更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 361 件 羅倫佐·洛托 作品收录于我们的目录中
简而言之
在画廊看来，羅倫佐·洛托 最著名的作品是 Portrait of a Gentleman in his Study (detail) (1530)，其原作现收藏于 威尼斯 的 威尼斯学院美术馆。 Christ Taking Leave of his Mother (1521) 与 Allegory of Virtue and Vice (detail) (1505) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，羅倫佐·洛托 共有 361 件作品，画廊为您精选了以下 100 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air seems thick with the scent of aged paper, polished wood, and perhaps the faint, sweet echo of music from the nearby violin. This portrait does more than merely record a likeness; it captures an entire state of being—the quiet authority vested in…
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and the impending sorrow that shadows Christ’s journey to Jerusalem. This masterpiece, now residing within the Gemäldegalerie in Berlin, offers a rare glimpse into the heart of Venetian Renaissance spirituality—a world where earthly beauty intertwined seamlessly with divine symbolism.
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal struggle. Holding court within a dramatic, almost theatrical space—a strip of land receding into a turbulent sea beneath a brooding sky—Lotto presents a scene both profoundly unsettling and deeply resonant with human experience. The painting immediately commands attention not through overt grandeur,…
Lorenzo Lotto's "Allegory of Virtue and Vice," painted in 1505, is not merely a decorative panel; it’s a profound meditation on human choice, morality, and the eternal struggle between good and evil. Created during a pivotal moment in his career – a period marked by both artistic experimentation and a growing independence from Venetian conventions – this work reveals Lotto's unique vision and his masterful ability to imbue a complex…
Lorenzo Lotto's “The Woman Taken in Adultery,” painted around 1527-29, is not merely a depiction of a biblical transgression; it’s a profound meditation on sin, judgment, and the complexities of human morality. Housed within the hallowed halls of the Louvre Museum in Paris, this oil painting transcends its subject matter to become a powerful exploration of virtue and vice, rendered with Lotto's signature blend of High Renaissance grace and nascent…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden crossbow, the grain of the timber rendered with a tactile, weathered precision. He does not look away. His gaze is a direct line, steady and heavy with a quiet, internal tension. The light catches the ridge of his nose and the coarse…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric absorbing the light. His gaze is fixed, heavy with a quiet suffering that feels more like a settled fact than a sudden pain. The background is a void of deep browns and blacks, pushing his figure forward into the viewer's space. He…
The focus rests upon the soft curve of a mother’s silhouette and the weight of a child held in her arms. In this detail, the Virgin Mary and the Christ Child occupy the center of a sacred geometry. Their presence is framed by the delicate presence of angels, one hovering near the crown of Mary's head, while others occupy the space to the right. Behind them, the landscape rises in…
Lorenzo Lotto's St. Sebastian, painted in 1531, is not merely a depiction of a biblical martyr; it’s a profound meditation on suffering, faith, and the human condition rendered with an arresting intensity rarely seen in Renaissance art. This oil-on-canvas work, currently residing within the Staatliche Museen in Berlin, transcends simple religious iconography to become a deeply emotive portrait of vulnerability and resilience. Lotto, a master of his craft known for…
The air in the Recanati town square feels heavy with the weight of spoken words. Sunlight washes over the brick buildings, casting soft shadows that give volume to the crowd gathered below. At the center of this communal moment, St. Dominic occupies an elevated wooden pulpit, his figure commanding the attention of the assembly. He is a pillar of spiritual energy, delivering a sermon that seems to ripple through the…
Portrait of a young man in red garment1500 · 维也纳艺术史博物馆
12
Madonna della Grazie1525 · 冬宫博物馆
13
Altar of Santa Cristina al Tiverone, bezels crowning of the main board: Angel Pietà1505
