Paolo de Matteis 肖像

44 幅最著名的 Paolo de Matteis 作品,画廊精选

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 47 件 Paolo de Matteis 作品收录于我们的目录中

简而言之

在 Paolo de Matteis 留下的所有原作中,最著名的当属收藏于 哥本哈根 斯泰恩斯博物馆艺术馆 的《Adam and Eve Lamenting over the Body of Abel (1676)》。 紧随其后的是 Mystical Marriage of St Catharine (1712) 和 Ideal Landscape with Diana and Actaeon (1695)。 我们的目录收录了 Paolo de Matteis 的 47 件作品;画廊完整保留了 44 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1662 – 1728, Cilento Baroque 藏品最多:巴伐利亚州绘画收藏馆

Paolo de Matteis 的十大名画:画廊精选

1
Adam and Eve Lamenting over the Body of Abel (1676) 由 Paolo de Matteis

Adam and Eve Lamenting over the Body of Abel

1676 · Oil On Canvas · 斯泰恩斯博物馆艺术馆, 哥本哈根

The air hangs heavy and thick with the scent of damp earth and sudden, sharp grief. In this cavernous, murky landscape, the light does not merely shine; it strikes. It cuts through the deep shadows to illuminate a scene of profound tragedy, catching the pale, luminous skin of three figures caught in a moment of eternal mourning. Adam leans forward, his muscular anatomy defined by the harsh, directional light, his…

2
Mystical Marriage of St Catharine (1712) 由 Paolo de Matteis

Mystical Marriage of St Catharine

1712 · Oil On Canvas · 维也纳艺术史博物馆, 维也纳

In this intimate composition, we find ourselves drawn into a quiet, sacred moment of devotion. The scene depicts the Mystical Marriage of Saint Catherine, a subject that invites a sense of profound stillness. At the center of the work, the Virgin Mary sits with the infant Christ, her presence steady and maternal. The child reaches out toward Saint Catherine, who kneels in a gesture of humble reception. This tactile connection,…

3
Ideal Landscape with Diana and Actaeon (1695) 由 Paolo de Matteis

Ideal Landscape with Diana and Actaeon

1695 · Oil On Canvas · 巴伐利亚州绘画收藏馆, 慕尼黑

In Ideal Landscape with Diana and Actaeon, Paolo de Matteis constructs a world of deep, receding space. Dark, heavy foliage and jagged rocky outcrops anchor the foreground, framing a view that pulls the eye toward a distant valley. On the left, a group of figures gathers amidst the shadows. A solitary figure appears in the mid-ground, caught in the transition between the dense woods and the open air. The perspective…

4
John Nepomuk before King Wenceslaus (1695) 由 Paolo de Matteis

John Nepomuk before King Wenceslaus

1695 · Oil On Canvas · 巴伐利亚州绘画收藏馆, 慕尼黑

The canvas captures a moment of heavy, suspended tension. A king sits in a position of earthly authority, his cloak cascading in deep, sculptural folds that catch the light. Before him, a cleric stands, caught in the gravity of a divine encounter. The composition pulls the eye upward along a diagonal line, moving from the grounded, muscular presence of the figures toward a celestial opening in the upper corner. Here,…

5
The Wounded Tancred Nursed by Erminia (1695) 由 Paolo de Matteis

The Wounded Tancred Nursed by Erminia

1695 · Oil On Canvas · 巴伐利亚州绘画收藏馆, 慕尼黑

The Wounded Tancred Nursed by Erminia emerges from the brush of Paolo de Matteis as a heavy, emotional oil painting. Created in 1695, the work captures a moment of profound vulnerability. A wounded male figure, Tancred, lies in a state of exhaustion, his strength spent by the conflicts that surround him. He is met by the presence of Erminia, a female figure whose care provides the central focus of this…

