索多瑪 肖像

67 幅最著名的 索多瑪 作品，画廊精选

更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 71 件 索多瑪 作品收录于我们的目录中

简而言之

在 索多瑪 留下的所有原作中，最著名的当属收藏于 罗马 国家古美术馆 的《罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 (1506)》。 紧随其后的是 Head of Christ (1537) 和 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527)。 我们的目录收录了 索多瑪 的 71 件作品；画廊完整保留了 67 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1477 – 1549, 韦尔切利 文艺复兴 藏品最多：国家美术馆
罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 (1506) 作 索多瑪1. 罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 1506 Head of Christ (1537) 作 索多瑪2. Head of Christ 1537 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527) 作 索多瑪3. The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist 1527

索多瑪 的十大名画：画廊精选

1
罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 (1506) 作 索多瑪

罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图

1506 · 布面油画 · 国家古美术馆, 罗马

罗马国家美术馆收藏的《萨宾妇女被掳掠》：文艺复兴与曼尼时代艺术的交响曲 罗马国家美术馆珍藏着意大利画家伊尔·索多玛创作于1506年的杰作《萨宾妇女被掳掠》，这幅油画作品不仅是文艺复兴时期艺术发展的重要里程碑，更以其独特的风格和深刻的历史意义深深震撼了无数艺术爱好者和收藏家。 这幅作品展现了当时罗马文化和社会精神的复杂与活力，为我们理解艺术创作的时代背景提供了宝贵的视角。 画家简介：伊尔·索多玛（乔瓦尼·安东尼奥·巴齐），生于威塞利约1447年，卒于1549年，是意大利文艺复兴时期最杰出的艺术家之一。 他在 Siena 的艺术训练为他注入了浓厚的 Siena 美术传统色彩，特别是对褶皱的精细描绘和色彩运用技巧，这些影响了他整个艺术生涯。 作品概述：《萨宾妇女被掳掠》是一幅充满戏剧性和象征意义的作品。 它记录了罗马历史上的一个传奇事件——罗马开国者罗慕路斯与他的军队对萨宾部落妇女的掳掠行为。 这次事件在罗马神话和历史传说中具有重要地位，为艺术家们提供了丰富的创作灵感。 艺术风格与技巧：伊尔·索多玛的作品体现了曼尼时代艺术的特点，他运用大胆的色彩对比和动态构图，力求表达情感和思想的复杂性。 这幅画作采用油画技法，细腻地展现了人物形象的细节和光影效果，为观众带来视觉上的震撼与感动。 历史背景与文化意义： 作品创作于文艺复兴时期，当时罗马艺术家们积极吸收古典艺术的影响力，并将其融入到自己的作品中。 这幅画作不仅是对历史事件的真实记录，更反映了当时社会对权力、性别和道德观念的关注。 象征主义解读： 作品中的色彩运用以及人物形象的表情都蕴含着丰富的象征意义。 例如，罗马士兵的服装和武器象征着力量与统治权，而萨宾妇女的悲伤和绝望则表达了对自由和尊严的渴望。 通过对这些元素的细致分析，我们可以更深刻地理解作品所传达的思想情感。 罗马国家美术馆： 这幅画作现于罗马国家美术馆，这里收藏了众多文艺复兴时期艺术瑰宝，为艺术爱好者们提供了欣赏经典艺术的机会。 您可以在这里感受艺术的魅力和历史的厚重。 更多信息：维基百科链接 或 所有绘画商店网站。 通过购买高质量的《萨宾妇女被掳掠》复制品，您可以将这幅艺术杰作带回家，让它成为您收藏中的璀璨明珠。

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2
Head of Christ (1537) 作 索多瑪

Head of Christ

1537 · Oil · 国家美术馆, 伦敦

In "Head of Christ" by Giovanni Gerolamo Savoldo, the viewer is met with a close-up portrait that focuses tightly on the face and upper shoulders. The subject is framed by long, dark, wavy hair and a full beard. A crown of thorns rests upon the brow, rendered through textured, dark lines that press against the skin. The eyes are cast downward, heavy with a sense of sadness or exhaustion. This…

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3
The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527) 作 索多瑪