14
Portrait of a Man1525 · 斯泰恩斯博物馆艺术馆
15
Recanati Polyptych: Pietà1508 · Pinacoteca Civica
16
Portrait of a Woman inspired by Lucretia1530 · 国家美术馆
17
Altar of Recanati polyptych, crowning of the right wing: St. Catherine of Siena, and St. Sigismund1508
18
Fra Gregorio Belo di Vicenza1547 · 大都会艺术博物馆
19
Santo Spirito Altarpiece (detail)1521 · Santo Spirito
20
Portrait of Fra Lorenzo da Bergamo1542 · 沃尔特斯艺术博物馆
21
Portrait of the Surgeon Gian Giacomo Bonamigo with His Son Giovanni Antonio1544 · 费城艺术博物馆
22
Portrait of Andrea Odoni1527 · 皇家收藏馆
23
Holy Family with Saints Anne and Joachim1535 · 柯尔德美术馆
24
Portrait of a Young Man with Black Cap and Red Garment (Count Valsassina)1505
25
Portrait of a Gentleman1505
26
male portrait1505
27
Portrait of a bearded man (Giorgione Barbarelli)1512 · 皇家收藏馆
28
Visitation by Lorenzo Lotto1532
29
Ecce Homo1525
30
The saints Sebastian and Christopher1531 · 柏林国家美术馆
31
Portrait of a young man1526 · 柏林国家美术馆
32
Portrait of a musician1529
33
young man in his study1528
34
Legend of St Barbara (detail) (11)1523 · Oratorio Suardi
35
Virgin and Child1547 · 约翰和玛贝尔·林灵博物馆
36
Mogliano Altarpiece1548
37
Sleeping Apollo and the Muses with Fame1549 · 布达佩斯美术博物馆
38
Madonna and Child with St. Jerome, St. Joseph and St. Anne1534 · 乌菲兹美术馆
39
Adoration of the Child1554
40
Madonna with St. Jerome and St. Anthony of Padua1521
41
Madonna with a Bishop and St. Onuphrius1508
42
Sts Thomas Aquinas and Flavian, Sts Peter the Martyr and Vitus1508 · Pinacoteca Comunale
43
Allegory (Allegory of prudence and wisdom)1505
44
The Presentation of Christ in the Temple1556
45
Portrait of a Married Couple1523 · 冬宫博物馆
46
Self-Portrait1540 · 提森·博爾涅米薩博物館
47
St Catherine of Alexandria1522 · 国家美术馆
48
Portrait of a Man with a Felt Hat1541
49
Mystic Marriage of St Catherine (detail)1524 · 国家古美术馆
50
St Jerome in the Wilderness (detail)1509 · 圣天使城堡博物馆
51
Portrait of a Gentleman with a Rosary1515 · Nivaagaards Malerisamling
52
Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen1516 · Accademia Carrara
53
Deposition1513 · Accademia Carrara
54
The Alms of St Antoninus1542 · 圣若望与圣保罗大殿
55
Assumption of the Virgin1549 · San Francesco alle Scale
56
St Jerome in the Wilderness1509 · 圣天使城堡博物馆
57
St. Catherine of Alexandria1522
58
Annunciation1534 · Pinacoteca Civica
59
Allegory of Chastity detail)1506 · 国家美术馆
60
Judith with the Head of Holofernes1512 · Banca Nazionale del Lavoro
61
Transfiguration1511 · Pinacoteca Civica
62
St Jerome in the Wilderness (detail)1509 · 圣天使城堡博物馆
63
Legend of St Brigid (detail)1523 · Oratorio Suardi
64
Man with a Golden Paw (detail)1527 · 维也纳艺术史博物馆
65
Madonna and Child with Sts Peter, Christine, Liberale, and Jerome (detail)1505 · Santa Cristina al Tiverone
66
Portrait of a Woman1506
67
Madonna and Child with Sts Peter, Christine, Liberale, and Jerome1505
68
Altar of Recanati polyptych, the left wing: St. Thomas Aquinas and St. Flavian1508
69
Altar of Recanati polyptych, the right wing: martyr St. Peter and St. Vitus1508
70
Altar of Recanati polyptych, crowning the main board: Angel Pietà1508
71
Altar of Recanati polyptych, main board: Madonna Enthroned with the Christ child, three angels, St. Dominic, St. Gregory and St. Urban1508
72
Allegory of Chastity1505
73
allegory of virtue and vice (detalj 1) -1505
74
Susanna and the Elders1517
75
allegory of chastity (detalj 1) -1505
76
deposition1516
77
Portrait of a Jeweler, Possibly Giovanni Pietro Crivelli1510
78
allegory of virtue and vice1505
79
Allegory of virtue and vice, detalj 6, ngw1505
80
The Martyrdom of St Stephen1516
81
allegory of chastity (detalj 2) -1505
82
Allegory of chastity, c. ngw1505
83
St. Jerome in the Desert1510
84
Christ Leading the Apostles to Mount Tabor1512
85
transfiguration1512
86
St. Dominic Polyptych1506
87
Recanati Polyptych (detail)1508 · Pinacoteca Civica
88
Recanati Polyptych: Sts Peter Martyr and Vitus1508 · Pinacoteca Civica
89
Portrait of a Lady1506
90
St. Jerome Meditating in the Desert1506
91
Altar of St. Lucia, footplate: St. Lucia in prayer and the valediction of St. Lucia1532
92
Stories of St Barbara1524
93
the nativity (detalj 1) -1523
94
The Legend of St. Barbara.1524
95
saint catherine - (detalj 1) -1522
96
The Story of St. Barbara and St. Alvise1524
97
