更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 62 件 约翰·格奥尔格·普拉策 作品收录于我们的目录中
简而言之
在 约翰·格奥尔格·普拉策 留下的所有原作中，最著名的当属收藏于 卡尔斯鲁厄 卡尔斯鲁厄州立美术馆 的《The Assumption of Mary (1735)》。 紧随其后的是 Bacchic Revels (1740) 和 Nymphs and Satyrs Drinking (1740)。 我们的目录收录了 约翰·格奥尔格·普拉策 的 62 件作品；画廊完整保留了 60 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
A vertical composition directs the gaze from the terrestrial realm toward the divine heavens. At the base, apostles gather around an open tomb, their faces marked by awe and devotion. Above them, the Virgin Mary ascends amidst a host of angels, her form enveloped in a blue mantle. The movement is upward and fluid, driven by swirling cloud formations and the sweeping gestures of the figures. Light emanates from the…
The air feels thick with the scent of damp earth and the echoes of distant music. In this monochrome world, a celebration unfolds amidst a lush, wooded landscape where the boundaries between the human and the divine blur. Figures move with a fluid, swirling energy, their bodies entwined in a rhythmic chaos that defies stillness. Drapery flows like water around muscular limbs, catching a soft light that descends from the…
In this mythological painting, titled Nymphs and Satyrs Drinking, we encounter a scene of classical indulgence. The work was executed by the Austrian artist Johann Georg Platzer, who lived from 1704 to 1761. It is a composition that captures a moment of revelry, focusing on the figures of nymphs and satyrs as they gather together. The piece dates to about 1740, a period when the artist was refining his approach…
The studio is a cavern of amber and deep shadow. A central golden urn anchors the composition, its metallic sheen catching a light that seems to emerge from a hidden window. Around this pillar of light, the space is crowded with the tools of creation and the weight of history. Marble busts stare from the gloom, their cold surfaces contrasting with the heavy, tactile folds of velvet drapery. The air…
In "Social Scene" by Johann Georg Platzer, a monochrome reproduction of an 18th-century work, the eye meets a crowded, theatrical arrangement. The space is shallow, packed with multiple groups of figures gathered in a formal garden. To the left, the scene is anchored by the heavy, geometric stability of classical architecture, featuring an arched doorway and a pedestal supporting a sculptural figure. On the right, the rigid lines of stone…
The scene unfolds in Card Player (Ace is Trump), a work that captures a fleeting moment of social tension. Johann Georg Platzer, the hand behind this composition, invites us into a crowded, intimate interior where the stakes of a game hang in the air. This painting, dating to about 1730, finds its creator in the midst of a flourishing career. Born in 1704 in Eppan an der Weinstraße, the artist…
In this 1725 oil on canvas, four figures are positioned around a table in a tightly grouped composition. The scene depicts a moment of leisure following a meal, characterized by the presence of musical instruments and refreshments. A figure holds a wine glass, while others are situated near a violin, a tambourine, and sheet music. The lighting is directional, casting soft shadows across the faces of the subjects and highlighting…
The Bath of Diana is a Rococo-style mythological scene from 1730 that depicts a group of nymphs bathing within a forest setting. The composition is dense and dynamic, utilizing a pyramidal arrangement of figures that leads the eye across a landscape of rocky outcrops and verdant foliage. The subject matter portrays Diana and her nymphs in a moment of leisure, evoking themes of purity, nature, and classical mythology.
This Rococo-style oil painting depicts a dynamic mythological scene where Latona transforms Lycian peasants into frogs. The composition is complex and asymmetrical, utilizing a swirling arrangement of figures that directs the eye from the left foreground toward a luminous central figure on the right. The subject matter is evidenced by the transition of human limbs into amphibian forms and the presence of actual frogs in the foreground water.
The Sculptor's Studio is an oil painting by Johann Georg Platzer. The artist, born in 1704 in Eppan an der Weinstraße, captured this scene during the height of the Rococo era. He remained tied to his birthplace until his death in 1761 in Eppan.