The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist

1527 · Oil · 沃尔特斯艺术博物馆, 巴尔的摩

Within the circular confines of this tondo, a quiet intimacy unfolds. The air feels heavy with the warmth of a Mediterranean afternoon, filtered through a soft, directional light that carves the figures out of the surrounding landscape. We find ourselves watching a tender moment of familial connection, where the boundaries between the divine and the human seem to blur. The Holy Family gathers closely, their forms wrapped in heavy, tactile…

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4
The Ecstasy of Saint Catherine of Siena (1532) 作 索多瑪

The Ecstasy of Saint Catherine of Siena

1532 · Oil · 耶鲁大学艺术馆, 纽黑文

The spiritual intensity of The Ecstasy of Saint Catherine of Siena unfolds before us through the hand of Il Sodoma. This religious art piece captures a profound moment of divine connection, centering entirely on the figure of Catherine of Siena. The scene invites a sense of wonder as the saint experiences a celestial encounter, her presence anchoring the composition amidst a swirling, sacred atmosphere. Every brushstroke seeks to translate the…

这件原作背后的故事
5
The Holy Family and St. John (1477) 作 索多瑪

The Holy Family and St. John

1477 · Oil On Panel · 底特律艺术学院, 底特律

The Holy Family and St. John is a devotional work by the Italian artist Il Sodoma. This oil on wood panel depicts a sacred grouping of figures, centering on the intimate connection between Mary, Joseph, and the young Saint John the Baptist. The composition focuses on the quiet, tender interactions shared between the holy figures, presented in a manner that invites a sense of spiritual closeness.

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6
The Madonna and Child with Saints and a Donor (1530) 作 索多瑪

The Madonna and Child with Saints and a Donor

1530 · Oil On Panel · 国家美术馆, 伦敦

Step closer to observe the way the light settles upon these figures. In this composition from around 1530, we find a sense of stability born from a pyramidal arrangement. At the apex sits the Virgin Mary, her presence anchoring the group. She holds the Christ Child with a natural, unforced tenderness that grounds the divine subject in something deeply human. The palette relies on deep ultramarine blue in her mantle…

这件原作背后的故事
7
Saint Jerome in Penitence (1540) 作 索多瑪

Saint Jerome in Penitence

1540 · Oil On Canvas · 国家美术馆, 伦敦

A muscular, semi-nude figure occupies the center of this 1540 oil painting, captured in a dynamic, crouching pose that cuts a diagonal path across the canvas. The subject, Saint Jerome, is immersed in a moment of intense religious devotion and physical hardship. Deep, earthy tones of brown and dark green dominate the composition, grounded by the heavy textures of a rugged, rocky landscape. A strong directional light source, characteristic of…

这件原作背后的故事
8
Death of Lucretia (1515) 作 索多瑪

Death of Lucretia

1515 · Oil On Panel · Galleria Sabauda, 都灵

In this work, we find ourselves witnessing the final, harrowing moments of Lucretia, a woman whose life is being extinguished in a flash of steel and sorrow. The scene freezes a moment of profound tragedy, capturing the climactic end of a Roman noblewoman whose life was defined by virtue and ended by violence. The composition is thick with tension; the stillness of her form contrasts sharply with the looming presence…

这件原作背后的故事
9
Holy Family with St. John the Baptist as child (1525) 作 索多瑪

Holy Family with St. John the Baptist as child

1525 · Oil · 维也纳艺术史博物馆, 维也纳

This oil painting, dated 1525, is presented within an arched lunette format. The scene focuses on a group of four figures: the Virgin Mary, the Christ Child, Saint Joseph, and a young Saint John the Baptist. Mary is positioned centrally, wearing a red tunic beneath a deep blue mantle. Her pale skin and the skin of the infants are illuminated by a soft, directional light that emerges from the side,…

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10
The Madonna and Child (1525) 作 索多瑪

The Madonna and Child

1525 · Oil On Panel · 国家美术馆, 伦敦

The composition centers on the Virgin Mary and the infant Jesus, set against an atmospheric landscape of distant hills and trees. A soft, directional light illuminates the faces of the subjects and the child's body, while much of the background remains in shadow. This use of chiaroscuro creates a sense of three-dimensionality, sculpting the figures through subtle gradations of tone.

