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Arches in Ruins

This narrow painting and its pendant, designed by Robert as overdoors, were intended to be seen from a distance and from below. In the interest of increasing the effect of illusion, the artist placed the figures upon grassy hillocks with the ruins sunk (and in one case partially buried) behind. He deploys the Doric order, which is the simplest and most robust.

于贝尔·罗伯特(1733 – 1808)

法国画家于贝尔·罗伯特(1733-1808)以其充满诗意的废墟景观和“ capriccio”绘画而闻名。他的作品融合了历史、想象力和对光影的敏锐捕捉,是洛可可与新古典主义过渡时期的重要代表人物,预示着浪漫主义的到来。

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