更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 54 件 让-巴蒂斯特·皮略梅 作品收录于我们的目录中
简而言之
在画廊看来，让-巴蒂斯特·皮略梅 最著名的作品是 Les lavandières。 Landscape with Travelers and a Ruin (1750) 与 Chinoiserie (1767) 共同构成了那组令人过目不忘的艺术三部曲。 在我们的目录中，让-巴蒂斯特·皮略梅 共有 54 件作品，画廊为您精选了以下 53 件最著名的原作，并详细列出了每件作品的创作年份、馆藏机构及其独特之处。
Les lavandières, also known as Landscape with Washerwomen, is a landscape painting by Jean-Baptiste Pillement. This oil on canvas work dates to 1792. It belongs to the genre of landscape painting, focusing on a natural setting involving rural labor.
The scene unfolds within Landscape with Travelers and a Ruin, a work that captures a quiet moment of passage through a rugged terrain. Jean-Baptiste Pillement invites the viewer into this pastoral setting, where the scale of nature begins to dwarf the small figures navigating the rocky path. The composition centers on the interaction between these travelers and the weathered stone remains of an ancient structure, creating a sense of stillness…
In this large-scale work titled Chinoiserie, Jean-Baptiste Pillement presents a highly decorative vision that functions as a wall painting or wallpaper design. Created about 1767, the piece captures a specific moment in the eighteenth century when the French aristocracy sought an escape into idealized, exotic landscapes. The composition invites the viewer into a curated garden space, where the boundaries between the interior and the natural world feel intentionally blurred.
A curtain of flowering vines and slender trees frames a secret garden. The scene is a theatrical vignette, a stage set for a quiet afternoon of leisure. Figures dressed in the high fashion of the 18th century gather upon a raised, rocky platform. They move through a landscape of pale blues and muted greens, their clothing providing small sparks of red and yellow against the soft foliage. The air feels…
In this 1769 oil painting, we find ourselves at the edge of a rugged coast during the soft, diffused light of dawn or dusk. The scene focuses on the rhythmic, physical labor of fishermen as they pull their heavy nets from the water. A massive, towering rock formation dominates the right side of the composition, its textured surface rendered in earthy ochres and tans. This geological giant provides a sense…
A Shipwreck in a Storm by Jean-Baptiste Pillement captures a violent maritime disaster. The scene centers on a large vessel in the process of breaking apart, its structure yielding to the overwhelming power of a tempest. Amidst the churning chaos, several figures cling to the jagged rocks of a rugged coastline. Their presence emphasizes the human struggle against the relentless forces of nature. This work, created about 1782, focuses on…
In this 1790 oil on canvas, we find ourselves drawn into a rugged, mountainous scene where the rhythms of daily life unfold near a cascading river. The composition is framed by dark, craggy cliffs that act as a natural vignette, guiding the eye toward a central, atmospheric vista. An arched wooden footbridge spans the upper reaches of the frame, connecting the rocky heights, while a tall tower watches over a…
The scene unfolds within Rustic Landscape with Aqueduct and Figures, a work that invites the eye into a quiet, pastoral moment. Jean-Baptiste Pillement, an artist born in Lyon, France, in 1728, captures a world where nature and human presence exist in a delicate, rhythmic balance. The painting, dated about 1794, presents a vision of the countryside that feels both lived-in and dreamlike, as if the viewer has stumbled upon a…
Landscape with Washerwomen (detail) is an oil on canvas painting by Jean-Baptiste Pillement. Created in 1792, this work belongs to the genre of landscape painting. It captures a specific moment of domestic activity within a natural setting. The scene focuses on rural labor, where human presence meets the movement of the earth.
Waterfall Landscape in Portugal is an oil on canvas painting by Jean-Baptiste Pillement. This work captures a serene scene set within a Portuguese landscape, where the movement of water defines the topography. The composition focuses on a waterfall that anchors the natural setting, providing a sense of depth and quietude to the environment.
