1
战争的化身
《战争的化身》是艺术家 瓦西里·韦列沙京 于1871年创作的一幅 布面油画 杰作。这部作品隶属于艺术家的“突厥斯坦系列”，其创作灵感深植于他在中亚军事远征期间的亲身经历。整幅画作规模宏大，尺寸为127厘米见宽，197厘米高。
100 幅最著名的 瓦西里·韦雷什查金 作品，每一件都独一无二
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 231 件 瓦西里·韦雷什查金 作品收录于我们的目录中
简而言之
战争的化身 (1871) 是 瓦西里·韦雷什查金 最受瞩目的画作；原作收藏于 莫斯科 的 特列季亚科夫画廊。 随后，目光会移向 Sher-Dor Madrassah on the Registan Square in Samarkand (1869) 和 Politicians in an Opium Den (1870)。 在 瓦西里·韦雷什查金 的 231 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
1842 – 1904, 切列波韋茨
Realism
藏品最多：特列季亚科夫画廊
画廊视角下的 瓦西里·韦雷什查金 十大名作
2
Sher-Dor Madrassah on the Registan Square in Samarkand
To gaze upon this depiction of the Sher-Dor Madrassah on the Registan Square in Samarkand is to be transported across continents and centuries. It is not merely a painting; it is a vibrant echo of history, rendered with the masterful touch of Vasily Vasilevich Vereshchagin. The scene explodes with color and life, capturing the monumental beauty of the madrasah's architecture—its intricate facade adorned with dazzling blue and gold decorations—while simultaneously…
3
Politicians in an Opium Den
To stand before Vasily Vasilevich Vereshchagin’s Politicians in an Opium Den is not merely to observe a scene; it is to be drawn into a richly textured moment suspended between conversation, indulgence, and the quiet machinations of power. Painted in 1870, this oil on canvas piece transcends simple genre painting. It offers a profound, almost anthropological glimpse into a specific stratum of late 19th-century Russian society—a world where intellectual discourse…
4
Mullah Rahmin and Mullah Kerim Quarelling on the Way to the Bazaar
To stand before Mullah Rahmin and Mullah Kerim Quarelling on the Way to the Bazaar is to be instantly transported to a sun-drenched, dusty crossroads of history. Vasily Vasilevich Vereshchagin captured not just a scene, but a moment suspended in time—a vibrant tableau vivant unfolding under the vast Russian sky. The painting draws the viewer into the heart of a heated exchange between two figures mounted on horseback. One man…
5
At the Fortress Walls. Let them Enter
In this oil on canvas, titled At the Fortress Walls. Let them Enter, we encounter a significant work from 1871 by the Russian artist Vasily Vereshchagin. The piece captures a specific moment of military presence, rendered with the technical precision characteristic of Vereshchagin’s approach to his subjects. It is a work that reflects the artist's ability to document the atmosphere of a particular era through a realist lens.
