更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 182 件 雅各布·巴萨诺 作品收录于我们的目录中
简而言之
Calvary (1575) 是 雅各布·巴萨诺 最受瞩目的画作；原作收藏于 巴塞罗那 的 加泰罗尼亚国家艺术博物馆。 随后，目光会移向 Angels announcing to the shepherds the Birth of Jesus (1551) 和 Portrait of a Youth with Mandolin (1537)。 在 雅各布·巴萨诺 的 182 件作品中，这 100 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
The oil painting depicts a close-up portrait of a woman and an infant, positioned against a dark, draped background. The composition focuses on the upper bodies of the two figures. The woman, the Madonna, is rendered with soft contours and a pale complexion. She wears a white veil that possesses a translucent quality, resting against her hair and shoulders. A heavy red drapery surrounds the figures, creating a deep contrast…
The portrait presents a bust-length view of a man, positioned slightly off-center against a dark, indeterminate background. The subject is a male figure with dark hair and a beard, looking toward the viewer with a weary expression. His gaze is direct, establishing an eye-level perspective that creates a sense of immediate presence. He wears a simple, light-colored garment that rests against his neck, providing a pale contrast to the darker…
This 16th-century portrait, titled Portrait of a Franciscan Friar, was executed by the artist Jacopo Dal Ponte, also known as Jacopo Bassano. It is an early work from the artist's career, capturing a moment of significant development in his stylistic evolution. The subject is an unidentified Franciscan friar, a figure whose presence in portraiture is relatively uncommon given the vows of humility associated with the order.
The composition presents a stark division between two disparate human conditions, rendered in oil on a canvas measuring 55.0 x 43.0cm. In the foreground, a figure lies on the ground, positioned at a lower physical plane. This individual is depicted with pale skin and a sense of physical frailty. Above this figure, a banquet table is laden with food, where figures are gathered in an interior setting. The lighting follows…
Portrait of a Bearded Man1550 · J·保罗·盖蒂博物馆
12
The Good Samaritan (1550)1550 · 卡皮托利尼博物馆
13
The Adoration of the Kings1540
14
Diana and Actaeon1585 · 芝加哥艺术学院
15
Portrait of a Venetian Senator (Bernardo Morosini?)1540 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe
16
Virgin and Child with the Saints Martin of Tours and Anthony the Great1542 · 巴伐利亚州绘画收藏馆
17
The Supper at Emmaus1538 · Kimbell Art Museum
18
The Good Samaritan1547 · 皇家收藏馆
19
The Martyrdom of Saint Mark1537 · 皇家收藏馆
20
John the Baptist1553 · 巴伐利亚州绘画收藏馆
21
The Market1553 · 巴伐利亚州绘画收藏馆
22
Expulsion of the Merchants from the Temple1553 · 巴伐利亚州绘画收藏馆
23
Annunciation to the Shepherds1553 · 巴伐利亚州绘画收藏馆
24
The Entry of the Animals into the Ark1553 · 巴伐利亚州绘画收藏馆
25
Adoration of the Shepherds1553 · 巴伐利亚州绘画收藏馆
26
The Deluge1553 · 巴伐利亚州绘画收藏馆
27
The Lamentation of Christ1553 · 巴伐利亚州绘画收藏馆
28
Saint Jerome Penitent1550 · 巴伐利亚州绘画收藏馆
29
St Jerome in the wilderness1562 · Fitzwilliam Museum
30
Saint Sebastian1553 · 巴伐利亚州绘画收藏馆
31
Portrait of Dirck Volckertsz. Coornhert (1522-1590)1553 · 巴伐利亚州绘画收藏馆
32
The birth of Jesus and adoration of the shepherds1550 · 亚美尼亚国家美术馆
33
The Journey of Jacob1561 · 皇家收藏馆
34
Portrait of a Man Holding Gloves1557 · 白金汉宫
35
The Decapitation of St John the Baptist1550 · 斯泰恩斯博物馆艺术馆
36
Building the Ark of Noah1550 · 马赛美术馆
37
The Annunciation to the Shepherds )1553
38
Sketch for an Altarpiece1575 · Rhode Island School of Design Museum of Art
39
The Martyrdom of Saint Sebastian1574 · Musée des Beaux-Arts de Dijon
40
Portrait of an Old Gentleman1570 · 国家美术、建筑与设计博物馆
41
Pastoral Scene1568 · 布达佩斯美术博物馆
42
The Israelites in the Desert1575 · 德累斯顿国家艺术收藏馆
43
Christ in the House of Mary, Martha, and Lazarus1577 · 休斯顿美术馆
44
The Supper at Emmaus1565 · 皇家收藏馆
45
The Flood1570 · 皇家收藏馆
46
Tamar and Juda1566 · 维也纳艺术史博物馆
47
