更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 156 件 亚历山大·加布里埃尔·德坎普斯 作品收录于我们的目录中
简而言之
在 亚历山大·加布里埃尔·德坎普斯 留下的所有原作中，最著名的当属收藏于 巴黎 卢浮宫 的《The Defeat of the Cimbri (1833)》。 紧随其后的是 The Witches in 'Macbeth' (1841) 和 Old Woman and Boy in a Forest (1848)。 我们的目录收录了 亚历山大·加布里埃尔·德坎普斯 的 156 件作品；画廊完整保留了 100 件享誉世界的杰作，并为每一件作品详细标注了创作日期、馆藏机构及其背后的故事。
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
The forest is a vertical cage of shadows and light. Within this grayscale world, an elderly woman moves through the dense timber, her body bent under the weight of a heavy bundle of sticks. Beside her, a small boy looks upward, his gaze a silent anchor to her labor. The scene is captured in monochrome, stripping away the distraction of color to focus on the stark reality of their connection.…
The scene unfolds in 1836 through the oil on canvas work titled Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine. Alexandre Gabriel Decamps captures a quiet moment of discovery in this Orientalist painting. The air feels heavy with the warmth of the sun as Turkish children gather in a courtyard. They focus their attention on a slow-moving tortoise, their youthful curiosity drawing them toward the small…
In a dimly lit interior, a man sits in profile at a large table, his attention fixed upon an open book. The scene is composed within a shallow space, creating a sense of enclosure. A rectangular patch of sunlight strikes the back wall, providing a sharp geometric contrast to the surrounding shadows. This light illuminates the pages of the book and the surface of the table, where various objects are…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Inside a dimly lit enclosure, the air feels heavy and still. Two pigs occupy the center of this somber space, their forms emerging from deep shadows. One animal stands, leaning its weight toward a trough on the left, while the other lies resting in the foreground, surrendered to stillness. The scene is bathed in a muted, earthy palette where deep browns, ochre, and sienna dominate the view. Light descends from…
The painting reflects a deep interest in the reality of daily life and the dignity found in physical labor. Rather than focusing on idealized figures, the work presents the masons as they are: weathered, focused, and deeply integrated into their environment. There is a sense of movement in the way the figures are distributed, suggesting a continuous, ongoing process of creation. The heavy, organic shapes of the stones contrast with…
is a 19th-century landscape by Alexandre Gabriel Decamps. Created about 1830, the work presents a genre scene of outdoor sport. The composition centers on a group of men engaged in the pursuit of birds within an open, rural setting.
Albanian Dancers1835 · Musée Des Beaux
12
Turkish Executioners1837 · 阿姆斯特丹博物馆
13
The Gypsy Camp1837
14
A Turkish School1846 · 阿姆斯特丹博物馆
15
The Punishment of the Hooks1837 · 威廉斯收藏馆
16
Asses Resting: A Turkish Scene1833 · 威廉斯收藏馆
17
Interior of a Turkish Cafe1833
18
The Scythe Sharpener1841 · 阿姆斯特丹博物馆
19
Towhorses1842
20
The Roman Campagna1847 · 威廉斯收藏馆
21
An Arab and His Steed1843
22
The Grinder1840
23
Goatherd of the Abruzzi1845 · 明尼阿波利斯艺术学院
24
Rocky Bay South of Salerno with View of Capri1847 · 哈佛艺术博物馆
25
The Poacher1847
26
Black and White Basset Hound in the Kennel1849
27
A Street in Smyrna1850
28
Winter Fuel1850 · Aberdeen Art Gallery
29
Eastern Women at a Well1851 · 威廉斯收藏馆
30
Oxen before a Farmhouse at Le Verrier1853 · 克利夫兰艺术博物馆
31
Courtyard1855 · 芝加哥艺术学院
32
The Turkish Patrol1831 · 威廉斯收藏馆
33
Before a Mosque1868 · 冬宫博物馆
34
The Good Samaritan1842 · 克利夫兰艺术博物馆
35
LA CARAVANE卢浮宫
36
LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIER卢浮宫
37
CHEVAUX DE HALAGE卢浮宫
38
Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une Tortue康德博物馆
39
LE PASSAGE DU GUE卢浮宫
40
Evening Landscape1830 · Museum Gouda
41
The Hunter (Le garde-chasse)1830 · Museum Gouda
42
Watchdogs1829 · The Mesdag Collection
43
Napoleon op St. Helena1826 · The Mesdag Collection
44
Landscape1840 · 大都会艺术博物馆
45
Descamps Self Portrait early1830
46