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索多瑪 系列持续更新，第 11 至 67 项

11charity (1504) 作 索多瑪charity1504 · 柏林国家美术馆 12Benedict Presents the Olivetan Monks with His Rule (1505) 作 索多瑪Benedict Presents the Olivetan Monks with His Rule1505 13Life of St Benedict, Scene 13: Benedict Frees a Monk (1505) 作 索多瑪Life of St Benedict, Scene 13: Benedict Frees a Monk1505 14Life of St Benedict, Scene 12: Benedict Receives Maurus and Placidus (1505) 作 索多瑪Life of St Benedict, Scene 12: Benedict Receives Maurus and Placidus1505 15Life of St Benedict, Scene 32: Benedict Appears in the Dreams of Two Monks (1505) 作 索多瑪Life of St Benedict, Scene 32: Benedict Appears in the Dreams of Two Monks1505 16Holy Family with young Saint John (1525) 作 索多瑪Holy Family with young Saint John1525 17Terrestrial Venus with Eros and Celestial Venus with Anteros and Two Cupids (1525) 作 索多瑪Terrestrial Venus with Eros and Celestial Venus with Anteros and Two Cupids1525 18St Sebastian (1525) 作 索多瑪St Sebastian1525 · 皮蒂宫 19Christ Carrying the Cross (1545) 作 索多瑪Christ Carrying the Cross1545 · 柏林国家美术馆 20The Crucifixion (1549) 作 索多瑪The Crucifixion1549 · 克利夫兰艺术博物馆 21The Presentation of the Virgin in the Temple (1518) 作 索多瑪The Presentation of the Virgin in the Temple1518 · Oratory of San Bernardino 22The Holy Family (1511) 作 索多瑪The Holy Family1511 · 巴伐利亚州绘画收藏馆 23The Death of Lucretia (1513) 作 索多瑪The Death of Lucretia1513 · 布达佩斯美术博物馆 24The Mystic Marriage of St Catherine (1539) 作 索多瑪The Mystic Marriage of St Catherine1539 · 国家古美术馆 25Pietà (1540) 作 索多瑪Pietà1540 · 博尔盖塞美术馆 26Holy Family with the Infant Saint John the Baptist (1530) 作 索多瑪Holy Family with the Infant Saint John the Baptist1530 27Ecce Homo (1510) 作 索多瑪Ecce Homo1510 · 布雷拉畫廊 28The Confirmation of the Olivetan Order by the Bishop of Arezzo (1503) 作 索多瑪The Confirmation of the Olivetan Order by the Bishop of Arezzo1503 29Man of Sorrow (1505) 作 索多瑪Man of Sorrow1505 30Life of St Benedict, Scene 5: The Devil Destroys the Little Bell (1505) 作 索多瑪Life of St Benedict, Scene 5: The Devil Destroys the Little Bell1505 31The Road to Calvary (1510) 作 索多瑪The Road to Calvary1510 · 布达佩斯美术博物馆 32Life of St Benedict, Scene 6: A Priest Shares His Easter Meal with Benedict (1505) 作 索多瑪Life of St Benedict, Scene 6: A Priest Shares His Easter Meal with Benedict1505 33Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (detail) (1505) 作 索多瑪Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (detail)1505 34Deposition from the Cross (detail) (1510) 作 索多瑪Deposition from the Cross (detail)1510 · Pinacoteca Nazionale 35Life of St Benedict, Scene 8: Benedict is Tempted (detail) (1505) 作 索多瑪Life of St Benedict, Scene 8: Benedict is Tempted (detail)1505 36Life of St Benedict, Scene 19: Benedict Sends away the Harlots (1505) 作 索多瑪Life of St Benedict, Scene 19: Benedict Sends away the Harlots1505 37Life of St Benedict, Scene 4: The Monk Romanus Dresses Benedict (detail) (1505) 作 索多瑪Life of St Benedict, Scene 4: The Monk Romanus Dresses Benedict (detail)1505 38The Women of Darius's Family before Alexander the Great (1517) 作 索多瑪The Women of Darius's Family before Alexander the Great1517 · 法内西纳别墅 39Life of St Benedict, Scene 19: Benedict