費德里科·巴羅奇 肖像

94 幅最著名的 費德里科·巴羅奇 作品,每一件都独一无二

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 116 件 費德里科·巴羅奇 作品收录于我们的目录中

简而言之

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) 是 費德里科·巴羅奇 最受瞩目的画作;原作收藏于 乌尔比诺 的 Galleria Nazionale delle Marche。 随后,目光会移向 River Divinity (Città del Vaticano, Casino of Pius IV) (1563) 和 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569)。 在 費德里科·巴羅奇 的 116 件作品中,这 94 件最为闻名;每一件都是独一无二的原作,并附有创作年份、馆藏机构及其经久不衰的原因。

1535 – 1612, 乌尔比诺 Mannerism 藏品最多:乌菲兹美术馆

画廊视角下的 費德里科·巴羅奇 十大名作

1
Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) 由 費德里科·巴羅奇

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, 乌尔比诺

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

2
River Divinity (Città del Vaticano, Casino of Pius IV) (1563) 由 費德里科·巴羅奇

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · 乌菲兹美术馆, 佛罗伦萨

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

3
Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569) 由 費德里科·巴羅奇

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · 乌菲兹美术馆, 佛罗伦萨

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

4
Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563) 由 費德里科·巴羅奇

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · 乌菲兹美术馆, 佛罗伦萨

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

5
Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) 由 費德里科·巴羅奇

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · 乌菲兹美术馆, 佛罗伦萨

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

6
Francesco II della Rovere (1572) 由 費德里科·巴羅奇

Francesco II della Rovere

1572 · Acrylic On Canvas · 乌菲兹美术馆, 佛罗伦萨

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

7
Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) 由 費德里科·巴羅奇

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · 乌菲兹美术馆, 佛罗伦萨

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

8
Composition Study (for “Circumcision”, Paris, musée du Louvre) (1590) 由 費德里科·巴羅奇

Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · 乌菲兹美术馆, 佛罗伦萨

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

9
Ritratto di monsignor Giuliano della Rovere (1595) 由 費德里科·巴羅奇

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · 维也纳艺术史博物馆, 维也纳

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

費德里科·巴羅奇 的名画,第 11 至 94 幅

11Portrait of a Man (1579) 由 費德里科·巴羅奇Portrait of a Man1579 · 冬宫博物馆 12Madonna di san Giovanni (1564) 由 費德里科·巴羅奇Madonna di san Giovanni1564 · Galleria Nazionale delle Marche 13Il Perdono di Assisi (1580) 由 費德里科·巴羅奇Il Perdono di Assisi1580 · Galleria Nazionale delle Marche 14Quintilia Fischieri (1600) 由 費德里科·巴羅奇Quintilia Fischieri1600 · 国家美术馆 15Immacolata Concezione (1575) 由 費德里科·巴羅奇Immacolata Concezione1575 · Galleria Nazionale delle Marche 16Head of an Old Bearded Man, 1584-1586 (1586) 由 費德里科·巴羅奇Head of an Old Bearded Man, 1584-15861586 · 阿尔贝蒂纳博物馆 17Portrait of Ippolito della Rovere (1602) 由 費德里科·巴羅奇Portrait of Ippolito della Rovere1602 · Italian Embassy 18Head of Saint Mary Magdalene (1550) 由 費德里科·巴羅奇Head of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19Burial of Christ (1550) 由 費德里科·巴羅奇Burial of Christ1550 20Communion of Saint Magdalene (1573) 由 費德里科·巴羅奇Communion of Saint Magdalene1573 · 巴伐利亚州绘画收藏馆 21Crocifissione con i dolenti (1566) 由 費德里科·巴羅奇Crocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) 由 費德里科·巴羅奇The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23Cristo e la Maddalena (1590) 由 費德里科·巴羅奇Cristo e la Maddalena1590 · 巴伐利亚州绘画收藏馆 24Assumption (1606) 由 費德里科·巴羅奇Assumption1606 · Galleria Nazionale delle Marche 25Portrait of men (1602) 由 費德里科·巴羅奇Portrait of men1602 26Saint Francis (1604) 由 費德里科·巴羅奇Saint Francis1604 · 大都会艺术博物馆 27Martyrdom of Saint Catherine of Alexandria (1610) 由 費德里科·巴羅奇Martyrdom of Saint Catherine of Alexandria1610 28Annunciation (1610) 由 費德里科·巴羅奇Annunciation1610 29Portrait of Antonio Galli (1600) 由 費德里科·巴羅奇Portrait of Antonio Galli1600 · 斯泰恩斯博物馆艺术馆 30Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) 由 費德里科·巴羅奇Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · 乌菲兹美术馆 31Aeneas' Flight from Troy (detail) (1598) 由 費德里科·巴羅奇Aeneas' Flight from Troy (detail)1598 · 博尔盖塞美术馆 32Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) 由 費德里科·巴羅奇Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · 乌菲兹美术馆 33The Nativity (1597) 由 費德里科·巴羅奇The Nativity1597 · 普拉多博物馆 34Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) 由 費德里科·巴羅奇Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · 乌菲兹美术馆 35Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) 由 費德里科·巴羅奇Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · 乌菲兹美术馆 36Head of a Woman, 1568-1569 (1569) 由 費德里科·巴羅奇Head of a Woman, 1568-15691569 · 阿尔贝蒂纳博物馆 37Annunciation (1582) 由 費德里科·巴羅奇Annunciation1582 · 梵蒂冈皮那科画廊 38Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) 由 費德里科·巴羅奇Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · 乌菲兹美术馆 39Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) 由 費德里科·巴羅奇Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · 乌菲兹美术馆 40Presentation of Virgin Mary at the Temple (1600) 由 費德里科·巴羅奇Presentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41Portrait of a Man (1572) 由 費德里科·巴羅奇Portrait of a Man1572 42Portrait of a Lady (1595) 由 費德里科·巴羅奇Portrait of a Lady1595 · 冬宫博物馆 43The Farewell of Christ to His Mother (1612) 由 費德里科·巴羅奇The Farewell of Christ to His Mother1612 · 康德博物馆 44Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) 由 費德里科·巴羅奇Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · 乌菲兹美术馆 45Figure genuflesse e studi di mani (per la 由 費德里科·巴羅奇Figure genuflesse e studi di mani (per la乌菲兹美术馆 46Portrait of a Young Lady (1600) 由 費德里科·巴羅奇Portrait of a Young Lady1600 · 丹麦国家美术馆 47Portrait of a Young Woman (1570) 由 費德里科·巴羅奇Portrait of a Young Woman1570 · 乌菲兹美术馆 48The Adoration of the Magi (1561) 由 費德里科·巴羅奇The Adoration of the Magi1561 · 国家博物馆 49Christ on the Cross (1604) 由 費德里科·巴羅奇Christ on the Cross1604 · 普拉多博物馆 50Male Figure Stooping to Lift a Cauldron (1590) 由 費德里科·巴羅奇Male Figure Stooping to Lift a Cauldron1590 · 卢浮宫 51Female Portrait 由 費德里科·巴羅奇Female Portrait冬宫博物馆 52St Jerome (1598) 由 費德里科·巴羅奇St Jerome1598 · 博尔盖塞美术馆 53Eternal Father and Angels 由 費德里科·巴羅奇Eternal Father and AngelsGalleria Nazionale delle Marche 54The Head of a Priest, study for The Circumcision 由 費德里科·巴羅奇The Head of a Priest, study for The Circumcision国家博物馆 55Head of Christ 由 費德里科·巴羅奇Head of ChristBonnefanten Museum 56Con una figura che sorregge l 由 費德里科·巴羅奇Con una figura che sorregge l乌菲兹美术馆 57Francesco II della Rovere 由 費德里科·巴羅奇Francesco II della Rovere 58Rest on the Flight into Egypt 由 費德里科·巴羅奇Rest on the Flight into Egypt施泰德美术馆 59Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) 由 費德里科·巴羅奇Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · 乌菲兹美术馆 60Stone-thrower for the Martyrdom of St Vitalis (1582) 由 費德里科·巴羅奇Stone-thrower for the Martyrdom of St Vitalis1582 · 南澳大利亚美术馆 61Head of a Shepherd, study for The Circumcision 由 費德里科·巴羅奇Head of a Shepherd, study for The Circumcision国家博物馆 62Saint Lawrence 由 費德里科·巴羅奇Saint LawrenceGalleria Nazionale delle Marche 63Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) 由 費德里科·巴羅奇Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · 乌菲兹美术馆 64Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies (1579) 由 費德里科·巴羅奇Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · 乌菲兹美术馆 65Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) 由 費德里科·巴羅奇Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · 乌菲兹美术馆 66Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) 由 費德里科·巴羅奇Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · 乌菲兹美术馆 67Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile (1595) 由 費德里科·巴羅奇Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · 乌菲兹美术馆 68Self-Portrait (1600) 由 費德里科·巴羅奇Self-Portrait1600 · Residenzgalerie 69Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) 由 費德里科·巴羅奇Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · 乌菲兹美术馆 70Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) 由 費德里科·巴羅奇Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · 乌菲兹美术馆 71Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) 由 費德里科·巴羅奇Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · 乌菲兹美术馆 72Study of a Bent Right Arm (1590) 由 費德里科·巴羅奇Study of a Bent Right Arm1590 · 卢浮宫 73Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) 由 費德里科·巴羅奇Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)乌菲兹美术馆 74Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) 由 費德里科·巴羅奇Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)乌菲兹美术馆 75Self portrait 由 費德里科·巴羅奇Self portrait 76One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) 由 費德里科·巴羅奇One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · 乌菲兹美术馆 77Putto 由 費德里科·巴羅奇Putto乌菲兹美术馆 78Face of a Woman with Downcast Eyes 由 費德里科·巴羅奇Face of a Woman with Downcast Eyes卢浮宫 79Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) 由 費德里科·巴羅奇Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)乌菲兹美术馆 80Schizzo compositivo (per l 由 費德里科·巴羅奇Schizzo compositivo (per l乌菲兹美术馆 81Angels in Flight and Drapery Studies 由 費德里科·巴羅奇Angels in Flight and Drapery Studies乌菲兹美术馆 82Tre schizzi di figure 由 費德里科·巴羅奇Tre schizzi di figure乌菲兹美术馆 83The Institution of the Eucharist (1608) 由 費德里科·巴羅奇The Institution of the Eucharist1608 · 米诺瓦圣玛利亚大教堂 84The nativity 由 費德里科·巴羅奇The nativity普拉多博物馆 85Studies for the figure of Christ in the painting Noli me tangere 由 費德里科·巴羅奇Studies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86Madonna del Popolo (1575) 由 費德里科·巴羅奇Madonna del Popolo1575 · 乌菲兹美术馆 87The Madonna of the Cat (La Madonna del Gatto) 由 費德里科·巴羅奇The Madonna of the Cat (La Madonna del Gatto)国家美术馆 88Descent from the Cross (1568) 由 費德里科·巴羅奇Descent from the Cross1568 89Aeneas' Flight from Troy 由 費德里科·巴羅奇Aeneas' Flight from Troy博尔盖塞美术馆 90Rest on the Flight to Egypt 由 費德里科·巴羅奇Rest on the Flight to Egypt 91Portrait of a Young Man (1580) 由 費德里科·巴羅奇Portrait of a Young Man1580 · 斯特拉斯堡美术馆 92Annunciation 由 費德里科·巴羅奇Annunciation南锡美术馆 93The Circumcision (1590) 由 費德里科·巴羅奇The Circumcision1590 · 卢浮宫 94Self-Portrait (1570) 由 費德里科·巴羅奇Self-Portrait1570 · 乌菲兹美术馆