6
Lamentation of Christ (1695) 由 Paolo de Matteis

Lamentation of Christ

1695 · Oil On Canvas · 巴伐利亚州绘画收藏馆, 慕尼黑

In this somber religious scene, the Lamentation of Christ unfolds with a heavy, quiet intensity. Created by the artist Paolo de Matteis around 1695, the work captures a moment of profound grief following the crucifixion. The lifeless body of Christ lies at the center of the sorrow, his form reclined and supported by those who mourn him. Every figure in the composition seems anchored by the weight of this loss,…

8
Death of Cato of Utica (1695) 由 Paolo de Matteis

Death of Cato of Utica

1695 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

Paolo de Matteis presents a dramatic Baroque-style oil painting in Death of Cato of Utica. Created about 1695, the work captures the tragic historical end of Cato the Younger. The scene focuses on the final moments of the Roman senator, a figure defined by his commitment to Stoicism and his resistance to the rising power of Julius Caesar.

9
Hercules at the Crossroads (1695) 由 Paolo de Matteis

Hercules at the Crossroads

1695 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

Paolo de Matteis created Hercules at the Crossroads in 1695. The work presents a mythological scene centered on the themes of choice and contemplation. The composition focuses on a muscular man representing Hercules, who leans against a tree trunk in a pose of deep hesitation. His chin rests on his hand as he deliberates between two paths.

10
The Adoration of the Shepherds (1704) 由 Paolo de Matteis

The Adoration of the Shepherds

1704 · Oil On Canvas · 达拉斯艺术博物馆, 达拉斯

A single, celestial glow emanates from the center of the stable, casting long, heavy shadows across the earth. This light does not come from a candle or a lamp, but from the skin of the infant Jesus. It strikes the faces of the kneeling shepherds, turning their weathered features into maps of sudden wonder. The darkness of the background presses inward, making the central scene feel like a private, sacred…

Paolo de Matteis 系列持续更新,第 11 至 44 项

11Danaë (1705) 由 Paolo de MatteisDanaë1705 · 底特律艺术学院 12Assumption of the Virgin (1707) 由 Paolo de MatteisAssumption of the Virgin1707 · 波士顿美术馆 13Cain Slaying Abel (1707) 由 Paolo de MatteisCain Slaying Abel1707 · 斯泰恩斯博物馆艺术馆 14Venus giving arms to Aeneas (1712) 由 Paolo de MatteisVenus giving arms to Aeneas1712 15The triumph of the Immaculate (1712) 由 Paolo de MatteisThe triumph of the Immaculate1712 · 柏林国家美术馆 16Virgin of the Annunciation (1728) 由 Paolo de MatteisVirgin of the Annunciation1728 · 斯特拉斯堡美术馆 17Painting of Our Lady of Sorrows (1700) 由 Paolo de MatteisPainting of Our Lady of Sorrows1700 · 塔兰托国家考古博物馆 18Clorinda Rescuing Olindo and Sophronia from the Stake (1690) 由 Paolo de MatteisClorinda Rescuing Olindo and Sophronia from the Stake1690 · Durham University 19The Meeting of Erminia (1715) 由 Paolo de MatteisThe Meeting of Erminia1715 · 维也纳艺术史博物馆 20The Choice of Hercules (1712) 由 Paolo de MatteisThe Choice of Hercules1712 · 阿什莫利博物馆 21A Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 1697 (1725) 由 Paolo de MatteisA Glorification of Prince Eugene of Savoy's Victory over the Turks in Hungary and at Zenta and Belgrade in 16971725 22village at a lake 由 Paolo de Matteisvillage at a lake 23Apollo and Muses 由 Paolo de MatteisApollo and Muses华沙国家博物馆 24Love And The Vices Disarm Judgement 由 Paolo de MatteisLove And The Vices Disarm Judgement 25Apollo and Daphne (1702) 由 Paolo de MatteisApollo and Daphne1702 26The Abduction of Europa. 由 Paolo de MatteisThe Abduction of Europa. 27St. Catherine With An Angel And Cherubs 由 Paolo de MatteisSt. Catherine With An Angel And Cherubs 28Madonna 由 Paolo de MatteisMadonna 29Self Portrait In An Allegory Of The Arts 由 Paolo de MatteisSelf Portrait In An Allegory Of The Arts 30The Finding of Moses 由 Paolo de MatteisThe Finding of Moses 31The annunciation. 由 Paolo de MatteisThe annunciation.圣路易斯艺术博物馆 32Polyphemus and Galatea 由 Paolo de MatteisPolyphemus and Galatea 33Allegory of Knowledge and the Arts in Naples 由 Paolo de MatteisAllegory of Knowledge and the Arts in Naples休斯顿美术馆 34Drawing 由 Paolo de MatteisDrawing 35Allegory of the Consequences of the Peace of Utrecht 由 Paolo de MatteisAllegory of the Consequences of the Peace of Utrecht休斯顿美术馆 36The Triumph and Glory of the Immaculate Conception 由 Paolo de MatteisThe Triumph and Glory of the Immaculate Conception 37Martyre de Saint Jean Nepomucène (The Martyrdom of Saint John) 由 Paolo de MatteisMartyre de Saint Jean Nepomucène (The Martyrdom of Saint John)Musée des Beaux-Arts 38Esther before King Ahasuerus 由 Paolo de MatteisEsther before King Ahasuerus 39Rebecca's journey to Canaan 由 Paolo de MatteisRebecca's journey to Canaan 40Death of St Joseph 由 Paolo de MatteisDeath of St Joseph 41Lot and his daughters 由 Paolo de MatteisLot and his daughters 42Latona and the Lycian peasants 由 Paolo de MatteisLatona and the Lycian peasants 43St. Nicolas of Bari Felling a Tree Inhabited by Demons 由 Paolo de MatteisSt. Nicolas of Bari Felling a Tree Inhabited by DemonsHigh Museum of Art 44Death of Saint Nicholas (1707) 由 Paolo de MatteisDeath of Saint Nicholas1707