Sends away the Harlots (detail) (1505) 作 索多瑪Life of St Benedict, Scene 19: Benedict Sends away the Harlots (detail)1505 40Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (1505) 作 索多瑪Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer1505 41Life of St Benedict, Scene 15: Benedict Fishes the Pieces of a Broken Ax (detail) (1505) 作 索多瑪Life of St Benedict, Scene 15: Benedict Fishes the Pieces of a Broken Ax (detail)1505 42Deposition from the Cross (1510) 作 索多瑪Deposition from the Cross1510 · Pinacoteca Nazionale 43Life of St Benedict, Scene 1: Benedict Leaves His Parent's House (1505) 作 索多瑪Life of St Benedict, Scene 1: Benedict Leaves His Parent's House1505 44Life of St Benedict, Scene 12: Benedict Receives Maurus and Placidus (detail) (1505) 作 索多瑪Life of St Benedict, Scene 12: Benedict Receives Maurus and Placidus (detail)1505 45Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries (1505) 作 索多瑪Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries1505 46Life of St Benedict, Scene 33: Benedict Gives Posthumous Absolution to Two Nuns (1505) 作 索多瑪Life of St Benedict, Scene 33: Benedict Gives Posthumous Absolution to Two Nuns1505 47Life of St Benedict, Scene 31: Benedict Feeds the Monk (1505) 作 索多瑪Life of St Benedict, Scene 31: Benedict Feeds the Monk1505 48Life of St Benedict, Scene 30: Benedict Foretells the Destruction of Montecassino (1505) 作 索多瑪Life of St Benedict, Scene 30: Benedict Foretells the Destruction of Montecassino1505 49Life of St Benedict, Scene 30: Benedict Foretells the Destruction of Montecassino (detail) (1505) 作 索多瑪Life of St Benedict, Scene 30: Benedict Foretells the Destruction of Montecassino (detail)1505 50Life of St Benedict, Scene 7: Benedict Instructs the Peasants (1505) 作 索多瑪Life of St Benedict, Scene 7: Benedict Instructs the Peasants1505 51Saint George and the Dragon (1518) 作 索多瑪Saint George and the Dragon1518 · 国家美术馆 52The Beheading of Niccolò di Tuldo (1526) 作 索多瑪The Beheading of Niccolò di Tuldo1526 · San Domenico 53View of the Oratory (1520) 作 索多瑪View of the Oratory1520 · Oratory of San Bernardino 54View of the Cappella di Santa Caterina (1526) 作 索多瑪View of the Cappella di Santa Caterina1526 · San Domenico 55Wedding of Alexander and Roxane (detail) (1517) 作 索多瑪Wedding of Alexander and Roxane (detail)1517 · 法内西纳别墅 56The Death of Lucretia (1535) 作 索多瑪The Death of Lucretia1535 · 布达佩斯美术博物馆 57Cupid in a Landscape (1510) 作 索多瑪Cupid in a Landscape1510 · 冬宫博物馆 58基督鞭笞圣母玛利亚 (1510) 作 索多瑪基督鞭笞圣母玛利亚1510 · 布达佩斯美术博物馆 59Mary Magdalene 作 索多瑪Mary Magdalene 60Christ Carrying the Cross 作 索多瑪Christ Carrying the CrossPalazzo d'Arco 61St George and the Dragon 作 索多瑪St George and the Dragon国家美术馆 62Allegory of Celestial Love 作 索多瑪Allegory of Celestial LoveChigi Saracini Collection 63Christ Presented to the People (Ecce Homo) (1544) 作 索多瑪Christ Presented to the People (Ecce Homo)1544 · 大都会艺术博物馆 64Wedding of Alexander and Roxane (1517) 作 索多瑪Wedding of Alexander and Roxane1517 · 法内西纳别墅 65Man of Sorrows (1500) 作 索多瑪Man of Sorrows1500 66Holy Family with Saint John the Baptist and an Angel (1530) 作 索多瑪Holy Family with Saint John the Baptist and an Angel1530 · 斯特拉斯堡美术馆 67Pietà (1533) 作 索多瑪Pietà1533

