John Theodore Heins 肖像

45 幅最著名的 John Theodore Heins 作品,画廊精选

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 45 件 John Theodore Heins 作品收录于我们的目录中

简而言之

在 John Theodore Heins 留下的所有原作中,最著名的作品是 Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732)。 紧随其后的是 John Ives Senior as a Boy (1718 1719–1793) (1728) 和 Allegory of Trade (1743)。 我们的目录收录了 John Theodore Heins 的 45 件作品;画廊完整保留了 45 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1697 – 1756, Germany 藏品最多:Gainsborough's House

John Theodore Heins 的十大名画:画廊精选

John Theodore Heins 系列持续更新,第 11 至 45 项

11Thomas Gainsborough (1709–1739) (1731) 由 John Theodore HeinsThomas Gainsborough (1709–1739)1731 · Gainsborough's House 12Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor (1727) 由 John Theodore HeinsRobert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor1727 · 圣约翰学院 13Samuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731) (1729) 由 John Theodore HeinsSamuel Bradford (1652–1731), Master (1716–1724), Bishop of Rochester (1723–1731)1729 14Edward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes (1732) 由 John Theodore HeinsEdward Astley (1729–1802), Later Sir Edward Astley, 4th Bt Astley of Hill Morton, and His Sister Blanche, Later Mrs Edward Pratt, as Children, with a Parrot and a Bunch of Grapes1732 15John Gainsborough (1711–1772) (1731) 由 John Theodore HeinsJohn Gainsborough (1711–1772)1731 · Gainsborough's House 16The Death of Thomas Guy (1737) 由 John Theodore HeinsThe Death of Thomas Guy1737 17The Honourable Horatio Walpole (1678–1757) (1740) 由 John Theodore HeinsThe Honourable Horatio Walpole (1678–1757)1740 18Thomas Guy Counting His Money (1737) 由 John Theodore HeinsThomas Guy Counting His Money1737 19William Wiggett (1693 1694–1768), Mayor of Norwich (1742) (1743) 由 John Theodore HeinsWilliam Wiggett (1693 1694–1768), Mayor of Norwich (1742)1743 20Thomas Emerson (d.1785), Sheriff of Norwich (1785) (1741) 由 John Theodore HeinsThomas Emerson (d.1785), Sheriff of Norwich (1785)1741 21Christopher Amiraut (1739) 由 John Theodore HeinsChristopher Amiraut1739 · Musée des Beaux-Arts Jules Chéret 22Benjamin Nuthall (d.1752), Mayor of Norwich (1721 1749) (1738) 由 John Theodore HeinsBenjamin Nuthall (d.1752), Mayor of Norwich (1721 1749)1738 23A Music Party at Melton Constable (1734) 由 John Theodore HeinsA Music Party at Melton Constable1734 24Portrait of a Man (1744) 由 John Theodore HeinsPortrait of a Man1744 25John, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire (1743) 由 John Theodore HeinsJohn, Lord Hobart (1694–1756), 1st Earl of Buckinghamshire1743 26Robert Walpole (1676–1745), Earl of Orford (1743) 由 John Theodore HeinsRobert Walpole (1676–1745), Earl of Orford1743 27Thomas Vere (1680 1681–1766), Mayor of Norwich (1735) (1736) 由 John Theodore HeinsThomas Vere (1680 1681–1766), Mayor of Norwich (1735)1736 28William Clarke (d.1752), Mayor of Norwich (1739) (1740) 由 John Theodore HeinsWilliam Clarke (d.1752), Mayor of Norwich (1739)1740 29Thomas Harwood (b.1664 1665), Mayor of Norwich (1728) (1737) 由 John Theodore HeinsThomas Harwood (b.1664 1665), Mayor of Norwich (1728)1737 30Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge (1741) 由 John Theodore HeinsLady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge1741 · Fries Museum 31Portrait of an Unknown Lady (1748) 由 John Theodore HeinsPortrait of an Unknown Lady1748 · Oxburgh Hall 32Simeon Waller, Mayor of Norwich (1745) (1746) 由 John Theodore HeinsSimeon Waller, Mayor of Norwich (1745)1746 33Thomas Hurnard (1711 1712–1753), Mayor of Norwich (1752) (1754) 由 John Theodore HeinsThomas Hurnard (1711 1712–1753), Mayor of Norwich (1752)1754 34The Reverend Thomas Roger Duquesne (1750) 由 John Theodore HeinsThe Reverend Thomas Roger Duquesne1750 35Sir Benjamin Wrench (1665–1747), MD (1746) 由 John Theodore HeinsSir Benjamin Wrench (1665–1747), MD1746 36Richard Walker (1679–1764), Vice Master and Horticulturist (1751) 由 John Theodore HeinsRichard Walker (1679–1764), Vice Master and Horticulturist1751 37Thomas Harvey (1711–1772), Mayor of Norwich (1748) (1749) 由 John Theodore HeinsThomas Harvey (1711–1772), Mayor of Norwich (1748)1749 38The Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778) (1750) 由 John Theodore HeinsThe Reverend Henry Hubbard (1708–1778), Registrary of the University (1758–1778)1750 · Old Schools 39Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756) 由 John Theodore HeinsNockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753)1756 40Matthew Goss (b.1680 1681) (1756) 由 John Theodore HeinsMatthew Goss (b.1680 1681)1756 41Sir Jacob Astley (1692–1760), 3rd Bt 由 John Theodore HeinsSir Jacob Astley (1692–1760), 3rd Bt 42The Meeting of Abraham and Melchizedek 由 John Theodore HeinsThe Meeting of Abraham and MelchizedekNational Trust 43John Kirkpatrick (1686–1728) 由 John Theodore HeinsJohn Kirkpatrick (1686–1728) 44John Harvey (1666–1742), Mayor of Norwich (1727) 由 John Theodore HeinsJohn Harvey (1666–1742), Mayor of Norwich (1727) 45Portrait of Georg Friedrich Handel (1750) 由 John Theodore HeinsPortrait of Georg Friedrich Handel1750