Adoration of the Magi1577 · 加泰罗尼亚国家艺术博物馆
48
Vulcan's Forge1577 · 普拉多博物馆
49
Christ Healing the Lame Man1569 · 波士顿美术馆
50
Portrait of a Man1576 · 波士顿美术馆
51
The Adoration of the Shepherds1570 · 国家博物馆
52
Autumn1577
53
The Animals Entering Noah's Ark1579
54
The Deposition1570
55
Saint Valentine Baptizing Saint Lucilla1575
56
Le Retour du Fils prodigue1576 · 下林登博物馆
57
Entry of the Animals into Noah's Ark1590 · 巴伐利亚州绘画收藏馆
58
The Adoration of the Shepherds1587
59
Daniel in the Lions' Den1581 · Ham House
60
Adoration of the Shepherds1585 · 玛斯美术馆
61
Portrait of Urban VII1590
62
San Cristóbal
63
Christ Crowned with Thorns1590
64
The Agony in the Garden1550 · 施泰德美术馆
65
Adoration of the Shepherds1580 · 普拉多博物馆
66
The Miraculous Draught of Fishes国家美术馆
67
The Good Samaritan1562 · 国家美术馆
68
Moses Strikes Water from the Rock1584 · 维也纳艺术史博物馆
69
The Sacrifice of Noah1580 · 沃克艺术馆
70
The Miraculous Draught of Fishes1545
71
The Journey to Calvary1543 · Fitzwilliam 学院
72
Christ among the Doctors1539 · 阿什莫利博物馆
73
Entry into the Ark1550 · château-musée de Boulogne-sur-Mer
74
Winter1550 · 格勒诺布尔博物馆
75
The Annunciation to the Shepherds )1554
76
The Annunciation to the Shepherds )1552
77
The Annunciation to the Shepherds )1557
78
The Annunciation to the Shepherds )1556
79
The Annunciation to the Shepherds )1555
80
The Annunciation to the Shepherds )1558 · 国家美术馆
81
Alfonso d'Arcano, Prior of Venice1560
82
The Adoration of the Magi1560 · 巴伯美术学院
83
Birth of the VirginCampion Hall
84
The Arrest of Christ1592
85
Lazarus and the Rich Man, Jacopo Bassano (copy after), 1544 - 17001700 · 国家博物馆
86
The Annunciation to the Shepherds )1551
87
Christ in Emmaus巴伐利亚州绘画收藏馆
88
The Flight into Egypt托莱多艺术博物馆
89
The Holy Family with Donors爱尔兰国家美术馆
90
Shepherds watering their Cattle国家美术、建筑与设计博物馆
91
The Adoration of the Shepherds国家美术、建筑与设计博物馆
92
Virgin and Child with John the Baptist and Saint Anthony the Abbot芬兰国家美术馆
93
The Mocking of Christ波士顿美术馆
94
Christ with St Martha and the Virgin Mary斯泰恩斯博物馆艺术馆
95
Annunciation to the Shepherds (The Night Camp)斯特拉斯堡美术馆
96
Annunciation to the Shepherds斯特拉斯堡美术馆
97
Gondolier
98
Study for 'The Good Samaritan
99
Lazarus and the Rich Man克利夫兰艺术博物馆
100
The Road to Calvary 1布达佩斯美术博物馆
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 雅各布·巴萨诺 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 16 | Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist, The Market |
 维也纳艺术史博物馆 |
维也纳 | 6 | Portrait of a Youth with Mandolin, Male Portrait, The parable of the rich man and poor Lazarus |
 皇家收藏馆 |
伦敦 | 6 | The Good Samaritan, The Martyrdom of Saint Mark, The Journey of Jacob |
 普拉多博物馆 |
马德里 | 9 | Angels announcing to the shepherds the Birth of Jesus, Vulcan's Forge, Adoration of the Shepherds |
 国家美术、建筑与设计博物馆 |
奥斯陆 | 3 | Portrait of an Old Gentleman, Shepherds watering their Cattle, The Adoration of the Shepherds |
 波士顿美术馆 |
波士顿 | 3 | Christ Healing the Lame Man, Portrait of a Man, The Mocking of Christ |
 布达佩斯美术博物馆 |
布达佩斯 | 4 | Pastoral Scene, The Road to Calvary 1 |
 加泰罗尼亚国家艺术博物馆 |
巴塞罗那 | 2 | Calvary, Adoration of the Magi |
选择一个年代，探索定义该时代的原创杰作。
A young man emerges from a deep, dark void. His gaze meets the viewer directly, steady and unblinking. He wears a black beret-style cap and a heavy, dark doublet that absorbs the light. Only one side of his face catches the directional glow, carving his features out of the surrounding gloom. A white ruffled cuff breaks the darkness at his wrist, where his arm reaches toward the edge of the…
The Altarpiece of the Blessed Conception is a significant work by the Venetian painter Jacopo Bassano. Also known by the title Sant’Anna in trono con la Vergine bambina tra i santi Girolamo e Francesco, the painting captures a sacred assembly through the hand of a master. It was executed in 1541. The pigment rests upon a canvas surface, holding the weight of its original purpose within its fibers.
