更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 67 件 卢多维科·卡拉奇 作品收录于我们的目录中
简而言之
The Dream of Saint Catherine of Alexandria (1593) 是 卢多维科·卡拉奇 最受瞩目的画作；原作收藏于 华盛顿 的 国家美术馆。 随后，目光会移向 Madonna and Child with Saints (1607) 和 The Lamentation (1582)。 在 卢多维科·卡拉奇 的 67 件作品中，这 64 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
To gaze upon this depiction of The Dream of Saint Catherine of Alexandria is to step directly into the heart of Baroque devotion. It is an artwork that does not merely hang on a wall; it envelops the viewer in a palpable atmosphere of sacred serenity and profound familial love. The composition immediately draws the eye into a pyramidal embrace, centering the Virgin Mary with the infant Jesus at its…
To gaze upon this depiction of the Madonna and Child with Saints is to step directly into the heart of Bologna's artistic fervor during the early seventeenth century. Ludovico Carracci, a master whose hand guided art through a period of profound transition, has gifted us a scene that is both deeply devotional and exquisitely sophisticated. The composition immediately draws the eye into a moment suspended between earthly celebration and heavenly…
To stand before The Lamentation by Ludovico Carracci is to be enveloped in an atmosphere so thick with palpable sorrow that it feels almost breathable. This is not the polished, idealized grief often depicted in later art; rather, it is a raw, visceral outpouring of human emotion captured at its most agonizing peak. The scene presents a profound tableau of loss, centering on figures whose poses and expressions reject classical…
To gaze upon this detail from Ludovico Carracci’s The Dream of Saint Catherine of Alexandria is to step directly into the heart of the Bolognese Baroque—a moment where profound spirituality met breathtaking artistic realism. The scene unfolds with an almost palpable sense of devotion, capturing a sacred narrative rich with human emotion and divine mystery. At its core, we find Mary cradling the infant Jesus, their forms rendered with a…
Completed in 1610, this work reflects the religious fervor of the Counter-Reformation. As the Catholic Church sought to reaffirm its doctrines against Protestant critiques, artists in Bologna moved away from the artificiality of Mannerism toward a more visceral, emotive naturalism. This piece likely originated as a sketch for an altarpiece within the Carracci workshop. It captures a pivotal theological moment: the transition of souls from the state of purification to…
A Dramatic Testament of Faith: Ludovico Carracci’s “The Trinity with the Dead Christ” Ludovico Carracci's "The Trinity with the Dead Christ," painted around 1590, stands as a monumental achievement in Bolognese Baroque art—a testament to its profound spiritual ambition and masterful execution. More than just a depiction of biblical sorrow, it’s an immersive experience designed to evoke contemplation and convey the sublime beauty inherent within Christian iconography. This artwork immediately…
