更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 89 件 乔纳森·理查德森长老 作品收录于我们的目录中
简而言之
在 乔纳森·理查德森长老 留下的所有原作中，最著名的当属收藏于 巴斯 霍本博物馆 的《Garton Orme at the Spinet (1707)》。 紧随其后的是 William Cheselden (1688–1752) (1730) 和 Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above (1730)。 我们的目录收录了 乔纳森·理查德森长老 的 89 件作品；画廊完整保留了 88 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
1. Garton Orme at the Spinet 1707
2. William Cheselden (1688–1752) 1730
3. Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above 1730
The portrait titled Garton Orme at the Spinet is a work by the English painter Jonathan Richardson the Elder. Created around 1707, this piece offers a glimpse into the refined domesticity of the early eighteenth century. It captures a moment of quiet focus, centering on a young subject engaged with a musical instrument.
A man emerges from a deep, shadowy void, his presence commanding the space with a quiet, scholarly dignity. He wears a heavy red robe, the fabric catching a soft light that defines the folds of the hood resting upon his head. His gaze is steady, carrying the weight of a life spent in contemplation or perhaps the gravity of a man accustomed to being observed. A subtle mustache traces his…
A Glimpse into the Artistic Brilliance of Jonathan Richardson The Elder Jonathan Richardson The Elder's painting, Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, is a testament to his exceptional skill as an artist. This oil on canvas masterpiece, measuring 229…
Alexander pope1738 · 耶鲁英国艺术中心
12
Lord Matthew Aylmer (c.1655–1720)1693 · 国家海事博物馆
13
Admiral Sir John Balchen (1670–1744)1695
14
Sir Robert Davers (1652 1653–1722), 2nd Bt, MP1700 · Ickworth
15
John Sheffield (1647–1721), 1st Duke of Buckingham and Normanby1705 · Examination Schools
16
Portrait of the Artist with His Palette and Manuscripts1700 · Fairfax House
17
The Dryden Family Edward Dryden (d.1717), His Wife, Elizabeth Allen and Their Children, John Dryden (c.1704–1770), Later Sir John Dryden, 7th Bt Bevill Dryden (d.1758) and Mary Dryden, Later Mrs Allen Puleston1710 · Canons Ashby House
18
Mary Langham (1653 1654–1690 1691), Countess of Warrington1705 · National Trust
19
Fisher Harding (active 1698–1701), Master Shipwright, with the Launch of the 'Royal Sovereign', 17011701 · 国家海事博物馆
20
Thomas Grey (1654–1720), 2nd Earl of Stamford1705 · National Trust
21
Archdeacon Edward Talbot (1693–1720)1715
22
Lady Mary Wortley Montagu (1689–1762)1718
23
Josiah Bateman1718 · 伯明翰博物馆与美术馆
24
Elizabeth, 1st Countess of Aylesford (d.1743)1720 · 伯明翰博物馆与美术馆
25
Martin Folkes (1690–1754)1718
26
Sir Richard Hoare I (1648–1718), Kt, as Lord Mayor1712
27
Henry Hare (1693–1749), 3rd Baron Coleraine1715
28
Isaac Ambrose, Clerk of the Irish House of Commons1720 · Castle Ward
29
Thomas Tufton (1644–1729), 7th Earl of Thanet1719 · Abbot Hall Art Gallery
30
Sir William Wyndham, 3rd Bt1714 · 国家肖像美术馆
31
Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork1719
32
Sir Robert Walpole, KG (1676–1745)1726
33
Self Portrait1728 · Polesden Lacey
34
George, 1st Earl of Mount Edgcumbe (1720–1795) and Richard, 2nd Baron (1716–1761)1725
35
Sir Robert Davers (c.1684–1723), 3rd Bt1723 · Ickworth
36
Sir Hans Sloane (1660–1753), Bt1730 · Examination Schools
37
Charles (1701–1750), 2nd Duke of Richmond and Lennox, KG1724 · The Library And Museum of Freemasonry
38
Portrait of the Artist's Son, Jonathan1732 · 沃克艺术馆
39
John Carmichael (1701–1767), 3rd Earl of Hyndford, Diplomat1726 · 苏格兰国家肖像画廊
40
Richard Hale (1670–1728)1733
41
George Vertue1733 · 国家肖像美术馆
42
Jonathan Richardson1729 · 国家肖像美术馆
43
Called 'Henrietta Shelley (1731–1809), Countess of Onslow' (but really Lady Henrietta Godolphin, d.1776 , Duchess of Newcastle)1730 · National Trust
44
James Lowther (1673–1755), 4th Bt1734
45
Henry Plumptre (1680–1746)1744
46
