纸张尺寸
姓名 班级 日期

大卫·邦伯格, Bomb Store Study for Memorial Panel I (1942), The Ingram Collection of Modern British And Contemporary Art. 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
大卫·邦伯格 originaluniqueart.com/zh/artists/da-wei-bang-bo-ge_zh/
艺术家生卒年份
1890 – 1957
绘画
1942
原尺寸
117 x 151 cm
流派/运动
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.
举办地点
The Ingram Collection of Modern British And Contemporary Art originaluniqueart.com/zh/museums/the-ingram-collection-of-modern-british-and-contemporary-art-london/

语境中

Bomb Store Study for Memorial Panel I — 大卫·邦伯格

尺寸规格

原件尺寸为 117 × 151 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 67。

创作于艺术家 52 岁时。 这位艺术家享年 67。 72 在我们目录中该艺术家的 100 件有明确日期的作品中,早于此件的作品。

阴影:大卫·邦伯格 的生卒年 (1890–1957) ▲ 此作,1942 每一幅带有日期的画作,按年代编排

早期作品:至 1920 主要执业年份:1920–1942 晚期作品:始于 1942

这三段时期将本目录中记录的作品划分为第一季度、中期及最后季度。这些时期并非艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:originaluniqueart.com/zh/art/similar/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/

色彩

基于图像测量

    主色调

    Driftwood #94845c

    已收录色板

    • #94845C
    • #6B381C
    • #4D5C5C
    • #2E2C26

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Earthy 图像中的主导色系。
    主色调
    Driftwood
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Gentle 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Discordant Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Deep_shadow 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 大卫·邦伯格 的每一件作品 —— 总计涵盖 5 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 89.1%
    2. 2 美国 4.3%
    3. 3 保加利亚 2.2%
    4. 4 西班牙 2.2%
    5. 5 巴拉圭 2.2%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    大卫·邦伯格 最受关注的 20 件作品

    1. 1 Mount Saint Hilarion and the Castle Ruins, 1948 6.0%
    2. 2 Alora, Andalucia, 1935 6.0%
    3. 3 Composition, 1919 6.0%
    4. 4 Sappers at Work : Canadian Tunnelling Company, R14, St Eloi, 1919 4.0%
    5. 5 Ronda, Spain, 1957 4.0%
    6. 6 Ju Jitsu, 1913 4.0%
    7. 7 Double Self Portrait (recto), 1937 4.0%
    8. 8 The St John Ophthalmic Hospital, Jerusalem, 1927 4.0%
    9. 9 运河银行,法国, 1920 4.0%
    10. 10 Kitty, the Artist's Sister, 1929 4.0%
    11. 11 Study for Ghetto Theatre I, 1921 4.0%
    12. 12 David Bomberg, 1937 4.0%
    13. 13 The Broken Aqueduct, Wadi Kelt near Jericho, 1926 2.0%
    14. 14 Bideford, Devon, 1946 2.0%
    15. 15 Trendrine, Cornwall, 1947 2.0%
    16. 16 Ronda Bridge, Spain, 1935 2.0%
    17. 17 Interior of the Armenian Church, Jerusalem, 1925 2.0%
    18. 18 The Gorge, Ronda, Spain, 1935 2.0%
    19. 19 家庭(《黑斯道剧院二号》设计稿), 1919 2.0%
    20. — Bomb Store Study for Memorial Panel I, 1942 此幅画作 0.0%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 68.0%。该目录收录了 109 件该艺术家的作品,其中 35 件曾被至少浏览过一次。 此画作在此期间尚无浏览记录 —— 因此在列表中不显示排名。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    大卫·邦伯格

    出生地 伯明翰, 英国

    早年生活与艺术训练

    出生:英国伯明翰(1890年12月5日)

    逝世:英国伦敦(1957年8月19日)

    “白教堂男孩”之一——这一群体是20世纪初在伦敦东区涌现的一群艺术家。

    大卫·博姆伯格出生于波兰犹太移民家庭,父母为亚伯拉罕与丽贝卡·博姆伯格。他最初在伦敦城市与公会技术艺术学校学习,随后在伯明翰接受了石版画家专业的训练。

    1908年至1910年间,他在威斯敏斯特艺术学院师从沃尔特·西柯特,深受西柯特对形式与城市生活关注的影响。通过1910年罗杰·弗莱举办的“马奈与后印象派”展览,他得以深入接触保罗·塞尚的作品。1911年,他进入斯莱德艺术学院深造,并凭借其描绘同学艾萨克·罗森伯格的素描作品荣获了通克斯奖。