6
Napoleon near Borodino
A group of men gathers on a raised, dusty terrain. They are silhouettes of authority against a hazy, smoke-filled horizon. At the center, a figure in a distinct uniform holds a telescope, his gaze fixed on the obscured landscape below. He does not look at his men; he looks through the lens at a world dissolving into gray plumes. The air feels heavy with the scent of burnt earth and…
7
Main Street in Samarkand from the Citadel in the Early Morning
The morning light begins to touch the dust of Uzbekistan in Main Street in Samarkand from the Citadel in the Early Morning. Painted by Vasily Vereshchagin in 1869, this work captures a specific moment within the ancient city of Samarkand. The scene unfolds from a high vantage point, looking out over a street where the quiet rhythms of daily life are just beginning to stir. One can sense the stillness…
8
Indian
In this 1873 work, we find ourselves face-to-face with a solitary figure, a moment of stillness captured amidst a landscape that feels both ancient and immediate. The subject stands before a weathered wall, adorned with red markings that suggest a history of ritual or perhaps the simple, repetitive traces of human presence. There is a profound sense of dignity in the individual's posture, a quietude that commands attention without needing…
9
Frozen corpses of Turkish soldiers
The scene unfolds through the grim reality of Frozen corpses of Turkish soldiers, a work that captures a heavy, silent aftermath. The artist, Vasily Vereshchagin, brings this moment to life with a focus on the stark truth of the landscape. He was born in 1842 in Cherepovets, Russia, a place that shaped his early understanding of the world. This painting emerges from a period of intense conflict, dating to about…
10
Bhil
In this 1874 portrait, we find ourselves in a moment of profound stillness. The subject, a man from the Bhil community, sits before us with a heavy, contemplative gaze. He is draped in a light-colored garment, perhaps cotton or silk, which catches the light with a subtle sheen against the dark, weathered texture of his skin. A white turban is wrapped precisely around his head, framing a face marked by…
瓦西里·韦雷什查金 的名画，第 11 至 100 幅
11
The Return from the Petroff Palace1895 · Museum of Patriotic War 1812
12
Afghan1868
13
Taj Mahal Mausoleum1876
14
The Night Bivouac of the Great Army1897 · Museum of Patriotic War 1812
15
A group of musicians playing for a bacha dancing boy1867 · 特列季亚科夫画廊
16
Bazaar1870 · 华沙国家博物馆
17
Street in the village Hodzhagent1868
18
Uzbek, the foreman (elder) village Hodzhagent1868
19
Lezginka1867
20
Solon boy1870
21
Lezgin Haji Murtuz-agha from Dagestan1864
22
Bacha and his fans1868
23
