纸张尺寸

学生作品指南

Left by the Tide

姓名 班级 日期

samuel maurice jones, Left by the Tide, Caernarfon Record Office. 公有领域作品

详情介绍

艺术家
samuel maurice jones originaluniqueart.com/zh/artists/samuel-maurice-jones/
艺术家生卒年份
1853 – 1932
原尺寸
55 x 68 cm
流派/运动
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
举办地点
Caernarfon Record Office originaluniqueart.com/zh/museums/caernarfon-record-office-carnarvon_zh/

语境中

Left by the Tide — samuel maurice jones

尺寸规格

原件尺寸为 55 × 68 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

此画作的创作年代可能为何时?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

阴影:samuel maurice jones 的生卒年 (1853–1932)

此唱片目前尚无确切的年份记录 —— 根据艺术家的生卒年及作品风格,您会推测其属于哪个年代?

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:originaluniqueart.com/zh/art/similar/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

色彩

基于图像测量

    主色调

    Rosy Brown #cdab95

    已收录色板

    • #CDAB95
    • #432F1F
    • #765237
    • #BB8361
    配色方案
    Earthy 图像中的主导色系。
    主色调
    Rosy Brown
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Unified Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Bright 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Balanced Soft 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    samuel maurice jones

    Samuel Maurice Jones (1853 - 1932), Artist

    Samuel Maurice Jones R.C.A. (1853 – 30 December 1932) was a Welsh landscape painter and illustrator, particularly active in North Wales. Working principally in watercolour, Jones made numerous studies and paintings of the fields near Caernarfon and the Conwy Valley. Many of these rural studies have an idealised, pastoral character suggestive of the English picturesque and Romantic landscape traditions originating in the works of John Constable and developed by J.M.W Turner.

    Early Life

    Samuel Maurice Jones was born in Mochdre, a coastal village in north-east Wales near Colwyn Bay. His father, Rev. John Jones, was a Calvinistic Methodist minister. Jones was trained first at the Caernarfon School of Art under the tutelage of John Cambrian Rowland and later, in London where he studied under William Collingwood between 1870 and 1873. Collingwood was an Associate of the Society of Painters in Watercolours and offered Jones a thorough and traditional training in the fundamentals of arts education; schooling him in the importance of line and composition, shading, drawing carefully from nature and drawing from memory.

    The first entry in the study book documenting his lesson with Collingwood on Monday, 11 April 1870, recalls his teachers' words:

    "You must regard your hand as an instrument requiring to be taught how to execute with certainty and freedom, every mental command.'"

    While he was in London, Jones met two figures closely associated with the Pre-Raphaelite Brotherhood: the art critic, John Ruskin, and the painter, Holman Hunt, who reviewed and offered constructive criticism of his work. Shortly afterwards Jones returned to Caernarfon in order to pursue his career as an artist.

    Early Work

    Jones' early sketchbooks attest to the influence of the British Romantic painters, particularly J.M.W. Turner. A small, leather-bound copy book and sketchbook dated 1874 by Jones includes a copy of Turner’s painting Crossing the Brook, exhibited in the National Gallery in 1815. An inscription later in the small notebook reads:

    *The Crossing the Brook is one of those pictures of Turner's which every one admires... The view is taken from the banks of Tamar, that divides Devonshire from Cornwall*.

    It is possible that the first study in the 1874 notebook, a gothic ink study of Caernarfon Castle by moonlight, is modelled on Turner’s painting of

    c. 1798, though Jones may well have brought his first-hand knowledge of the castle to bear on this study.

    Notable Paintings

    Jones' artistic output focused primarily on capturing the beauty of North Wales landscapes. His paintings frequently depict serene valleys and dramatic mountain vistas, imbued with a Romantic sensibility reminiscent of Turner’s masterful use of light and atmosphere. Recurring themes included depictions of Snowdonia National Park and coastal scenes along the Lleyn Peninsula.

    Among his most celebrated works are “Left by the Tide,” an evocative oil painting depicting a shipwreck scene at sunset, and “Maesincla Road near Caernarfon,” which showcases Jones’ ability to convey mood and emotion through subtle tonal variations. His meticulous attention to detail—particularly in capturing the textures of stone and foliage—established him as one of Wales' foremost watercolour artists.

    Legacy

    Samuel Maurice Jones left an indelible mark on Welsh art history. His paintings continue to inspire admiration for their lyrical beauty and technical precision, cementing his place among the Romantic landscape painters who shaped the visual culture of Victorian Britain. He was elected an Associate of the Royal Cambrian Academy in 1882 and became an Academician (R.C.A.) in 1921. He was a regular exhibitor at the Academy’s annual exhibition in Conway.