費德里科·巴羅奇 的传世名作,按时期分类

令 費德里科·巴羅奇 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 費德里科·巴羅奇 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 費德里科·巴羅奇 的作品 此列表中的画作
乌菲兹美术馆, 佛罗伦萨乌菲兹美术馆 佛罗伦萨 36 River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche, 乌尔比诺Galleria Nazionale delle Marche 乌尔比诺 8 Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
卢浮宫, 巴黎卢浮宫 巴黎 4 Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
冬宫博物馆, 圣彼得堡冬宫博物馆 圣彼得堡 3 Portrait of a Man, Portrait of a Lady, Female Portrait
博尔盖塞美术馆, 罗马博尔盖塞美术馆 罗马 3 Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
普拉多博物馆, 马德里普拉多博物馆 马德里 3 The Nativity, Christ on the Cross, The nativity
阿尔贝蒂纳博物馆, 维也纳阿尔贝蒂纳博物馆 维也纳 2 Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 2 Communion of Saint Magdalene, Cristo e la Maddalena

跨越数十载的 費德里科·巴羅奇:每一件皆为独一无二的原作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

費德里科·巴羅奇 的画作:画廊常见问题

費德里科·巴羅奇 最著名的代表作是什么?揭晓答案

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567),Galleria Nazionale delle Marche, 乌尔比诺。紧随其后的是 River Divinity (Città del Vaticano, Casino of Pius IV) (1563) 和 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569)。

費德里科·巴羅奇 是在多少岁时创作了 Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?揭晓答案

32岁:Virgin and Child with Sts Simon and Jude (Madonna di San Simone)创作于1567年,費德里科·巴羅奇出生于1535年。