索多瑪 的传世名作，按时期分类

High Renaissance

1503 – 1505 · 6 件作品入选此列表
The Confirmation of the Olivetan Order by the Bishop of Arezzo (1503), 索多瑪 #28 The Confirmation of the Olivetan Order by the Bishop of Arezzo 1503 Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (detail) (1505), 索多瑪 #33 Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (detail) 1505 Life of St Benedict, Scene 19: Benedict Sends away the Harlots (1505), 索多瑪 #36 Life of St Benedict, Scene 19: Benedict Sends away the Harlots 1505 Life of St Benedict, Scene 4: The Monk Romanus Dresses Benedict (detail) (1505), 索多瑪 #37 Life of St Benedict, Scene 4: The Monk Romanus Dresses Benedict (detail) 1505 Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer (1505), 索多瑪 #40 Life of St Benedict, Scene 3: Benedict Repairs a Broken Colander through Prayer 1505

Early Period

1505 · 3 件作品入选此列表
Life of St Benedict, Scene 8: Benedict is Tempted (detail) (1505), 索多瑪 #35 Life of St Benedict, Scene 8: Benedict is Tempted (detail) 1505 Life of St Benedict, Scene 1: Benedict Leaves His Parent's House (1505), 索多瑪 #43 Life of St Benedict, Scene 1: Benedict Leaves His Parent's House 1505 Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries (1505), 索多瑪 #45 Life of St Benedict, Scene 11: Benedict Founds Twelve Monasteries 1505

Mature Renaissance

1505 – 1510 · 3 件作品入选此列表
罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 (1506), 索多瑪 #1 罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 1506 · 国家古美术馆 Life of St Benedict, Scene 32: Benedict Appears in the Dreams of Two Monks (1505), 索多瑪 #15 Life of St Benedict, Scene 32: Benedict Appears in the Dreams of Two Monks 1505 Ecce Homo (1510), 索多瑪 #27 Ecce Homo 1510 · 布雷拉畫廊

Mature Period

1504 – 1540 · 37 件作品入选此列表
Head of Christ (1537), 索多瑪 #2 Head of Christ 1537 · 国家美术馆 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527), 索多瑪 #3 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist 1527 · 沃尔特斯艺术博物馆 The Ecstasy of Saint Catherine of Siena (1532), 索多瑪 #4 The Ecstasy of Saint Catherine of Siena 1532 · 耶鲁大学艺术馆 The Madonna and Child with Saints and a Donor (1530), 索多瑪 #6 The Madonna and Child with Saints and a Donor 1530 · 国家美术馆 Saint Jerome in Penitence (1540), 索多瑪 #7 Saint Jerome in Penitence 1540 · 国家美术馆

Late Period

1544 – 1549 · 3 件作品入选此列表
Christ Carrying the Cross (1545), 索多瑪 #19 Christ Carrying the Cross 1545 · 柏林国家美术馆 The Crucifixion (1549), 索多瑪 #20 The Crucifixion 1549 · 克利夫兰艺术博物馆 Christ Presented to the People (Ecce Homo) (1544), 索多瑪 #63 Christ Presented to the People (Ecce Homo) 1544 · 大都会艺术博物馆

令 索多瑪 驻足的创作主题

这些原作中反复出现的四个主题，各有一个最杰出的范例。

Man 21 件作品

Head of Christ (1537), 索多瑪 #2 Head of Christ 1537 · 国家美术馆 The Holy Family and St. John (1477), 索多瑪 #5 The Holy Family and St. John 1477 · 底特律艺术学院 Saint Jerome in Penitence (1540), 索多瑪 #7 Saint Jerome in Penitence 1540 · 国家美术馆 Holy Family with St. John the Baptist as child (1525), 索多瑪 #9 Holy Family with St. John the Baptist as child 1525 · 维也纳艺术史博物馆

People 21 件作品

The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527), 索多瑪 #3 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist 1527 · 沃尔特斯艺术博物馆 The Crucifixion (1549), 索多瑪 #20 The Crucifixion 1549 · 克利夫兰艺术博物馆 The Mystic Marriage of St Catherine (1539), 索多瑪 #24 The Mystic Marriage of St Catherine 1539 · 国家古美术馆 Life of St Benedict, Scene 5: The Devil Destroys the Little Bell (1505), 索多瑪 #30 Life of St Benedict, Scene 5: The Devil Destroys the Little Bell 1505

Woman 14 件作品

The Ecstasy of Saint Catherine of Siena (1532), 索多瑪 #4 The Ecstasy of Saint Catherine of Siena 1532 · 耶鲁大学艺术馆 Death of Lucretia (1515), 索多瑪 #8 Death of Lucretia 1515 · Galleria Sabauda charity (1504), 索多瑪 #11 charity 1504 · 柏林国家美术馆 Holy Family with young Saint John (1525), 索多瑪 #16 Holy Family with young Saint John 1525