At the Fortress Walls. Let them Enter1871
24
Turkmens representing war trophies to Khiva khan1868
25
Warrant Officer Hassan-Beck Dzhagranov1864
26
Burlak who hold hands on the strap1866
27
Portrait of a bacha1867
28
Fakirs1875 · 特列季亚科夫画廊
29
Soldiers in the snow1878
30
Triumph1872
31
Turkestan officer, when there will no campaign1873
32
West Tibetans1876
33
Brahminic temple in Adelnure1876 · 亚美尼亚国家美术馆
34
Dressing station1879
35
In Gorodnya - to break through or retreat1891 · Museum of Patriotic War 1812
36
On the road. Retreat and escape1895
37
Wait. Let them come nearer1895
38
Portrait of a Peasant1901 · 华沙国家博物馆
39
Napoleon in winter clothing1899 · Museum of Patriotic War 1812
40
Letter to home (Letter to Mother)1901
41
Letter Remained Unfinished1901
42
In a Boat1904
43
The Taj Mahal, Evening
44
Two Falcons (also known as Bashibuzuki)1878
45
Gallery in the Samarkand Ark (Fortress)1869 · 特列季亚科夫画廊
46
Shah-i-Zinda Mausoleum in Samarkand1869 · 特列季亚科夫画廊
47
Kirghiz Woman1873 · 特列季亚科夫画廊
48
Pearl Mosque at Delhi, 1876 79波士顿美术馆
49
Mausoleum of Gur-Emir, Samarkand1869 · 特列季亚科夫画廊
50
Migration of the Kirghiz1869 · 特列季亚科夫画廊
51
Ananuri1863
52
A Resting Place of Prisoners1870 · 布鲁克林博物馆
53
Monks at the Door of a Mosque1870 · 波士顿美术馆
54
Inn near Tashkent1867
55
Burlaks1866
56
Afghan1870
57
Tamerlan's gate1871
58
Dutar-player1870
59
Burlak with the cap in his hand1866
60
Chorus of Dervishes, begging. Tashkent1870
61
Boy-Uzbek1868
62
In the Alatau mountains1870 · 特列季亚科夫画廊
63
Elbrus1867
64
Lully (Gypsy)1868
65
Nomadic road in the mountains of Ala Tau1870 · 特列季亚科夫画廊
66
Ruins in Chuguchak1869
67
Eunuch at the door of the harem1870
68
Kalmyk-lama1870 · 特列季亚科夫画廊
69
Kyrgyz tent on the Chu River1870
70
After failure1868
71
Kyrgyz1870 · 特列季亚科夫画廊
72
Politicians in opium shop. Tashkent.1870
73
Dervishes in holiday costumes. Tashkent1870
74
Ruins of a Theater in Chuguchak1870
75
Samarkand1870
76
Gur Emir Mausoleum. Samarkand1870
77
The interior of the yurt of rich Kirghiz1870
78
The children of the tribe Solonov1870
79
Migrations Kirghiz1870 · 特列季亚科夫画廊
80
Camel in the courtyard of caravanserai1870 · 特列季亚科夫画廊
81
The ruins of the Chinese shrine. Ak-Kent1870 · 特列季亚科夫画廊
82
Beggars in Samarkand1870 · 特列季亚科夫画廊
83
China tent1870
84
After good luck1868
85
Eaters of opium1868
86
A Garden gate in Chuguchak1870
87
Mausoleum of Shah-i-Zinda in Samarkand1870
88
Arab on camel1870
89
Kazakh with his national headdress1867
90
Kazakh with fur hat1867
91
Oriental Stall1868
92
Kalmyk chapel1870 · 特列季亚科夫画廊
93
Kirghiz Nomad Tents on the River Chu1869 · 特列季亚科夫画廊
94
Himalayan Ponies1875 · 特列季亚科夫画廊
95
Evening on a Lake. A Pavilion on the Marble Embankment in Rajnagar (Udaipur principality)1874 · 特列季亚科夫画廊
96
