Letting Loose
In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.Published Meanwhile, back in Melbourne. Go-Set, 22 April 1972 (p.18)
问答详情
在哪里可以找到关于“Letting Loose”的指南?
大卫·迪克森·波特 的《Letting Loose》 的 指南 页面提供了一份可打印的两页式学生资料单:包含作品及其身份信息表、将其置于艺术家生平中的年代轴、艺术家的其他作品、经测量的色板,以及四种格式的即用型引用文献。
大卫·迪克森·波特 还以哪些名称为人所知?
大卫·迪克森·波特 也被称为 大卫·波特。
"Letting Loose" 是否支持增强现实 (AR) 预览?
通过作品的 AR 预览 页面,您可以在兼容设备上使用增强现实技术,在自己的墙面上预览 大卫·迪克森·波特 的《Letting Loose》。
大卫·迪克森·波特(1813 – 1891)
探索杰出的美国海军上将兼艺术家大卫·迪克森·波特(1813-1891)!欣赏他迷人的艺术作品——包括音乐会摄影、乐队肖像及活动场景。这是一场海军历史与艺术表达的独特融合。
Penrith Regional Gallery - Home of the Lewers Bequest (伊穆平原, 澳大利亚)
潘里斯地区美术馆坐落于伊穆平原,拥有非凡的刘尔斯遗赠收藏。在美丽的文化遗产花园环绕下,这里为您提供一场沉浸式的澳大利亚现代主义之旅,并诚邀您前来探索其充满活力的艺术场景。
作品详情
- 标题: Letting Loose
- 艺术家: 大卫·迪克森·波特
- 年份: 1971
- 格式: Landscape
- 版权状态: 公有领域
- 观赏地点: Penrith Regional Gallery - Home of the Lewers Bequest
- 色彩色调: Green to Violet Spectrum
- 感知亮度: shadow