Landscape 12 件作品

The Madonna and Child (1525), 索多瑪 #10 The Madonna and Child 1525 · 国家美术馆 Terrestrial Venus with Eros and Celestial Venus with Anteros and Two Cupids (1525), 索多瑪 #17 Terrestrial Venus with Eros and Celestial Venus with Anteros and Two Cupids 1525 The Holy Family (1511), 索多瑪 #22 The Holy Family 1511 · 巴伐利亚州绘画收藏馆 Holy Family with the Infant Saint John the Baptist (1530), 索多瑪 #26 Holy Family with the Infant Saint John the Baptist 1530

收藏有 索多瑪 原作的博物馆

收藏了本页大部分画作的 8 家博物馆。

博物馆 城市 索多瑪 的作品 此列表中的画作
国家美术馆, 伦敦国家美术馆 伦敦 4 Head of Christ, The Madonna and Child with Saints and a Donor, Saint Jerome in Penitence
布达佩斯美术博物馆, 布达佩斯布达佩斯美术博物馆 布达佩斯 4 The Death of Lucretia, The Road to Calvary, The Death of Lucretia
法内西纳别墅, 罗马法内西纳别墅 罗马 3 The Women of Darius's Family before Alexander the Great, Wedding of Alexander and Roxane (detail), Wedding of Alexander and Roxane
国家古美术馆, 罗马国家古美术馆 罗马 2 罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图, The Mystic Marriage of St Catherine
柏林国家美术馆, 柏林柏林国家美术馆 柏林 2 charity, Christ Carrying the Cross
Oratory of San Bernardino, SienaOratory of San Bernardino Siena 2 The Presentation of the Virgin in the Temple, View of the Oratory
Pinacoteca Nazionale, 锡耶纳Pinacoteca Nazionale 锡耶纳 2 Deposition from the Cross (detail), Deposition from the Cross
国家美术馆, 华盛顿国家美术馆 华盛顿 2 Saint George and the Dragon, St George and the Dragon

索多瑪 的年代演变：定义每个时代的原创之作

各年代作品统计

选择一个年代，探索定义该时代的原创杰作。

藏家关于 索多瑪 作品的常见问题

索多瑪 最著名的作品是哪一件？揭晓答案

罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 (1506)，国家古美术馆, 罗马。紧随其后的是 Head of Christ (1537) 和 The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist (1527)。

创作 罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 时，索多瑪 是多少岁？揭晓答案

29岁：罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图创作于1506年，索多瑪出生于1477年。

索多瑪 最著名的十幅画作是什么？揭晓答案

罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图, Head of Christ, The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist, The Ecstasy of Saint Catherine of Siena, The Holy Family and St. John, The Madonna and Child with Saints and a Donor, Saint Jerome in Penitence, Death of Lucretia, Holy Family with St. John the Baptist as child 及 The Madonna and Child。上方排名显示了每件作品的创作年份及馆藏机构。

索多瑪 留下了多少幅画作？揭晓答案

我们的目录收录了 71 件 索多瑪 的作品，创作年代从 1500 年至 1549 年。

索多瑪 的杰作收藏在哪些博物馆中？揭晓答案

多见于 国家美术馆 (伦敦), 布达佩斯美术博物馆 (布达佩斯) 及 法内西纳别墅 (罗马)。上方的博物馆列表列出了所有相关机构。

索多瑪 在哪些年份创作了最著名的作品？揭晓答案

在 1500s 期间：本页 67 件作品中有 26 件创作于该时期，其中包含 罗马凯旋女神圣母玛利亚绘画作品信息： 标题翻译：萨宾妇女被掳掠之图 件作品。

索多瑪 的首件与末件名作原件分别是哪几件？揭晓答案

在本页面中，最早的作品创作于 Man of Sorrows (1500)，最晚的创作于 The Crucifixion (1549)。

索多瑪 最常创作的主题是什么？揭晓答案

Man (21), People (21) 及 Woman (14)，共计 67 件作品。

索多瑪 最常用的技法是什么？揭晓答案

Fresco，共计 29 件（本页共有 67 件作品）。

索多瑪 属于哪种艺术流派？揭晓答案

根据本页面的原作，文艺复兴

哪些 索多瑪 的作品在 国家美术馆 展出？揭晓答案

Head of Christ, The Madonna and Child with Saints and a Donor 及 Saint Jerome in Penitence：国家美术馆, 伦敦收藏了本页中 4 件作品。