The Road of the War Prisoners1878 · 布鲁克林博物馆
97
Uzbek woman in Tashkent1873 · 特列季亚科夫画廊
98
Shipka-Sheinovo. Skobelev at Shipka1878 · 特列季亚科夫画廊
99
Fakirs1876
100
Chinese1873
The Return from the Petroff Palace1895 · Museum of Patriotic War 1812
12Afghan1868
13Taj Mahal Mausoleum1876
14The Night Bivouac of the Great Army1897 · Museum of Patriotic War 1812
15A group of musicians playing for a bacha dancing boy1867 · 特列季亚科夫画廊
16Bazaar1870 · 华沙国家博物馆
17Street in the village Hodzhagent1868
18Uzbek, the foreman (elder) village Hodzhagent1868
19Lezginka1867
20Solon boy1870
21Lezgin Haji Murtuz-agha from Dagestan1864
22Bacha and his fans1868
23At the Fortress Walls. Let them Enter1871
24Turkmens representing war trophies to Khiva khan1868
25Warrant Officer Hassan-Beck Dzhagranov1864
26Burlak who hold hands on the strap1866
27Portrait of a bacha1867
28Fakirs1875 · 特列季亚科夫画廊
29Soldiers in the snow1878
30Triumph1872
31Turkestan officer, when there will no campaign1873
32West Tibetans1876
33Brahminic temple in Adelnure1876 · 亚美尼亚国家美术馆
34Dressing station1879
35In Gorodnya - to break through or retreat1891 · Museum of Patriotic War 1812
36On the road. Retreat and escape1895
37Wait. Let them come nearer1895
38Portrait of a Peasant1901 · 华沙国家博物馆
39Napoleon in winter clothing1899 · Museum of Patriotic War 1812
40Letter to home (Letter to Mother)1901
41Letter Remained Unfinished1901
42In a Boat1904
43The Taj Mahal, Evening
44Two Falcons (also known as Bashibuzuki)1878
45Gallery in the Samarkand Ark (Fortress)1869 · 特列季亚科夫画廊
46Shah-i-Zinda Mausoleum in Samarkand1869 · 特列季亚科夫画廊
47Kirghiz Woman1873 · 特列季亚科夫画廊
48Pearl Mosque at Delhi, 1876 79波士顿美术馆
49Mausoleum of Gur-Emir, Samarkand1869 · 特列季亚科夫画廊
50Migration of the Kirghiz1869 · 特列季亚科夫画廊
51Ananuri1863
52A Resting Place of Prisoners1870 · 布鲁克林博物馆
53Monks at the Door of a Mosque1870 · 波士顿美术馆
54Inn near Tashkent1867
55Burlaks1866
56Afghan1870
57Tamerlan's gate1871
58Dutar-player1870
59Burlak with the cap in his hand1866
60Chorus of Dervishes, begging. Tashkent1870
61Boy-Uzbek1868
62In the Alatau mountains1870 · 特列季亚科夫画廊
63Elbrus1867
64Lully (Gypsy)1868
65Nomadic road in the mountains of Ala Tau1870 · 特列季亚科夫画廊
66Ruins in Chuguchak1869
67Eunuch at the door of the harem1870
68Kalmyk-lama1870 · 特列季亚科夫画廊
69Kyrgyz tent on the Chu River1870
70After failure1868
71Kyrgyz1870 · 特列季亚科夫画廊
72Politicians in opium shop. Tashkent.1870
73Dervishes in holiday costumes. Tashkent1870
74Ruins of a Theater in Chuguchak1870
75Samarkand1870
76Gur Emir Mausoleum. Samarkand1870
77The interior of the yurt of rich Kirghiz1870
78The children of the tribe Solonov1870
79Migrations Kirghiz1870 · 特列季亚科夫画廊
80Camel in the courtyard of caravanserai1870 · 特列季亚科夫画廊