Alexander Pope1737 · 国家肖像美术馆
47
Martin Benson, Bishop of Gloucester1740
48
Portrait of the Artist's Son, Jonathan Richardson the Younger, in his Study1734
49
Richard Mead1738 · 国家肖像美术馆
50
Carew Harvey Mildmay of Marks Manor House, Dagenham (1694–1784)1740
51
Sir James Thornhill1734
52
Thomas Cromwell (1699–1748)1748
53
Sir James Burrow (1701–1782), Editor of Law Reports1745 · Government Art Collection
54
Matthew Prior (1664–1721)1719 · 博德利图书馆
55
Portrait of an Unknown LadyOxburgh Hall
56
Philip Dormer Stanhope (1694–1773), 4th Earl of Chesterfield
57
George Turbill, Alderman, Mayor of Plympton Erle (1733 and 1736)
58
Juliana Boyle, Countess of Ailesbury
59
Portrait of a Gentleman (traditionally identified as Samuel Chetham)Turton Tower
60
William Brownlow (1633–1675)National Trust
61
Edward Colston (1636–1721)Council House
62
Richard Boyle (1612–1697 1698), 2nd Earl of Cork and 1st Earl of Burlington (after Anthony van Dyck)National Trust
63
Lady mary wortley montagu
64
Portrait of a girl
65
Portrait Of Alexander Pope
66
Anthony collins
67
Fisher harding, master shipwright
68
Portrait of John Gay , author of The Beggar's Opera
69
Major John Hanbury (1664–1734)
70
Portrait of Anne Hatton, Countess of Winchilsea国家肖像美术馆
71
Richard Hoare of Ellisfield (1673–1721)
72
William Cowper, 1st Earl of Cowper (1665–1723), Lord Chancellor
73
Lady Elizabeth Cecil (1706–1733), Lady AislabieNational Trust
74
Roger Le Strange
75
Robert Harley (1661–1724), Earl of Oxford
76
Martin Benson (1689–1752), Bishop of Gloucester
77
Isaac Watts (1674–1748), DD
78
John Manners (1696–1779), 3rd Duke of RutlandNational Trust
79
Matthew Prior
80
Thomas Watson Wentworth (1693–1750), 1st Marquess of Rockingham, Politician圣约翰学院
81
Martha Stonehouse (d.1782), Mrs Arthur Vansittart (detail)National Trust
82
Admiral Sir John Jennings (1664–1743)国家海事博物馆
83
Sir Walter St John (1622–1708), 3rd BtLydiard House
84
Elijah Fenton (1683–1730)Brampton Museum
85
Henry St John (1678–1751), 1st Viscount Bolingbroke, Baron St John of Lydiard TregozeLydiard House
86
Henrietta Pelham Holles (d.1776), 1st Duchess of Newcastle under LyneThe University of Nottingham
87
Richard Hale (1670–1728)博德利图书馆
88
George Oxenden (1651–1703), LLD, Master (1685–1703), MP for Cambridge University (1695–1698)Trinity Hall
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 乔纳森·理查德森长老 的作品 | 此列表中的画作 |
|---|---|---|---|
 国家肖像美术馆 |
伦敦 | 8 | Sir Richard Steele, Henry St John, 1st Viscount Bolingbroke, Sir William Wyndham, 3rd Bt |
 国家海事博物馆 |
伦敦 | 3 | Lord Matthew Aylmer (c.1655–1720), Fisher Harding (active 1698–1701), Master Shipwright, with the Launch of the 'Royal Sovereign', 1701, Admiral Sir John Jennings (1664–1743) |
 National Trust |
德比 | 2 | Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, John Manners (1696–1779), 3rd Duke of Rutland |
 Government Art Collection |
伦敦 | 2 | John Carmichael, 3rd Earl of Hyndford (1701–1767), Ambassador to Vienna (1752–1764), Sir James Burrow (1701–1782), Editor of Law Reports |
 Ickworth |
萨福克郡 | 2 | Sir Robert Davers (1652 1653–1722), 2nd Bt, MP, Sir Robert Davers (c.1684–1723), 3rd Bt |
 Examination Schools |
Oxford | 2 | John Sheffield (1647–1721), 1st Duke of Buckingham and Normanby, Sir Hans Sloane (1660–1753), Bt |
 National Trust |
阿尔特林查姆 | 2 | Mary Langham (1653 1654–1690 1691), Countess of Warrington, Thomas Grey (1654–1720), 2nd Earl of Stamford |
 伯明翰博物馆与美术馆 |
伯明翰 | 2 | Josiah Bateman, Elizabeth, 1st Countess of Aylesford (d.1743) |
选择一个年代，探索定义该时代的原创杰作。
The portrait titled Garton Orme at the Spinet is a work by the English painter Jonathan Richardson the Elder. Created around 1707, this piece offers a glimpse into the refined domesticity of the early eighteenth century. It captures a moment of quiet focus, centering on a young subject engaged with a musical instrument.
