Claude Cahun 肖像

12 幅最著名的 Claude Cahun 作品,每一件都独一无二

更新于 November 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 12 件 Claude Cahun 作品收录于我们的目录中

简而言之

Selfportrait 是 Claude Cahun 最受瞩目的画作;原作收藏于 埃森 的 Museum Folkwang。 随后,目光会移向 Untitled (1928) 和 Untitled (Claude Cahun in Le Mystère D’Adam) (1929)。 在 Claude Cahun 的 12 件作品中,这 12 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1894 – 1954, Nantes Surrealism 藏品最多:泰特不列顛美术馆

画廊视角下的 Claude Cahun 十大名作

1
Selfportrait 由 Claude Cahun

Selfportrait

Black and White Photography · Museum Folkwang, 埃森

The gaze meets us through "Selfportrait," a profound work by Lucy Renee Mathilde Schwob. In this image, the artist turns the lens upon herself, capturing a moment of intense personal inquiry. Born in 1894 in Nantes, France, Schwob navigates the boundaries of identity through her lens. She moves through the world under a different name, having adopted the pseudonym Claude Cahun. This choice of identity becomes a central part of…

2
Untitled (1928) 由 Claude Cahun

Untitled

1928 · Gelatin Silver Print

Untitled is a photograph created in 1928 by Claude Cahun and Marcel Moore. This work emerged from a collaborative practice between the two artists, who shared a life and a commitment to disrupting conventional representations of identity.

3
Untitled (Claude Cahun in Le Mystère D’Adam) (1929) 由 Claude Cahun

Untitled (Claude Cahun in Le Mystère D’Adam)

1929 · Gelatin Silver Print

The gaze meets a figure caught in a moment of profound transformation within the photograph titled Untitled (Claude Cahun in Le Mystère D’Adam). Created in 1929, this work emerges from the collaborative spirit of Claude Cahun and Marcel Moore. The image exists as a silver gelatin print, a medium that captures the subtle shifts of light and shadow across a carefully constructed persona. It is a piece where the boundaries…

4
Untitled (1936) 由 Claude Cahun

Untitled

1936 · Black and White Photography · 泰特不列顛美术馆, 伦敦

Claude Cahun, born in Nantes, France, in 1894, crafted Untitled around 1936. This photographic work emerges from a period of intense experimentation within the Surrealist movement. The artist, who lived until 1954, used the lens to navigate the boundaries of identity. In this specific piece, the camera captures a stillness that feels both deliberate and strange.

5
Self Portrait 1950 (1950) 由 Claude Cahun

Self Portrait 1950

1950 · Black and White Photography

Self Portrait 1950 is a work by the artist Claude Cahun. This piece is a self-portrait that captures the artist in a moment of personal inquiry. The individual depicted is the creator herself, using the lens to document her own presence. The image is a monochromatic study of form and light, presented in black and white.

6
Studies for a keepsake (1926) 由 Claude Cahun

Studies for a keepsake

1926 · Black and White Photography

Studies for a keepsake is a Surrealist work created by Claude Cahun. The artist, born Lucy Renée Mathilde Schwob, used this pseudonym to navigate the boundaries of identity. The piece emerged about 1925. It exists as a quiet interrogation of the self through the lens of the Surrealism movement.

7
Self-portrait, 1928 (1928) 由 Claude Cahun

Self-portrait, 1928

1928 · Photography

In this 1928 photographic print, titled Self-portrait, 1928, we encounter the deliberate and staged presence of Claude Cahun. This work belongs to the Surrealist movement, a period defined by an interest in the subconscious and the disruption of conventional reality. Cahun, a figure who navigated the boundaries of identity with profound intent, uses this medium to document a specific, constructed persona.

8
I am in training, don't kiss me (1927) 由 Claude Cahun

I am in training, don't kiss me

1927 · Black and White Photography

Created in 1927, I am in training, don't kiss me is a self-portrait by the French artist Claude Cahun. In this work, the artist adopts the persona of a weight trainer. The subject is positioned with a barbell resting on the lap, presenting a figure that challenges traditional gendered archetypes through a combination of masculine and feminine signifiers.

9
What do you want from me? (1928) 由 Claude Cahun

What do you want from me?

1928 · Gelatin Silver Print · 大都会艺术博物馆, 纽约

What do you want from me? is a Gelatin Silver Print Photographic Print created by Lucy Renee Mathilde Schwob. The artist, who adopted the pseudonym Claude Cahun, produced this work in 1928. This piece is a significant example of Surrealist photography, reflecting the artist's lifelong interrogation of identity and the fluid boundaries of the self.