David Meeting Abigail1727 · National Gallery Prague
12
Garden-party1729
13
Rebecca at the Fountain1735
14
Samson's Revenge1735
15
The Rape of the Sabine women1744 · 摩拉维亚美术馆
16
The Marriage Feast at Cana1743
17
Ill-matched couple.1737 · 华沙国家博物馆
18
Merry company in the park.1740 · 华沙国家博物馆
19
Merry Company on a Patio1735 · 柏林国家美术馆
20
The abduction of Helena1750 · 摩拉维亚美术馆
21
sketch for allegoric plafond-picture1750
22
Antony And Cleopatra At The Battle Of Actium
23
The Death Of Cleopatra
24
Das Atelier Des Malers克利夫兰艺术博物馆
25
Allegorie Der Vier Jahreszeiten
26
Dancing Scene With Palace Interior
27
Rescue of Alexander the Great卡尔斯鲁厄州立美术馆
28
Alexander the Great Cuts the Gordian Knot卡尔斯鲁厄州立美术馆
29
Musical Company in the SalonNational Gallery Prague
30
Concerto
31
Sommer明尼阿波利斯艺术学院
32
Winter
33
Autumn
34
Orientalisches Fest
35
An Allegory Of Misrule伯明翰博物馆与美术馆
36
Allegory Of Five Senses
37
The Judgement Of Paris
38
Salome Dancing Before Herod
39
The Concert
40
Winter明尼阿波利斯艺术学院
41
The Abduction Of Helen威廉斯收藏馆
42
Kinder Beim Unterricht Im Freien
43
Das Gastmal Der Kleopatra
44
The Concert华沙国家博物馆
45
Saint John The Baptist Preaching In The Wilderness
46
Alexander And The Queen Of The Amazons, Thalestris
47
Frühling明尼阿波利斯艺术学院
48
Orientalisches Fest
49
Alexander And The Family Of Darius
50
Kinder Beim Unterricht Im Freien
51
Herbst明尼阿波利斯艺术学院
52
Die Hochzeit Zu Kana
53
St. Michael In Eppan With Croesus And Solon
54
Fountain Scene In Front Of A Palace
55
Marriage Of Aphrodite And Hephaestus
56
Das Gastmal Der Kleopatra
57
Das Gastmal Der Kleopatra
58
Summer
59
Spring
60
Miraculous Catch of FishResidenzgalerie
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 约翰·格奥尔格·普拉策 的作品 | 此列表中的画作 |
|---|---|---|---|
 明尼阿波利斯艺术学院 |
明尼阿波利斯 | 6 | The Bath of Diana, Latona Turning the Lycian Peasants into Frogs, Sommer |
 华沙国家博物馆 |
华沙 | 4 | Artist's atelier with Hungarian patrons, Ill-matched couple., Merry company in the park. |
 卡尔斯鲁厄州立美术馆 |
卡尔斯鲁厄 | 3 | The Assumption of Mary, Rescue of Alexander the Great, Alexander the Great Cuts the Gordian Knot |
 芝加哥艺术学院 |
芝加哥 | 2 | Bacchic Revels, Nymphs and Satyrs Drinking |
 National Gallery Prague |
布拉格 | 2 | David Meeting Abigail, Musical Company in the Salon |
 摩拉维亚美术馆 |
布尔诺 | 2 | The Rape of the Sabine women, The abduction of Helena |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 1 | Social Scene |
 新南威爾士藝術畫廊 |
悉尼 | 1 | The Sculptor's Studio |
选择一个年代，探索定义该时代的原创杰作。
The studio is a cavern of amber and deep shadow. A central golden urn anchors the composition, its metallic sheen catching a light that seems to emerge from a hidden window. Around this pillar of light, the space is crowded with the tools of creation and the weight of history. Marble busts stare from the gloom, their cold surfaces contrasting with the heavy, tactile folds of velvet drapery. The air…
A vertical composition directs the gaze from the terrestrial realm toward the divine heavens. At the base, apostles gather around an open tomb, their faces marked by awe and devotion. Above them, the Virgin Mary ascends amidst a host of angels, her form enveloped in a blue mantle. The movement is upward and fluid, driven by swirling cloud formations and the sweeping gestures of the figures. Light emanates from the…
The air feels thick with the scent of damp earth and the echoes of distant music. In this monochrome world, a celebration unfolds amidst a lush, wooded landscape where the boundaries between the human and the divine blur. Figures move with a fluid, swirling energy, their bodies entwined in a rhythmic chaos that defies stillness. Drapery flows like water around muscular limbs, catching a soft light that descends from the…
The sea churns in a frantic, swirling motion, its luminous blue crests rising to meet a sky filled with restless energy. In this mid-18th-century scene, the air feels heavy with the salt spray and the sudden, violent upheaval of a maritime struggle. Figures collide in a dense, diagonal arrangement, their limbs intertwined in a desperate dance of resistance and force. The composition pulls the eye upward, following the frantic movement…
The Assumption of Mary (1735)，卡尔斯鲁厄州立美术馆, 卡尔斯鲁厄。紧随其后的是 Bacchic Revels (1740) 和 Nymphs and Satyrs Drinking (1740)。
31岁：The Assumption of Mary创作于1735年，约翰·格奥尔格·普拉策出生于1704年。
The Assumption of Mary, Bacchic Revels, Nymphs and Satyrs Drinking, Artist's atelier with Hungarian patrons, Social Scene, Card Player (Ace is Trump), Making avances after the meal, The Bath of Diana, Latona Turning the Lycian Peasants into Frogs 及 The Sculptor's Studio。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 62 件 约翰·格奥尔格·普拉策 的作品，创作年代从 1720 年至 1750 年。
多见于 明尼阿波利斯艺术学院 (明尼阿波利斯), 华沙国家博物馆 (华沙) 及 卡尔斯鲁厄州立美术馆 (卡尔斯鲁厄)。上方的博物馆列表列出了所有相关机构。
在 1730s 期间：本页 60 件作品中有 10 件创作于该时期，其中包含 The Assumption of Mary 件作品。
在本页面中，最早的作品创作于 Artist's atelier with Hungarian patrons (1720)，最晚的创作于 The abduction of Helena (1750)。
People (18), Drapery (12) 及 Figures (11)，共计 60 件作品。
Oil，共计 15 件（本页共有 60 件作品）。
根据本页面的原作，Baroque 及 Rococo
The Bath of Diana, Latona Turning the Lycian Peasants into Frogs 及 Sommer：明尼阿波利斯艺术学院, 明尼阿波利斯收藏了本页中 6 件作品。
