Bartolomeo Passarotti 肖像

56 幅最著名的 Bartolomeo Passarotti 作品,画廊精选

更新于 October 2026 · 基于我们的流行度评分排名(每件作品的搜索量、访问量及订单量) · 59 件 Bartolomeo Passarotti 作品收录于我们的目录中

简而言之

在 Bartolomeo Passarotti 留下的所有原作中,最著名的当属收藏于 维也纳 维也纳艺术史博物馆 的《Portrait of an old woman (1582)》。 紧随其后的是 The Anatomy Lesson (1550) 和 Family Portrait (1585)。 我们的目录收录了 Bartolomeo Passarotti 的 59 件作品;画廊完整保留了 56 件享誉世界的杰作,并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。

1529 – 1592, Bologna Renaissance 藏品最多:普拉多博物馆

Bartolomeo Passarotti 的十大名画:画廊精选

1
Portrait of an old woman (1582) 由 Bartolomeo Passarotti

Portrait of an old woman

1582 · Oil On Canvas · 维也纳艺术史博物馆, 维也纳

The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.

2
The Anatomy Lesson (1550) 由 Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · 博尔盖塞美术馆, 罗马

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) 由 Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · 维也纳艺术史博物馆, 维也纳

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

5
Portrait of a Man (1560) 由 Bartolomeo Passarotti

Portrait of a Man

1560 · Oil · 巴伐利亚州绘画收藏馆, 慕尼黑

The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.

6
Saint Jerome (1550) 由 Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · 爱尔兰国家美术馆, 都柏林

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) 由 Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) 由 Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) 由 Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) 由 Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Bartolomeo Passarotti 系列持续更新,第 11 至 56 项

11Portrait of the Physician Carlo Fontana (1570) 由 Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) 由 Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) 由 Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) 由 Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) 由 Bartolomeo PassarottiPortrait of a Man1580 · 哈佛艺术博物馆 16Poultry dealer (1580) 由 Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer 由 Bartolomeo PassarottiBlood of the Redeemer波士顿美术馆 18Portrait of Ignazio Danti (1597) 由 Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) 由 Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · 波士顿美术馆 20Copy after Michelangelo (1550) 由 Bartolomeo PassarottiCopy after Michelangelo1550 · 圣奥尔斯博物馆艺术馆 21DIANE CHASSERESSE 由 Bartolomeo PassarottiDIANE CHASSERESSE卢浮宫 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) 由 Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) 由 Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) 由 Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · 卡皮托利尼美术馆 25The Fishmonger's Shop (1580) 由 Bartolomeo PassarottiThe Fishmonger's Shop1580 · 国家古美术馆 26Portrait of a Man with a Dog (1585) 由 Bartolomeo PassarottiPortrait of a Man with a Dog1585 · 卡皮托利尼美术馆 27Study of Male Nudes Fighting (1572) 由 Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) 由 Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait 由 Bartolomeo PassarottiFamily portrait德累斯顿旧大师画廊 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi 由 Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of Assisi斯特拉斯堡美术馆 31Lute palyer 由 Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure 由 Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) 由 Bartolomeo PassarottiA Butchery1575 · 国家古美术馆 34Male Nude (1550) 由 Bartolomeo PassarottiMale Nude1550 · 普拉多博物馆 35Copy of a Statue with A Female Nude From Back (1550) 由 Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · 普拉多博物馆 36Lucretia's Suicide (1550) 由 Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) 由 Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · 斯帕达美术馆 38Portrait of Pope Pius V (1566) 由 Bartolomeo PassarottiPortrait of Pope Pius V1566 · 沃尔特斯艺术博物馆 39Portrait of a Lady with a Dog (1569) 由 Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) 由 Bartolomeo PassarottiDouble Portrait of Musicians1579 · 卡皮托利尼博物馆 41Double Dressed Portrait of Circe and Ulysses (1575) 由 Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) 由 Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · 普拉多博物馆 43The Holy Family Accompained by an Angel and two Saints (1565) 由 Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · 普拉多博物馆 44Portrait of a Gentleman (1580) 由 Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) 由 Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) 由 Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) 由 Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · 南澳大利亚美术馆 48St. Dominicus and the Albigensians (1580) 由 Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · 博洛尼亚国家画廊 49Domenico Giuliani and His Servant 由 Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman 由 Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait 由 Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders 由 Bartolomeo PassarottiPortrait of a lady, head and shoulders巴伐利亚州绘画收藏馆 53Portrait of an Unknown Soldier in Armour 由 Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria 由 Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables 由 Bartolomeo PassarottiTwo market women and a boy with chicken and vegetables柏林国家美术馆 56The Butcher's Shop (1580) 由 Bartolomeo PassarottiThe Butcher's Shop1580 · 国家古美术馆

