更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 47 件 约翰·卡尔·洛特 作品收录于我们的目录中
简而言之
Selene and Endymion (1670) 是 约翰·卡尔·洛特 最受瞩目的画作；原作收藏于 阿姆斯特丹 的 国家博物馆。 随后，目光会移向 Jacob Blesses Ephraim and Manasseh (1692) 和 Old Peasant Lighting a Pipe (1660)。 在 约翰·卡尔·洛特 的 47 件作品中，这 46 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In this dramatic oil painting, we find ourselves witnessing a moment of profound stillness and longing. The scene captures the mythological meeting between Selene, the personification of the Moon, and the sleeping Endymion. The composition moves with a heavy, diagonal energy, pulling the eye from the upper left down toward the lower right, following the curve of the figures. Endymion lies in a deep, earthly slumber, his muscular form rendered…
In this 1692 oil on canvas, an aged, semi-nude patriarch leans forward to bestow a blessing upon two young boys, Ephraim and Manasseh. The composition is tightly packed, utilizing a dynamic, triangular formation that directs the viewer's eye toward the central elderly figure. The scene captures a moment of profound interpersonal drama, where the physical presence of the figures is emphasized through heavy drapery and muscular contours. Light falls theatrically…
A single, focused light source pierces a heavy darkness, illuminating a weathered face in a moment of profound concentration. This profile view captures an elderly man as he attends to a clay pipe, the thin stem acting as a visual guide through the composition. The scene is defined by a stark chiaroscuro, where deep shadows recede into an indeterminate background, pushing the subject into the immediate foreground. Every wrinkle in…
In the oil painting Music Lesson by Johann Carl Loth, the artist employs an oval composition to frame a tightly cropped scene. The figures are arranged in a triangular formation, a structural choice that directs the viewer's eye toward the central action. A muscular male figure plays a pan flute, or syrinx, while an older man wearing a laurel wreath observes or instructs a younger woman. This arrangement creates a…
A muscular, bearded man emerges from a dark, near-black background in this 1650 oil painting. He is positioned in a tight, close-up composition that focuses on his upper torso and head. His skin is rendered with detailed musculature, particularly across the shoulder, chest, and arm. A single light source, a lit candle contained within a handheld lantern, casts sharp highlights onto his anatomy. This light creates a strong chiaroscuro effect,…
In Susannah and the Elders, Johann Carl Loth brings a heavy, dramatic tension to the canvas. The scene unfolds from a narrative found within the Old Testament, capturing a moment of profound intrusion. Susannah finds herself cornered by two men, their presence a sudden and unsettling weight in her private space. The air feels thick with the gravity of this confrontation, as the figures press into a tight, triangular arrangement…
In The Exposure of the Infant Moses, Johann Carl Loth captures a heavy moment from the Book of Exodus. The scene centers on a small infant resting in a vessel upon the ground. A muscular man reaches toward the child, his body taut with effort. To the side, a woman collapses in grief, her hand pressed against her forehead as she faces a moment of profound despair. The weight of…
In this dramatic Baroque oil painting, titled Christ Appears to Saint Anthony, Johann Carl Loth captures a profound mystical encounter. Created about 1665, the work focuses on the intimate connection between the Christ Child and the saint. The composition centers on the upper bodies of these two figures, drawing the viewer into a private moment of spiritual presence. The Christ Child is depicted as a plump, nude infant leaning forward…
The Penitent Mary Magdalene emerges from the shadows as a profound oil painting by Johann Carl Loth. Created about 1665, the work captures a singular moment of spiritual intensity. The subject gazes upward, caught in a state of deep devotion that feels immediate and alive. Every brushstroke contributes to the weight of her presence within the frame.
This oil painting, titled John the Baptist, was executed by the German Baroque painter Johann Carl Loth. The work dates to about 1665. It presents a vertical portrait that focuses on the head and the upper torso of the subject. The figure is a muscular man characterized by a beard and a gaze directed upward and to his right. He is depicted in a state of intense spiritual or emotional…
Christ on the Cross1665 · 巴伐利亚州绘画收藏馆
12
Adoration of the Shepherds1665 · 巴伐利亚州绘画收藏馆
13
David with the Head of Goliath1665 · 巴伐利亚州绘画收藏馆
14
Mockery of Christ1665 · 巴伐利亚州绘画收藏馆
15
Isaac Blesses Jacob1665 · 巴伐利亚州绘画收藏馆
16
The Shame of Noah1674 · 巴伐利亚州绘画收藏馆
17
The Dying Seneca1665 · 巴伐利亚州绘画收藏馆
18
The Rescue of Agrippina, Mother of Nero1665 · 巴伐利亚州绘画收藏馆
19
Boy in Armor1665
20
Cato the Younger's Death1672 · 斯泰恩斯博物馆艺术馆
21
Saint Joseph with the Christ Child1680 · 巴伐利亚州绘画收藏馆
22
Holy Family with the Christ Child John1680 · 巴伐利亚州绘画收藏馆
23
Saint John the Baptist1680 · 斯洛伐克国家美术馆
24
Saint Paul1675 · 华沙国家博物馆
25
Faun playing the flute.1675 · 华沙国家博物馆
26
Martyrdom of Gerard of Csanád1677 · 斯特拉斯堡美术馆
27
Holy Family and God the Father1681 · San Silvestro
28
The Guardian Angel and Archangel Michael1691 · 巴伐利亚州绘画收藏馆
29
Saint Dominic Receives the Rosary1691 · 巴伐利亚州绘画收藏馆
30
The Death of Cato.1700 · 华沙国家博物馆
31
Abraham Visited by the Angels
32
Death of St Peter Martyr1691 · 圣若望与圣保罗大殿
33
Lowering of Moses into the Nile (Amram and Jochebed lowering their son Moses in a basket into the Nile)1700 · Ernest Zmeták Art Gallery
34
Apollo, Pan, and Marsyas柏林州立博物馆
35
伊利謝爾與麗貝卡在井邊1670 · 冬宫博物馆
36
Self-Portrait巴伐利亚州绘画收藏馆
37
The Crowning with thorns芬兰国家美术馆
38
Saint SebastianNational Gallery Prague
39
Kampf des Jakob mit d. Engel ?
