Per Krafft the Elder 肖像

Per Krafft the Elder 作品:画廊视角下的 52 幅名作

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 52 件 Per Krafft the Elder 作品收录于我们的目录中

简而言之

在画廊看来,Per Krafft the Elder 最著名的作品是 Portrait of Alois Friedrich von Brühl (1739-1793). (1767),其原作现收藏于 华沙 的 华沙国家博物馆。 Portrait of Natalia Alexandrovna Repnina (1767) 与 Portrait of Stanisław August Poniatowski (1767) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中,Per Krafft the Elder 共有 52 件作品,画廊为您精选了以下 52 件最著名的原作,并详细列出了每件作品的创作年份、馆藏机构及其独特之处。

1724 – 1793, Arboga Rococo 藏品最多:国家博物馆

画廊中 Per Krafft the Elder 的十大名画

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) 由 Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · 华沙国家博物馆, 华沙

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) 由 Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · 冬宫博物馆, 圣彼得堡

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) 由 Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · 克拉科夫国家博物馆, 克拉科夫

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) 由 Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · 国家博物馆, 斯德哥尔摩

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) 由 Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · 华沙国家博物馆, 华沙

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) 由 Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · 国家博物馆, 斯德哥尔摩

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

8
The Artist's Daughter Wilhelmina (1782) 由 Per Krafft the Elder

The Artist's Daughter Wilhelmina

1782 · Oil On Canvas · 国家博物馆, 斯德哥尔摩

The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter. This specific piece is rendered in an oval shape, a common format for intimate portraiture of the period.

Per Krafft the Elder 的画作,排名第 11 至 52

11Portrait by Carl von Fersen (1750) 由 Per Krafft the ElderPortrait by Carl von Fersen1750 · 瑞典国家肖像画廊 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) 由 Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · 国家博物馆 13Portrait of Stanisław Augustus Poniatowski (1760) 由 Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · 华沙国家博物馆 14A Boy Reading (1758) 由 Per Krafft the ElderA Boy Reading1758 · 国家博物馆 15Portrait of a Boy (1762) 由 Per Krafft the ElderPortrait of a Boy1762 · 国家博物馆 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) 由 Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · 国家博物馆 17Countess Teresa Kinska Poniatowska (1765) 由 Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) 由 Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · 国家博物馆 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) 由 Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · 国家博物馆 20Portrait of Izabela Lubomirska née Czartoryska (1767) 由 Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · 华沙国家博物馆 21Portrait of a Boy (1773) 由 Per Krafft the ElderPortrait of a Boy1773 · 芬兰国家美术馆 22Girl with Bullfinch in a Cage (1766) 由 Per Krafft the ElderGirl with Bullfinch in a Cage1766 · 国家博物馆 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) 由 Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · 瑞典国家肖像画廊 24Old Woman (1768) 由 Per Krafft the ElderOld Woman1768 · 国家博物馆 25Portrait of Teresa Poniatowska (1767) 由 Per Krafft the ElderPortrait of Teresa Poniatowska1767 · 克拉科夫国家博物馆 26Portrait of Izabela Branicka née Poniatowska (1767) 由 Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · 克拉科夫国家博物馆 27Portrait of Konstancja Poniatowska née Czartoryska (1768) 由 Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · 克拉科夫国家博物馆 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) 由 Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · 国家博物馆 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) 由 Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · 瑞典国家肖像画廊 30Portrait of Anders Mattsson (1778) 由 Per Krafft the ElderPortrait of Anders Mattsson1778 · 瑞典国家肖像画廊 31Portrait of Carl Michael Bellman, 1740-1795 (1779) 由 Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · 瑞典国家肖像画廊 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) 由 Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · 瑞典国家肖像画廊 33The Artist's Daughter Wilhelmina (1783) 由 Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · 国家博物馆 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) 由 Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · 国家博物馆 35Manufacturer Erik Westén the younger (1787) 由 Per Krafft the ElderManufacturer Erik Westén the younger1787 · 芬兰国家美术馆 36Secretary Konrad Arvid Johan Mandorf (1793) 由 Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · 芬兰国家美术馆 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) 由 Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · 瑞典国家肖像画廊 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) 由 Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · 瑞典国家肖像画廊 39Elis Schröderheim, 1747-1795, ämbetsman (1787) 由 Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · 瑞典国家肖像画廊 40Portrait of a Lady (1788) 由 Per Krafft the ElderPortrait of a Lady1788 · 国家博物馆 41Portrait of Bishop Ignacy Krasicki 由 Per Krafft the ElderPortrait of Bishop Ignacy Krasicki克拉科夫国家博物馆 42Carl Funck, 1708-1783 由 Per Krafft the ElderCarl Funck, 1708-1783国家博物馆 43Thomas von Plomgren, 1702-1754, grosshandlare 由 Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlare国家博物馆 44Mrs Dorotea Westén 由 Per Krafft the ElderMrs Dorotea Westén芬兰国家美术馆 45The Artist's Wife Maria Wilhelmina 由 Per Krafft the ElderThe Artist's Wife Maria Wilhelmina国家博物馆 46Sofia Albertina, 1753-1829, prinsessa av Sverige 由 Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av Sverige瑞典国家肖像画廊 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble 由 Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble瑞典国家肖像画廊 48Henrik af Trolle, 1730-1784 由 Per Krafft the ElderHenrik af Trolle, 1730-1784瑞典国家肖像画廊 49Brita Christina Sparre, 1720-1776, g. Törnflycht 由 Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. Törnflycht瑞典国家肖像画廊 50Anders Johan von Höpken, 1712-1789, greve 由 Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greve瑞典国家肖像画廊 51Augustin Ehrensvärd, 1710-1772, militär, greve 由 Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greve瑞典国家肖像画廊 52Izabela Lubomirska née Czartoryska 由 Per Krafft the ElderIzabela Lubomirska née Czartoryska皇家瓦金基公园博物馆

