康熙帝 肖像

4 幅最著名的 康熙帝 作品,每一件都独一无二

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 4 件 康熙帝 作品收录于我们的目录中

简而言之

Two Figures of Ladies on Stands (1700) 是 康熙帝 最受瞩目的画作;原作收藏于 紐約市 的 弗里克收藏。 随后,目光会移向 Portrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700) 和 Dish with Broad Flat Rim (1722)。 在 康熙帝 的 4 件作品中,这 4 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1654 – 1722, 北京市 藏品最多:弗里克收藏

画廊视角下的 康熙帝 十大名作

1
Two Figures of Ladies on Stands (1700) 由 康熙帝

Two Figures of Ladies on Stands

1700 · Ceramics · 弗里克收藏, 紐約市

To gaze upon these two porcelain figurines is to step directly into the refined elegance of early eighteenth-century Chinese artistry. They are not merely decorative objects; they are exquisite narratives cast in glazed ceramic, embodying an ideal vision of femininity and prosperity from a bygone era. The overall impression is one of breathtaking symmetry and meticulous craftsmanship. These figures, depicting elegant ladies poised upon ornate stands, invite the viewer into…

2
Portrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700) 由 康熙帝

Portrait of the Kangxi Emperor in Informal Dress Holding a Brush

1700 · Ink · 故宫博物院, 北京

The Kangxi Emperor sits at a desk, captured in a moment of quiet intellectual engagement. Clad in a pale lavender or light grey garment, he eschews the heavy, ceremonial regalia typically associated with imperial portraiture. Instead, he holds a calligraphy brush, a gesture that emphasizes his identity as a scholar and a patron of the written word. His expression is steady, meeting the viewer with a sense of composed authority.…

3
Dish with Broad Flat Rim (1722) 由 康熙帝

Dish with Broad Flat Rim

1722 · Acrylic On Canvas · 弗里克收藏, 紐約市

The “Dish with Broad Flat Rim,” a masterpiece from the reign of the Kangxi Emperor (1662–1722), transcends mere decorative artistry. It's a meticulously crafted window into the opulent world of 18th-century China, offering a glimpse into courtly life, philosophical contemplation, and the burgeoning artistic sensibilities of the Qing Dynasty. This exquisite porcelain dish, now housed in prestigious collections worldwide, is not simply an object; it’s a testament to imperial patronage,…

4
Four Covered Jars with Blue and White Decoration (1700) 由 康熙帝

Four Covered Jars with Blue and White Decoration

1700 · 弗里克收藏, 紐約市

Beginning in the early eighteenth century, jars with plum-blossom decoration were made in China for export to Europe, where they were sought by early collectors of Chinese porcelain, among them, Augustus the Strong. The art dealer Henry Duveen acquired this jar and three similar jars (1915.8.02-04) in the late nineteenth century: the first in 1886, in England, at the Duke of Marlborough’s celebrated Blenheim Palace sale; the second in 1891,…

令 康熙帝 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 康熙帝 原作的博物馆

收藏了本页中大部分画作的 2 家博物馆。

博物馆 城市 康熙帝 的作品 此列表中的画作
弗里克收藏, 紐約市弗里克收藏 紐約市 3 Two Figures of Ladies on Stands, Dish with Broad Flat Rim, Four Covered Jars with Blue and White Decoration
故宫博物院, 北京故宫博物院 北京 1 Portrait of the Kangxi Emperor in Informal Dress Holding a Brush

康熙帝 历年佳作:每一件都是独一无二的原作

跨越 23 年的艺术生涯,从 1700 年到 1722 年:逐年呈现 康熙帝 最著名的原创作品。

年度作品数量

选择年份以查看原作。

康熙帝 的画作:画廊常见问题

康熙帝 最著名的代表作是什么?揭晓答案

Two Figures of Ladies on Stands (1700),弗里克收藏, 紐約市。紧随其后的是 Portrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700) 和 Dish with Broad Flat Rim (1722)。