The air seems to thicken with a sudden, celestial weight as Jesus Christ stands at the center of this unfolding miracle. He is not a distant figure of stone, but a presence felt in the very movement of his outstretched arms. Light does not merely strike his form; it seems to emanate from within him, carving his silhouette against a world caught in a moment of profound spiritual upheaval. Around…
The air in the Portiuncula feels heavy, thick with the scent of damp earth and the weight of a profound, sudden silence. Below, in the dimness of the earthly realm, Saint Francis of Assisi kneels. He is a figure of deep humility, his body pressed toward the ground in a gesture of total surrender. His arms cross over his chest, a physical manifestation of a soul caught in a moment…
The canvas splits into two distinct realms, divided by a diagonal surge of clouds. On the lower left, Saint Francis kneels in the heavy shadows of the earthly plane, his form solid and grounded. Above him, the darkness of the night is pierced by a sudden, divine light. The Virgin Mary and the infant Christ emerge from this celestial glow, surrounded by the soft, rounded shapes of cherubs. A moon…
The Agony in the Garden emerges from the shadows of history as a profound oil on canvas by Ludovico Carracci. This specific work, known in collections as Prado P00074, captures a moment of intense spiritual weight. The paint clings to the fabric, holding the tension of a scene that feels as though it is unfolding right before our eyes. It is a work that breathes with the heavy atmosphere of…
The Vision of St Jerome1594 · 斯泰恩斯博物馆艺术馆
12
Bacchus and Ariadne1591
13
Portrait of a Widow1585 · Dayton Art Institute
14
St Sebastian1590 · Fitzwilliam Museum
15
Portrait of a Young Man1583 · 卡皮托利尼博物馆
16
Saint Francis in Meditation1580 · 达尔威奇画廊
17
Sacrifice of Isaac1586
18
Holy Family1600 · Slovak National Gallery
19
Annunciation1603 · Musei di Strada Nuova
20
Allegory of Providence1604 · 卡皮托利尼博物馆
21
Singing angels1605 · Museo Cerralbo
22
Hercules and the Hydra1594
23
The Adoration of the Shepherds1613
24
Three angels visiting Abraham1610 · Pinacoteca Nazionale di Bologna
25
The Stories of Jason (detail)1584 · Palazzo Fava
26
The Virgin Appearing to St Hyacinth1594 · 卢浮宫
27
Ludovico )1555
28
Male Nude (Hercules ?)1588 · Kunstpalast
29
The Agony in the Garden1590 · 国家美术馆
30
The Marriage of the Virgin1590 · 国家美术馆
31
Portrait of Carlo Alberto Rati Opizzoni in Armour1597
32
Christ in the Wilderness, Served by Angels1608 · 柏林国家美术馆
33
The Martyrdom of St Margaret1616
34
Susannah and the Elders1616
35
Annunciation1616 · Kunstpalast
36
The Denial of Saint Peter1616 · 大都会艺术博物馆
37
Bargellini Madonna1588 · 博洛尼亚国立美术馆
38
Saint Francis巴伐利亚州绘画收藏馆
39
Presentation in the Temple1605 · 提森·博爾涅米薩博物館
40
Preaching of John the Baptist巴伐利亚州绘画收藏馆
41
Portrait of a Young Man巴伐利亚州绘画收藏馆
42
Saint Francis Seraphic巴伐利亚州绘画收藏馆
43
Entombment of Christ巴伐利亚州绘画收藏馆
44
The Agony in the Garden of Gethsemane
45
St. John the Baptist at the FontainMusée Fesch
46
Saint Mary Magdalene布宜诺斯艾利斯国家美术馆
47
