学生作品指南
版权所有 此作品仍受版权保护。米兰·科诺维奇 已于 1993 去世；版权在艺术家去世后持续 70 年，因此有效期将一直延续至 2063。此处展示图像仅供教学参考；相关权利仍归权利人所有。
语境中
Harvest — 米兰·科诺维奇
原件尺寸为 115 × 73 厘米（高 × 宽），此处将其与一名平均身高的成年人并列展示。
上行：年份。下行：艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0，去世时为 95。
创作于艺术家 40 岁时。 这位艺术家享年 95。 1 在我们目录中该艺术家的 3 件有明确日期的作品中，早于此件的作品。
阴影：米兰·科诺维奇 的生卒年 (1898–1993) ▲ 此作，1938 每一幅带有日期的画作，按年代编排
从上方作品中任选其一：列出它与此件作品的两个共同点，以及一个不同点。
更多与此作品相媲美的佳作：originaluniqueart.com/zh/art/similar/milan-konjovic-harvest-D5GP3T-en/
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关于此艺术品
Harvest — 米兰·科诺维奇
In 1932, Konjović and his family, his wife Ema and his little daughter Veročka, returned from Paris to Sombor. “I reached such artistic freedom in Paris that the question arose: where next? And when I returned to Sombor, I found myself in different surroundings, instead of the blue mist of the Île-de-France, here I was surrounded by flaming wheat and sunflower fields and I had to start anew,” he stated in April 1984. The painting entitled Harvest is a prototype of his “red period” (1934–1939), painted in “a single go”, inspired by a real landscape which was transposed by the force of a great creative potential in the spirit of his artistic credo: “Create with your own vision, your own motifs, on your own soil.” The lower right part of the painting is dominated by two large stocks of sheaves, a motif which was a lasting inspiration to the artist with its dynamic bundling and archaic authenticity and was an important and indispensable element of his corn fields. “Later, when they were no more, I preferred to paint variations of my earlier paintings which inspired me to create new things,” Konjović used to say. In the middle distance, there are three human figures working, an extremely clear solution, and in the background, the darker horizontal band of foliage with the occasional house and the spires of Sombor has a somewhat calming effect on the composition, only to give way to the sky in the top part of the painting, tumultuous with forceful brushstrokes in a dramatic conflict of light and darkness. “I always gave myself to my work entirely. That is why I did not work every day. Only when I had a feeling here [pointing at his stomac], I had to be tense, and then I could work. That is why there are no bad paintings,” stated Konjović in the spring of 1991, looking at a reproduction of this painting.
艺术家与博物馆
出生于 索姆博尔, 塞尔维亚
milan konjović, a prominent serbian painter, was born on january 28, 1898, in sombor, serbia. his artistic journey began with studies in various countries abroad, which laid the foundation for his diverse style.
konjović's works can be divided into six distinct periods of artistic style, reflecting his eclectic approach to art. this long life's work earned him recognition and a place in the serbian academy of sciences and arts (sanu).
living in paris from 1924 to 1932, konjović was exposed to the vibrant art scene, which significantly influenced his work. this period is marked by a shift towards more expressive and experimental pieces.
oil on board and oil on canvas are among the mediums konjović frequently employed, showcasing his versatility.
his style, though varied, often incorporates elements of modernism, reflecting the artistic currents of his time.
view milan konjović's artworks on AllPaintingsStore to explore his diverse body of work: [https://AllPaintingsStore.com/@/milan-konjovic](https://AllPaintingsStore.com/@/milan-konjovic)
throughout his long and prolific career, konjović has left an indelible mark on serbian art. his contributions to the serbian academy of sciences and arts (sanu) serve as a testament to his enduring legacy.
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learn about the history of art and its evolution through AllPaintingsStore's comprehensive database: /en/art/list/
milan konjović's life and work serve as a fascinating case study in the evolution of modern art. his legacy, preserved within the serbian academy of sciences and arts (sanu), continues to inspire artists and art enthusiasts alike, readily available for exploration on AllPaintingsStore.
展出于 Novi Sad, Serbia
Nestled in the heart of Novi Sad, Serbia, stands a testament to one man’s profound passion for art and his enduring gift to the nation – the Pavle Beljanski Memorial Collection. More than just a museum, it is a carefully preserved echo of a discerning eye, a space where the vibrant spirit of 20th-century Serbian and Yugoslav art continues to resonate. The collection itself blossomed from the personal pursuit of Pavle Beljanski, a diplomat whose keen understanding of artistic merit led him to champion emerging talents during a period of immense cultural transformation. He didn’t simply acquire paintings; he fostered relationships with artists, recognizing their potential before it was widely celebrated, and ultimately assembling a body of work that now forms a cornerstone of Serbian art history.
The architecture of the museum is an integral part of this immersive experience. Designed by the visionary architect Ivo Kurtović and completed in 1961, the building serves as a bold departure from prevailing styles of its era, reflecting a belief that architecture should complement and elevate the treasures it houses. The structure is not merely a container but a harmonious environment where functional elegance meets thoughtful design. Inside, the spaces are bathed in natural light, creating an atmosphere conducive to quiet contemplation and fostering a deep, visceral connection between the viewer and the canvas. For the interior designer or the lover of fine aesthetics, the building itself stands as a masterpiece of mid-century modernism.
At the core of this sanctuary lies a remarkable assemblage of 185 paintings by 37 artists, representing the zenith of Serbian artistic expression during the interwar period. These works offer a window into an era defined by intellectual currents and shifting societal identities. Among these masterpieces are the landscapes of Sava Šumanović, whose brushstrokes capture the sublime beauty of the Serbian countryside with evocative color palettes that seem to breathe on the canvas. In contrast, the portraits of Milan Konjović delve into profound psychological depth, portraying subjects with a sensitivity and nuance that transcend the mere likeness of the sitter.
The collection also celebrates the courage of artists like Nadežda Petrović, Milan Milovanović, and Kosta Miličević, who navigated a landscape shaped by political upheaval. These creators masterfully blended influences from European movements such as Cubism and Surrealism with their own unique perspectives, forging a distinctly Serbian artistic identity. To walk through these galleries is to witness the birth of a modern visual language, where every stroke and shade tells a story of a nation finding its voice amidst the complexities of the 20th century.
What truly distinguishes the Pavle Beljanski Memorial Collection is its profound intimacy. Adding to the museum's character is the Memorial Hall, inaugurated in 1966 as a poignant recreation of Beljanski’s personal living and working space. Stepping inside feels like entering a time capsule; visitors are surrounded by his original furniture, books, photographs, and cherished possessions. This meticulously curated hall allows one to understand the man behind the art, offering insight into the refined sensibility and intellectual curiosity that guided his collecting activities. It is an invitation to step into the life of a diplomat who lived among the very beauty he sought to preserve.
The museum’s mission extends far beyond the preservation of the past, as it actively nurtures the future of Serbian culture. Through educational programs for young students and the prestigious
Pavle Beljanski Award
—which recognizes outstanding scholarly work in art history—the institution ensures that the dialogue between generations remains unbroken. For the connoisseur seeking an authentic cultural journey, the collection offers a compelling encounter with history, culture, and the transformative power of artistic expression, making it an essential destination for anyone captivated by the enduring legacy of Serbian modernism.
originaluniqueart.com/zh/art/download/milan-konjovic-harvest-D5GP3T-en/
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Harvest — 米兰·科诺维奇
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