A celestial burst of golden light pierces a heavy, nocturnal landscape, marking the intersection of the heavenly and the earthly. At the center of this radiance, a winged messenger descends, casting a sharp chiaroscuro effect across the scene. Below this divine illumination, a group of shepherds and their livestock huddle in the darkness, their forms defined by the sudden, intense light. The composition relies on deep earth tones, blacks, and…
The composition rests upon a stable, triangular geometry. Within this shape, the Virgin Mary cradles the Christ Child, their forms intertwined in a quiet, domestic intimacy. A young Saint John the Baptist enters the frame, his small limbs mirroring the soft curves of the infants. The scene is a study in weight and texture. Heavy crimson drapery falls in deep, sculptural folds behind the figures, creating a dark stage for…
In this somber composition from 1575, we find ourselves drawn into the immediate, claustrophobic tension of the Crucifixion. The scene is dominated by the verticality of the cross, which bisects the canvas and anchors the viewer's gaze. Christ is depicted with a pale, luminous skin tone that contrasts sharply against the surrounding darkness, highlighting the physical strain of the moment. Around him, the atmosphere is thick with chaos; spears and…
This Renaissance-era oil portrait, dating from 1585, presents a somber and deeply expressive close-up bust portrait of an elderly man. The subject is positioned slightly off-center, facing towards the left of the frame, while his gaze is directed piercingly toward the viewer. The composition utilizes a shallow depth of field, focusing all attention on the subject's facial features by leaving much of the background and the back of the head…
The air is thick with the heavy scent of dust and animal musk. In this wide landscape, a great procession moves toward a distant, illuminated structure. Oxen and horses form heavy, muscular masses in the foreground, their bodies defined by deep shadows and sharp highlights. They move with a slow, rhythmic weight. Above them, the sky is a theater of small, delicate silhouettes—birds in flight, tracing lines against the light.…
Calvary (1575)，加泰罗尼亚国家艺术博物馆, 巴塞罗那。紧随其后的是 Angels announcing to the shepherds the Birth of Jesus (1551) 和 Portrait of a Youth with Mandolin (1537)。
65岁：Calvary创作于1575年，雅各布·巴萨诺出生于1510年。