A man emerges from a deep, shadowy void, his presence commanding the space with a quiet, scholarly dignity. He wears a heavy red robe, the fabric catching a soft light that defines the folds of the hood resting upon his head. His gaze is steady, carrying the weight of a life spent in contemplation or perhaps the gravity of a man accustomed to being observed. A subtle mustache traces his…
Garton Orme at the Spinet (1707)，霍本博物馆, 巴斯。紧随其后的是 William Cheselden (1688–1752) (1730) 和 Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above (1730)。
40岁：Garton Orme at the Spinet创作于1707年，乔纳森·理查德森长老出生于1667年。
Garton Orme at the Spinet, William Cheselden (1688–1752), Sir Nathaniel Curzon (1676–1758), 4th Bt Curzon, with His Wife, Mary Assheton (1695–1776), Lady Curzon, and Their Son Nathaniel (1726–1804), Later Nathaniel Curzon, 1st Baron Scarsdale, with Their Dead Son John Curzon (1719–1720), in the Clouds above, Lady Holland, Judith Parsons, Portrait of a Sea Officer, Sir Richard Steele, John Carmichael, 3rd Earl of Hyndford (1701–1767), Ambassador to Vienna (1752–1764), The Reverend William Lucy (1673 1674–1723 1724) 及 Henry St John, 1st Viscount Bolingbroke。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 89 件 乔纳森·理查德森长老 的作品，创作年代从 1693 年至 1745 年。
多见于 国家肖像美术馆 (伦敦), 国家海事博物馆 (伦敦) 及 National Trust (德比)。上方的博物馆列表列出了所有相关机构。
在 1730s 期间：本页 88 件作品中有 14 件创作于该时期，其中包含 William Cheselden (1688–1752) 件作品。
在本页面中，最早的作品创作于 Lord Matthew Aylmer (c.1655–1720) (1693)，最晚的创作于 Sir James Burrow (1701–1782), Editor of Law Reports (1745)。
18th century (13), Portraiture (12) 及 Portrait (6)，共计 88 件作品。
Oil，共计 3 件（本页共有 88 件作品）。
根据本页面的原作，Neoclassicism 及 Baroque
Sir Richard Steele, Henry St John, 1st Viscount Bolingbroke 及 Sir William Wyndham, 3rd Bt：国家肖像美术馆, 伦敦收藏了本页中 8 件作品。
在18世纪英国艺术的宏伟织锦中，很少有像乔纳森·理查德森长老那般具有深邃思想内涵且经久不衰的丝线。1667年1月12日，理查德森出生于伦敦的圣博托尔夫教区，他的生命历程交织着个人苦难与非凡的求知欲。在父亲威廉·理查德顿不幸早逝后，这位年轻的艺术家在继父的抚养下成长；然而，正是通过文书学徒生涯的磨炼，他初次触碰到了那种日后将定义其笔触精准度的严谨感。当他进入约翰·莱利的艺术圈时，他完成了真正的蜕变——这位受人尊敬的当代艺术家，其工作室成为了理查德森孕育天赋的熔炉。这段训练时期不仅教会了他绘画的技法，更让他沉浸在一个肖像画不再仅仅是容貌记录，而是对人物性格与社会地位进行深度探索的世界中。
随着事业的蓬勃发展，理查德森脱颖而出，成为一位卓越的画家，他在贵族赞助的正式需求与极具个人色彩的心理深度之间找到了完美的平衡。他的作品往往避开了某些巴洛克圈子中常见的华丽戏剧化风格，转而追求一种含蓄的优雅以及对细腻色调过渡的精妙掌控。受到伦勃朗戏剧性的明暗对照法，以及后来像德比的赖特等大师作品中细致观察力的影响，理查德森拥有一种捕捉主体静谧尊严的独特能力。无论是描绘理查德·黑尔的智识厚重感，还是马修·普赖尔周围那份宁静的学者气息，他的画布都如同通往启蒙时代精神的窗口，比起单纯的装饰，他更看重准确性与那种唤起情感的存在感。
虽然他的肖像画因其美学优雅而备受珍视，但理查德森对艺术界最持久的贡献在于他作为艺术理论先驱的角色。他不仅仅是一位技艺精湛的实践者，更是一位言辞犀利的哲学家。通过他在1715年出版的开创性著作《绘画论文》，理查德森为英国艺术提供了一个基础性的框架，试图将画家的地位从单纯的工匠提升为受人尊敬的知识分子。这部论著不仅讨论技法，更探讨了美学的本质、创新的重要性以及艺术家愿景中的道德分量。他的著作在古典大师的传统与英国艺术日益增长的国家认同之间架起了一座桥梁，创造了一种能够跨越世代产生共鸣的话语体系。
理查德森智识劳动的历史意义不言而喻，因为他被广泛认为激发了约书亚·雷诺兹爵士的艺术旅程。通过为肖像画建立一套理论词汇——强调“宏伟风格”与性格的重要性——理查德森为皇家艺术学院的建立和英国艺术教育的正式化奠定了基础。他的影响力可以通过其遗产的几个关键支柱来追溯：
最终，乔纳森·理查德森长老作为一位丰碑式的人物，其影响力既体现在他肖像画那静默的力量中，也体现在他文字的持久回响里。他是一位深谙其道的艺术家：他明白描绘一张脸是在尝试捕捉一个灵魂，而论述艺术则是定义一个民族看待自己的方式。他的生命证明了将精湛技艺与深邃哲学探究相结合的力量，确保了他在伟大大师殿堂中的地位。