40
Adam and EveKedleston Hall
41
Lot and His Daughters
42
Samson and DelilahFondazione Brescia Musei
43
Mercury Piping to Argus国家美术馆
44
Jupiter and Mercury at Philemon and Baucis维也纳艺术史博物馆
45
The Good Samaritan维也纳艺术史博物馆
46
The Good Samaritane1676 · Kunstsammlungen Graf von Schönborn
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 约翰·卡尔·洛特 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 17 | The Exposure of the Infant Moses, Christ Appears to Saint Anthony, The Penitent Mary Magdalene |
 维也纳艺术史博物馆 |
维也纳 | 3 | Jacob Blesses Ephraim and Manasseh, Jupiter and Mercury at Philemon and Baucis, The Good Samaritan |
 华沙国家博物馆 |
华沙 | 3 | Saint Paul, Faun playing the flute., The Death of Cato. |
 国家博物馆 |
阿姆斯特丹 | 1 | Selene and Endymion |
 芝加哥艺术学院 |
芝加哥 | 1 | Old Peasant Lighting a Pipe |
 维拉诺夫宫博物馆 |
华沙 | 1 | Music Lesson |
 明尼阿波利斯艺术学院 |
明尼阿波利斯 | 1 | Diogenes |
 J·保罗·盖蒂博物馆 |
洛杉矶 | 1 | Susannah and the Elders |
选择一个年代，探索定义该时代的原创杰作。
In the oil painting Music Lesson by Johann Carl Loth, the artist employs an oval composition to frame a tightly cropped scene. The figures are arranged in a triangular formation, a structural choice that directs the viewer's eye toward the central action. A muscular male figure plays a pan flute, or syrinx, while an older man wearing a laurel wreath observes or instructs a younger woman. This arrangement creates a…
A single, focused light source pierces a heavy darkness, illuminating a weathered face in a moment of profound concentration. This profile view captures an elderly man as he attends to a clay pipe, the thin stem acting as a visual guide through the composition. The scene is defined by a stark chiaroscuro, where deep shadows recede into an indeterminate background, pushing the subject into the immediate foreground. Every wrinkle in…
In this dramatic oil painting, we find ourselves witnessing a moment of profound stillness and longing. The scene captures the mythological meeting between Selene, the personification of the Moon, and the sleeping Endymion. The composition moves with a heavy, diagonal energy, pulling the eye from the upper left down toward the lower right, following the curve of the figures. Endymion lies in a deep, earthly slumber, his muscular form rendered…
This religious painting, titled Saint Joseph with the Christ Child, offers a quiet moment of devotion. The work is an oil on canvas by the artist Johann Carl Loth. It captures a tender, intimate connection between the figures, rendered with a focus on the soft textures of skin and cloth. The composition draws the viewer into a private, sacred space through its careful arrangement of light and shadow.