令 John Theodore Heins 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 John Theodore Heins 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 John Theodore Heins 的作品 此列表中的画作
Gainsborough's House, 萨德伯里Gainsborough's House 萨德伯里 2 Thomas Gainsborough (1709–1739), John Gainsborough (1711–1772)
耶鲁英国艺术中心, 纽黑文耶鲁英国艺术中心 纽黑文 1 Allegory of Trade
芝加哥艺术学院, 芝加哥芝加哥艺术学院 芝加哥 1 Family Group on a Terrace
国家海事博物馆, 伦敦国家海事博物馆 伦敦 1 Admiral Sir Robert Harland, circa 1715-1784
RIBA图书馆图纸与档案收藏馆, 伦敦RIBA图书馆图纸与档案收藏馆 伦敦 1 Matthew Brettingham the Elder (1699–1769)
圣约翰学院, 剑桥圣约翰学院 剑桥 1 Robert Lambert (d.1734), Lady Margaret Preacher, Master, Vice Chancellor
Musée des Beaux-Arts Jules Chéret, NiceMusée des Beaux-Arts Jules Chéret Nice 1 Christopher Amiraut
Fries Museum, 列沃瓦德Fries Museum 列沃瓦德 1 Lady Gooch, Wife of Sir Thomas Gooch, Bt, Bishop of Norwich and Master of Gonville and Caius College, Cambridge

John Theodore Heins 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 John Theodore Heins 作品的常见问题

John Theodore Heins 最著名的作品是哪一件?揭晓答案

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) (1732)。紧随其后的是 John Ives Senior as a Boy (1718 1719–1793) (1728) 和 Allegory of Trade (1743)。

创作 Robert Marsh (1679 1680–1771), Mayor of Norwich (1731) 时,John Theodore Heins 是多少岁?揭晓答案

35岁:Robert Marsh (1679 1680–1771), Mayor of Norwich (1731)创作于1732年,John Theodore Heins出生于1697年。

John Theodore Heins 最著名的十幅画作是什么?揭晓答案

Robert Marsh (1679 1680–1771), Mayor of Norwich (1731), John Ives Senior as a Boy (1718 1719–1793), Allegory of Trade, Family Group on a Terrace, Timothy Balderston (1682–1764), Mayor of Norwich (1736 1751), Admiral Sir Robert Harland, circa 1715-1784, Matthew Brettingham the Elder (1699–1769), Isabella Astley (1724–1741), Aged Eight, Self Portrait 及 Francis Arnam (1673 1674–1741), Mayor of Norwich (1732)。上方排名显示了每件作品的创作年份及馆藏机构。