索多瑪：生平与作品

锡耶纳文艺复兴的神秘灵魂

在意大利文艺复兴那绚丽夺目的艺术织锦中，很少有人能像乔凡尼·安东尼奥·巴齐（Giovanni Antonio Bazzi）那样，拥有如此具有挑衅性的名字，以及如此多面化的艺术遗产。他在历史上以那个充满暗示意味的绰号——Il Sodoma而被世人铭记。这位于1477年左右出生在韦尔切利的艺术家，其身份不仅仅是一位画家，更是一股变革的力量，他巧妙地架起了连接盛期文艺复暮那明亮、均衡的理想主义与风格主义中那种充满情感且往往令人不安的戏剧性之间的桥梁。他的艺术旅程是一场深刻的融合：锡耶纳画派严谨的传统，在此与伦巴第风格那宏大且富有氛围感的创新，以及受达芬奇启发而产生的细腻心理深度交织在一起。

巴齐早年的生活以严苛的学徒生涯为标志，这为他日后的技艺精湛奠定了坚实基础。在“古朴”的马蒂诺·斯潘佐蒂（Martino Spanzotti）和乔韦诺内（Giovenone）等大师的指导下，他吸收了关于形式与色彩的基础性理解。随着他移居至锡耶纳这一文化中心，他的作品开始反映出一种独特的风格演变。他拥有一种罕见的能力，能够将16世纪初罗马那种精致、古典的优雅，叠加在托斯卡纳更为地方化、装饰性的传统之上。这种融合使他创作出的作品既植根于本土文化遗产，又成为了那场波及全意大利的宏大艺术革命的一部分。

光影、情感与形式的掌控大师

观赏 Il Sodoma 的作品，仿佛在见证一场宁静与张力之间的细腻舞蹈。他的技法以对晕涂法（sfumato）精妙绝伦的掌控为特征，并伴随着丰富且富有情感色彩的运用——色彩可以在圣母面颊那温柔的暖意，与神话斗争中戏剧性的阴影之间自由转换。这种多变性在他广泛的主题中体现得最为明显，他的创作热情在神圣题材与世俗题材之间同样炽热。

他对湿壁画传统的贡献堪称丰碑。在锡耶纳的圣贝尔纳迪诺小堂（Oratory of San Bernardino）中，巴齐展示了他驾驭宏大建筑空间的能力，通过均衡的构图编织出复杂的故事，而这些构图却始终跳动着人类的情感脉搏。他的宗教作品，如圣母献殿（The Presentation of the Virgin in the Temple），展现了深邃的精神优雅；而他的世俗与神话题材作品，例如迷人的风景中的丘比特（Cupid in a Landscape），则揭示了他对感官美与田园诗意生活的着迷。在这些风景画中，人们可以看到一片宁静的意大利远景，它作为神话或神迹的舞台，以一种清晰度极高的笔触，邀请观者进入一种如梦似幻的状态。

过渡时期大师的艺术遗产

Il Sodoma 的历史意义在于他扮演了风格转换媒介的角色。他并非仅仅追随时代的潮流，而是参与塑造了从盛期文艺复兴那和谐稳定的状态，向风格主义那种更具实验性、扭曲感且富有表现力的语言转变的过程。通过在既有的锡耶纳艺术框架中引入夸张的肢体动作与强化的情感表达，他为下一代艺术家探索人类心理的复杂性铺平了道路。

即便他的名字曾带有某种争议性的名声，他的艺术产出始终是技术卓越与思想深度的明证。他能够游刃有余地承接教皇及权贵赞助人的显赫委约——其中包括与极具影响力的阿戈斯蒂诺·基吉（Agostino Chigi）的联系——这确保了他的影响力远播锡耶纳城墙之外。时至今日，巴齐依然是一位关键性的艺术人物，他的作品持续散发着魅力，提醒着我们：在那个时代，艺术是对尘世之美与人类境遇中精神奥秘的一次深刻探索。

索多瑪 的全部 71 件作品 →