PAYSAGE AVEC TROUPEAU卢浮宫
12
Landscape.1750 · 古巴国家美术馆
13
A Wreck at the Rocky Seaside1750 · 东京富士美术馆
14
River landscape with a mill and shepherds1748
15
Voyages du Roy au Chateau de Choisy1751 · 凡尔赛宫
16
Landscape with Aqua Julia in Rome.1765 · 华沙国家博物馆
17
Market Scene in an Imaginary Oriental Port1764 · J·保罗·盖蒂博物馆
18
Temple of Minerva Medica in Rome1765 · 华沙国家博物馆
19
Decorative Panel with Animal Subjects1767 · Petit Palais
20
Decorative Panel with Animal Subjects1767 · Petit Palais
21
View of the coast with fishing boats (Trip to catch)1769 · 华沙国家博物馆
22
Title page, Plate 1 from1775
23
Title page, Plate 1, from1775
24
Animated Landscape1785 · 卡纳瓦勒博物馆
25
Vue des jardins de Benfica1785
26
Landscape with Muleteers and Peasants1790 · 爱尔兰国家美术馆
27
Landscape with Rustic Figures1794 · Cooper Hewitt, Smithsonian Design Museum
28
Winter1792
29
Autumn1792
30
Landscape with Washerwomen1792 · 波尔多美术学院博物馆
31
Mountainous Landscape1780 · 壁拉夫·莱克哈茨美术馆
32
Print, jean pillement (1755)
33
Naufrage
34
Paysage
35
PAYSAGE AU PONT, PECHEUR ET BERGER
36
PAYSAGE A LA CASCADE, BERGER
37
Paysage au pont, pêcheur et lavandière
38
Muletiers italiensMuseum Voor Moderne Kunst
39
PAYSAGE A LA CASCADE, PECHEURS
40
Chinois pêchant à la ligneMusée National Magnin
41
Untitled (AQQNCU)1794
42
Exotic market-place
43
Paysageavec troupeau
44
A decorative plate, french rococo art
45
Untitled (AQQNCN)
46
Les chèvres
47
Two shipwreck scenes
48
River Landscape
49
Pastoral Landscape with Shepherds
50
Landscape
51
Shipwrecked Sailors Coming Ashore普拉多博物馆
52
A River landscape with a ruined tower and fishermen with their nets in the foreground
53
Landscape普拉多博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 让-巴蒂斯特·皮略梅 的作品 | 此列表中的画作 |
|---|---|---|---|
 Petit Palais |
巴黎 | 4 | Chinoiserie, Chinoiserie, Decorative Panel with Animal Subjects |
 华沙国家博物馆 |
华沙 | 4 | Fisherman pulling networks (Return from the catch)., Landscape with Aqua Julia in Rome., Temple of Minerva Medica in Rome |
 爱尔兰国家美术馆 |
都柏林 | 2 | Landscape with Washerwomen and Peasants, Landscape with Muleteers and Peasants |
 Cooper Hewitt, Smithsonian Design Museum |
New York City | 2 | Rustic Landscape with Aqueduct and Figures, Landscape with Rustic Figures |
 普拉多博物馆 |
马德里 | 2 | Shipwrecked Sailors Coming Ashore, Landscape |
 旧金山美术馆 |
旧金山 | 1 | Landscape with Travelers and a Ruin |
 大都会艺术博物馆 |
纽约 | 1 | A Shipwreck in a Storm |
 卢浮宫 |
巴黎 | 1 | PAYSAGE AVEC TROUPEAU |
选择一个年代，探索定义该时代的原创杰作。
The composition centers on a large wooden waterwheel positioned over a flowing stream. To the left, an ivy-covered building rises alongside tall trees, while a rocky outcrop and a small stone staircase anchor the right foreground. In the middle ground, sun-bathed shepherds lead goats and sheep toward a cascading stream. The landscape features rocky elevations covered in dense, green vegetation and the weathered remains of an ancient bridge. The sky…
The scene unfolds within Landscape with Travelers and a Ruin, a work that captures a quiet moment of passage through a rugged terrain. Jean-Baptiste Pillement invites the viewer into this pastoral setting, where the scale of nature begins to dwarf the small figures navigating the rocky path. The composition centers on the interaction between these travelers and the weathered stone remains of an ancient structure, creating a sense of stillness…
In this large-scale work titled Chinoiserie, Jean-Baptiste Pillement presents a highly decorative vision that functions as a wall painting or wallpaper design. Created about 1767, the piece captures a specific moment in the eighteenth century when the French aristocracy sought an escape into idealized, exotic landscapes. The composition invites the viewer into a curated garden space, where the boundaries between the interior and the natural world feel intentionally blurred.