81The ruins of the Chinese shrine. Ak-Kent1870 · 特列季亚科夫画廊
82Beggars in Samarkand1870 · 特列季亚科夫画廊
83China tent1870
84After good luck1868
85Eaters of opium1868
86A Garden gate in Chuguchak1870
87Mausoleum of Shah-i-Zinda in Samarkand1870
88Arab on camel1870
89Kazakh with his national headdress1867
90Kazakh with fur hat1867
91Oriental Stall1868
92Kalmyk chapel1870 · 特列季亚科夫画廊
93Kirghiz Nomad Tents on the River Chu1869 · 特列季亚科夫画廊
94Himalayan Ponies1875 · 特列季亚科夫画廊
95Evening on a Lake. A Pavilion on the Marble Embankment in Rajnagar (Udaipur principality)1874 · 特列季亚科夫画廊
96The Road of the War Prisoners1878 · 布鲁克林博物馆
97Uzbek woman in Tashkent1873 · 特列季亚科夫画廊
98Shipka-Sheinovo. Skobelev at Shipka1878 · 特列季亚科夫画廊
99Fakirs1876
100Chinese1873
瓦西里·韦雷什查金 的传世名作，按时期分类
Early Period
1864 – 1870 · 9 件作品入选此列表
19th Century
1866 – 1878 · 5 件作品入选此列表
令 瓦西里·韦雷什查金 驻足的创作主题
这些原作中反复出现的四个主题，各有一个最杰出的范例。
Men 19 件作品
People 10 件作品
Architecture 9 件作品
收藏有 瓦西里·韦雷什查金 原作的博物馆
收藏了本页中大部分画作的 7 家博物馆。
| 博物馆 | 城市 | 瓦西里·韦雷什查金 的作品 | 此列表中的画作 |
|---|---|---|---|
 特列季亚科夫画廊 |
莫斯科 | 46 | 战争的化身, Sher-Dor Madrassah on the Registan Square in Samarkand, Politicians in an Opium Den |
 Museum of Patriotic War 1812 |
Moscow | 15 | The Return from the Petroff Palace, The Night Bivouac of the Great Army, In Gorodnya - to break through or retreat |
 布鲁克林博物馆 |
布鲁克林 | 3 | A Resting Place of Prisoners, The Road of the War Prisoners |
 华沙国家博物馆 |
华沙 | 2 | Bazaar, Portrait of a Peasant |
 波士顿美术馆 |
波士顿 | 2 | Pearl Mosque at Delhi, 1876 79, Monks at the Door of a Mosque |
 State Historical Museum |
Moscow | 1 | Napoleon near Borodino |
 亚美尼亚国家美术馆 |
埃里温 | 1 | Brahminic temple in Adelnure |
跨越数十载的 瓦西里·韦雷什查金：每一件皆为独一无二的原作
各年代作品数量
选择一个年代，探索定义该时代的原创杰作。
1860s
Sher-Dor Madrassah on the Registan Square in Samarkand
年龄 18 – 27
34 件作品，于本十年间
To gaze upon this depiction of the Sher-Dor Madrassah on the Registan Square in Samarkand is to be transported across continents and centuries. It is not merely a painting; it is a vibrant echo of history, rendered with the masterful touch of Vasily Vasilevich Vereshchagin. The scene explodes with color and life, capturing the monumental beauty of the madrasah's architecture—its intricate facade adorned with dazzling blue and gold decorations—while simultaneously…
1890s
Napoleon near Borodino
年龄 48 – 57
23 件作品，于本十年间
A group of men gathers on a raised, dusty terrain. They are silhouettes of authority against a hazy, smoke-filled horizon. At the center, a figure in a distinct uniform holds a telescope, his gaze fixed on the obscured landscape below. He does not look at his men; he looks through the lens at a world dissolving into gray plumes. The air feels heavy with the scent of burnt earth and…
瓦西里·韦雷什查金 的画作：画廊常见问题
瓦西里·韦雷什查金 最著名的代表作是什么？揭晓答案