Le martyre de saint Pierre et saint Paul
48
LE BAPTEME DE JESUS里昂美术博物馆
49
The Baptism of Christ巴伐利亚州绘画收藏馆
50
Christ Served by Angels in the Wilderness1608 · 柏林州立博物馆
51
The Vision of Saint Francis of Assisi, Ludovico Carracci, 1583 - 15851585
52
Madonna Enthroned, with the Child, St John, the Archangel Michael, St Francis, St Lucia, St Joseph1616 · 皇家瓦金基公园博物馆
53
L'apparition de la Vierge et de l'enfant Jésus à saint Hyacinthe卢浮宫
54
Antonio Landscape with Bathers
55
The Vision of Saint Francis
56
L'Adoration des bergers La Nativité de Jésus Christ
57
The Marriage of the Virgin
58
The Assumption of the Virgin
59
Orlando Delivering Olympia from the Sea MonsterNational Trust
60
La Vierge à l'enfant卢浮宫
61
St. Sebastian Thrown into the Cloaca Maxima1612 · J·保罗·盖蒂博物馆
62
Chess players1590 · 柏林国家美术馆
63
The Funeral of the Virgin Mary1605 · 帕尔马国家美术馆
64
La FlagellationMusée de la Chartreuse de Douai
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 卢多维科·卡拉奇 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 6 | Saint Francis, Preaching of John the Baptist, Portrait of a Young Man |
 大都会艺术博物馆 |
纽约 | 3 | Madonna and Child with Saints, The Lamentation, The Denial of Saint Peter |
 卢浮宫 |
巴黎 | 3 | The Virgin Appearing to St Hyacinth, L'apparition de la Vierge et de l'enfant Jésus à saint Hyacinthe, La Vierge à l'enfant |
 国家美术馆 |
华盛顿 | 2 | The Dream of Saint Catherine of Alexandria, The Dream of Saint Catherine of Alexandria (detail) |
 梵蒂冈皮那科画廊 |
梵蒂冈城 | 2 | An Angel Frees the Souls of Purgatory, The Trinity with the Dead Christ |
 普拉多博物馆 |
马德里 | 2 | Saint Francis of Assisi in the Portiuncula, The Agony in the Garden |
 卡皮托利尼博物馆 |
罗马 | 2 | Portrait of a Young Man, Allegory of Providence |
 Kunstpalast |
杜塞尔多夫 | 2 | Male Nude (Hercules ?), Annunciation |
选择一个年代，探索定义该时代的原创杰作。
To stand before The Lamentation by Ludovico Carracci is to be enveloped in an atmosphere so thick with palpable sorrow that it feels almost breathable. This is not the polished, idealized grief often depicted in later art; rather, it is a raw, visceral outpouring of human emotion captured at its most agonizing peak. The scene presents a profound tableau of loss, centering on figures whose poses and expressions reject classical…
To gaze upon this depiction of The Dream of Saint Catherine of Alexandria is to step directly into the heart of Baroque devotion. It is an artwork that does not merely hang on a wall; it envelops the viewer in a palpable atmosphere of sacred serenity and profound familial love. The composition immediately draws the eye into a pyramidal embrace, centering the Virgin Mary with the infant Jesus at its…
To gaze upon this depiction of the Madonna and Child with Saints is to step directly into the heart of Bologna's artistic fervor during the early seventeenth century. Ludovico Carracci, a master whose hand guided art through a period of profound transition, has gifted us a scene that is both deeply devotional and exquisitely sophisticated. The composition immediately draws the eye into a moment suspended between earthly celebration and heavenly…