A Shipwreck in a Storm by Jean-Baptiste Pillement captures a violent maritime disaster. The scene centers on a large vessel in the process of breaking apart, its structure yielding to the overwhelming power of a tempest. Amidst the churning chaos, several figures cling to the jagged rocks of a rugged coastline. Their presence emphasizes the human struggle against the relentless forces of nature. This work, created about 1782, focuses on…
In this 1790 oil on canvas, we find ourselves drawn into a rugged, mountainous scene where the rhythms of daily life unfold near a cascading river. The composition is framed by dark, craggy cliffs that act as a natural vignette, guiding the eye toward a central, atmospheric vista. An arched wooden footbridge spans the upper reaches of the frame, connecting the rocky heights, while a tall tower watches over a…
Les lavandières。紧随其后的是 Landscape with Travelers and a Ruin (1750) 和 Chinoiserie (1767)。
Les lavandières, Landscape with Travelers and a Ruin, Chinoiserie, Chinoiserie, Fisherman pulling networks (Return from the catch)., A Shipwreck in a Storm, Landscape with Washerwomen and Peasants, Rustic Landscape with Aqueduct and Figures, Landscape with Washerwomen (detail) 及 Waterfall Landscape in Portugal。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 54 件 让-巴蒂斯特·皮略梅 的作品，创作年代从 1748 年至 1794 年。
多见于 Petit Palais (巴黎), 华沙国家博物馆 (华沙) 及 爱尔兰国家美术馆 (都柏林)。上方的博物馆列表列出了所有相关机构。
在 1760s 期间：本页 53 件作品中有 9 件创作于该时期，其中包含 Chinoiserie 件作品。
在本页面中，最早的作品创作于 River landscape with a mill and shepherds (1748)，最晚的创作于 Rustic Landscape with Aqueduct and Figures (1794)。
Landscape (11), Rocks (8) 及 Trees (7)，共计 53 件作品。
Oil On Canvas，共计 11 件（本页共有 53 件作品）。
根据本页面的原作，Rococo
Chinoiserie, Chinoiserie 及 Decorative Panel with Animal Subjects：Petit Palais, 巴黎收藏了本页中 4 件作品。
在18世纪那如金辉般灿烂的黄昏时代，鲜有艺术家能像让-巴蒂斯特·皮耶蒙（Jean-Baptiste Pillement）那样，拥有将观者带入一个如此如梦似幻且充满异域风情的世界的能力。1728年出生于尼姆，皮耶蒙的出现不仅是一位画家，更是一位氛围的大师。他将洛可可风格那细腻的优雅，与对遥远未知世界的深切着迷完美地交织在一起。尽管他的早年岁月仍部分掩盖在历史的迷雾之中，但他于法国艺术阶层中的崛起堪称彗星般耀眼。通过在受人尊敬的让-巴术·惠特（Jean-Baptiste Huet）门下的严谨训练，他掌握了水彩画中微妙的细微差别——这种媒介使他能够捕捉转瞬即逝的光影与鲜艳的色泽，从而赋予其奇幻构想以生命。
皮耶蒙的作品犹如一扇窗，窥见那令法国贵族为之倾倒的中国风（Chinoiserie）与异国情调（Exotisme）运动。不同于那个时代在古典罗马遗迹或忧郁的历史肖像中寻求慰藉的传统主义者，皮耶蒙的目光始终投向远方的地平线。他在意大利的游历以及对波斯纹样的深度参与，使他能够构建出既葱郁繁茂又超凡脱俗的景观。在他的笔下，自然世界被重新构想：参天的棕榈、蜿蜒的河流以及羽毛绚丽的飞鸟，都成为了这场无声而唯美戏剧的主角。这种对异域元素的驾驭能力，使他成为了路易十五与玛丽·安托瓦内特宫廷中不可或缺的人物，因为他的艺术为人们提供了一个急需的逃避之所，通往一个纯粹且不加修饰的想象国度。
皮耶蒙技法的卓越之处在于他能够平衡精准度与一种柔和、空灵的光泽。他运用了一种细腻的晕涂法（sfumato）——通过细致的图层叠加实现色调的精妙融合——这赋予了他的风景画一种近乎透明的质感。这种方法使他能够唤起如克劳德·洛兰等大师般的氛围深度，然而，他在这些古典基础上又注入了独特的诙谐活力。他的构图从未是静止的；它们跳动着节奏性的生命力，其特征往往表现为：
他的风格演变深受尼古拉斯·波考（Nicolas Pocock）和加斯帕尔·佩雷格林·里戈（Gaspar Pérégrine Rigaud）等艺术家探索精神的影响。通过吸收他们处理风景与光线的方法，皮耶蒙得以提炼出一种既植根于欧洲传统又充满冒险精神的标志性美学。他的影响力远超画布本身，其设计渗透到了法国装饰艺术的肌理之中，影响了从壁纸图案到瓷器纹饰的一切事物。
让-巴蒂斯特·皮耶蒙的历史意义不言而喻，尤其是在定义18世纪晚期奢华视觉语言方面所扮演的角色。他享誉盛名的委约作品，最显著的是装饰着枫丹白露宫（Château de Fontainebleau）和小特里亚农宫（Petit Trianon）的壮丽壁画，这些作品见证了他作为法国王室宠儿的地位。这些作品不仅仅是装饰；它们是沉浸式的环境，帮助定义了一个时代的审美身份。
随着艺术界从洛可可式的俏皮与狂欢转向新古典主义更为严谨的纪律，皮耶蒙的作品始终是连接这两个世界的珍贵桥梁。他留下了一份充满奇迹的遗产，提醒着后世：艺术拥有超越地理边界、将人类精神带往无限美丽与神秘之地的独特力量。时至今日，他的名字依然是精致、异域风情以及法国洛可可永恒魅力的代名词。