令 Paolo de Matteis 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Paolo de Matteis 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 Paolo de Matteis 的作品 此列表中的画作
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 7 Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia
斯泰恩斯博物馆艺术馆, 哥本哈根斯泰恩斯博物馆艺术馆 哥本哈根 2 Adam and Eve Lamenting over the Body of Abel, Cain Slaying Abel
维也纳艺术史博物馆, 维也纳维也纳艺术史博物馆 维也纳 2 Mystical Marriage of St Catharine, The Meeting of Erminia
休斯顿美术馆, 休斯顿休斯顿美术馆 休斯顿 2 Allegory of Knowledge and the Arts in Naples, Allegory of the Consequences of the Peace of Utrecht
达拉斯艺术博物馆, 达拉斯达拉斯艺术博物馆 达拉斯 1 The Adoration of the Shepherds
底特律艺术学院, 底特律底特律艺术学院 底特律 1 Danaë
波士顿美术馆, 波士顿波士顿美术馆 波士顿 1 Assumption of the Virgin
柏林国家美术馆, 柏林柏林国家美术馆 柏林 1 The triumph of the Immaculate

Paolo de Matteis 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Paolo de Matteis 作品的常见问题

Paolo de Matteis 最著名的作品是哪一件?揭晓答案

Adam and Eve Lamenting over the Body of Abel (1676),斯泰恩斯博物馆艺术馆, 哥本哈根。紧随其后的是 Mystical Marriage of St Catharine (1712) 和 Ideal Landscape with Diana and Actaeon (1695)。

创作 Adam and Eve Lamenting over the Body of Abel 时,Paolo de Matteis 是多少岁?揭晓答案

14岁:Adam and Eve Lamenting over the Body of Abel创作于1676年,Paolo de Matteis出生于1662年。

Paolo de Matteis 最著名的十幅画作是什么?揭晓答案

Adam and Eve Lamenting over the Body of Abel, Mystical Marriage of St Catharine, Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus, The Wounded Tancred Nursed by Erminia, Lamentation of Christ, Chlorinda Saves Sofronia and Olindo from Death by Fire, Death of Cato of Utica, Hercules at the Crossroads 及 The Adoration of the Shepherds。上方排名显示了每件作品的创作年份及馆藏机构。

