更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 37 件 歌川國貞 作品收录于我们的目录中
简而言之
Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig (1825) 是 歌川國貞 最受瞩目的画作；原作收藏于 布鲁克林 的 布鲁克林博物馆。 随后，目光会移向 The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo 和 Sumo Spectators (1853)。 在 歌川國貞 的 37 件作品中，这 36 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The woodblock print titled Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig captures a singular moment of theatrical intensity. Created by Utagawa Kunisada in 1825, the work focuses on the Kabuki actor Ichikawa Danjuro VII. The figure is frozen in a moment of dramatic tension, defined by the weight of the axe and the starkness of the white wig.
To gaze upon this woodblock print is to step directly onto the vibrant, charged stage of Edo Japan during its zenith. We are presented with The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo, a masterful depiction by Utagawa Kunisada. This is not merely a portrait; it is a frozen moment of high drama, capturing the very essence of theatrical performance. The subject, clad in the imposing regalia of a samurai warrior,…
Sumo Spectators is a woodblock print by the artist Utagawa Kunisada. This work is a representation of a traditional Japanese scene. The piece is signed and dated 1853. It belongs to the Ukiyo-e art style.
The air feels heavy with the scent of salt and exertion. Somagahana Fuchiemon, a sumo wrestler of formidable presence, occupies the center of the frame in a moment of quiet, intense recovery. He is captured in a three-quarter view, his massive form dominating the space as he lifts a white cloth to wipe his face. This simple, human gesture provides a sudden, intimate respite from the violent energy of the…
The artwork titled Lesbians having sex by a harikata (dildo) was created by the artist Utagawa Kunisada. This piece dates to about 1840. The print originates from the Edo period in Japan.
The Actor Kawarazaki Gonjuro I as Osarabakuzo Denji is a woodblock print by the artist Utagawa Kunisada. Created about 1859, this work captures a specific moment of theatrical transformation. The print focuses on the Kabuki actor portraying the character Osarabakuzo Denji.
In the vibrant, bustling world of nineteenth-century Edo, where the lights of the Kabuki theater served as the heartbeat of urban culture, Utagawa Kunisada captured a rare moment of stillness. His Portrait of Iwai Kumesaburō II is not merely a depiction of a man, but a profound meditation on identity and status. The subject, a celebrated onnagata—an actor specializing in female roles—is presented here not in the flamboyant, transformative costumes…
In the delicate interplay of ink and aged paper, the Memorial Portrait of the Actor Ichikawa Ōmezō I emerges as a profound testament to the enduring spirit of the Edo period. Created in 1858 by the legendary Utagawa Kunisada, this hanging scroll is far more than a mere likeness; it is a soulful encounter with a titan of the Kabuki stage. The portrait captures Ōmezō I in a moment of…
Ichikawa Danjûrô as Unno Kotarô Yukiuji (Disguised as Yamagatsu Buô) from a Kamoise at the Ichmuraza Theatre1828
12
View of Fuji from Miho Bay, May1830
13
Actor as Nikki Danjo1857
14
Boy's Festival明尼阿波利斯艺术学院
15
The Spectre
16
Ronins attack on the house of lord Kira (left panel of a triptych)
17
Ohnomatsu_Midorinosuke
18
Dietary Life Rules
19
The Actor Ichikawa Kodanji IV as Subashiri no Kumagoro1859 · 布鲁克林博物馆
20
The Hell Courtesan1850
21
Seascape
22
Portrait of Hiroshige
23
The Ghost
24
Surimono
25
The Actor
26
Sumo
27
Kagamiiwa Hamanosuke, sumo wrestler
28
The Actor in the Ichikawa Family
29
Fifty three Stages of the Tokaido (Tokaido Gojusan)
30
The Actor Playing a Farmer
31
Genji
32
The Actor Reading a Scroll
33
The Actor
34
The Actor in Female Role
35
Moonlight View of Tsukuda with Lady on a Balcony
36
Goemon Ishikawa and his son Goroichi
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 3 家博物馆。
| 博物馆 | 城市 | 歌川國貞 的作品 | 此列表中的画作 |
|---|---|---|---|
 布鲁克林博物馆 |
布鲁克林 | 3 | Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig, The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo, The Actor Ichikawa Kodanji IV as Subashiri no Kumagoro |
 大都会艺术博物馆 |
纽约 | 1 | Portrait of Iwai Kumesaburō II |
 明尼阿波利斯艺术学院 |
明尼阿波利斯 | 1 | Boy's Festival |
选择一个年代，探索定义该时代的原创杰作。
The woodblock print titled Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig captures a singular moment of theatrical intensity. Created by Utagawa Kunisada in 1825, the work focuses on the Kabuki actor Ichikawa Danjuro VII. The figure is frozen in a moment of dramatic tension, defined by the weight of the axe and the starkness of the white wig.
The artwork titled Lesbians having sex by a harikata (dildo) was created by the artist Utagawa Kunisada. This piece dates to about 1840. The print originates from the Edo period in Japan.