Crucifixion1531
98
annunciation1530
99
St Lucy Altarpiece (detail)1532
100
Angel of the Annunciation1530
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 羅倫佐·洛托 的作品 | 此列表中的画作 |
|---|---|---|---|
 Pinacoteca Civica |
Recanati | 8 | Recanati Polyptych: Pietà, Annunciation, Transfiguration |
 国家美术馆 |
华盛顿 | 7 | Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, St Catherine of Alexandria |
 维也纳艺术史博物馆 |
维也纳 | 13 | Homily of St. Dominic in Recanati, Portrait of a young man in red garment, Man with a Golden Paw (detail) |
 圣天使城堡博物馆 |
罗马 | 4 | St Jerome in the Wilderness (detail), St Jerome in the Wilderness, St Jerome in the Wilderness (detail) |
 Oratorio Suardi |
Trezzo sull'Adda | 14 | Legend of St Barbara (detail) (11), Legend of St Brigid (detail) |
 Accademia Carrara |
贝尔加莫 | 11 | Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen, Deposition |
 柏林州立博物馆 |
柏林 | 5 | Christ Taking Leave of his Mother, St Sebastian |
 冬宫博物馆 |
圣彼得堡 | 5 | Madonna della Grazie, Portrait of a Married Couple |
选择一个年代，探索定义该时代的原创杰作。
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal struggle. Holding court within a dramatic, almost theatrical space—a strip of land receding into a turbulent sea beneath a brooding sky—Lotto presents a scene both profoundly unsettling and deeply resonant with human experience. The painting immediately commands attention not through overt grandeur,…
A close-up depiction of a man’s face and upper torso dominates the frame, rendered in oil on canvas. The composition is centered, focusing the viewer's attention on the subject's individual features. Light descends from above and slightly to the side, casting shadows that define the three-dimensionality of the face and the folds of the garment. This lighting emphasizes the texture of the hair and the meticulous rendering of the beard.
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and the impending sorrow that shadows Christ’s journey to Jerusalem. This masterpiece, now residing within the Gemäldegalerie in Berlin, offers a rare glimpse into the heart of Venetian Renaissance spirituality—a world where earthly beauty intertwined seamlessly with divine symbolism.
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air seems thick with the scent of aged paper, polished wood, and perhaps the faint, sweet echo of music from the nearby violin. This portrait does more than merely record a likeness; it captures an entire state of being—the quiet authority vested in…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric absorbing the light. His gaze is fixed, heavy with a quiet suffering that feels more like a settled fact than a sudden pain. The background is a void of deep browns and blacks, pushing his figure forward into the viewer's space. He…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden crossbow, the grain of the timber rendered with a tactile, weathered precision. He does not look away. His gaze is a direct line, steady and heavy with a quiet, internal tension. The light catches the ridge of his nose and the coarse…
Portrait of a Gentleman in his Study (detail) (1530)，威尼斯学院美术馆, 威尼斯。紧随其后的是 Christ Taking Leave of his Mother (1521) 和 Allegory of Virtue and Vice (detail) (1505)。
50岁：Portrait of a Gentleman in his Study (detail)创作于1530年，羅倫佐·洛托出生于1480年。
Portrait of a Gentleman in his Study (detail), Christ Taking Leave of his Mother, Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, Christ and the Woman Taken in Adultery, Portrait of a crossbowman (Mastro Battista di Rocca Contrada), Friar Angelo Ferretti as Saint Peter Martyr, Madonna and Child with Saints and an Angel (detail) -, St Sebastian 及 Homily of St. Dominic in Recanati。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 361 件 羅倫佐·洛托 的作品，创作年代从 1500 年至 1556 年。
多见于 Pinacoteca Civica (Recanati), 国家美术馆 (华盛顿) 及 维也纳艺术史博物馆 (维也纳)。上方的博物馆列表列出了所有相关机构。
在 1500s 期间：本页 100 件作品中有 36 件创作于该时期，其中包含 Allegory of Virtue and Vice (detail) 件作品。
在本页面中，最早的作品创作于 Portrait of a young man in red garment (1500)，最晚的创作于 The Presentation of Christ in the Temple (1556)。
Man (30), People (20) 及 Woman (17)，共计 100 件作品。
Oil On Canvas，共计 34 件（本页共有 100 件作品）。
根据本页面的原作，High renaissance
Recanati Polyptych: Pietà, Annunciation 及 Transfiguration：Pinacoteca Civica, Recanati收藏了本页中 5 件作品。
