1
沐浴中的切尔卡斯女性
是一幅由法国艺术家 Merry-Joseph Blondel 创作的 布面油画。这件创作于1814年的 新古典主义 作品，也被称为 Une Baigneuse（沐浴者）。画作描绘了一位处于裸露状态、比例写实的切尔卡斯年轻女性，她正置身于一个从古典时代汲取灵感的理想化场景中，享受着沐浴的时光。
37 幅最著名的 Merry-Joseph Blondel 作品，画廊精选
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 37 件 Merry-Joseph Blondel 作品收录于我们的目录中
简而言之
在 Merry-Joseph Blondel 留下的所有原作中，最著名的作品是 沐浴中的切尔卡斯女性 (1814)。 紧随其后的是 Venus Healing Aeneas (1820) 和 Hecuba and Polyxena (1814)。 我们的目录收录了 Merry-Joseph Blondel 的 37 件作品；画廊完整保留了 37 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
1781 – 1853, Paris
Neoclassicism
藏品最多：Musee Baron Martin
Merry-Joseph Blondel 的十大名画：画廊精选
2
Venus Healing Aeneas
The mythological painting titled Venus Healing Aeneas was executed by the French artist Merry-Joseph Blondel. Created between 1815 and 1825, this oil on canvas work depicts a specific episode from the epic poem the Aeneid. The scene focuses on the protagonist Aeneas, who is shown in a wounded state after having been dragged away from the battlefield. He lies in a recumbent position, supported by the river god Numicus.
3
Hecuba and Polyxena
In the heavy, shadow-drenched atmosphere of this Neoclassical scene, the tragedy of Greek mythology unfolds through the figures of Hecuba and Polyxena. Painted by Merry-Joseph Blondel, the work captures a moment of profound sorrow following the devastation of war. The composition centers on the weight of grief, as a lifeless or unconscious figure is held and supported by others in a desperate attempt to stave off the finality of death.…
4
Aeneas Becomes a God
In this oil on canvas from approximately 1820, we witness a moment of profound transformation. The scene draws its inspiration from the fourteenth book of Ovid’s Metamorphoses, capturing the precise instant when the mortal essence of Aeneas is stripped away to make room for divinity. We see him reclining, his body caught in a state of transition, while the goddess Venus performs the sacred rite. She has commanded the river…
5
Portrait of Madame Houbigant, born Nicole Adéläide Deschamps"
In this 1807 portrait, the viewer meets Madame Houbigant, born Nicole Adéläide Deschamps. She sits with a quiet, poised dignity that commands the space around her. The artist, Merry-Joseph Blondel, captures her presence with a precision that feels immediate, as if she has only just settled into her seat to meet our gaze. There is a sense of stillness in her posture, a moment held in place by the brushstrokes…
6
Ceiling: The Dispute of Minerva and Neptune Regarding Athens
In this large-scale Neoclassical ceiling fresco, we find ourselves looking upward into a celestial arena where the very identity of a city hangs in the balance. The composition is governed by a rigorous pyramidal structure, drawing the eye toward the center where Zeus and Hera sit upon a cloud-like throne, acting as the ultimate arbiters of this mythological dispute. Below them, the tension is palpable. Minerva, the goddess of wisdom,…
7
Peace
In this oil painting titled Peace, Merry-Joseph Blondel presents a scene of profound stillness and triumph. Created around 1822, the work captures a moment where the chaos of conflict has finally subsided. A single female figure emerges as the central presence, embodying the very essence of the title. She stands with a quiet authority, her presence a calm contrast to the remnants of war scattered at her feet. The atmosphere…
8
War
Merry-Joseph Blondel’s War, an oil painting created about 1822, presents a heroic, allegorical figure representing the concept of conflict. The subject is a muscular, bearded man positioned amidst a backdrop of voluminous clouds. He is clad in a red mantle that drapes over his left shoulder and wraps around his torso, leaving his right side bare. This anatomical focus emphasizes the physical strength associated with the personification of combat.
9
Ceiling: Air. Aeolus Unleashing the Winds Against the Trojan Fleet.
Ceiling: Air. Aeolus Unleashing the Winds Against the Trojan Fleet. is a large-scale fresco painted by Merry-Joseph Blondel. This work dates to about 1819. The composition depicts the mythological figure Aeolus, the ruler of the winds, as he releases powerful gusts toward a fleet of ships. The scene is rendered with a focus on anatomical precision and the physical exertion of the central figure.
10
The Dispute of Minerva and Neptune Regarding Athens. Ceiling Sketch.