战争的化身 (1871)，特列季亚科夫画廊, 莫斯科。紧随其后的是 Sher-Dor Madrassah on the Registan Square in Samarkand (1869) 和 Politicians in an Opium Den (1870)。
瓦西里·韦雷什查金 是在多少岁时创作了 战争的化身？揭晓答案
29岁：战争的化身创作于1871年，瓦西里·韦雷什查金出生于1842年。
瓦西里·韦雷什查金 最著名的十幅画作是哪些？揭晓答案
战争的化身, Sher-Dor Madrassah on the Registan Square in Samarkand, Politicians in an Opium Den, Mullah Rahmin and Mullah Kerim Quarelling on the Way to the Bazaar, At the Fortress Walls. Let them Enter, Napoleon near Borodino, Main Street in Samarkand from the Citadel in the Early Morning, Indian, Frozen corpses of Turkish soldiers 及 Bhil。上方排名显示了每件作品的创作年份及馆藏机构。
已知 瓦西里·韦雷什查金 有多少件作品？揭晓答案
我们的目录收录了 231 件 瓦西里·韦雷什查金 的作品，创作年代从 1863 年至 1904 年。
在哪里可以欣赏到最著名的 瓦西里·韦雷什查金 原作？揭晓答案
多见于 特列季亚科夫画廊 (莫斯科), Museum of Patriotic War 1812 (Moscow) 及 布鲁克林博物馆 (布鲁克林)。上方的博物馆列表列出了所有相关机构。
瓦西里·韦雷什查金 的代表作创作于哪个时期？揭晓答案
在 1870s 期间：本页 100 件作品中有 55 件创作于该时期，其中包含 战争的化身 件作品。
哪幅 瓦西里·韦雷什查金 的名作创作年代最早，哪幅最晚？揭晓答案
在本页面中，最早的作品创作于 Ananuri (1863)，最晚的创作于 In a Boat (1904)。
瓦西里·韦雷什查金 偏好哪些题材？揭晓答案
Men (19), People (10) 及 Architecture (9)，共计 100 件作品。
瓦西里·韦雷什查金 最常使用哪些材料进行创作？揭晓答案
Oil On Canvas，共计 15 件（本页共有 100 件作品）。
瓦西里·韦雷什查金 的作品属于哪种艺术流派？揭晓答案
根据本页面的原作，Realism
在 特列季亚科夫画廊 可以看到哪些 瓦西里·韦雷什查金 的原作？揭晓答案
战争的化身, Sher-Dor Madrassah on the Registan Square in Samarkand 及 Politicians in an Opium Den：特列季亚科夫画廊, 莫斯科收藏了本页中 26 件作品。
瓦西里·韦雷什查金：艺术家肖像
冲突的记录者：瓦西里·韦列沙京的灵魂
凝视瓦西里·瓦西里耶维奇·韦列沙京的画布，仿佛直接踏入了十九世纪最动荡的前线，感受那灼热、尘土飞扬且令人心碎的现实。他不仅仅是一位画家；他更是一位见证者、一位旅行家，以及人类苦难的深刻记录者。1842年出生于俄罗斯切雷波韦茨的韦列沙京，拥有一个将科学精神与军事传统完美融合的独特血统。由于父亲是一位地质学家，且家族深受军事传统熏陶，他的早年生活培养了他对自然世界和原始探索机制那永无止境的好奇心。这种双重迷恋后来定义了他的艺术身份，使他能够以一种不同于诗人的浪漫化视角，而是以一个既精通解剖学又了解战争残酷地理的男性的精准且毫不退缩的目光，去审视战场。
他在帝国艺术学院接受的正规教育为他的宏伟巨作提供了所需的技艺支撑，然而，真正锻造其天才的是他离开画室的实践。受巡回画派（Peredvizhniki）运动的影响——即那些致力于将艺术带给人民并描绘俄罗斯生活不加掩饰之真相的“流浪者”们——韦列罢卿拒绝了那个时代理想化的审美。相反，他奔向了前线。在1877年至1878年的俄土战争期间，他以军医的身份亲身经历了围城战那令人作呕的恐怖。这段时期彻底改变了他的笔触；他的绘画不再仅仅是构图，而变成了对暴力之无意义性的深刻道德评论。在《战争的化身》等杰作中，他剥离了征服的荣耀，揭示了屠杀后阴森、死寂的后果，让观众不得不直面帝国野心所付出的沉重代价。
东方主义视野与东方的美学
虽然历史往往因其战争描绘而铭记他，但韦列沙京的作品集同样由他对中亚令人叹为观止的探索所定义。他在突厥斯坦和撒马尔罕的旅行，使他得以捕捉到一个在帝国扩张压力下正迅速变化的时代与景观。他拥有一种罕见的能力，能够平衡宏大叙事与细腻情感，用鲜艳且富有光泽的色调描绘出诸如沙希辛达陵墓或谢尔多尔经学院等遗址的建筑壮丽。在这些作品中，艺术家的科学训练清晰可见；他对错综复杂的瓷砖纹饰以及沙漠光线特质的关注，创造出一种超越简单风景画的沉浸式体验。
除了建筑，韦切沙京还在东方生活的日常节奏中发现了深邃的美。他的场景中常有在宁静尊严或剧烈冲突瞬间的人物，例如令人动容的《两只隼》，或是生动的《穆拉·拉赫明与穆拉·凯里姆在前往巴扎途中争吵》。这些作品展示了他对现实主义的掌控力，利用温暖的色调和细致入微的细节来唤起一种既异域风情又充满人性温度的气氛。他不仅仅是将“东方”作为一个抽象概念来绘画；他以一种民族志般的准确度描绘了人物、质感与光影，使他的作品宛如一扇通往另一个世界的窗户。
真理与颠覆的遗产
瓦西里·韦列沙京的历史意义在于他拒绝移开视线。他的艺术往往具有争议性，甚至带有颠覆色彩；由于他对死亡与破坏的描绘过于直白，导致许多他最强有力的作品在其生前遭到压制或无法公开展出。他挑战了当时盛行的“战争应被描绘为英雄壮举”的观念，转而将其呈现为一场人类错误与损失的悲剧。这种对真相的坚持，使他处于一场重新定义俄罗斯艺术目的运动的前沿，推动艺术从贵族式的装饰转向社会与政治的参与。
时至今日，韦列沙京的遗产通过其跨越世代唤起共情的能力而长存。对于任何试图理解19世纪历史复杂性、艺术与新闻交汇点，以及战争机器中持久的人类挣扎的人来说，他的作品始终是至关重要的基石。他留下的作品集既是历史档案，也是情感见证，提醒着我们：最强大的艺术往往是那些敢于直面我们共同经历中最黑暗角落的艺术。