更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 111 件 菲利普·加斯顿 作品收录于我们的目录中
简而言之
在 菲利普·加斯顿 留下的所有原作中，最著名的作品是 The Pit (1976)。 紧随其后的是 The Room (1970) 和 Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938)。 我们的目录收录了 菲利普·加斯顿 的 111 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The canvas presents two hooded figures seated within the interior of an automobile. These figures are rendered with thick, heavy outlines and a cartoonish quality, their faces obscured by the white fabric of their hoods. One figure holds a smoking cigar between its fingers, the grey smoke curling upward into the surrounding space. The vehicle itself is positioned against a background of serially arranged, white, sheep-like clouds that drift across…
Last Piece is not Guston's last Abstract Expressionist painting, but it represents a transition away from the shimmering forms of the early 1950s towards the recognizable motifs of his later, more figurative works. If Buddhism, and concepts of nothingness, had informed his earlier abstractions, this represents a move away from those inspirations.
The title, which references Rome, suggests a preoccupation with the classical world and the layers of history that settle upon a place. There is a tension here between the modern hand and the ancient subject. The work avoids the easy path of mere imitation, opting instead to engage with the essence of classical relief. It captures a sense of what remains after time has passed. The shadows are deep, and…
Gladiators1940
12
The Palette1975
13
Bombardment1937
14
Monopoly1964 · Parrish Art Museum
15
Martial Memory1941
16
The Young Mother1944
17
Porch II1947
18
The Tormentors1948
19
Study for Tormentors1947
20
The Porch1947
21
Painting No. 61951 · 史密森尼美国艺术博物馆
22
Painting, Number 51952 · 大都会艺术博物馆
23
Painting No. 61951
24
Painting No. 91952
25
Ischia1949
26
Untitled1950
27
Loft I1950
28
Review1949
29
Red Painting1950
30
Three things are necessary for the salvation of man to know what he ought to believe to know what he ought to desire and to know what he ought to do. St. Thomas Aquinas, Two Precepts of Charity, 1273. From the series Great Ideas of Western Man1952
31
Drawing Related to Zone (Drawing No. 19)1954
32
Late April1961 · 以色列博物馆
33
Duo1961
34
Role1959 · 克利夫兰艺术博物馆
35
Rite1958 · 芝加哥艺术学院
36
Drawing 19601960 · 大都会艺术博物馆
37
Close-Up III1961 · 大都会艺术博物馆
38
Close Up III1961
39
To Fellini1958
40
Celebration1961
41
Inhabiter1965
42
Open Washes1966
43
Untitled (Book)1968
44
Untitled1968
45
City1968
46
Brushes1969
47
Discussion I1969
48
Shoes1968
49
Untitled1973
50
Untitled (Cup)1973
51
Untitled (Wall)1971
52
Painter in Bed1973
53
Roma1971
54
Painting, Smoking, Eating1972
55
Figure in Interior1970
56
Daydreams1970
57
The Street from Ten Lithographs by Ten Artists1971
58
Cerveteri1972
59
Pantheon1973
60
The Lesson1975 · 菲利普斯收藏馆
61
Web1975
62
The Street1977
63
Back View1977
64
Couple in bed1977
65
Deluge II1975
66
Ancient Wall1976
67
Midnight Pass Road1975
68
Monument1976
69
Inside - Outside1977
70
Head and Bottle1975
71
Step1979 · 休斯顿美术馆
72
Summer1980
73
Wheel1980
74
Room1980
75
East Side1980
76
Untitled (8)1980
77
As It Goes1978
78
Painter's Forms No. 21978
79
Tomb1978
80
Door1981
81
Studio Corner1981
82
Remains from Eight Lithographs to Benefit the Foundation for Contemporary Performance Arts, Inc1981
83
Gulf1983
84
Painter1983
85
City Limits1969
86
Drawing for Conspirators1930 · 惠特尼美国艺术博物馆
87
Curtain
88
Days Work
89
Untitled (9)
90
Box Tree, Rome
91
Clock
92
The return
93
Room
94
Entrance
95
Green Rug
96
Inscapes. Words and Images
97
Talking
98
Sleeping
99
A Critical Study
100
The lesson
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 菲利普·加斯顿 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 3 | Painting, Number 5, Drawing 1960, Close-Up III |
 史密森尼美国艺术博物馆 |
华盛顿特区 | 2 | Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painting No. 6 |
 施泰德美术馆 |
法兰克福 | 1 | Ride |
 佐治亚艺术博物馆 |
雅典 | 1 | Untitled, #342 |
 Parrish Art Museum |
沃特米尔 | 1 | Monopoly |
 以色列博物馆 |
耶路撒冷 | 1 | Late April |
 克利夫兰艺术博物馆 |
克利夫兰 | 1 | Role |
 芝加哥艺术学院 |
芝加哥 | 1 | Rite |
选择一个年代，探索定义该时代的原创杰作。
Guston painted Gladiators in a social-realist style favored by many left-leaning artists in the 1930s, a style that reflected in part the political and aesthetic influence of the Mexican muralist movement led by Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros. At the time he painted Gladiators, Guston was painting murals in New York as part of a Works Progress Administration (WPA) program. Hooded Klansmen first appeared in his…
We are looking at The Pit, a significant work by Philip Guston from 1976. This oil on canvas belongs to his Cyclops series, a period where his approach to the canvas underwent a profound transformation. It is a piece that marks a definitive departure from his earlier explorations, settling instead into a highly personal and direct mode of expression.