    先锋岁月:立体主义、未来主义与争议

    在斯莱德学院时期,博姆伯格与马克·格特勒、斯坦利·斯宾塞、C.R.W. 内文森以及多拉·卡林顿共同构成了那个卓越的艺术世代。

    1912年伦敦举办的意大利未来主义展,以及弗莱举办的第二次后印象派展览(涵盖毕加索、马蒂斯、野兽派及温德姆·刘易斯的作品),都对他产生了深远影响。

    他由此发展出一种融合了立体主义与未来主义的独特风格——其特征在于几何化的构图、有限的色调、棱角分明的形象以及网格状的结构。

    由于这种激进的艺术手法,他在1913年被斯莱德艺术学院开除,因为他的创作被认为过于大胆,挑战了该校传统的教学方法。

    他曾短暂地与布卢姆斯伯里派的欧米茄工作坊联系在一起,并与卡姆登镇集团共同参展。尽管他对温德姆·刘易斯的涡流主义运动表现出某种亲近感,但他始终保持独立,拒绝完全参与其中。

    从战争到风景:风格的转变

    第一次世界大战期间作为一名普通士兵的经历,深刻地改变了他的艺术视野,促使他的创作重心从抽象主义转向了其他领域。

    进入20世纪20年代,博姆伯格开始采用更具具象色彩的风格,专注于直接取材于自然的肖像与风景画。他逐渐发展出一种愈发强烈的表现主义技法,其作品以厚重的肌理感和充沛的情感张力为显著标志。

    他在中东(尤其是巴勒斯坦)以及欧洲的广泛游历,对其晚期创作产生了重大影响,其中他对耶路撒冷的描绘尤为令人瞩目。

    晚年岁月与艺术遗产

    1945年至1953年间,他在博罗理工学院(现伦敦南岸大学)任教,影响了一整代艺术家,其中包括弗兰克·奥尔巴赫、里昂·科索夫、菲利普·霍姆斯、克里夫·霍尔登、艾德娜·曼、多萝西·米德、古斯塔夫·梅茨格、丹尼斯·克里菲尔德、塞西尔·贝利以及迈尔斯·里奇蒙德。

    他与风景画家莉莉安·霍尔特结为连理。

    尽管在生前经历过一段相对寂寥的时期,但近几十年来,博姆伯格的作品作为对英国现代艺术的重要贡献,已获得了越来越多的认可。

    伦敦南岸大学的大卫·博姆伯格楼正是为了纪念他而命名。

    他的艺术遗产在于他将欧洲先锋派运动进行了独特的融合,并于后期发展出一种充满力量与表现力的风景画风格,精准地捕捉到了地域精神与人类经验的本质。

    博物馆

    The Ingram Collection of Modern British And Contemporary Art

    正在展出于 London, United Kingdom

    A Sanctuary of British Vision: Discovering The Ingram Collection

    Nestled within the vibrant cultural landscape of London lies a treasure trove often whispered about amongst connoisseurs – The Ingram Collection of Modern British and Contemporary Art. More than just a museum, it’s an intimate exploration of artistic evolution spanning over a century, a testament to the enduring power of British creativity from the dawn of the 20th century to the present day. Unlike some of London's grander institutions, The Ingram Collection offers a uniquely personal experience, allowing visitors to connect with each artwork on a deeper level within its serene and thoughtfully designed spaces. It’s a place where the echoes of artistic innovation resonate, inviting contemplation and sparking new perspectives – a true haven for those seeking to understand the soul of British art.

    The story of The Ingram Collection is one driven by passion and foresight. Founded in 2002 by media entrepreneur and philanthropist Chris Ingram, the collection quickly blossomed into one of the most significant publicly accessible repositories of Modern British art in the UK. Ingram’s dedication wasn't simply to amass works; it was a commitment to ensuring these vital pieces of cultural heritage were shared with all. This ethos led to the establishment of The Ingram Art Foundation, further solidifying his ambition and facilitating an extensive program of loans and exhibitions that bring British art to audiences across the nation. The collection’s growth reflects not just an appreciation for aesthetic beauty but a deep understanding of the historical and social contexts that shaped these artistic expressions. It's a narrative woven with threads of post-war anxieties, societal shifts, and the relentless pursuit of new forms of visual language – a poignant reflection of Britain itself.

    The Ingram Collection boasts an impressive roster of celebrated artists, each contributing their unique voice to the chorus of British modernism. Lucian Freud’s intensely psychological portraits are a cornerstone, capturing the raw vulnerability and complex inner lives of his subjects with unflinching honesty. His work isn't merely representation; it’s an excavation of the human condition – a direct line to the emotions that shape our experience. Alongside Freud, Frank Auerbach’s expressive paintings pulse with the energy of urban life, built up through layers of thick impasto that convey both the grit and the beauty of the city. His canvases seem to breathe with the rhythm of London itself, a testament to his masterful use of color and texture. And then there's David Hockney, whose vibrant landscapes and innovative use of color inject a sense of joy and optimism into the collection, demonstrating his mastery of perspective and light – a beacon of hope amidst the complexities of modern life. Beyond these luminaries, the Ingram Collection showcases an extraordinary breadth of talent, encompassing sculpture, installations, and works on paper from artists like Dame Elisabeth Frink, Dame Barbara Hepworth, Sir Eduardo Paolozzi, William Roberts, Edward Burra, and many more – a carefully curated panorama of British artistic achievement.

