录中已有明确日期的作品划分为第一季度、中期及最后季度。这些时期并不代表艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

对比相似作品

  • Perceval, 2006 originaluniqueart.com/zh/art/sarah-lucas-perceval-D7ED5L-en/
  • Perceval, 2006 originaluniqueart.com/zh/art/sarah-lucas-perceval-D7EC85-en/
  • Pauline Bunny originaluniqueart.com/zh/art/sarah-lucas-pauline-bunny-D3UBG4-en/

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:originaluniqueart.com/zh/art/similar/sarah-lucas-nud-cycladic-7-D4JUG5-en/

配色方案

图像测量值

    主色调

    Gray #8a7b5f

    已收藏色板

    • #8A7B5F
    • #524D45
    • #E2E1E1
    • #C1BCB0

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    色调
    Neutrals 图像中的主导色系。
    主色名称
    Gray
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Sarah Lucas 的每一件作品 —— 总计涵盖 2 个国家。 数据来源说明

    十大领先国家

    1. 1 中国 66.7%
    2. 2 香港 33.3%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Sarah Lucas 最受关注的 6 件作品

    1. 1 Self Portrait with Fried Eggs, 1996 42.9%
    2. 2 Pauline Bunny 14.3%
    3. 3 Human Toilet Revisited, 1998 14.3%
    4. 4 Chicken Knickers, 1997 14.3%
    5. 5 Charlie (I Am Sorry), 2002 14.3%
    6. — NUD CYCLADIC 7, 2010 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 100.0%。该目录收录了 12 件该艺术家的作品,其中 5 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录,因此在列表中不显示排名。 每月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Sarah Lucas

    出生于 London, United Kingdom

    A Provocative Visionary: The World of Sarah Lucas

    Sarah Lucas emerged as a defining voice in British art during the dynamic 1990s, becoming synonymous with the era’s Young British Artists (YBAs). Born in London in 1962, her artistic journey was far from conventional. Leaving formal education at sixteen, she later pursued studies at The Working Men's College, London College of Printing, and Goldsmiths College – institutions that would prove pivotal in shaping her distinctive approach. It was at Goldsmiths, graduating with a Fine Art degree in 1987, that Lucas truly began to forge the path toward an artistic practice characterized by its unflinching honesty, provocative nature, and often unsettling humor. Her work doesn’t simply depict reality; it dissects it, reassembling fragments of everyday life into challenging and thought-provoking statements about identity, sexuality, and British culture itself.

    Deconstructing Norms: Themes and Techniques

    Lucas's artistic language is remarkably diverse, encompassing sculpture, photography, collage, and the appropriation of found objects. However, a recurring motif—and perhaps her most recognizable signature—is the use of furniture as surrogates for the human body. This isn’t merely about representation; it’s about subversion. By transforming mundane items like mattresses, buckets, and chairs into suggestive forms, often imbued with crude genital references, Lucas challenges conventional depictions of the body and forces viewers to confront their own preconceived notions about sexuality and gender. She doesn't shy away from the visceral or the uncomfortable, instead embracing a deliberately provocative aesthetic that demands attention. This willingness to engage with taboo subjects is further amplified by her integration of elements from tabloid culture and popular imagery, blurring the lines between high art and low culture in a way that feels both jarring and strangely compelling. Au Naturel (1994), for example, exemplifies this approach—an assemblage of everyday objects arranged to evoke bodily forms, simultaneously humorous and deeply unsettling. Her self-portraits, such as the starkly honest Human Toilet Revisited (1998), are equally impactful, exploring vulnerability and challenging societal norms with a disarming directness.

    Key Moments and Artistic Evolution

    Lucas’s ascent within the art world was marked by several key moments. Her inclusion in Freeze (1988)—the seminal group exhibition that launched the careers of many YBAs, including Damien Hirst and Gary Hume—signaled her arrival as a force to be reckoned with. This was followed by the co-organization of East Country Yard Show (1990) with Henry Bond, providing a platform for early explorations of her artistic vision. Her first solo exhibitions, The Whole Joke and Penis Nailed to a Board (both 1992), firmly established her provocative style, while later works like Bitch (1995) and The Fag Show (2000)—the latter utilizing cigarettes as both material and metaphor—further cemented her reputation for challenging artistic boundaries. A significant milestone came in 2013 with a comprehensive retrospective at the Whitechapel Gallery, offering a sweeping overview of her career to date. Perhaps her most prestigious achievement arrived in 2015 when she represented Britain at the 56th Venice Biennale with Scream Daddio, showcasing her continued relevance on the international stage.

    Influences and Legacy

    Lucas’s artistic lineage is complex, drawing inspiration from a diverse range of sources. The readymades of Marcel Duchamp are clearly evident in her appropriation of everyday objects, while feminist artists like Judy Chicago, Hannah Wilke, Cindy Sherman, and Rachel Whiteread have undoubtedly influenced her exploration of the female body and societal expectations. However, Lucas actively resists easy categorization, preferring to challenge conventions and disrupt established power dynamics rather than align herself with any single movement or ideology. Her fearless gaze and appropriation of masculine symbols contribute to a unique artistic language that questions norms and celebrates the absurdities of everyday life.

    Her work often explores themes of sexuality, gender, and Englishness.

    She frequently uses humor and irony to address sensitive subjects.

    Lucas’s legacy lies in her ability to provoke thought and challenge perceptions.

    Sarah Lucas remains a significant figure in contemporary British art, continuing to push boundaries and inspire new generations of artists with her uncompromising vision and unwavering commitment to artistic freedom. Her impact extends beyond the confines of the art world, sparking conversations about identity, representation, and the very nature of contemporary culture.