Sumo Spectators is a woodblock print by the artist Utagawa Kunisada. This work is a representation of a traditional Japanese scene. The piece is signed and dated 1853. It belongs to the Ukiyo-e art style.
Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig (1825)，布鲁克林博物馆, 布鲁克林。紧随其后的是 The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo 和 Sumo Spectators (1853)。
39岁：Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig创作于1825年，歌川國貞出生于1786年。
Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig, The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo, Sumo Spectators, Sumo wrestler Somagahana Fuchiemon, Lesbians having sex by a harikata (dildo), The Actor Kawarazaki Gonjuro I as Osarabakuzo Denji, Portrait of Iwai Kumesaburō II, Memorial Portrait of the Actor Ichikawa Ōmezō I, Four seasons: Spring, Summer, Autumn, Winter 及 Sexual Life Rules。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 37 件 歌川國貞 的作品，创作年代从 1825 年至 1859 年。
多见于 布鲁克林博物馆 (布鲁克林), 大都会艺术博物馆 (纽约) 及 明尼阿波利斯艺术学院 (明尼阿波利斯)。上方的博物馆列表列出了所有相关机构。
在 1850s 期间：本页 36 件作品中有 6 件创作于该时期，其中包含 Sumo Spectators 件作品。
在本页面中，最早的作品创作于 Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig (1825)，最晚的创作于 The Actor Kawarazaki Gonjuro I as Osarabakuzo Denji (1859)。
Men (10), Edo period (5) 及 Theaters (5)，共计 36 件作品。
Woodblock Print，共计 8 件（本页共有 36 件作品）。
根据本页面的原作，Ukiyo-e
Ichikawa Danjuro VII Wielding an Axe wearing a White haired Wig, The Kabuki Actor Kawaharazaki Gonjuro as Kagekiyo 及 The Actor Ichikawa Kodanji IV as Subashiri no Kumagoro：布鲁克林博物馆, 布鲁克林收藏了本页中 3 件作品。
歌川国贞，原名隅田庄五郎，出生于日本充满活力的本所地区。在整个19世纪，他无疑是浮世绘领域最负盛名的艺术家。凭借其极其丰沛的创作产出与无与伦比的商业成功，他在同时代的艺术巨擘——广重、北斋与国芳之中，确立了自己作为泰斗的地位，并成为了江户时代彩色木版画名副其实的领军人物。尽管早期的欧洲收藏家曾一度将这些大师视为逊色于古典浮世绘艺术家的存在，但随着20世纪中叶审美观念的复兴以及随后的学术考证，国贞的历史地位得到了应有的提升，被公认为日本艺术史上最卓越的人物之一。
国贞的成长环境得益于其父经营的小规模渡轮生意，这种家庭背景为他带来了在当时艺术家群体中并不常见的经济保障。他的父亲本身也是一位业漫诗人，这使得文学情怀与艺术表达的种子早在国贞幼年时便已深植于心。歌川派的核心人物、著名的歌舞伎设计大师一代东斋敏锐地察觉到了这位少年身上蕴含的天赋，遂将其收为门徒，倾囊相授关于戏剧艺术与版画技法的精髓知识。这段师徒传承不仅强化了国贞与歌川血脉之间的纽带，更让他置身于日本文化中根深蒂固的“师徒制”传统之中。他后来使用的艺名国贞，亦是从师父姓氏中衍生而来，象征着这份艺术传承，也预示了他未来作为领域领袖的辉煌成就。
随着艺术生涯的绽放，国贞成为了捕捉“浮世”转瞬即逝之美的宗师。他的作品展现出一种非凡的能力，能够通过鲜艳的色彩与细腻的刻画，为画中人物注入灵魂。他在多个截然不同的题材领域均取得了无与伦比的成就：
国贞的技术 brilliance 在于他不断突破木版画艺术边界的能力。他所运用的丰富色调，已成为江户时代后期日本美学的代名词。他的构图绝非仅仅为了装饰；它们是极具叙事力量的载体，真实地反映了那个时代的社会脉动——从剧院里的跌宕起伏，到茶馆中那份静谧优雅。
歌川国贞的历史地位不言而喻。他不仅是一位画家，更是一位文化记录者，忠实地记载了江户城市文化的鼎盛时期。他的作品架起了传统工艺与蓬勃发展的商业艺术市场之间的桥梁，使高品质的艺术能够触达更广泛的受众。尽管在近现代早期，他的名声在西方一度陷入相对沉寂，但当代的学术研究已重新将他确立为日本艺术的核心支柱。
时至今日，我们回顾国贞，不仅是将他视为一代东斋的继承者，更是将其视为一位重新定义了浮世绘媒介可能性的艺术家。他的影响力在平面设计的演变以及全球对日本版画持续的崇敬中清晰可见。研习国贞的作品，便是去见证19世纪日本那跳动着的脉搏——这一切都凝固在墨色、颜料与木纹之间。
