更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 24 件 Antonio Zanchi 作品收录于我们的目录中
简而言之
Abraham Teaching Astrology To The Egyptians 是Antonio Zanchi最受瞩目的画作。 随后，目光会移向 Sisyphus (1662) 和 Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650)。 在 Antonio Zanchi 的 24 件作品中，这 24 件最为闻名；每一件都是独一无二的原作，并附有创作年份、馆藏机构及其经久不衰的原因。
The painting titled Abraham Teaching Astrology To The Egyptians is a work by the artist Antonio Zanchi. This canvas captures a moment of ancient instruction, where celestial knowledge is passed between figures in a quiet, focused assembly. The scene centers on the transmission of wisdom, a theme often explored through the lens of biblical narrative and historical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
In this oil on canvas, three figures occupy a shallow, dark space. The scene is defined by a strong, directional light source originating from the upper left, which casts deep shadows across the composition. This lighting highlights the muscular anatomy of the central figure and the specific facial features of the surrounding subjects. The figures are positioned in a tight arrangement, creating an intimate perspective that brings the viewer close…
In "Thanks offering" by Antonio Zanchi, a heavy diagonal movement pulls the eye from the lower left toward the upper left. A group of men, women, and children gather around an altar where a sacrificial fire burns. Their faces turn upward, caught in a shared moment of awe, prayer, or sorrow. Above this earthly assembly, a celestial figure emerges from swirling clouds, suspended in the heavens.
In the "Arrest of Simson" by Antonio Zanchi, a chaotic biblical struggle erupts across a large-scale Baroque canvas. The composition is crowded, a knot of muscular male figures locked in a frantic, physical contest. Diagonal lines cut through the space, creating a turbulent movement that pulls the eye through the struggle. This sense of motion is anchored by a shallow perspective, which pushes the violent action directly toward the viewer's…
The scene captures a pivotal biblical encounter through a lens of intense chiaroscuro. An elderly man, his hair and beard a stark white against a deep, shadowed background, extends a gesture of blessing toward a younger figure. This recipient, partially obscured by shadow, wears a yellow garment that catches the light, creating a sharp visual contrast against the surrounding darkness. To the side, an observer in a blue robe watches…
In 1666, Antonio Zanchi captured a moment of celestial intervention set against the visceral reality of human agony. The composition centers on the Virgin Mary, draped in white, holding the Christ child as she descends to offer solace to those ravaged by disease. Below this divine presence, a crowded assembly of figures endures the physical toll of the plague. Some lie prostrate in despair, while others sit or stand in…
The composition centers on two figures positioned in a tight, dramatic arrangement. On the left, Samson is depicted from the waist up, his muscular physique rendered with heavy emphasis on the anatomical structure of his torso and arms. His hair is long, and a beard and mustache frame his face. To his right, Delilah leans toward him, her hands positioned near his head. She holds a pair of scissors in…
Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 16741674 · 国家博物馆
12
Allegory of pure LoveCa' Rezzonico – 威尼斯18世纪博物馆
13
The Death of Socrates
14
Myrrha and Cinyras华沙国家博物馆
15
Pazzi Of The Painter Antonio Zanchi
16
Twelve Old Jesus in the Temple
17
Jesus Drives out the Moneychangers from the Temple
18
Baptism of Christ
19
Alegoría Del Tiempo
20
S.Dateiname
21
A Scene Of Rape
22
Magdalena Penitente, Museo Del Prado普拉多博物馆
23
David And Goliath
24
The Virgin Appearing to the Plague Victims1666 · 圣洛克大团
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Antonio Zanchi 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 3 | Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson |
 玛乌里诗博物馆 |
海牙 | 1 | Sisyphus |
 斯洛伐克国家美术馆 |
布拉蒂斯拉发 | 1 | circumcision of the Son of Moses |
 国家博物馆 |
阿姆斯特丹 | 1 | Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 1674 |
 Ca' Rezzonico – 威尼斯18世纪博物馆 |
威尼斯 | 1 | Allegory of pure Love |
 华沙国家博物馆 |
华沙 | 1 | Myrrha and Cinyras |
 普拉多博物馆 |
马德里 | 1 | Magdalena Penitente, Museo Del Prado |
 圣洛克大团 |
威尼斯 | 1 | The Virgin Appearing to the Plague Victims |
选择一个年代，探索定义该时代的原创杰作。
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
Abraham Teaching Astrology To The Egyptians。紧随其后的是 Sisyphus (1662) 和 Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650)。
Abraham Teaching Astrology To The Egyptians, Sisyphus, Caterina Cornaro Received in Venice by Doge Agostino Barbaro, circumcision of the Son of Moses, Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson, Jacob Recibe La Bendición De Isaac, The Virgin Appears To The Plague Victims 及 Samson And Delilah。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 24 件 Antonio Zanchi 的作品，创作年代从 1650 年至 1676 年。
多见于 巴伐利亚州绘画收藏馆 (慕尼黑), 玛乌里诗博物馆 (海牙) 及 斯洛伐克国家美术馆 (布拉蒂斯拉发)。上方的博物馆列表列出了所有相关机构。
在 1670s 期间：本页 24 件作品中有 5 件创作于该时期，其中包含 circumcision of the Son of Moses 件作品。
在本页面中，最早的作品创作于 Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650)，最晚的创作于 Joseph as Interpreter of Dreams (1676)。
People (6), Man (6) 及 Figures (5)，共计 24 件作品。
Oil On Canvas，共计 9 件（本页共有 24 件作品）。
Joseph as Interpreter of Dreams, Thanks offering 及 Arrest of Simson：巴伐利亚州绘画收藏馆, 慕尼黑收藏了本页中 3 件作品。
