更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 33 件 Johann Liss 作品收录于我们的目录中
简而言之
Nymph and Shepherd (1625) 是 Johann Liss 最受瞩目的画作；原作收藏于 纽约 的 大都会艺术博物馆。 随后，目光会移向 Temptation of Saint Anthony (1614) 和 The Apostle Paul (1614)。 在 Johann Liss 的 33 件作品中，这 31 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
The Apostle Paul emerges from the shadows of history in this striking portrait by Johann Liss. Created about 1614, the work captures a moment of profound spiritual intensity. The subject is an elderly man, his features weathered by time and his spirit ignited by divine inspiration. He is identified as the Apostle Paul, a figure of immense weight in religious tradition, appearing here with a sense of urgent, living presence.
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A pale, luminous figure lies amidst the dark textures of a cavernous landscape. This reclining nude female rests upon a bed of grass and white drapery, her body catching a soft, directional light that pulls her from the surrounding gloom. She faces away, her posture relaxed and heavy with sleep. Around her, the world is composed of craggy, dark rocky masses and deep, earthy tones of ochre and brown. The…
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
A youthful figure emerges from a heavy, dark void. This is Cupid, the god of desire, caught in a moment of quiet tension. His skin possesses a luminous, fleshy quality that seems to hold its own light against the surrounding gloom. He holds a single arrow diagonally across his chest, a sharp instrument of fate held with a soft, unstudied grace. The composition pulls the viewer into an intimate space,…
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
Temptation of Saint Anthony1660 · 巴伐利亚州绘画收藏馆
12
The Ecstasy of St Paul1628 · 柏林州立博物馆
13
The Prodigal Son1625 · 维也纳美术学院
14
Untitled (D2X6GG)1626 · 大都会艺术博物馆
15
A Bacchanalian Feast1617 · Fitzwilliam 学院
16
Judith in the Tent of Holofernes1622 · 国家美术馆
17
The Fall of Phaeton1624 · 国家美术馆
18
Adam and Eve Mourning for Abel1624 · 威尼斯学院美术馆
19
The Vision of St Jerome1627 · San Nicola da Tolentino
20
Franciscan Monk斯泰恩斯博物馆艺术馆
21
A lute player
22
MOISE SAUVE DES EAUX里尔美术馆
23
E Dirck van der Blind Mans Buff
24
Abel mourned by his parents
25
The Satyr and the Peasant1626 · 国家美术馆
26
Venus and Adonis1625 · 卡尔斯鲁厄州立美术馆
27
克勞狄亞女王的死亡1622 · 老皮那科特美术馆
28
亚伯拉罕献祭儿子1624 · 威尼斯学院美术馆
29
Judith and Holophernes1628 · 维也纳艺术史博物馆
30
Apollo and Marsyas1627 · 威尼斯学院美术馆
31
Venus in front of the Mirror1625 · 乌菲兹美术馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Johann Liss 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 4 | Temptation of Saint Anthony, The Apostle Paul, Temptation of Saint Anthony |
 威尼斯学院美术馆 |
威尼斯 | 3 | Adam and Eve Mourning for Abel, 亚伯拉罕献祭儿子, Apollo and Marsyas |
 大都会艺术博物馆 |
纽约 | 2 | Nymph and Shepherd, Untitled (D2X6GG) |
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 2 | Sleeping Nymph, Franciscan Monk |
 国家美术馆 |
伦敦 | 2 | Judith in the Tent of Holofernes, The Fall of Phaeton |
 Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe |
卡塞尔 | 1 | A Game of Morra |
 布达佩斯美术博物馆 |
布达佩斯 | 1 | Village Wedding Procession |
 Germanisches Nationalmuseum |
纽伦堡 | 1 | The prodigal son at the prostitutes |
此处展示的 Johann Liss 的原作从 1614 到 1628，跨越了 15 年，每年的作品均按年份排列如下。
选择年份以查看原作。
The artwork is titled Temptation of Saint Anthony, a work executed by the German Baroque painter Johann Liss. This specific piece is also identified by the alternative title Anthony and Lust. The painting was created between 1624 and 1625.