The celestial tension of a divine rivalry unfolds in The Dispute of Minerva and Neptune Regarding Athens. Ceiling Sketch., a work by the French artist Merry-Joseph Blondel. Created in 1821, this oil sketch captures a pivotal moment of mythological contention. The scene focuses on the intense competition between the goddess Minerva and the god Neptune as they vie for the patronage of the city of Athens. In the lower left,…
Merry-Joseph Blondel 系列持续更新，第 11 至 37 项
11
Self-portrait1817 · 国家博物馆
12
Numa1828 · Musée d'art et d'histoire de Saint-Brieuc
13
Moses1828 · Musée d'art et d'histoire de Saint-Brieuc
14
Ceiling: France, amidst the legislative kings and French legal experts, receives from Louis XVIII the Constitutional Charter1827
15
Ceiling: Victorious France at Bouvines (1214)1828
16
Sketch for the church of Sainte-Elisabeth: Saint Elizabeth, Queen of Hungary, placing her crown at the feet of the image of Jesus Christ1824 · Petit Palais
17
Solon1828 · Musée de Picardie
18
Lycurgus1828 · Musée de Picardie
19
Hope1836 · Musee Baron Martin
20
John II receives the submission of Charles II of Navarre1834 · 凡尔赛歌剧院
21
Cyrus-Marie-Adélaïde de Timbrune, Count of Valence, General-in-Chief of the Army of the Ardennes1834 · 凡尔赛歌剧院
22
Baudouin I, King of Jerusalem1844 · 凡尔赛歌剧院
23
Aeolus Unleashing the Virtues1850
24
Sappho1850 · Musee Baron Martin
25
Truth Presenting the Charter of 1830, Sketch1850 · Musee Baron Martin
26
Presentation of Christ in the Temple1849 · 卡纳瓦勒博物馆
27
Jacques De Bourbon
28
Portrait of Félicité-Louise de Durfort, Maréchale de Beurnonville1808
29
Richard I the Lionheart, King of England
30
Head Of A ManZimmerli Art Museum at Rutgers University
31
La Mort De Louis Xii Surnomme Le Pere Du PeupleMusée des Augustins
32
Familienbildnis不来梅艺术馆
33
Painting, Merry-joseph Blondel
34
Ceiling Of The Rotunda Of Apollo
35
Portrait Of A Man
36
Portrait Of A Woman Seated Beneath A Tree
37
The Death Of HyacinthusMusee Baron Martin
Self-portrait1817 · 国家博物馆
12Numa1828 · Musée d'art et d'histoire de Saint-Brieuc
13Moses1828 · Musée d'art et d'histoire de Saint-Brieuc
14Ceiling: France, amidst the legislative kings and French legal experts, receives from Louis XVIII the Constitutional Charter1827
15Ceiling: Victorious France at Bouvines (1214)1828
16Sketch for the church of Sainte-Elisabeth: Saint Elizabeth, Queen of Hungary, placing her crown at the feet of the image of Jesus Christ1824 · Petit Palais
17Solon1828 · Musée de Picardie
18Lycurgus1828 · Musée de Picardie
19Hope1836 · Musee Baron Martin
20John II receives the submission of Charles II of Navarre1834 · 凡尔赛歌剧院
21Cyrus-Marie-Adélaïde de Timbrune, Count of Valence, General-in-Chief of the Army of the Ardennes1834 · 凡尔赛歌剧院
22Baudouin I, King of Jerusalem1844 · 凡尔赛歌剧院
23Aeolus Unleashing the Virtues1850
24Sappho1850 · Musee Baron Martin
25Truth Presenting the Charter of 1830, Sketch1850 · Musee Baron Martin
26Presentation of Christ in the Temple1849 · 卡纳瓦勒博物馆
27Jacques De Bourbon
28Portrait of Félicité-Louise de Durfort, Maréchale de Beurnonville1808
29Richard I the Lionheart, King of England
30Head Of A ManZimmerli Art Museum at Rutgers University
31La Mort De Louis Xii Surnomme Le Pere Du PeupleMusée des Augustins
32Familienbildnis不来梅艺术馆
33Painting, Merry-joseph Blondel
34Ceiling Of The Rotunda Of Apollo
35Portrait Of A Man
36Portrait Of A Woman Seated Beneath A Tree
37The Death Of HyacinthusMusee Baron Martin
Merry-Joseph Blondel 的传世名作，按时期分类
Mature Period
1814 – 1844 · 22 件作品入选此列表