The Pit (1976)。紧随其后的是 The Room (1970) 和 Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office) (1938)。
63岁：The Pit创作于1976年，菲利普·加斯顿出生于1913年。
The Pit, The Room, Early Mail Service and Construction of Railroads (mural study, Commerce, Georgia Post Office), Painter III, To B.W.T., Ride, The Studio, Agean, Last Piece 及 Untitled, #342。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 111 件 菲利普·加斯顿 的作品，创作年代从 1930 年至 1980 年。
多见于 大都会艺术博物馆 (纽约), 史密森尼美国艺术博物馆 (华盛顿特区) 及 施泰德美术馆 (法兰克福)。上方的博物馆列表列出了所有相关机构。
在 1970s 期间：本页 100 件作品中有 30 件创作于该时期，其中包含 The Pit 件作品。
在本页面中，最早的作品创作于 Drawing for Conspirators (1930)，最晚的创作于 Agean (1980)。
Symbols (7), Buildings (4) 及 Arts (4)，共计 100 件作品。
Oil On Canvas，共计 2 件（本页共有 100 件作品）。
根据本页面的原作，Neo expressionism
Painting, Number 5, Drawing 1960 及 Close-Up III：大都会艺术博物馆, 纽约收藏了本页中 3 件作品。
菲利普·古斯顿是一位享誉世界的加拿大裔美国画家与版画家，其艺术生涯跨越了四十余载。他的艺术旅程充满了风格与题材的剧烈变迁，通过将抽象表现主义与具象艺术的元素交织在一起，深刻地探讨了种族主义、反犹太主义、法西斯主义以及美国身份认同等复杂的主题。
古斯顿的早年生活曾深受悲剧的影响。1923年，他的父亲——一位来自乌克兰的犹太移民——自尽身亡，这一变故深刻地塑造了他的艺术人格。他自幼便开始习画，随后就读于洛杉展开曼艺术高中，并于1927年正式开启了绘画之路。在母亲的悉心支持下，他常常蜷缩在一个挂着单盏灯泡的小衣橱里，在那方寸之间构筑起最初的艺术世界。
古斯顿的艺术生涯大致可以分为两个截然不同的阶段。起初，他的作品带有明显的具象与写实色彩，展现出受文艺复兴大师如皮耶罗·德拉·弗朗切斯卡影响的早期痕迹。随后，他转向了抽象主义，并与杰克逊·波洛克、威廉·德·库宁等艺术家一同，成为了纽约画派中的领军人物。
古斯顿的晚期作品或许是他职业生涯中最具争议且最具冲击力的篇章。这些画作往往充满了阴郁而具有讽刺意味的元素，其中包括对理查德·尼克松以及戴着兜帽的库克卢克斯骑士（KKK）的描绘。他以一种挑战传统艺术规范的赤裸诚实，深入探索了种族主义、反犹太主义及美国身份认同等沉重主题。
菲利普·古斯顿留下的艺术遗产至今仍在激励着艺术家与艺术爱好者。他那独一无二的视角与艺术风格，已在世界艺术史上留下了不可磨灭的印记。