費德里科·巴羅奇 最著名的十幅画作是哪些?揭晓答案

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere 及 Painting of the Circumcision。上方排名显示了每件作品的创作年份及馆藏机构。

已知 費德里科·巴羅奇 有多少件作品?揭晓答案

我们的目录收录了 116 件 費德里科·巴羅奇 的作品,创作年代从 1550 年至 1612 年。

在哪里可以欣赏到最著名的 費德里科·巴羅奇 原作?揭晓答案

多见于 乌菲兹美术馆 (佛罗伦萨), Galleria Nazionale delle Marche (乌尔比诺) 及 卢浮宫 (巴黎)。上方的博物馆列表列出了所有相关机构。

費德里科·巴羅奇 的代表作创作于哪个时期?揭晓答案

在 1570s 期间:本页 94 件作品中有 13 件创作于该时期,其中包含 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) 件作品。

哪幅 費德里科·巴羅奇 的名作创作年代最早,哪幅最晚?揭晓答案

在本页面中,最早的作品创作于 Head of Saint Mary Magdalene (1550),最晚的创作于 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612)。

費德里科·巴羅奇 偏好哪些题材?揭晓答案

Renaissance (30), Woman (19) 及 Man (18),共计 94 件作品。

費德里科·巴羅奇 最常使用哪些材料进行创作?揭晓答案

Oil On Canvas,共计 33 件(本页共有 94 件作品)。

費德里科·巴羅奇 的作品属于哪种艺术流派?揭晓答案

根据本页面的原作,Mannerism

在 乌菲兹美术馆 可以看到哪些 費德里科·巴羅奇 的原作?揭晓答案

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 及 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV):乌菲兹美术馆, 佛罗伦萨收藏了本页中 36 件作品。

費德里科·巴羅奇:艺术家肖像

早期生活与学艺

费德里科·菲奥里·巴罗奇,这位意大利文艺复兴时期杰出的画家和版画师,于1535年诞生在意大利的乌尔比诺。最初名为费德里科·菲奥里,他很快便以“il Baroccio”之名被人熟知——这个昵称源自西北意大利方言中一种由牛拉动的两轮马车,或许暗示了他父亲安布罗吉奥·巴罗奇作为雕塑家的朴实与勤恳。巴罗奇的艺术生涯始于其父的工坊,接受了最初的学徒训练。随后,他师从乌尔比诺画家巴蒂斯塔·弗朗科,这段经历为他日后的辉煌奠定了坚实的基础。

艺术生涯与影响

巴罗奇的作品备受推崇,极具影响力,预示着彼得·保罗·鲁本斯笔下的巴洛克风格。他在罗马著名的祖卡里兄弟工作室工作,接触到各种不同的艺术流派和思想。他早期的一件重要作品是为圣 sacrament 兄弟会创作的《圣玛格丽特》。随后,教皇庇护四世邀请他参与梵蒂冈贝莱德雷宫的装饰工程,巴罗奇绘制了圣母与婴孩以及多位圣徒,并在天花板上创作了一幅表现报喜的壁画。巴罗奇的风格融合了曼涅利主义和巴洛克艺术的元素,展现出独特的魅力。

代表作品与遗产

巴罗奇留下了许多令人惊叹的作品,充分展示了他卓越的绘画技巧和对人性的深刻理解。五幅男性人体研究图以及他的右手和手臂的研究(佛罗伦萨乌菲兹美术馆) 是他捕捉人体形态的杰出证明。 为《割礼》创作的构图草图(巴黎卢浮宫博物馆) 展现了他平衡构图与情感的能力。为《圣安德烈受召》创作的人物头部(比利时布鲁塞尔皇家美术博物馆) 则体现了他对细节和表情的敏锐观察力。此外,圣诞夜(1597年油画,普拉多博物馆)、纳佐雷塔圣母(佛罗伦萨乌菲兹美术馆) 和 猫中圣母(La Madonna del Gatto) 都是他广受欢迎的杰作。他还创作了著名的《报喜》(1582年)。

艺术影响与追随者

巴罗奇的影响深远,他的作品对许多艺术家产生了积极作用,其中最显著的是彼得·保罗·鲁本斯。鲁本斯深受巴罗奇戏剧性和富有感染力的笔触所启发。如今,巴罗奇的作品被珍藏在世界各地的博物馆中,例如佛罗伦萨乌菲兹美术馆和巴黎卢浮宫博物馆,他的遗产通过这些不朽的杰作得以延续和庆祝。他是一位连接文艺复兴与巴洛克时代的伟大艺术家,其作品充满情感、光影和对人性的深刻洞察。