John Theodore Heins 留下了多少幅画作?揭晓答案

我们的目录收录了 45 件 John Theodore Heins 的作品,创作年代从 1726 年至 1756 年。

John Theodore Heins 的杰作收藏在哪些博物馆中?揭晓答案

多见于 Gainsborough's House (萨德伯里), 耶鲁英国艺术中心 (纽黑文) 及 芝加哥艺术学院 (芝加哥)。上方的博物馆列表列出了所有相关机构。

John Theodore Heins 在哪些年份创作了最著名的作品?揭晓答案

在 1740s 期间:本页 45 件作品中有 16 件创作于该时期,其中包含 Allegory of Trade 件作品。

John Theodore Heins 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 Self Portrait (1726),最晚的创作于 Nockold Tompson (d.1777), Mayor of Norwich (1759), and Speaker of the Common Council (1744–1753) (1756)。

John Theodore Heins 最常创作的主题是什么?揭晓答案

Portraiture (5), 18th century (5) 及 Dignified (4),共计 45 件作品。

哪些 John Theodore Heins 的作品在 Gainsborough's House 展出?揭晓答案

Thomas Gainsborough (1709–1739) 及 John Gainsborough (1711–1772):Gainsborough's House, 萨德伯里收藏了本页中 2 件作品。

John Theodore Heins:生平与作品

The Quiet Elegance of John Theodore Heins Senior

In the vibrant tapestry of eighteenth-century British art, where the flamboyant grandeur of Joshua Reynolds and the fluid grace of Thomas Gainsborough often command the spotlight, there exists a more intimate, contemplative voice. This is the voice of John Theodore Heins Senior (1697–1756), a portraitist whose work serves as a window into the psychological depth and social dignity of the Enlightenment era. While his name may not resonate with the same thunderous fame as his more celebrated contemporaries, Heins Senior offered a unique brand of visual storytelling, characterized by a meticulous devotion to detail and an uncanny ability to capture the very essence of his subjects—ranging from the scholarly elite to the powerful mayors of Norwich.

Born in London, Heins’s early years were shaped by the rigorous traditions of the English school. His artistic journey was profoundly influenced by his apprenticeship under Jonathan Richardson Sr., a master renowned for integrating theatrical composition with innovative perspectives. From Richardson, Heins inherited more than just technical proficiency; he learned the art of characterization. This foundational training instilled in him a respect for realism and an understanding of how light and shadow could be used to sculpt not just physical form, but the very soul of the sitter. As his career progressed, Heins moved away from mere imitation, developing a signature style that favored a restrained palette and a subtle gradation of tones reminiscent of the Old Master traditions.

Mastery of Light and Texture

The true brilliance of Heins Senior lies in his technical command over the medium of oil painting. Unlike the looser, more impressionistic brushstrokes that would later define much of British portraiture, Heins employed a painstaking method of building up layers of paint. This laborious process allowed him to achieve a remarkable luminosity and a textural complexity that makes his canvases feel almost tactile. His subjects are often bathed in a diffused, soft light, creating an atmosphere of serene contemplation that invites the viewer to linger.

Central to his technique was the masterful use of chiaroscuro. By orchestrating the dramatic interplay between deep shadows and brilliant highlights, Heins could direct the viewer's eye toward the most expressive features of a face or the intricate textures of fine silk and lace. This precision is evident in several of his notable works:

A Legacy of Dignity and Detail

The historical significance of John Theodore Heins Senior resides in his role as a chronicler of an era defined by intellectual growth and social stratification. His portraits were more than mere likenesses; they were carefully constructed symbols of identity, intellect, and authority. Through his work, we gain insight into the architectural symbolism and the sartorial elegance that defined the 18th-century British upper classes and scholarly circles.

Though he may have been overshadowed by the more theatrical movements of his time, Heins Senior’s contribution to the canon of British portraiture remains indispensable. His ability to marry the precision of a craftsman with the sensitivity of an artist allowed him to create works that possess a timeless, quiet dignity. Today, as art historians revisit his oeuvre, they find a painter who did not seek to overwhelm the viewer with spectacle, but rather to enchant them through the profound beauty of truth and meticulous observation.