    博物馆

    Arts Council Collection

    展出于 伦敦, 英国

    活着的传承:英国创造力的脉动

    邂逅

    Arts Council Collection

    ,便如同步入了一段充满活力、呼吸生动的英国艺术演进史。不同于那些将杰作禁锢在如堡垒般静谧且凝滞的传统博物馆馆舍中的机构,这一收藏群以“无墙博物馆”的形式存在。它诞生于 194

    46

    年战后紧缩时期那充满变革的阴影中,其初衷不仅是作为一个供人审美沉思的艺术宝库,更是作为文化生命力的活跃载体。其精髓在于“流动”;它是一场经过精心策划的灵感循环,为整个英国境内的大学、医院和公共建筑注入了艺术的灵魂。这种民主化的理念确保了卓越的艺术品绝不会与公众隔绝,而是成为了社区景观中不可或缺的一部分,从而培养了人们对定义了这个国家的创造精神的深厚认同。

    这段收藏史是一场关于深刻成长与远见卓识的旅程。起初,它只是早期委员会遗赠的一批规模有限的画作,而如今已发展成为一座宏伟的艺术殿堂,拥有来自 2,000 多位艺术家的近 8,000 件作品。这一庞大的档案库堪称二十世纪与二十一世纪的编年史,捕捉了社会价值观的变迁以及视觉语言的激进变革。对于收藏家或艺术爱好者而言,这里提供了一个窥探英国现代主义灵魂的绝佳窗口,其脉络清晰地勾勒出从

    Francis Bacon

    那充满张力且深邃的心理深度,到

    David Hockney

    那明亮、洒满阳光的风景画之间的艺术传承。在这里,

    Henry Moore

    雕塑那厚重的纪念碑感,与

    Lucian Freud

    肖像画中那毫不避讳、富有肌理感的亲密性交织在一起,创造出一种超越时间的形态与情感的对话。

    创新与当代先锋

    Arts Council Collection 真正脱颖而出之处,在于它对当代艺术与新兴力量那无畏的拥抱。它并不只是带着怀旧之情回望过去,而是通过诸如

    Frieze Acquisition Fund(弗里兹收购基金)

    等具有远见卓识的计划,积极塑造着艺术的未来。通过赋能策展人从享誉盛名的伦敦 Frieze 艺术博览会中购入具有开创性的作品,该收藏群确保了下一代的艺术声音能够编织进英国文化遗产的永久织锦之中。这种对创新的承诺意味着,无论是参观者,还是那些受其作品启发进行室内空间策展的设计师,总能邂逅雕塑、摄影、影像及装置艺术的最前沿。这一收藏群在张力与发现中蓬勃生长,经常呈现出具有挑战性或争议性的作品,从而引发思考并激发辩论。

    除了其物理馆藏之外,该机构的影响力还通过成熟的巡回展览计划和全球合作伙伴关系得到了进一步放大。通过与

    Coventry Biennial(考文垂双年展)

    等机构的合作,该收藏群深入探讨了城市身份与社区拓展的主题,将精选的卓越艺术带到了远超伦敦中心枢纽的地区美术馆。这种开放的精神通过与

    Google Arts & Culture(谷歌艺术与文化)

    的合作伙伴关系进一步延伸至数字领域,让全球观众都能在世界的任何角落漫步于这些瑰宝之间。对于寻求唤起精致现代主义感的室内设计师,或是追溯艺术脉络的学者而言,Arts Council Collection 始终是一个蕴含深邃美感与严谨智性的无穷源泉。

    更多阅读资讯

    在线查看详情

    链接至 NUD CYCLADIC 7 下载页面的二维码

    originaluniqueart.com/zh/art/download/sarah-lucas-nud-cycladic-7-D4JUG5-en/

    引用此作品

    MLA
    Lucas, Sarah. NUD CYCLADIC 7. 2010, Arts Council Collection. https://originaluniqueart.com/zh/art/sarah-lucas-nud-cycladic-7-D4JUG5-en/
    APA
    Lucas, Sarah (2010). NUD CYCLADIC 7 [Painting]. Arts Council Collection. https://originaluniqueart.com/zh/art/sarah-lucas-nud-cycladic-7-D4JUG5-en/
    Chicago
    Sarah Lucas. NUD CYCLADIC 7. 2010. Arts Council Collection. https://originaluniqueart.com/zh/art/sarah-lucas-nud-cycladic-7-D4JUG5-en/
    Harvard
    Lucas, Sarah (2010) NUD CYCLADIC 7. Arts Council Collection. Available at: https://originaluniqueart.com/zh/art/sarah-lucas-nud-cycladic-7-D4JUG5-en/

    近距离观察

    NUD CYCLADIC 7 — Sarah Lucas

    细致观赏

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 Perceval (2006)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. Sarah Lucas 在创作此作时大约 48 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    常见问题与解答

    "NUD CYCLADIC 7" 是否属于公有领域作品?

    Sarah Lucas 的《NUD CYCLADIC 7》 的版权说明:该作品属于 仍受版权保护。这决定了是否可以自由进行图像复制。

    Sarah Lucas 的《NUD CYCLADIC 7》 这件作品的色调是明亮的还是深沉的?

    总体而言,"NUD CYCLADIC 7" 的亮度记录为 brilliant。感知亮度描述了作品呈现出的明暗程度。

    Arts Council Collection馆藏作品“NUD CYCLADIC 7”的复制权归属如何?

    《NUD CYCLADIC 7》的原作收藏于Arts Council Collection,该作品属于仍受版权保护。