更多来自 1614
In "Curse of Cain" by Johann Liss, a diagonal tension pulls the eye upward. The composition begins with a muscular figure in the foreground, anchored in shadow. From this heavy base, the gaze climbs through a turbulent sky toward a celestial presence hidden within the clouds. This movement follows a low-angle perspective, forcing the viewer to look up at the unfolding drama of divine judgment and human suffering. The scene…
Johann Liss created Village Wedding Procession, a work dating from about 1616. The oil painting captures a scene of a rural wedding, focusing on the communal activity of a country celebration. The composition centers on a group of figures engaged in the festivities of a village procession.
A large dining table draped in white cloth anchors the scene, a pale island amidst a sea of movement. Figures cluster around this center, their bodies caught in various states of repose and action. Some sit, anchored by the weight of the feast, while others stand, their limbs tracing arcs through the air. The air feels thick with the energy of a communal celebration, a moment of shared indulgence frozen…
The scene unfolds in A Game of Morra, a painting by the German Baroque artist Johann Liss. This genre art piece captures a spirited moment of human interaction, pulling the viewer into a lively social encounter. The figures gather under a rustic pergola, their gestures and expressions suggesting the tension and play of the game itself. It is a moment frozen in time, where the energy of the group seems…
更多来自 1620
In this dramatic oil painting from 1622, we find ourselves drawn into a nocturnal scene of revelry and debauchery. The composition is dense, creating a sense of chaotic movement within a shallow, stage-like space. A group of figures is caught in a moment of intense social interaction, their lives seemingly consumed by the immediate demands of drinking and carnal pleasure. The subject matter draws from the biblical narrative of the…
更多来自 1622
The painting presents a tight, triangular arrangement of figures that creates a sense of intimacy and tension. A seated saint occupies the center of the frame, his form illuminated by a strong directional light source from the upper left. This light falls upon his face and a golden bowl held by an approaching woman, leaving the background in deep shadow. The woman is draped in crimson fabric, which provides a…
更多来自 1624
Deep within a dense, shadowy woodland, a quiet drama unfolds under the weight of heavy leaves and twisting branches. A nymph lies reclined, her pale skin catching a soft, directional light that cuts through the gloom of the forest. She rests in a state of deep repose, unaware of the gaze directed toward her. From behind the rugged bark of a tree, a muscular shepherd leans into the frame. He…
更多来自 1625
In the vast tapestry of the 17th-century Baroque era, where the theatrical shadows of Caravaggio and the luminous interiors of Vermeer often command the spotlight, there exists a more intimate, whispered form of storytelling. Johann Liss’s “The Temptation of Saint Mary Magdalen,” completed around 1626, serves as a profound testament to this subtle mastery. The painting captures a pivotal moment of spiritual and psychological tension, inviting the viewer into a…
