简而言之
在 Yishan Yining 留下的所有原作中,最著名的当属收藏于 东京 东京国立博物馆 的《Bodhidarma under Pine Tree》。 我们的目录收录了 Yishan Yining 的 1 件作品;画廊完整保留了 1 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Yishan Yining 的十大名画:画廊精选
收藏有 Yishan Yining 原作的博物馆
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Yishan Yining 的作品 | 此列表中的画作 |
|---|---|---|---|
| 东京 | 1 | Bodhidarma under Pine Tree |
藏家关于 Yishan Yining 作品的常见问题
Yishan Yining 最著名的作品是哪一件?揭晓答案
Bodhidarma under Pine Tree
Yishan Yining 留下了多少幅画作?揭晓答案
我们的目录中收录了 1 件 Yishan Yining 的作品。
Yishan Yining 的杰作收藏在哪些博物馆中?揭晓答案
多见于 东京国立博物馆 (东京)。上方的博物馆列表列出了所有相关机构。
Yishan Yining:生平与作品
Early Life and Buddhist Training
Born in 1247 in Linhai, Taizhou, Zhejiang, China, Yishan Yining begins his life under the family name Hu. He enters a monastery as a boy, beginning a rigorous period of study into various Buddhist doctrines. His early path follows the Tiantai school, but this focus shifts as he turns toward Chan Buddhism. This transition marks a fundamental change in his spiritual direction.
The training intensifies through a series of tutors. Eventually, Yishan Yining becomes the Dharma heir of Wanji Singmi, who was the fourth lineage holder of Mi'an Xianji. This lineage connects him to a deep tradition of Zen practice. His growing reputation leads him to the Island of Putuoshan, where he serves as the abbot of Puji Monastery.
Mission to and Life in Japan
In 1299, the Yuan government dispatches Yishan Yining to Japan on a diplomatic mission to restore relations with the Bakufu government. The arrival in Kamakura brings immediate tension. The regent Hojo Sadatoki arrests him on charges of spying. This period of detention ends when Sadatoki comes to respect the monk, granting him his freedom. Once released, Yishan Yining integrates into the religious landscape of the Kamakura period, serving within the walls of Kenchō-ji, Engaku-ji, and Jochi-ji.
The focus shifts from Kamakura to the imperial capital. In 1313, the resigned emperor Go-Uda extends an invitation to Kyoto. The request is for Yishan Yining to take the position of abbot at Nanzen-ji, the most influential Zen center of the era. He accepts, moving into the heart of Japanese Zen administration.
Legacy and Literary Influence
Yishan Yining functions as a bridge between the Song dynasty aesthetics of China and the developing culture of Kamakura-period Japan. He does not merely teach Zen; he reshapes the intellectual landscape by introducing the literary forms of the Song to the Japanese monastic community. This movement establishes the foundation for Gozan Bungaku, a distinct literary tradition centered within the Five Mountains temple system. Through his mastery of diverse genres, from the precision of historiography to the fluidity of poetry, he shifts the focus of Japanese monkhood toward a sophisticated literary orientation.
His influence extends deep into the social hierarchy of Japan. He finds a receptive audience among the new militarized nobility, embedding Zen principles within the warrior class. This cultural exchange transforms the monasteries into centers of high learning and artistic production. His teaching reaches beyond the temple walls, shaping the minds of influential figures who will define the next era of Japanese Zen. Among his most significant disciples are Muso Soseki, Sesson Yubai, and Kokan Shiren.
Later Years and Death
By 1306, a physical decline begins to shadow his final years as Yishan Yining suffers from a persistent eye ailment. Despite this affliction, his influence within the religious and political spheres of Japan remains potent. In the tenth month of 1317, even while seventy years old and facing severe illness, he leads a procession to Nanzen-ji Temple. He is accompanied by the ex-Emperor Go-Uda, a fervent admirer who remains by his side during these final months.
The end comes shortly after the imperial visit. Yishan Yining dies on 28 November 1317 at Nanzen-ji Temple. In recognition of his profound impact on the spiritual landscape of the country, the Japanese Imperial Court grants him the posthumous title of the Teacher of State, known as Kokushi.