Robert Ryman 作品《Versions IV》：作品历史

Q: Robert Ryman 的《Versions IV》 的实际尺寸是多少？

Robert Ryman 的《Versions IV》 的记录尺寸为 198 x 183 cm。您也可以按比例定制其他尺寸的复制品。

Q: Robert Ryman 的《Versions IV》 的图像可以自由转载吗？

关于版权，"Versions IV" 属于 仍受版权保护。

Versions IV：核心信息

标题: Versions IV
艺术家: Robert Ryman (1930)
艺术家出生于: Nashville, United States of America
日期: 1992
尺寸: 198 × 183 cm

Versions IV 描绘了什么内容？

Ceaseless investigation underpins Ryman’s approach to painting. Any one work by the artist represents the culmination of "trials" conducted previously. Since the 1960s, Ryman has restricted himself to a limited array of formal and material options. Paradoxically, this is precisely what allows him to experiment as widely as he does, creating endless optical and compositional variations by means of adjustments to primer, medium, scale, material, support, and structure. Versions IV is one of sixteen paintings composed of short delicate brushstrokes that seem to swarm and disperse. The paint is applied to a slender fiberglass panel; at its upper edge the artist attached a fragile sheet of wax paper. Every element conspires to create an impression of weightlessness and extension beyond the painting’s external limits.

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版权信息

Robert Ryman, Versions IV (1992).

关于 Versions IV 的常见问题

Robert Ryman 的《Versions IV》创作于哪一年？

"Versions IV"创作于1992年。这一时期将该作品置于Robert Ryman的艺术生涯及其所处时代之中。

Robert Ryman 的《Versions IV》的实际尺寸是多少？

Robert Ryman 的《Versions IV》的记录尺寸为 198 x 183 cm。您也可以按比例定制其他尺寸的复制品。

Robert Ryman 的《Versions IV》的图像可以自由转载吗？

关于版权，"Versions IV" 属于仍受版权保护。

“Versions IV”的作者是谁？

《Versions IV》被归为Robert Ryman的作品。

Robert Ryman 创作《Versions IV》时是多少岁？

Robert Ryman 在 1992 年创作《Versions IV》时，年龄为 62 岁。该年龄是根据艺术家的出生年份 1930 计算得出的。

关于艺术家 Robert Ryman

1930, United States of America

Robert Ryman

A Life Dedicated to the Essence of Painting Robert Ryman, born in Nashville, Tennessee, in 1930 and passing away in 2019, wasn’t interested in depicting the world; he was captivated by painting itself. His journey began not with a formal artistic education geared towards representation, but with studies at the Tennessee Polytechnic Institute and George Peabody College for Teachers – foundations that would later inform his disciplined approach. A stint in the United States Army from 1950 to 1952 instilled a sense of structure, perhaps subtly influencing the rigorous self-examination that characterized his artistic practice. However, it was his relocation to New York City in 1952 that proved pivotal.

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