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Dry Brook

  • 创作日期1888
  • 尺寸27.0 x 35.0 cm

杰维斯·麦恩蒂(1828 – 1891)

探索哈德逊河派画家杰维斯·麦恩蒂 (1828-1891),他以忧郁的风景画和揭示19世纪美国艺术生活的深刻日记而闻名。深入了解他诗意的秋季场景,以及他与切奇、吉福德及韦尔等艺术家的联系。

McEntee remained loyal to the linear technique of the Hudson River School throughout his career, even when American landscape painting became dominated by the subjective expression of George Inness and his followers. He preferred to execute his drawings in pencil with touches of white gouache to suggest, as here, dappled and filtered sunlight penetrating the forest cover to highlight the tree trunks and relieve their forms. Like most Hudson River School artists, McEntee was attracted to the pale and pliant character of the white birch, which could be exploited to such telling effect in the foreground of landscape paintings The “Dry Brook” mentioned in the inscription refers either to a tributary of the east branch of the upper Delaware River in the southern Catskills or to a section of the town of Hardenburgh, which McEntee visited frequently after 1872.

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