Completed in 1610, this work reflects the religious fervor of the Counter-Reformation. As the Catholic Church sought to reaffirm its doctrines against Protestant critiques, artists in Bologna moved away from the artificiality of Mannerism toward a more visceral, emotive naturalism. This piece likely originated as a sketch for an altarpiece within the Carracci workshop. It captures a pivotal theological moment: the transition of souls from the state of purification to…
The Dream of Saint Catherine of Alexandria (1593)，国家美术馆, 华盛顿。紧随其后的是 Madonna and Child with Saints (1607) 和 The Lamentation (1582)。
38岁：The Dream of Saint Catherine of Alexandria创作于1593年，卢多维科·卡拉奇出生于1555年。
The Dream of Saint Catherine of Alexandria, Madonna and Child with Saints, The Lamentation, The Dream of Saint Catherine of Alexandria (detail), An Angel Frees the Souls of Purgatory, The Trinity with the Dead Christ, The Transfiguration, Saint Francis of Assisi in the Portiuncula, The Vision of Saint Francis 及 The Agony in the Garden。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 67 件 卢多维科·卡拉奇 的作品，创作年代从 1580 年至 1616 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 大都会艺术博物馆 (纽约) 及 卢浮宫 (巴黎)。上方的博物馆列表列出了所有相关机构。
在 1590s 期间：本页 64 件作品中有 14 件创作于该时期，其中包含 The Dream of Saint Catherine of Alexandria 件作品。
在本页面中，最早的作品创作于 Saint Francis in Meditation (1580)，最晚的创作于 The Martyrdom of St Margaret (1616)。
Man (11), Angels (8) 及 Virgin mary (6)，共计 64 件作品。
Oil On Canvas，共计 21 件（本页共有 64 件作品）。
根据本页面的原作，Baroque
Saint Francis, Preaching of John the Baptist 及 Portrait of a Young Man：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 6 件作品。
在博洛尼亚那充满活力与智慧的核心地带，在这座文艺复兴传统与新时代勃发精神交汇的城市里，卢多维科·卡拉奇作为一股变革性的力量，悄然改变了欧洲艺术的进程。他出生于1555年，其一生与博洛尼亚画派的根基紧密相连。作为显赫的卡拉奇家族的一员，他与堂兄弟安尼巴雷及阿戈斯蒂诺并肩作战，卢多维科不仅仅是参与了一场艺术运动，他更像是一位建筑师，亲手构筑了从风格主义那种程式化、甚至带有虚假优雅向巴洛克式深邃且富有情感的自然主义转变的桥梁。他的早年岁月深受其父普罗斯佩罗·卡拉奇工作室的影响，那片艺术土壤既是实验创新的熔炉，也是研习disegno（素描/构图）的圣殿——这种对形态与解剖学的细致观察，最终成为了他艺术遗产中永恒的标志。
尽管他的堂兄弟们常在罗马宏伟的宫廷中寻求声名，但卢多维科却始终深植于他的故乡博洛尼亚。这种坚定的纽带使他能够开创一片独特的艺术净土，通过经营一座学院，为包括圭多·雷尼和多梅尼基诺在内的下一代大师们点亮了指路明灯。他的作品代表了历史影响力的卓越融合：他汲取了拉斐尔的神圣恩典、科雷乔的柔和光泽以及提香丰富的色彩主义，却又为这些古典元素注入了全新的、戏剧性的生命力。通过摒弃帕米贾尼诺等晚期风格主义画家那种纤细且往往显得扭曲的姿态，卢多维科拥抱了一种更为直观的现实，利用大胆的肢体动作与闪烁、富有氛围感的光影，去触动观众灵魂深处的共鸣。
卢多维科·卡拉奇真正的天才之处，在于他能够驾驭明暗对比法（chiaroscure)——这种光与影的戏剧性交织——使其成为通往精神冥想的媒介。他的画布鲜少仅仅是对圣经故事的描摹；它们更像是一种沉浸式的体验，旨在唤起宗教性的狂热。在诸如天使释放炼狱灵魂等作品中，我们可以见证光影的使用如何不再仅仅是照亮场景，而是积极地参与叙事，从黑暗中雕琢出人物，以此凸显神圣的慈悲与恩典。这种技法让人联想到卡拉瓦乔笔下那蓬勃发展的自然主义，使他能够为即便最神圣的主题注入一种触手可及的人性情感。
他的艺术造诣横跨多种媒介，从宏伟壮丽的湿壁画到细腻精准的蚀刻版画。无论是捕捉圣殿献礼中那份宁静的神圣感，还是展现其男性裸体（赫拉克勒斯？）中所蕴含的肌肉力量与英雄主义张力，他的作品中始终贯穿着一条情感深度的主线。他的宗教绘画，如巴尔杰利圣母，展示了他将复杂的圣徒与天使群体组织成和谐而又充满动感的构图的能力，在这里，每一处衣褶的垂坠、每一个头部的倾斜，都在为一种宏大的天界律动贡献力量。
卢多维科·卡拉奇的历史意义不言而喻。在意大利艺术面临因过度沉溺于形式主义传统而陷入停滞的危险时刻，他是一位关键的人物，为艺术注入了新的活力。通过倡导一种优先考虑情感真实与自然观察的风格，他为巴洛克时代最辉煌的成就提供了蓝图。他的影响力从博洛尼亚向外辐射，塑造了欧洲大部分地区的审美语言，并为统治整个17世纪的古典自然主义奠定了基石。
当我们回望他的生平与创作，我们看到的是一位成功架起两座世界桥梁的艺术家：一座是文艺复兴那严谨完美的结构，另一座则是巴洛克那戏剧化且充满剧场感的能量。他将disegno（素描）的理智严谨与colore（色彩）的深邃感及情感共鸣完美结合，这确保了他作为那个时代最杰出画家之一的地位。凭借对技艺的虔诚以及对艺术精神力量的执着，卢多维科·卡拉奇在西方绘画史上留下了不可磨灭的印记，时刻提醒着我们：真正的美，存在于精湛技艺与人类心灵交汇之处。