The Villa Doria Pamphilj, Rome1838 · 威廉斯收藏馆
47
The Finding of Moses1837 · 威廉斯收藏馆
48
Joseph Sold by his Brethren1838 · 威廉斯收藏馆
49
Eastern Figures Reposing1832 · 威廉斯收藏馆
50
Bazaar in Cairo1833 · Rhode Island School of Design Museum of Art
51
The huntsman1839 · Rijksmuseum Twenthe
52
Turkish Standard-bearer1839 · 巴伐利亚州绘画收藏馆
53
Landscape with the Good Samaritan1837 · 明尼阿波利斯艺术学院
54
Windmill1835 · 波士顿美术馆
55
Cat, Weasel, and Rabbit1836
56
Bulldog and Scottish Terrier1843
57
A Meadow with Horses1845 · 阿姆斯特丹博物馆
58
A City in Asia Minor1846 · 阿姆斯特丹博物馆
59
A Shepherd with His Flock1843 · 阿姆斯特丹博物馆
60
The Lost Trail1842 · 阿姆斯特丹博物馆
61
Bertrand and Raton1847 · Musée Jean de La Fontaine
62
The Anchorage of Smyrna1847 · 威廉斯收藏馆
63
A Well in the East1847 · 威廉斯收藏馆
64
The Watering Place1850 · Aberdeen Art Gallery
65
The Miraculous Draught of Fishes1853 · 威廉斯收藏馆
66
Aftenlandskap1854 · 国家美术、建筑与设计博物馆
67
The Beggars1849 · 苏格兰国家美术馆
68
Sunset, Tombs Near Cairo1850 · 沃尔特斯艺术博物馆
69
Still Life with Herring, Bread, and Cheese1858 · 克利夫兰艺术博物馆
70
Still Life with Pipe and Matches1858 · 克利夫兰艺术博物馆
71
Old Port, Singapore1860 · 波士顿美术馆
72
The poacher1857 · The Mesdag Collection
73
A Monkey Playing a LuteBowes Museum
74
The Blind Beggar
75
A Horse with Child Holding Reins爱尔兰国家美术馆
76
Young Beggars波士顿美术馆
77
TETE DE SINGE FUMANT LA PIPE
78
Monkey looking in a mirrorMusée Grobet-Labadié
79
REBECCA A LA FONTAINE康德博物馆
80
Singe au miroir
81
PAYSAGE (DON QUICHOTTE)康德博物馆
82
Braconnier vu de dos
83
Don Quichotte et Sancho
84
Souvenir de Turquie d'Asie (Environs de Smyrne) (titre attribué)
85
Le marché aux bestiaux波尔多美术学院博物馆
86
Paysage Saül poursuivant David
87
Bertrand et Raton Le Singe et le Chat, IX, 17
88
INTERIEUR DE COUR RUSTIQUE A FONTAINEBLEAU
89
Enfants effrayés à la vue d'une chienne
90
BERTRAND ET RATON康德博物馆
91
Vue d'Orient
92
L'ECOLE TURQUE康德博物馆
93
UN CORPS DE GARDE TURC SUR LA ROUTE DE SMYRNE A MAGNESIE康德博物馆
94
PORTE ETENDARD TURC康德博物馆
95
Marchand turc fumant dans sa boutique
96
Guerriers arabes
97
A Bedouin and a Camel Resting in a Desert
98
ENFANT DONNANT A MANGER A UN MOUTON康德博物馆
99
ENFANTS TURCS AUPRES D'UNE FONTAINE
100
La sortie de l'école turque
这些原作中反复出现的四个主题，各有一个最杰出的范例。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 亚历山大·加布里埃尔·德坎普斯 的作品 | 此列表中的画作 |
|---|---|---|---|
 威廉斯收藏馆 |
伦敦 | 16 | The Witches in 'Macbeth', The Bookworm, Soldier of the Guard of a Vizier |
 康德博物馆 |
尚蒂伊 | 12 | Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une Tortue, REBECCA A LA FONTAINE |
 阿姆斯特丹博物馆 |
阿姆斯特丹 | 7 | Turkish Executioners, A Turkish School, The Scythe Sharpener |
 卢浮宫 |
巴黎 | 28 | The Defeat of the Cimbri, LA CARAVANE, LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIER |
 克利夫兰艺术博物馆 |
克利夫兰 | 4 | Oxen before a Farmhouse at Le Verrier, The Good Samaritan, Still Life with Herring, Bread, and Cheese |
 波士顿美术馆 |
波士顿 | 5 | Windmill, Old Port, Singapore, Young Beggars |
 明尼阿波利斯艺术学院 |
明尼阿波利斯 | 3 | Job and His Friends, Goatherd of the Abruzzi, Landscape with the Good Samaritan |
 The Mesdag Collection |
海牙 | 3 | Watchdogs, Napoleon op St. Helena, The poacher |
选择一个年代，探索定义该时代的原创杰作。
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
The Defeat of the Cimbri (1833)，卢浮宫, 巴黎。紧随其后的是 The Witches in 'Macbeth' (1841) 和 Old Woman and Boy in a Forest (1848)。
30岁：The Defeat of the Cimbri创作于1833年，亚历山大·加布里埃尔·德坎普斯出生于1803年。
The Defeat of the Cimbri, The Witches in 'Macbeth', Old Woman and Boy in a Forest, Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, The Bookworm, Job and His Friends, Soldier of the Guard of a Vizier, Study of Pigs, The Masons 及 Bird Hunting。上方排名显示了每件作品的创作年份及馆藏机构。
我们的目录收录了 156 件 亚历山大·加布里埃尔·德坎普斯 的作品，创作年代从 1825 年至 1860 年。
多见于 威廉斯收藏馆 (伦敦), 康德博物馆 (尚蒂伊) 及 阿姆斯特丹博物馆 (阿姆斯特丹)。上方的博物馆列表列出了所有相关机构。
在 1840s 期间：本页 100 件作品中有 25 件创作于该时期，其中包含 The Witches in 'Macbeth' 件作品。
在本页面中，最早的作品创作于 The Masons (1825)，最晚的创作于 Old Port, Singapore (1860)。
Landscape (18), Sky (18) 及 Man (17)，共计 100 件作品。
Oil On Canvas，共计 43 件（本页共有 100 件作品）。
根据本页面的原作，Romanticism 及 Orientalism
The Witches in 'Macbeth', The Bookworm 及 Soldier of the Guard of a Vizier：威廉斯收藏馆, 伦敦收藏了本页中 15 件作品。