令 Per Krafft the Elder 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Per Krafft the Elder 原作的博物馆

收藏了本页中大部分画作的 7 家博物馆。

博物馆 城市 Per Krafft the Elder 的作品 此列表中的画作
国家博物馆, 斯德哥尔摩国家博物馆 斯德哥尔摩 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
瑞典国家肖像画廊, 斯特伦格纳斯瑞典国家肖像画廊 斯特伦格纳斯 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
华沙国家博物馆, 华沙华沙国家博物馆 华沙 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
克拉科夫国家博物馆, 克拉科夫克拉科夫国家博物馆 克拉科夫 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
芬兰国家美术馆, 赫尔辛基芬兰国家美术馆 赫尔辛基 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 1 Portrait of Natalia Alexandrovna Repnina
皇家瓦金基公园博物馆, 华沙皇家瓦金基公园博物馆 华沙 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder,每十年一件代表作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

Per Krafft the Elder 的画作:画廊解答

哪幅 Per Krafft the Elder 的画作最为闻名?揭晓答案

Portrait of Alois Friedrich von Brühl (1739-1793). (1767),华沙国家博物馆, 华沙。紧随其后的是 Portrait of Natalia Alexandrovna Repnina (1767) 和 Portrait of Stanisław August Poniatowski (1767)。

Per Krafft the Elder 完成 Portrait of Alois Friedrich von Brühl (1739-1793). 时多大年纪?揭晓答案

43岁:Portrait of Alois Friedrich von Brühl (1739-1793).创作于1767年,Per Krafft the Elder出生于1724年。

Per Krafft the Elder 最受欢迎的 10 幅画作是哪些?揭晓答案

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 及 Johan Gustaf Lund, född 1712, kommissarie。上方排名显示了每件作品的创作年份及馆藏机构。

Per Krafft the Elder 创作了多少件作品?揭晓答案

我们的目录收录了 52 件 Per Krafft the Elder 的作品,创作年代从 1748 年至 1793 年。

Per Krafft the Elder 最著名的原作收藏于何处?揭晓答案

多见于 国家博物馆 (斯德哥尔摩), 瑞典国家肖像画廊 (斯特伦格纳斯) 及 华沙国家博物馆 (华沙)。上方的博物馆列表列出了所有相关机构。

Per Krafft the Elder 是在什么时候创作出最著名的画作的?揭晓答案

在 1760s 期间:本页 52 件作品中有 15 件创作于该时期,其中包含 Portrait of Alois Friedrich von Brühl (1739-1793). 件作品。

Per Krafft the Elder 最早和最晚的代表作有哪些?揭晓答案

在本页面中,最早的作品创作于 Johan Gustaf Lund, född 1712, kommissarie (1748),最晚的创作于 Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793)。

Per Krafft the Elder 最常创作的主题是什么?揭晓答案

Man (6), Lace (3) 及 Dark background (3),共计 52 件作品。

Per Krafft the Elder 最常用的创作媒介是什么?揭晓答案

Oil On Canvas,共计 8 件(本页共有 52 件作品)。

Per Krafft the Elder 属于哪种艺术流派?揭晓答案

根据本页面的原作,Rococo

国家博物馆收藏了哪些Per Krafft the Elder的原作?揭晓答案

Gustav III (1746–1792), King of Sweden, Reading Boy 及 The Artist's Daughter Wilhelmina:国家博物馆, 斯德哥尔摩收藏了本页中 18 件作品。

Per Krafft the Elder:艺术家

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.