Bartolomeo Passarotti 的传世名作,按时期分类

令 Bartolomeo Passarotti 驻足的创作主题

这些原作中反复出现的四个主题,各有一个最杰出的范例。

收藏有 Bartolomeo Passarotti 原作的博物馆

收藏了本页中大部分画作的 8 家博物馆。

博物馆 城市 Bartolomeo Passarotti 的作品 此列表中的画作
普拉多博物馆, 马德里普拉多博物馆 马德里 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
维也纳艺术史博物馆, 维也纳维也纳艺术史博物馆 维也纳 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
国家古美术馆, 罗马国家古美术馆 罗马 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
巴伐利亚州绘画收藏馆, 慕尼黑巴伐利亚州绘画收藏馆 慕尼黑 2 Portrait of a Man, Portrait of a lady, head and shoulders
波士顿美术馆, 波士顿波士顿美术馆 波士顿 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
卡皮托利尼美术馆, 罗马卡皮托利尼美术馆 罗马 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
博尔盖塞美术馆, 罗马博尔盖塞美术馆 罗马 1 The Anatomy Lesson
爱尔兰国家美术馆, 都柏林爱尔兰国家美术馆 都柏林 1 Saint Jerome

Bartolomeo Passarotti 的年代演变:定义每个时代的原创之作

各年代作品数量

选择一个年代,探索定义该时代的原创杰作。

藏家关于 Bartolomeo Passarotti 作品的常见问题

Bartolomeo Passarotti 最著名的作品是哪一件?揭晓答案

Portrait of an old woman (1582),维也纳艺术史博物馆, 维也纳。紧随其后的是 The Anatomy Lesson (1550) 和 Family Portrait (1585)。

创作 Portrait of an old woman 时,Bartolomeo Passarotti 是多少岁?揭晓答案

53岁:Portrait of an old woman创作于1582年,Bartolomeo Passarotti出生于1529年。

Bartolomeo Passarotti 最著名的十幅画作是什么?揭晓答案

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe 及 Three Men with Two Dogs。上方排名显示了每件作品的创作年份及馆藏机构。

Bartolomeo Passarotti 留下了多少幅画作?揭晓答案

我们的目录收录了 59 件 Bartolomeo Passarotti 的作品,创作年代从 1550 年至 1585 年。

Bartolomeo Passarotti 的杰作收藏在哪些博物馆中?揭晓答案

多见于 普拉多博物馆 (马德里), 维也纳艺术史博物馆 (维也纳) 及 国家古美术馆 (罗马)。上方的博物馆列表列出了所有相关机构。

Bartolomeo Passarotti 在哪些年份创作了最著名的作品?揭晓答案

在 1580s 期间:本页 56 件作品中有 15 件创作于该时期,其中包含 Portrait of an old woman 件作品。

Bartolomeo Passarotti 的首件与末件名作原件分别是哪几件?揭晓答案

在本页面中,最早的作品创作于 The Anatomy Lesson (1550),最晚的创作于 Family Portrait (1585)。

Bartolomeo Passarotti 最常创作的主题是什么?揭晓答案

Man (15), Beard (7) 及 Book (6),共计 56 件作品。

Bartolomeo Passarotti 最常用的技法是什么?揭晓答案

Oil On Canvas,共计 15 件(本页共有 56 件作品)。

Bartolomeo Passarotti 属于哪种艺术流派?揭晓答案

根据本页面的原作,Renaissance 及 Mannerism

哪些 Bartolomeo Passarotti 的作品在 普拉多博物馆 展出?揭晓答案

Male Nude, Copy of a Statue with A Female Nude From Back 及 Copy of the Good Thief, From the Last Judgement of Michelangelo:普拉多博物馆, 马德里收藏了本页中 4 件作品。

Bartolomeo Passarotti:生平与作品

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.