版权所有 此作品仍受版权保护。Bela Pehan 已于 1986 去世；版权在艺术家去世后持续 70 年，因此有效期将一直延续至 2056。此处展示图像仅供教学参考；相关权利仍归权利人所有。
语境中
Composition — Bela Pehan
原件尺寸为 42 × 54 厘米（高 × 宽），此处将其与一名平均身高的成年人并列展示。
上行：年份。下行：艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0，去世时为 80。
创作于艺术家 66 岁时。 这位艺术家享年 80。 26 在我们目录中该艺术家的 41 件有明确日期的作品中，早于此件的作品。
阴影：Bela Pehan 的生卒年 (1906–1986) ▲ 此作，1972 每一幅带有日期的画作，按年代编排
早期作品：至 1955 主要执业年份：1955–1973 晚期作品：始于 1973
这三个阶段将本目录中已有明确日期的作品划分为第一季度、中期及最后季度。这些时期并不代表艺术家的全部创作：某些时期的作品稀少，可能源于记录的缺失，而非创作的停滞。 岁月流转，与艺术家的生命轨迹交相辉映
从上方作品中任选其一：列出它与此件作品的两个共同点，以及一个不同点。
更多与此作品相媲美的佳作：originaluniqueart.com/zh/art/similar/composition-wd-aa-j9im1n6u-en/
图像测量值
主色调
Espresso #685a4b
已收藏色板
艺术家与博物馆
出生于 Vrbas, Serbia
Born in Vrbas, Serbia, in 1906, Bela Pehan entered a world where art was a family language. His father, Jožef Pehan, was a recognized painter in Vrbas, providing a domestic landscape shaped by color and form. While his early academic pursuits in Vienna leaned toward the study of medicine, the pull of his father’s profession proved stronger. He eventually traded the stethoscope for the brush, enrolling in the Academy in Munich, where he completed his studies in 1930.
His early career was marked by a quiet, persistent presence in the art circles of Vojvodina. Even as a boy, he had been introduced to public exhibition by his father in 1913. By the time he was a student, he was already exhibiting with the "Independent Artists of Vojvodina" in 1928. His technical range was broad, extending beyond the canvas to include applied graphics, caricatures, sketches, and stage designs for the amateur theater in Vrbas.
Pehan’s professional life was split between the studio and the classroom. He was a dedicated educator, serving as a professor at the "Zarko Zrenjanin" gymnasium in Vrbas. This dual existence as both a creator and a teacher allowed him to influence the local artistic landscape for decades. His work was not confined to a single geography; he exhibited his vision in Stuttgart, Germany, as well as throughout Hungary and the various cities of Vojvodina.
His artistic evolution saw distinct phases, particularly after his involvement with the Art Colonies in Bečej in 1955. This period was characterized by a specific focus on variations of the theme of Vrbas. His contributions to the community were recognized through several honors, including:
The "October Prize" in 1972
The Art Salon Award of the House of Culture in Vrbas
Membership in the Association of Fine Artists of Vojvodina since 1968
The studio of Bela Pehan remained a fixture of the city, located at 34 Iva Lolor Ribar Street. It was here that he continued to refine his craft until his death in 1986. He left behind a body of work that reflected the shifting realities of his region, moving from the academic rigor of his Munich training to a more localized, thematic exploration of his home. He remains a significant figure in the history of Serbian academic painting, a man who balanced the discipline of the professor with the restless eye of the observer.
展出于 Serbia
The Museum of Vrbas operates as an integral part of the Cultural Center Vrbas. Its institutional roots trace back to 1969, when the museum's collection was first established as the Homeland Collection. Following this foundation, the institution functioned within the House of Culture starting in 1971.
The current iteration of the Museum of Vrbas was formally established in 2015. This development followed a period of transition for the institution, which previously existed as a museum collection within the Cultural Center. The museum now maintains a dedicated presence, managing its various collections through organized research and cataloging efforts.
The museum is situated in a stately house located in the center of Vrbas, Serbia. The structure was built between the two World Wars and occupies a space that was formerly a private residence. This architectural setting provides a domestic context for the various collections housed within its walls.
The building's history is tied to the commercial life of the city, as it once functioned as a pharmacy. Specifically, the pharmacy of Milete Leskovac was founded in 1895, predating the current construction of the house. The interior layout reflects its previous use, featuring rooms and salons with large glass doors and internal windows that overlook the central hall. These architectural elements were preserved or adapted to accommodate the museum's permanent exhibition, "Vrbas, man and nature – synergy or something else."
The physical space has undergone significant modifications to meet the requirements of a modern institution. Recent renovations included the removal of certain walls and the creation of arched openings to improve the flow of the galleries. These changes allowed for the establishment of dedicated rooms for storage and a conservation laboratory. The museum is a component of the Cultural Center Vrbas.
The museum is organized into four distinct collections: Archaeological, Historical, Ethnological, and History of Art. These departments are unified under the permanent exhibition title "Vrbas, man and nature – synergy or something else." The collections reflect the diverse layers of the region, from prehistoric settlements to modern artistic expression.
The Archaeological collection contains artifacts recovered from significant local sites, including Čarnok, Šuvakov salaš, and the Polet brickyard. These finds provide evidence of early human presence in the area. The Historical collection focuses on the development of the region, featuring items such as a 13th-century church with three apses from Šuvakov salaš and artifacts from the X to XVI century settlement at the same location.
The Ethnological collection includes an "Etno kutak" (Ethno corner) designed by ethnologist Dušanka Marković. This section preserves the material culture and daily life traditions of the local population. The History of Art collection holds a significant number of works, particularly those by Bela Pehan, including several pieces from the mid-20th century. The museum also maintains items related to the Zajdl German family, which include paintings by Jožef Pehan.
Self-portrait (1932), 1932 - Bela Pehan
My wife, 1976 - Bela Pehan
Archaeological excavation, 1962 - Bela Pehan
Still Life, 1919 - Petro Kholodny (Elder)
Portrait of an old man in a hat, 1956 - Bela Pehan
Vase with Flower 1, 1982 - Bela Pehan
The permanent exhibition, titled "Vrbas, man and nature – synergy or something else," organizes the museum's findings into a cohesive narrative of regional existence. Visitors encounter a digital display of the Pannonian Sea, which provides a visual context for the geological history of the area. This technological installation offers a specific perspective on the landscape that once covered the plains of Vojvodina.
The archaeological and historical collections provide tangible links to the past through several specific objects. Among these is an anthropomorphic pseudofibula recovered from the Polet brickyard. This artifact offers insight into the material culture of the Avar-Slavic cemetery. Additionally, the museum holds a sacrificial knife originating from a medieval church located at Šuvakov salaš. These items represent the physical remnants of the settlements that have occupied this territory over centuries.
关于 Composition by Bela Pehan 的所有详情，均可在其作品页面查看
originaluniqueart.com/zh/art/download/composition-wd-aa-j9im1n6u-en/
近距离观察
Composition — Bela Pehan
请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。
请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。
Bela Pehan 的《Composition》 的记录亮度为 Gentle Luminance。
"Composition" 的画幅格式为 Landscape。这对于规划复制品的摆放位置非常有用。
“Composition”的整体亮度为bright，其亮度值为Gentle Luminance。