Late Period
1849 – 1850 · 4 件作品入选此列表令 Merry-Joseph Blondel 驻足的创作主题
这些原作中反复出现的四个主题，各有一个最杰出的范例。
Man 15 件作品
Woman 13 件作品
Clouds 10 件作品
收藏有 Merry-Joseph Blondel 原作的博物馆
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Merry-Joseph Blondel 的作品 | 此列表中的画作 |
|---|---|---|---|
 Musee Baron Martin |
Gray | 4 | Hope, Sappho, Truth Presenting the Charter of 1830, Sketch |
 凡尔赛歌剧院 |
凡尔赛 | 3 | John II receives the submission of Charles II of Navarre, Cyrus-Marie-Adélaïde de Timbrune, Count of Valence, General-in-Chief of the Army of the Ardennes, Baudouin I, King of Jerusalem |
 Musée d'art et d'histoire de Saint-Brieuc |
Saint-Brieuc | 2 | Numa, Moses |
 Musée de Picardie |
阿眠斯 | 2 | Solon, Lycurgus |
 芝加哥艺术学院 |
芝加哥 | 1 | Venus Healing Aeneas |
 洛杉矶县立艺术博物馆 |
洛杉矶 | 1 | Hecuba and Polyxena |
 普拉多博物馆 |
马德里 | 1 | Aeneas Becomes a God |
 Speed Art Museum |
路易斯维尔 | 1 | Portrait of Madame Houbigant, born Nicole Adéläide Deschamps" |
Merry-Joseph Blondel 的年代演变：定义每个时代的原创之作
各年代作品数量
选择一个年代，探索定义该时代的原创杰作。
1800s
Portrait of Madame Houbigant, born Nicole Adéläide Deschamps"
年龄 19 – 28
2 件作品，于本十年间
In this 1807 portrait, the viewer meets Madame Houbigant, born Nicole Adéläide Deschamps. She sits with a quiet, poised dignity that commands the space around her. The artist, Merry-Joseph Blondel, captures her presence with a precision that feels immediate, as if she has only just settled into her seat to meet our gaze. There is a sense of stillness in her posture, a moment held in place by the brushstrokes…
1810s
沐浴中的切尔卡斯女性
年龄 29 – 38
4 件作品，于本十年间
是一幅由法国艺术家 Merry-Joseph Blondel 创作的 布面油画。这件创作于1814年的 新古典主义 作品，也被称为 Une Baigneuse（沐浴者）。画作描绘了一位处于裸露状态、比例写实的切尔卡斯年轻女性，她正置身于一个从古典时代汲取灵感的理想化场景中，享受着沐浴的时光。
1820s
Venus Healing Aeneas
年龄 39 – 48
13 件作品，于本十年间
The mythological painting titled Venus Healing Aeneas was executed by the French artist Merry-Joseph Blondel. Created between 1815 and 1825, this oil on canvas work depicts a specific episode from the epic poem the Aeneid. The scene focuses on the protagonist Aeneas, who is shown in a wounded state after having been dragged away from the battlefield. He lies in a recumbent position, supported by the river god Numicus.
1830s
Hope
年龄 49 – 58
3 件作品，于本十年间
Merry-Joseph Blondel executed Hope about 1836. A French history painter of the Neoclassical school, Blondel was a student of Baron Jean-Baptiste Regnault and a contemporary of Jean Auguste Dominique Ingres. His training and subsequent career were defined by the academic rigor of the French tradition, leading to his election to the Académie des Beaux-Arts in 1832.
1840s
Baudouin I, King of Jerusalem
年龄 59 – 68
2 件作品，于本十年间
The air seems to hold its breath as the King of Jerusalem gazes toward a distant, unseen horizon. Baudouin I stands in a moment of quiet, heavy contemplation, his body angled slightly away while his eyes seek something beyond the frame. He is draped in heavy, flowing garments of white, light blue, and deep reddish-brown, the fabric catching a soft light that descends from the upper left. Gold embroidery traces…
1850s
Aeolus Unleashing the Virtues
年龄 69 – 72
3 件作品，于本十年间
Aeolus Unleashing the Virtues by Merry-Joseph Blondel presents an allegorical scene rooted in classical mythology. The work, dating to about 1850, centers on the figure of Aeolus, the ruler of the winds. In this depiction, the deity is shown unleashing the virtues, a theme that utilizes mythological personification to convey abstract moral qualities through physical movement and divine agency.