    Jones' dedication to artistic excellence and his unwavering commitment to portraying the grandeur of Welsh scenery ensured that his legacy would endure for generations to come.

    博物馆

    Caernarfon Record Office

    正在展出于 Carnarvon, United Kingdom

    Caernarfon Record Office: Preserving Gwynedd’s Legacy Through Document and Detail

    The Caernarfon Record Office stands as a cornerstone of Welsh heritage, more than just a repository of parchment and ink—it's a tangible embodiment of centuries past. Located in Victoria Dock, Caernarfon, this unassuming building houses an astonishing collection spanning eleven centuries, offering researchers and enthusiasts alike unparalleled access to the region’s formative narratives.

    A Chronicle Etched in Ink:

    The Archive’s core comprises official documents—deeds, wills, legal proceedings—providing a granular portrait of Gwynedd's governance from Norman conquest through Victorian expansion. These aren’t merely facts; they are whispers of battles fought, treaties negotiated, and lives lived under the watchful gaze of monarchs and revolutionaries.

    Tracing Roots:

    For genealogists captivated by Welsh ancestry, the Record Office presents a treasure trove of resources. Parish registers meticulously documenting births, marriages, and deaths alongside census records illuminate familial connections across generations. Examining estate papers unveils glimpses into social hierarchies and economic realities of bygone eras.

    Visualizing Gwynedd’s Past:

    Beyond textual accounts lie maps—detailed charts charting territorial disputes and agricultural landscapes—and architectural drawings capturing the grandeur of castles like Caernarfon Castle itself. These visual aids transport viewers back in time, fostering a deeper understanding of Gwynedd's evolving physical environment.

    Community Voices:

    Unique collections delve into the lives of specific Gwynedd communities – diaries detailing daily routines, newspapers chronicling local events, and photographs documenting social customs—revealing the vibrant tapestry of Welsh life beyond official records.

    The Record Office’s significance extends far beyond its collection; it's inextricably linked to Caernarfon Castle’s history. Documents unearthed here illuminate the castle’s role in shaping Welsh identity and political discourse, complementing its imposing stone façade with layers of historical context.

    What distinguishes Caernarfon Record Office is its unwavering commitment to conservation—a practice rooted in recognizing that these documents are not merely artifacts but living links to Gwynedd's past. Skilled archivists painstakingly preserve fragile manuscripts and prints, ensuring their stories endure for future generations.

    Visitor Information & Engagement

    Researchers and curious visitors alike are welcomed at Caernarfon Record Office. Dedicated research services cater to scholarly inquiries, while educational visits inspire a passion for Welsh history among younger audiences. Contact them at 01286 679095 to explore scheduling opportunities.

    Beyond the Archives: Exploring Gwynedd’s Artistic Heritage

    While primarily focused on historical documentation, Caernarfon Record Office's location within Gwynedd—a region celebrated for its artistic traditions—offers a serendipitous connection to Welsh art history. Consider visiting Art UK (

    ) to discover artworks inspired by the landscape and culture of Gwynedd, furthering your appreciation for Wales’s multifaceted heritage.

    Further Exploration

    Delve deeper into Welsh artistic expression with a visit to Essex Record Office (

    Connecting Gwynedd’s Past & Present

    Finally, explore Gwynedd County Council Collection (

    更多阅读资讯

    在线获取详情

    链接至 Left by the Tide 下载页面的二维码

    originaluniqueart.com/zh/art/download/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

    引用此作品

    MLA
    jones, samuel maurice. Left by the Tide. n.d., Caernarfon Record Office. https://originaluniqueart.com/zh/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    APA
    jones, samuel maurice (n.d.). Left by the Tide [Painting]. Caernarfon Record Office. https://originaluniqueart.com/zh/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Chicago
    samuel maurice jones. Left by the Tide. n.d. Caernarfon Record Office. https://originaluniqueart.com/zh/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Harvard
    jones, samuel maurice (n.d.) Left by the Tide. Caernarfon Record Office. Available at: https://originaluniqueart.com/zh/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

    细致观察

    Left by the Tide — samuel maurice jones

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 我们的目录将此作品归类于:shipwreck, sunset, beach。您认同吗?您会增加或删除哪些标签?
    4. 回想一下本指南前文提到的 Maesincla Road, near Caernarvon (1889)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. 在这件作品中,哪里可以观察到这一点?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。