更多来自 1626
The air in the room feels heavy with the weight of a sudden, celestial intrusion. St. Jerome sits amidst the quietude of his devotion, an old man whose white beard catches the light, marking him as a soul weathered by years of study and solitude. He is not alone. The stillness is broken by the presence of angels, their forms appearing as if they have just stepped through the veil…
更多来自 1627
To gaze upon The Ecstasy of St Paul is to be enveloped in a moment so transcendent it seems plucked directly from the annals of divine revelation. This painting does not merely depict an event; it captures the very breath of spiritual rapture. At its heart, St. Paul is suspended, his outstretched arms reaching not just toward the heavens, but into a palpable emanation of grace. The composition centers on…
更多来自 1628
Nymph and Shepherd (1625)，大都会艺术博物馆, 纽约。紧随其后的是 Temptation of Saint Anthony (1614) 和 The Apostle Paul (1614)。
28岁：Nymph and Shepherd创作于1625年，Johann Liss出生于1597年。
Nymph and Shepherd, Temptation of Saint Anthony, The Apostle Paul, Curse of Cain, A Game of Morra, Village Wedding Procession, Sleeping Nymph, The prodigal son at the prostitutes, Cupid (Amor) 及 Temptation of Saint Anthony。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 33 件 Johann Liss 的作品，创作年代从 1614 年至 1628 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 威尼斯学院美术馆 (威尼斯) 及 大都会艺术博物馆 (纽约)。上方的博物馆列表列出了所有相关机构。
在 1624 期间：本页 31 件作品中有 4 件创作于该时期，其中包含 Temptation of Saint Anthony 件作品。
在本页面中，最早的作品创作于 Temptation of Saint Anthony (1614)，最晚的创作于 The Ecstasy of St Paul (1628)。
Woman (10), Man (10) 及 People (7)，共计 31 件作品。
Oil On Canvas，共计 14 件（本页共有 31 件作品）。
根据本页面的原作，Baroque
Temptation of Saint Anthony, The Apostle Paul 及 Temptation of Saint Anthony：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 4 件作品。
Johann Liss，亦被称为 Jan Lys，是17世纪德国巴洛克运动中一位光彩夺目的杰出人物，他穿梭于欧洲的艺术旅程，恰如其分地映射出那个时代动荡而充满活力的时代潮流。Johann Liss 出生于德国石勒苏益格-荷尔斯泰因州的奥尔登堡，早年生活深受家乡严谨艺术传统的熏陶。作为一名艺术家，他的生命轨迹充满了不断的迁徙与深刻的蜕变，从德国北部一路向欧洲大陆的艺术中心进发。通过在哈勒姆和阿姆斯特丹师从 Hendrick Goltzius，他吸收了荷兰艺术传统的精湛技艺，随后开启了一段漫长的旅程，最终穿过巴黎，深入意大利的心脏地带。
Johann Liss 风格的演变是一场关于艺术适应性的迷人研究。他在1620年至1622年间于罗马度过的早期阶段，展现出对卡拉瓦乔式戏剧性张力的深刻共鸣。在这些奠定基础的岁月里，他的画布被强烈的明暗对比所定义，这种技法赋予了他的宗教与神话题材一种直观且震撼人心的生命力。然而，随着他向威尼斯迁移，他的色调经历了一场壮丽的蜕变。罗马时期那沉郁的深度，逐渐让位于对画面表面充满灵性的处理，其特征是绚丽的色彩和松散、充满能量的笔触，仿佛让画面本身在呼吸。
Johann Liss 拥有一种罕见的能力，能够游走于神圣与世俗的双重领域，以同样强烈的情感张力来处理圣经叙事与古典神话。在他如《以撒的祭献》等宗教作品中，他利用巴洛克美学去探索信仰、顺服与神圣干预等深邃主题。他常将这些沉重的神学时刻置于广阔且细节丰富的风景之中，在宏大的经文分量与自然世界之间创造出一种张力。他对神性的描绘绝非静止不变，而是跳动着一种律动感与心理深度，捕捉到了17世纪那种狂热的宗教情感。
与之相对，他的神话作品则为探索人体美感与古典传奇提供了更为感官的途径。在《维纳斯与阿多尼斯》等作品中，Johann Liss 拥抱了当时兴起的关于美与欲望的美学，通过使用铜板油画来实现微妙的色调变化，从而强化了奥维德式悲剧的情感冲击。无论是捕捉克利奥帕特拉悲剧性的终结，还是在《阿波罗与玛西阿斯》中表现神圣的审判，他的作品始终致力于超越简单的叙事。他追求情感的原始力量，利用厚重的堆漆笔触和动态的构图，确保每一次神话的邂逅都显得既古老又充满迫切的生命力。
Johann Liss 的重要性远超其个人的画布，他的风格创新为后世画家铺平了道路。他晚期的威尼斯风格强调光影、色彩以及某种流动的自发性，成为了洛可可运动的前奏。他在作品中展现出的充满活力的笔触，被视为对伟大的瓜尔迪兄弟（Guardi brothers）的早期影响，而他将外来影响融入威尼斯传统的卓越能力，也在威尼斯共和国的艺术版图中留下了持久的印记。
他的影响力在18世纪大师的传承中体现得最为清晰。从塞巴斯蒂亚诺·里奇、乔瓦尼·巴蒂斯塔·提埃坡罗到乔瓦尼·皮亚泽塔，他们的作品中都回荡着 Johann Liss 所开创的那种辉煌感与律动感。尽管他的生命因维罗纳的瘟疫而戛然而止，留下了虔诚的圣经题材与感官的神话传说，但他依然是巴洛克卓越艺术链条中至关重要的一环。他是一位精通“转化”艺术的画家，将罗马的阴影幻化成了威尼斯的灿烂光芒。