In this 1692 oil on canvas, an aged, semi-nude patriarch leans forward to bestow a blessing upon two young boys, Ephraim and Manasseh. The composition is tightly packed, utilizing a dynamic, triangular formation that directs the viewer's eye toward the central elderly figure. The scene captures a moment of profound interpersonal drama, where the physical presence of the figures is emphasized through heavy drapery and muscular contours. Light falls theatrically…
Selene and Endymion (1670)，国家博物馆, 阿姆斯特丹。紧随其后的是 Jacob Blesses Ephraim and Manasseh (1692) 和 Old Peasant Lighting a Pipe (1660)。
38岁：Selene and Endymion创作于1670年，约翰·卡尔·洛特出生于1632年。
Selene and Endymion, Jacob Blesses Ephraim and Manasseh, Old Peasant Lighting a Pipe, Music Lesson, Diogenes, Susannah and the Elders, The Exposure of the Infant Moses, Christ Appears to Saint Anthony, The Penitent Mary Magdalene 及 John the Baptist。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 47 件 约翰·卡尔·洛特 的作品，创作年代从 1650 年至 1692 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 维也纳艺术史博物馆 (维也纳) 及 华沙国家博物馆 (华沙)。上方的博物馆列表列出了所有相关机构。
在 1660s 期间：本页 46 件作品中有 13 件创作于该时期，其中包含 Old Peasant Lighting a Pipe 件作品。
在本页面中，最早的作品创作于 Music Lesson (1650)，最晚的创作于 Jacob Blesses Ephraim and Manasseh (1692)。
Man (29), Drapery (15) 及 Woman (11)，共计 46 件作品。
Oil On Canvas，共计 24 件（本页共有 46 件作品）。
根据本页面的原作，Baroque
The Exposure of the Infant Moses, Christ Appears to Saint Anthony 及 The Penitent Mary Magdalene：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 17 件作品。
在十七世纪威尼斯那阳光普照、充满戏剧色彩的氛围中，很少有艺术家能像约翰·卡尔·洛特那样，如此精妙地捕捉到神圣与凡尘之间深刻的张力。洛特约于1632年出生于巴伐利亚选帝侯国的慕尼黑，他的艺术身份连接了德国艺术的浑厚传统与意大利巴洛克那明亮且富有情感的华彩。尽管他的名字可能不像提香那样家喻户晓，但他 presence 在威尼斯艺术版图中的地位却是举足轻重的。传记作家阿诺德·霍布拉肯曾盛赞他是三位以“Karel”为名的艺术大师之一——这一显赫的殊荣使他与卡雷尔·杜伊雅丁和卡洛·马拉塔等艺术巨匠并列，标志着他已跻身欧洲绘画的精英行列。
洛特的艺术之旅始于父亲约翰·乌尔里希·洛特的悉心教导，这位画家为儿子提供了坚实的技术严谨性，也为他日后尝试宏大叙事规模奠定了基础。在慕尼黑的早期训练培养了他严谨的构图能力，然而，正是移居威尼斯真正点燃了他的创作灵魂。在充满活力的威尼斯艺术环境中，洛特吸收了乔万尼·巴蒂斯塔·兰盖蒂的影响，形成了一种以明暗对照法——即光与影的戏剧性交织——以及对暗色调主义的偏爱为特征的风格。这种技法使他能够从黑暗中雕琢出人物，赋予画布一种重量感、神秘感和精神上的紧迫感，这成为了他无可取代的艺术签名。
洛特作品的真正才华在于他有能力将画布转化为演绎人类历史最宏大叙事的舞台。他擅长创作大型历史画，其特点通常是人口稠密、拥挤的群体场景，这需要极高的构图技巧。他的题材取自古典神话的源泉和《旧约圣经》的深邃内涵，他并非仅仅将其视为插图，而是将其处理成鲜活、呼吸着的戏剧。无论是描绘神灵的天启干预，还是圣经族长所经受的艰辛考验，洛特都运用鲜艳的色彩和松散且具有表现力的笔触来唤起强烈的情感。
这种大师手笔在《福莱蒙与巴乌西斯面前的朱庇特与墨丘利》等作品中可见一斑，在那里，神圣的存在感通过一道突如其来的、具有启示性的光芒，穿透了凡人小屋那简陋的环境。同样，他的宗教题材构图，如《圣家与天主父》，展示了对大气深度和神圣亲密感的深刻掌控。他将复杂的人类情感——虔诚、恐惧、敬畏和亲情——编织进这些宏大叙事的能力，确保了他的作品影响力远超意大利国界，吸引了包括维也纳哈布斯堡宫廷的利奥波德一世皇帝在内的显赫赞助人的关注。
洛特的职业生涯并非孤独的探索，而是充满了显著的艺术协同效应。在威尼斯，他与皮埃特罗·利贝里等大师进行了富有成效的合作，共同完成那些提升了历史叙事标准的宏大委托。他的工作室成为了追逐才华者的灯塔；他培养了一代画家，包括迈克尔·温泽尔·哈尔巴克斯和约翰·迈克尔·罗特迈尔，确保了他的风格特征——即戏剧性的光影和剧场化的构图——在随后的几十年里在巴洛克艺术中不断回响。即便在绘画领域之外，洛特的声望也吸引了如科内利斯·德·布鲁因等富有的旅行者和艺术家来到他的门前，使他的工作室成为欧洲艺术网络中的一个重要节点。
在生命的尽头，洛特一直居住在威尼斯直至1698年去世，他早已确立了超越其德国出身的艺术遗产。他是一位既能驾驭单个人物细腻阴影，又能掌控群体混乱能量的画家。今天，他的作品收藏于世界一些最受尊敬的机构中，从维也纳的艺术史博物馆到圣彼得堡的冬宫博物馆。通过将青年时代的结构纪律与威尼斯画派的情感流动性完美结合，约翰·卡尔·洛特始终是巴洛克时代的标志性声音，提醒着我们那个艺术曾是追求崇高之美的宏大戏剧时代的辉煌。