    A Harmonious Space for Artistic Encounter

    The architecture of the museum itself enhances the viewing experience. The building seamlessly blends historical charm with modern functionality, creating a space that is both inviting and conducive to contemplation. Situated in London’s West End, the Ingram Collection occupies a beautifully restored historic building, retaining elements of its original character while incorporating contemporary design features. Natural light floods the galleries through strategically placed windows, illuminating the artworks and allowing their textures and colors to come alive – a deliberate choice that prioritizes the immersive experience for the visitor. The interior spaces are thoughtfully designed to encourage quiet reflection, with comfortable seating areas and ample space to move between pieces. This thoughtful design isn’t accidental; it's intended to complement the art, providing a serene environment where visitors can fully immerse themselves in the creative process – a sanctuary dedicated to fostering genuine connection with the artwork.

    The Ingram Collection: A Living Legacy

    Beyond its impressive collection and elegant setting, The Ingram Collection is defined by its commitment to accessibility and community engagement. Free admission ensures that the collection remains open to all, breaking down barriers and fostering a wider appreciation for British art. The museum actively fosters this connection through its educational programs, guided tours, and special events – offering something for everyone, from seasoned collectors to curious newcomers. Notably, The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent, ensuring that the legacy of British creativity continues to evolve. The collection’s active loan program extends its reach far beyond London, bringing these masterpieces to museums and galleries across the country, enriching cultural experiences for audiences nationwide.

    Beyond Display: A Commitment to Community & Innovation

    What truly sets The Ingram Collection apart is its unwavering commitment to accessibility and innovation. The museum’s active engagement with the local community through workshops, lectures, and special events further solidifies its role as a cultural hub. The establishment of The Ingram Prize, an annual purchase prize supporting emerging UK art school graduates, demonstrates a dedication to nurturing the next generation of artistic talent. This forward-thinking approach ensures that The Ingram Collection isn’t just preserving the past; it's actively shaping the future of British art. It is a dynamic institution, constantly evolving and seeking new ways to connect with audiences and inspire creativity – a testament to Chris Ingram’s vision and a vital resource for anyone interested in exploring the rich tapestry of British artistic heritage.

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    在线获取详情

    链接至 Bomb Store Study for Memorial Panel I 下载页面的二维码

    originaluniqueart.com/zh/art/download/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/

    引用此作品

    MLA
    大卫·邦伯格. Bomb Store Study for Memorial Panel I. 1942, The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/zh/art/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/
    APA
    大卫·邦伯格 (1942). Bomb Store Study for Memorial Panel I [Painting]. The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/zh/art/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/
    Chicago
    大卫·邦伯格. Bomb Store Study for Memorial Panel I. 1942. The Ingram Collection of Modern British And Contemporary Art. https://originaluniqueart.com/zh/art/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/
    Harvard
    大卫·邦伯格 (1942) Bomb Store Study for Memorial Panel I. The Ingram Collection of Modern British And Contemporary Art. Available at: https://originaluniqueart.com/zh/art/david-bomberg-bomb-store-study-for-memorial-panel-i-AQSFVU-en/

    细致观察

    Bomb Store Study for Memorial Panel I — 大卫·邦伯格

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 你能找到多少张面孔?____(我们的目录统计了 6 张 —— 你同意吗?)
    4. 我们的目录将此作品归类于:crowd scene, urban chaos”, “social unrest”。您认同吗?您会增加或删除哪些标签?
    5. 回想一下本指南前文提到的 Composition with Figures (1913)。请指出它与此件作品共有之处的两点,以及不同之处的一点。

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    大卫·邦伯格 的《Bomb Store Study for Memorial Panel I》 是人像、风景还是方形构图?

    大卫·邦伯格 的《Bomb Store Study for Memorial Panel I》 采用 Landscape 格式。该格式描述了构图的比例。

    哪里可以买到大卫·邦伯格 的《Bomb Store Study for Memorial Panel I》的手绘复制品?

    大卫·邦伯格 的《Bomb Store Study for Memorial Panel I》 的手绘复制品正在 本网站 发售:您可以通过其 手工油画复刻 页面进行订购:亚麻画布手工绘制油画复制品。

    “Bomb Store Study for Memorial Panel I”这一Expressionism背后蕴含着怎样的国族渊源?

    《Bomb Store Study for Memorial Panel I》由出生于 英国 的 大卫·邦伯格 在 Expressionism 运动背景下创作而成。艺术家的原籍地使这部作品与 英国 艺术家所实践的 Expressionism 风格紧密相连。