Calvary, Angels announcing to the shepherds the Birth of Jesus, Portrait of a Youth with Mandolin, Portrait of an Old Man, Altarpiece of the Blessed Conception, Virgin and Child with the Young Saint John the Baptist, Madonna and Child, Male Portrait, Portrait of a Franciscan Friar 及 The parable of the rich man and poor Lazarus。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 182 件 雅各布·巴萨诺 的作品，创作年代从 1537 年至 1592 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 维也纳艺术史博物馆 (维也纳) 及 皇家收藏馆 (伦敦)。上方的博物馆列表列出了所有相关机构。
在 1550s 期间：本页 100 件作品中有 31 件创作于该时期，其中包含 Angels announcing to the shepherds the Birth of Jesus 件作品。
在本页面中，最早的作品创作于 Portrait of a Youth with Mandolin (1537)，最晚的创作于 The Arrest of Christ (1592)。
People (31), Man (31) 及 Landscape (14)，共计 100 件作品。
Oil On Canvas，共计 56 件（本页共有 100 件作品）。
根据本页面的原作，High renaissance
Virgin and Child with the Saints Martin of Tours and Anthony the Great, John the Baptist 及 The Market：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 14 件作品。
雅科波·达·庞特——后来以雅科波·巴萨诺之名闻名于世——出生在紧邻威尼斯繁华心脏的宁静小镇巴萨诺德尔格拉帕，他成长于一个艺术传统深厚的家族。约在1510年，他的父亲弗朗切斯科·伊尔·维基奥已是一位成名的画家，当时便接纳了年幼的雅科波进入画室，引领他步入这充满挑战的艺术殿堂。这段早期的磨炼，结合威尼斯那充满活力与创新精神的氛围，深刻地塑造了巴萨诺独特的艺术风格：一种将宗教的庄严感、亲切的风俗场景以及令人屏息的写实风景画完美融合的迷人魅力。
巴萨诺的成长岁月以一段独特的学徒生涯为标志。与许多前往佛罗伦萨或罗马等遥远城市寻求正式训练的艺术家不同，他在故乡熟悉的环绕中磨练技艺。父亲的画室不仅为他提供了宝贵的绘画技巧，还让他接触到了测量和地图绘制等实用技能——这些经验后来成为了他精准描绘威尼斯乡村景观的基石。至关重要的是，巴萨诺得以接触到提香和乔尔乔内等威尼斯艺术大师的作品，并吸收了他们在色彩、构图和光影处理上的创新方法。这种影响在他早期的作品中尤为显著，他巧妙地模仿了提香那明亮的色调以及对明暗对比法（chiaroscuro）——即光与影交织之美——的戏剧性运用。
巴萨诺的艺术旅程可以大致分为不同的时期，每个阶段都伴随着风格与题材的微妙转变。他创作于16世纪30至40年代的早期作品以宗教场景为主，清晰地展现了对提香风格的承袭。诸如《圣殿洁净》之类的画作，展示了丰富而鲜艳的色彩调色盘以及充满动感的构象，这与当时艺术家较为静止的传统规范截然不同。然而，即便是在这些早期作品中，巴萨诺也引入了日后成为其艺术标志的元素：对日常细节的关注、捕捉人类互动瞬间的兴趣，以及一种赋予画面深邃氛围感的卓越能力。
随着艺术造诣的成熟，巴萨诺的艺术视野得到了进一步扩张。他逐渐将目光转向风俗画——那些描绘农村生活、包含农民、动物以及农业劳作节奏的亲切场景。这些作品往往以如画般的威尼斯风景为背景，充满了惊人的写实感与临场感。《羊与羔》或《浪子回头》等画作便是这种转变的典范，展示了巴萨诺在自然主义设定中捕捉人类经验本质的能力。他巧妙地将宗教主题与世俗题材交织在一起，创作出既具有精神共鸣又极具视觉吸引力的杰作。
巴萨诺的艺术成就极其多样化，涵盖了广泛的主题与风格。在他最负盛名的画作中，《艾马忤斯的晚餐》堪称威尼斯绘画的杰作，以其明亮的色彩、动态的构图以及对圣经场景的动人刻画而著称；《火灾》则通过对谷仓失火的戏剧性描绘，展现了他对光影掌控的精湛技艺；而《雅各回到迦南》则是一幕充满情感深度与心理洞察力的叙事性场景。此外，他的作品还包括大量的肖像画、风景画和宗教构图，每一件都反映了他不断演进的艺术感悟。
除了提香之外，巴萨诺还受到多种艺术家的影响，包括丢勒和拉斐尔等早期文艺复兴大师，以及丁托列托和委罗内塞等同时代的威尼斯画家。他敏锐地吸收了这些多元来源的元素，并将它们融合成一种既具创新性又深植于威尼斯传统的个人化风格。
雅科波·巴萨诺对威尼斯绘画发展的影响是无可置疑的。他对光线、色彩和人类情感的大师级描绘，为后世几代威尼斯艺术的发展指明了方向。他是风景画领域的先驱，将风景从单纯的装饰元素提升到了构图的核心地位。此外，巴萨诺能够天衣无缝地融合宗教与世俗题材——将神圣主题与日常生活结合——这一做法为随后的许多威尼斯艺术家树立了典范。
巴萨诺的遗产不仅限于他个人的创作。他的四个儿子——小弗朗切斯科·巴萨诺、乔瓦尼·巴蒂斯塔·达·庞特、莱安德罗·巴萨诺和吉罗拉莫·达·庞特——延续了他的艺术血脉，继承了他的风格，并为巴萨诺德尔格拉帕充满活力的艺术共同体做出了贡献。时至今日，雅科波·巴萨诺仍被视为威尼斯最重要的文艺复兴画家之一——一位光影、色彩与人类经验的大师，其作品至今仍在世界范围内吸引着无数观众的目光。