康熙帝 是在多少岁时创作了 Two Figures of Ladies on Stands?揭晓答案

46岁:Two Figures of Ladies on Stands创作于1700年,康熙帝出生于1654年。

已知 康熙帝 有多少件作品?揭晓答案

我们的目录收录了 4 件 康熙帝 的作品,创作年代从 1700 年至 1722 年。

在哪里可以欣赏到最著名的 康熙帝 原作?揭晓答案

多见于 弗里克收藏 (紐約市) 及 故宫博物院 (北京)。上方的博物馆列表列出了所有相关机构。

康熙帝 的代表作创作于哪个时期?揭晓答案

在 1700 期间:本页 4 件作品中有 3 件创作于该时期,其中包含 Two Figures of Ladies on Stands 件作品。

哪幅 康熙帝 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Two Figures of Ladies on Stands (1700),最晚的创作于 Dish with Broad Flat Rim (1722)。

在 弗里克收藏 可以看到哪些 康熙帝 的原作?揭晓答案

Two Figures of Ladies on Stands, Dish with Broad Flat Rim 及 Four Covered Jars with Blue and White Decoration:弗里克收藏, 紐約市收藏了本页中 3 件作品。

康熙帝:艺术家肖像

The Sovereign of Art and Empire

The Kangxi Emperor was not a visual artist in the traditional sense, but rather a monumental figure of history whose imperial patronage and scholarly pursuits shaped the very fabric of Chinese aesthetic identity. As the third emperor of the Qing dynasty and the second to rule over China proper, his sixty-one-year reign stands as one of the most significant eras in the nation's history. Known by his temple name, Emperor Shengzu of Qing, and his personal name, Xuanye, he presided over a period of profound cultural flourishing. His influence was not found in the stroke of a brush on canvas, but in the meticulous direction of craftsmen, the standardization of language, and the cultivation of an imperial court that became a beacon of sophisticated design and philosophical depth.

A Legacy of Craftsmanship and Scholarly Pursuit

The era defined by his rule is often characterized by an unparalleled mastery of material and form, particularly in the realm of porcelain. Under his patronage, the artistry of the Qing Dynasty reached new heights of elegance and technical precision. The exquisite ceramics produced during this time, such as the breathtaking blue and white porcelain dishes and intricate figurines, serve as enduring testaments to the refined sensibilities of his court. These works often utilized precious pigments like cobalt blue, imported through vast trade networks, to create intricate patterns of bamboo, plum blossoms, and geometric harmonies that reflected a sophisticated understanding of spatial relationships. Beyond the physical beauty of decorative arts, the Emperor’s intellectual contributions left an indelible mark on Chinese civilization. He was a dedicated scholar-emperor who sought to foster a sense of cultural unity and Confucian orthodoxy. His commitment to the written word led to monumental achievements in linguistics and lexicography:
  • The compilation of the Kangxi Dictionary, a massive undertaking intended to improve upon previous works and standardize the Chinese writing system.
  • The establishment of the Kangxi radicals, a set of 214 radicals that provided a systematic method for categorizing characters, which remains a cornerstone of Chinese dictionary organization to this day.
  • The issuance of the Sacred Edict, a collection of moral maxims designed to instruct the citizenry in the fundamental principles of Confucianism.

Historical Significance and Cultural Impact

The historical significance of the Kangxi Emperor lies in his ability to blend political stability with cultural expansion. His reign provided the economic and social foundation upon which the subsequent prosperity of the Qing Dynasty was built. By patronizing both the fine arts and the scholarly disciplines, he ensured that the aesthetic and intellectual legacies of his era would transcend his lifetime. The objects created under his influence—from delicate porcelain to authoritative texts—continue to be studied and admired in prestigious collections worldwide, serving as a window into the opulent and intellectually vibrant world of 18th-century China. His life remains a profound study of how imperial power can be harnessed to cultivate a lasting cultural identity that resonates through the centuries.