Claude Cahun 的名画,第 11 至 12 幅

令 Claude Cahun 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Claude Cahun 原作的博物馆

收藏了本页中大部分画作的 4 家博物馆。

博物馆 城市 Claude Cahun 的作品 此列表中的画作
泰特不列顛美术馆, 伦敦泰特不列顛美术馆 伦敦 2 Untitled, I Extend My Arms
Museum Folkwang, 埃森Museum Folkwang 埃森 1 Selfportrait
大都会艺术博物馆, 纽约大都会艺术博物馆 纽约 1 What do you want from me?
Arts Council Collection, 伦敦Arts Council Collection 伦敦 1 Drunken Bellarmine

跨越数十载的 Claude Cahun:每一件皆为独一无二的原作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

Claude Cahun 的画作:画廊常见问题

Claude Cahun 最著名的代表作是什么?揭晓答案

Selfportrait,Museum Folkwang, 埃森。紧随其后的是 Untitled (1928) 和 Untitled (Claude Cahun in Le Mystère D’Adam) (1929)。

Claude Cahun 最著名的十幅画作是哪些?揭晓答案

Selfportrait, Untitled, Untitled (Claude Cahun in Le Mystère D’Adam), Untitled, Self Portrait 1950, Studies for a keepsake, Self-portrait, 1928, I am in training, don't kiss me, What do you want from me? 及 Self Portrait。上方排名显示了每件作品的创作年份及馆藏机构。

已知 Claude Cahun 有多少件作品?揭晓答案

我们的目录收录了 12 件 Claude Cahun 的作品,创作年代从 1926 年至 1950 年。

在哪里可以欣赏到最著名的 Claude Cahun 原作?揭晓答案

多见于 泰特不列顛美术馆 (伦敦), Museum Folkwang (埃森) 及 大都会艺术博物馆 (纽约)。上方的博物馆列表列出了所有相关机构。

Claude Cahun 的代表作创作于哪个时期?揭晓答案

在 1920s 期间:本页 12 件作品中有 6 件创作于该时期,其中包含 Untitled 件作品。

哪幅 Claude Cahun 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Studies for a keepsake (1926),最晚的创作于 Self Portrait 1950 (1950)。

Claude Cahun 偏好哪些题材?揭晓答案

Black and white (8), Person (5) 及 Face (4),共计 12 件作品。

Claude Cahun 最常使用哪些材料进行创作?揭晓答案

Black and White Photography,共计 5 件(本页共有 12 件作品)。

Claude Cahun 的作品属于哪种艺术流派?揭晓答案

根据本页面的原作,Surrealism

在 泰特不列顛美术馆 可以看到哪些 Claude Cahun 的原作?揭晓答案

Untitled 及 I Extend My Arms:泰特不列顛美术馆, 伦敦收藏了本页中 2 件作品。

Claude Cahun:艺术家肖像

Claude Cahun: A Surrealist Pioneer Challenging Gender Conventions

Claude Cahun (Lucy Renée Mathilde Schwob), born Nantes, France in 1894, was a singular figure in the surrealist movement and beyond—a photographer, sculptor, writer, and performer who relentlessly interrogated notions of identity and gender. Her artistic practice wasn’t merely about depicting images; it was about embodying them, inhabiting multiple personas, and actively disrupting societal expectations. Cahun adopted the pseudonym ‘claude cahun’ in 1914, a deliberate act of defiance that signaled her commitment to exploring fluid boundaries between male and female experience.
  • Early Life & Influences:
  • Born into an aristocratic family with liberal leanings, Cahun's upbringing fostered intellectual curiosity and a rebellious spirit. She studied at the École Supérieure des Beaux-Arts in Paris alongside Marcel Moore, whose influence would prove crucial to her artistic vision—particularly his advocacy for collage as a method of disrupting conventional representation.

Surrealist Photography & Collage Technique

Cahun’s photographic work stands apart from its contemporaries. Rejecting the polished realism favored by many artists, she embraced a deliberately unsettling aesthetic—often employing double exposures and photomontage to create images that simultaneously reveal and conceal. As Cahun herself stated, “The abstraction, the dream, are as limited for me as the concrete and the real.” This approach mirrored the broader surrealist preoccupation with accessing subconscious realms and challenging rational thought. Her collages weren’t simply assembled images; they were carefully constructed narratives designed to destabilize viewers' perceptions and provoke contemplation about gender roles and societal norms. The use of found objects and manipulated textures underscored her belief in transforming everyday materials into instruments of artistic expression.

Performance & Persona: “Elle” as a Constant Presence

Perhaps Cahun’s most distinctive contribution to art was her exploration of performance and persona. She consistently referred to herself as ‘elle,’ asserting that her true gender was fluid—a concept radical for the time. This deliberate adoption of feminine pronouns wasn't merely stylistic; it represented a profound philosophical stance against binary categorization. Cahun wrote extensively about inhabiting multiple identities, crafting elaborate costumes and theatrical presentations that questioned conventional notions of masculinity and femininity. Her performances served as a powerful critique of patriarchal structures and an affirmation of individual autonomy.

Resistance During WWII & Artistic Legacy

During World War II, Cahun actively participated in the French Resistance movement, utilizing her artistic skills to disseminate propaganda and support underground networks. She created clandestine photographs documenting the plight of refugees and prisoners of war—images imbued with compassion and defiance. Her work during this period exemplifies her unwavering commitment to social justice and her belief in art’s capacity to inspire action. Cahun's legacy extends beyond her visual creations; she remains an icon for gender equality and artistic experimentation, inspiring generations of artists to challenge conventions and embrace ambiguity.

Notable Works & Recognition

Cahun’s oeuvre includes iconic photographs like “I Extend My Arms” and “Selfportrait,” which exemplify her signature style—characterized by meticulous detail, unsettling juxtapositions, and a masterful manipulation of light and shadow. Her photomontages, such as “Untitled,” are considered seminal examples of surrealist collage technique. Cahun’s work has been exhibited internationally and celebrated for its intellectual depth and emotional resonance. She continues to be studied and admired as one of the most innovative and courageous artists of her era—a true pioneer who reshaped our understanding of gender identity and artistic expression.