Paolo de Matteis 留下了多少幅画作?揭晓答案

我们的目录收录了 47 件 Paolo de Matteis 的作品,创作年代从 1676 年至 1728 年。

Paolo de Matteis 的杰作收藏在哪些博物馆中?揭晓答案

多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 斯泰恩斯博物馆艺术馆 (哥本哈根) 及 维也纳艺术史博物馆 (维也纳)。上方的博物馆列表列出了所有相关机构。

Paolo de Matteis 在哪些年份创作了最著名的作品?揭晓答案

在 1690s 期间:本页 44 件作品中有 8 件创作于该时期,其中包含 Ideal Landscape with Diana and Actaeon 件作品。

Paolo de Matteis 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Adam and Eve Lamenting over the Body of Abel (1676),最晚的创作于 Virgin of the Annunciation (1728)。

Paolo de Matteis 最常创作的主题是什么?揭晓答案

Woman (11), Man (9) 及 Clouds (6),共计 44 件作品。

Paolo de Matteis 最常用的技法是什么?揭晓答案

Oil On Canvas,共计 11 件(本页共有 44 件作品)。

Paolo de Matteis 属于哪种艺术流派?揭晓答案

根据本页面的原作,Baroque

哪些 Paolo de Matteis 的作品在 巴伐利亚州绘画收藏馆 展出?揭晓答案

Ideal Landscape with Diana and Actaeon, John Nepomuk before King Wenceslaus 及 The Wounded Tancred Nursed by Erminia:巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 7 件作品。

Paolo de Matteis:生平与作品

The Neapolitan Visionary: The Rise of Paolo de Matteis

In the vibrant, sun-drenched landscape of seventeenth-century Italy, a new light began to emerge from the humble surroundings of Piano Vetrale. Paolo de Matteis, an artist whose name would become synonymous with the opulent grandeur of the Baroque, embarked on a journey that would reshape the visual identity of Naples and Rome. His early years were defined by rigorous training under Francesco di Maria, yet it was his profound apprenticeship with the legendary Luca Giordano that truly ignited his creative spirit. From Giordano, de Matteis inherited a mastery of illusionistic painting, learning to manipulate light and shadow—the dramatic chiaroscuro—to create immersive worlds that seemed to breathe within their frames.

As he navigated the complexities of the Spanish Viceroyalty's court, his work began to reflect a unique synthesis of theatricality and grace. He did not merely paint scenes; he constructed spectacles. His ability to weave intricate narratives through movement and perspective allowed him, through his brush, to capture the very essence of the era’s devotion and drama.

A Continental Evolution: From Baroque Drama to Rocaille Elegance

The trajectory of de Matteis' career was significantly altered by his transformative sojourn in Paris between 1702 and 1705. This period of international exposure acted as a crucible for his style, as he absorbed the burgeoning trends of the French art scene. The heavy, dramatic weight of the traditional Baroque began to soften, making way for a more refined, delicate sensibility that hinted at the approaching Rocaille era. This evolution is beautifully captured in works such as Apollo and Daphne, where the mythological tension of Ovid’s tale is rendered with both energetic movement and an increasingly sophisticated lightness.

Upon his return to Naples, de Matteis brought with him a reinvigorated vision. He dedicated himself to monumental decorative schemes that transformed sacred spaces into celestial visions. His work on the magnificent vault of San Ignazio in the Gesù Nuovo stands as a testament to this period, where his brushwork turned stone and plaster into a breathtaking expanse of divine light.

A Legacy Etched in Gold and Light

The enduring significance of Paolo de Matteis lies in his role as a bridge between two great artistic epochs. He possessed the rare ability to honor the dramatic intensity of his predecessors while embracing the elegance of the future. His religious compositions, such as Our Lady of Sorrows, continue to resonate with their rich textures and symbolic depth, inviting viewers into a state of profound contemplation.

  • Mastery of illusionistic fresco techniques that expanded architectural boundaries.
  • A pivotal role in transitioning Neapolitan art from Baroque theatricality to Rocaille refinement.
  • The creation of enduring mythological and religious icons that defined the eighteenth-century aesthetic.