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Ballet Russes I

尺寸
103.0 x 81.0 cm

奥古斯特·马克 (Àogùsītè·Mǎkè)（1887 – 1914）

奥古斯特·马克 (August Macke) 是德国表现主义的关键人物，以其鲜艳的色彩和对现代生活的独特描绘而闻名。他深受野兽派和俄耳甫斯主义的影响，作品充满活力与情感。作为“蓝色骑士”的重要成员，他的风景画和城市生活场景至今令人赞叹。

不来梅艺术馆 (不来梅, 德国)

探索不来梅艺术馆：领略从丢勒到莫奈的欧洲杰作！走进德国最古老的协会所有博物馆，沉浸于艺术史与现代媒体装置之中。

Since his days as a student in Düsseldorf, August Macke harbored a special love for dance. In Cologne in 1912, he saw the ballet Carnaval, set to music by Robert Schumann. It was performed by the famous Ballets Russes of Sergei Diaghilev, with Vaslav Nijinsky in the leading role as Harlequin. Macke attended the performance several times, creating no less than four paintings, a sculpture, and around forty drawings on this subject, four of which are in the possession of the Kunsthalle Bremen’s Department of Prints and Drawings. In Ballet Russes I, he allows the viewer to relive the dramatic climax of the piece: the dashing Harlequin’s abduction of the coquettish Columbine. The third figure, Pierrot, who has been abandoned, raises his arms plaintively—a gesture echoed by the caryatid below the parapet of the loge. The woman with the hat at the right serves as a compositional link between the darkened audience and the brilliantly lit stage. In its formal reduction and strong colors, Ballet Russes I bears witness to the strong influence the Fauves exerted on Macke.
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关于此作品

作品详情

  • Subject or theme: Ballet Performance
  • Medium: Oil on cardboard
  • Artistic style: Fauvist Influence
  • Year: 1912
  • Title: Ballet Russes I
  • Dimensions: 103 x 81 cm