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The devil

“The devil’s train”“The luggage they brought with them to São Paulo was filled with hope. Some came for work, others were looking for relatives who’d been swallowed up by the big city, others dreamed of recovering their lost health. They all wanted that one thing that for many was no more than a wish: a better life. And now the time had come for them to go back home: a place in the middle of nowhere in Minas, a small town in the backlands of Bahia. With a bundle of clothes and charity train fare, they boarded the red wood cars of the “Bahian train.” Creatures mistreated by fate were heading home with no more hope. The journey is long and arduous.” (article published in Realidade magazine, May of 1969, with text by Patricio Renato)In late February and early March of 1969, Andujar took the long train ride from Roosevelt Station (today Brás) in São Paulo to Salvador, Bahia. The journey lasted 7 days and most of the passengers were migrants from other states who had tried their luck in São Paulo. With no prospects in the capital, they ended up at the Department of Immigration and Colonization of the Secretary of Agriculture of São Paulo state, where they received a boxed lunch and a ticket home. Andujar took the long trip, registering the passengers with admirable empathy.

问答详情

我可以在这里订购"The devil"的油画复制品吗?

您可以在克劳迪娅·安杜雅 的《The devil》的手工油画复刻页面直接订购其手绘复制品:亚麻画布手工绘制油画复制品,按需定制。

克劳迪娅·安杜雅 的《The devil》 的亮度是多少?

克劳迪娅·安杜雅 的《The devil》 的亮度为 Bright Balance。亮度描述了色彩呈现出的反射光量。

克劳迪娅·安杜雅 的《The devil》 中描绘了哪些主题?

克劳迪娅·安杜雅 的《The devil》 中呈现的主题包括 brazilian migration, human condition”, “train journey”, “social documentary”, “migrant life”, “1960s brazil”, “andujar’s vision”。这些主题共同构成了该艺术作品的主旨。

克劳迪娅·安杜雅(1931 –)

探索克劳迪娅·安杜雅(生于1931年)震撼人心的摄影作品:通过令人难忘的肖像与实验性技法,记录亚诺马米文化并致力于捍卫原住民权利。

Instituto Moreira Salles (里约热内卢, 巴西)

在 IMS 里约探索巴西的艺术遗产!在这里,您可以领略令人惊叹的现代主义建筑、布尔勒·马克思花园,并观赏涵盖摄影、音乐、文学和电影的迷人展览。

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