藏家关于 Merry-Joseph Blondel 作品的常见问题
Merry-Joseph Blondel 最著名的作品是哪一件？揭晓答案
沐浴中的切尔卡斯女性 (1814)。紧随其后的是 Venus Healing Aeneas (1820) 和 Hecuba and Polyxena (1814)。
创作 沐浴中的切尔卡斯女性 时，Merry-Joseph Blondel 是多少岁？揭晓答案
33岁：沐浴中的切尔卡斯女性创作于1814年，Merry-Joseph Blondel出生于1781年。
Merry-Joseph Blondel 最著名的十幅画作是什么？揭晓答案
沐浴中的切尔卡斯女性, Venus Healing Aeneas, Hecuba and Polyxena, Aeneas Becomes a God, Portrait of Madame Houbigant, born Nicole Adéläide Deschamps", Ceiling: The Dispute of Minerva and Neptune Regarding Athens, Peace, War, Ceiling: Air. Aeolus Unleashing the Winds Against the Trojan Fleet. 及 The Dispute of Minerva and Neptune Regarding Athens. Ceiling Sketch.。上方排名显示了每件作品的创作年份及馆藏机构。
Merry-Joseph Blondel 留下了多少幅画作？揭晓答案
我们的目录收录了 37 件 Merry-Joseph Blondel 的作品，创作年代从 1807 年至 1850 年。
Merry-Joseph Blondel 的杰作收藏在哪些博物馆中？揭晓答案
多见于 Musee Baron Martin (Gray), 凡尔赛歌剧院 (凡尔赛) 及 Musée d'art et d'histoire de Saint-Brieuc (Saint-Brieuc)。上方的博物馆列表列出了所有相关机构。
Merry-Joseph Blondel 在哪些年份创作了最著名的作品？揭晓答案
在 1820s 期间：本页 37 件作品中有 13 件创作于该时期，其中包含 Venus Healing Aeneas 件作品。
Merry-Joseph Blondel 的首件与末件名作原件分别是哪几件？揭晓答案
在本页面中，最早的作品创作于 Portrait of Madame Houbigant, born Nicole Adéläide Deschamps" (1807)，最晚的创作于 Aeolus Unleashing the Virtues (1850)。
Merry-Joseph Blondel 最常创作的主题是什么？揭晓答案
Man (15), Woman (13) 及 Clouds (10)，共计 37 件作品。
Merry-Joseph Blondel 最常用的技法是什么？揭晓答案
Oil On Canvas，共计 20 件（本页共有 37 件作品）。
Merry-Joseph Blondel 属于哪种艺术流派？揭晓答案
根据本页面的原作，Neoclassicism
哪些 Merry-Joseph Blondel 的作品在 Musee Baron Martin 展出？揭晓答案
Hope, Sappho 及 Truth Presenting the Charter of 1830, Sketch：Musee Baron Martin, Gray收藏了本页中 4 件作品。
Merry-Joseph Blondel：生平与作品
Early Life and Training
- Born: July 25, 1781, Paris, France
- Died: June 12, 1853, Paris, France
- Parents: Joseph-Armand Blondel (painter and stucco expert) and Marie-Geneviève Marchand.
- Early apprenticeship at the Dihl and Guerhard porcelain factory provided foundational drawing skills under Charles-Étienne Leguay.
- Studied with Baron Jean-Baptiste Regnault, a prominent Neoclassical painter, from 1801.
- Won the prestigious Prix de Rome in 1803, though delayed travel to the Villa Medici until 1809 due to war.
- Formed a lifelong friendship with Jean Auguste Dominique Ingres during his time in Rome.
Artistic Style and Major Works
- Style: Neoclassical – characterized by clarity, order, symmetry, and a focus on classical themes and forms.
- Subjects: Primarily historical and religious scenes, often commissioned for public buildings. Also painted portraits.
- Notable Commissions:
- Palace of Fontainebleau
- Palace of Versailles
- Louvre Museum
- Brongniart Palace (Paris Bourse)
- Luxembourg Palace
- Churches of St. Thomas Aquinas and Notre-Dame-de-Lorette in Paris
- Significant Works:
- La Circassienne au Bain (1814): Became infamous for its connection to a claim related to luggage lost on the RMS Titanic.
- The Death of Louis XII (1817)
- Paintings depicting Napoleon, such as Napoleon Visiting the Palais Royal After the Dissolution of the Tribune (1834).
Career and Recognition
- Became a Knight in the Order of the Legion d'Honneur in 1824.
- Appointed professor at the École nationale supérieure des Beaux-Arts in 1824, a position he held until his death.
- Elected to the Académie des Beaux-Arts in Paris in 1832.
- Frequently exhibited at the Salon exhibitions in Paris, receiving numerous awards and accolades.
- Considered for the directorship of the French Academy in Rome but ultimately unsuccessful.
Influences and Legacy
- Baron Jean-Baptiste Regnault: Provided foundational training in Neoclassical techniques.
- Jean Auguste Dominique Ingres: A close friend and significant influence, sharing a similar artistic sensibility.
- Blondel's work reflects the broader Neoclassical movement’s emphasis on reason, order, and classical ideals.
- While celebrated during his lifetime for public commissions and academic achievements, later critics viewed his style as somewhat conservative or "retardataire" (outdated).
- His legacy lies in his contributions to French historical painting and the decoration of important national buildings, demonstrating a mastery of technique within the Neoclassical tradition.
Later Life and Death
- Continued teaching at the École nationale supérieure des Beaux-Arts until his death.
- Remained active in artistic circles, maintaining correspondence with Ingres.
- Died on June 12, 1853, in Paris.