Портрет Bartolomeo Passarotti

56 найвідоміших картин Bartolomeo Passarotti: добірка галереї

Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 59 робіт Bartolomeo Passarotti у нашому каталозі

Коротко кажучи

З усіх оригінальних робіт, які залишив Bartolomeo Passarotti, найвідомішою є Portrait of an old woman (1582) із колекції Kunsthistorisches Museum, Відень. Слідом за ними йдуть The Anatomy Lesson (1550) та Family Portrait (1585). Наш каталог містить 59 робіт Bartolomeo Passarotti; галерея зберегла 56 найвідоміших у світі творів, кожен із яких представлений із датою створення, назвою музею та своєю історією.

1529 – 1592, Bologna Renaissance Найбільше робіт: Музей Прадо

10 найкращих картин Bartolomeo Passarotti: вибір галереї

1
Portrait of an old woman (1582) авторства Bartolomeo Passarotti

Portrait of an old woman

1582 · Oil On Canvas · Kunsthistorisches Museum, Відень

The Portrait of an old woman is a work by Bartolomeo Passarotti. Created around 1582, this oil on canvas belongs to the portrait genre. It captures a single subject, an elderly woman, in a moment of quiet presence. The sitter faces the viewer with a steady, unadorned gaze.

2
The Anatomy Lesson (1550) авторства Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · Галерея Борґезе, Рим

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) авторства Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Відень

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

6
Saint Jerome (1550) авторства Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · Національна галерея Ірландії, Дублін

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) авторства Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) авторства Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) авторства Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) авторства Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Вибірка Bartolomeo Passarotti триває, від 11 до 56

11Portrait of the Physician Carlo Fontana (1570) авторства Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Музей красних мистецтв Гента (MSK) 12Portrait of Pope Pius V (1579) авторства Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) авторства Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) авторства Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) авторства Bartolomeo PassarottiPortrait of a Man1580 · Harvard Art Museums 16Poultry dealer (1580) авторства Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer авторства Bartolomeo PassarottiBlood of the RedeemerМузей образотв мистецтв 18Portrait of Ignazio Danti (1597) авторства Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée Des Beaux 19Portrait of a Man Playing a Lute (1576) авторства Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · Музей образотв мистецтв 20Copy after Michelangelo (1550) авторства Bartolomeo PassarottiCopy after Michelangelo1550 · Nelson-Atkins Museum of Art 21DIANE CHASSERESSE авторства Bartolomeo PassarottiDIANE CHASSERESSEЛувр 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) авторства Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) авторства Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) авторства Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) авторства Bartolomeo PassarottiThe Fishmonger's Shop1580 · Галерея національного старовинного мистецтва 26Portrait of a Man with a Dog (1585) авторства Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Study of Male Nudes Fighting (1572) авторства Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) авторства Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait авторства Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi авторства Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiMusée Des Beaux 31Lute palyer авторства Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure авторства Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) авторства Bartolomeo PassarottiA Butchery1575 · Галерея національного старовинного мистецтва 34Male Nude (1550) авторства Bartolomeo PassarottiMale Nude1550 · Музей Прадо 35Copy of a Statue with A Female Nude From Back (1550) авторства Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · Музей Прадо 36Lucretia's Suicide (1550) авторства Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) авторства Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Галерея Спада 38Portrait of Pope Pius V (1566) авторства Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) авторства Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) авторства Bartolomeo PassarottiDouble Portrait of Musicians1579 · Капітолійські музеї 41Double Dressed Portrait of Circe and Ulysses (1575) авторства Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) авторства Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · Музей Прадо 43The Holy Family Accompained by an Angel and two Saints (1565) авторства Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · Музей Прадо 44Portrait of a Gentleman (1580) авторства Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) авторства Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) авторства Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) авторства Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 48St. Dominicus and the Albigensians (1580) авторства Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant авторства Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman авторства Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait авторства Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders авторства Bartolomeo PassarottiPortrait of a lady, head and shouldersБаварські державні художні колекції 53Portrait of an Unknown Soldier in Armour авторства Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria авторства Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables авторства Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) авторства Bartolomeo PassarottiThe Butcher's Shop1580 · Галерея національного старовинного мистецтва

Знамениті картини Bartolomeo Passarotti за періодами творчості

Теми, що привертали увагу Bartolomeo Passarotti

Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.

Музеї, у яких зберігаються оригінали Bartolomeo Passarotti

8 музеїв, у яких зберігається найбільша кількість картин із цього списку.

Музей Місто Твори Bartolomeo Passarotti Картини зі цього списку
Музей Прадо, МадридМузей Прадо Мадрид 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
Kunsthistorisches Museum, ВіденьKunsthistorisches Museum Відень 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
Галерея національного старовинного мистецтва, РимГалерея національного старовинного мистецтва Рим 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
Баварські державні художні колекції, МюнхенБаварські державні художні колекції Мюнхен 2 Portrait of a Man, Portrait of a lady, head and shoulders
Музей образотв мистецтв, БостонМузей образотв мистецтв Бостон 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, РимPinacoteca Capitolina Рим 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
Галерея Борґезе, РимГалерея Борґезе Рим 1 The Anatomy Lesson
Національна галерея Ірландії, ДублінНаціональна галерея Ірландії Дублін 1 Saint Jerome

Bartolomeo Passarotti десятиліття за десятиліттям: оригінали, що визначають кожне з них

Роботи за десятиліттями

Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.

Запитання колекціонерів про картини Bartolomeo Passarotti

Яка робота Bartolomeo Passarotti є найвідомішою?Дізнатися відповідь

Portrait of an old woman (1582), Kunsthistorisches Museum, Відень. Далі йдуть The Anatomy Lesson (1550) та Family Portrait (1585).

Скільки років було Bartolomeo Passarotti, коли було створено Portrait of an old woman?Дізнатися відповідь

53 років: Portrait of an old woman датована 1582 роком, а Bartolomeo Passarotti народився(-лася) у 1529.

Які десять найвідоміших картин Bartolomeo Passarotti?Дізнатися відповідь

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe та Three Men with Two Dogs. У рейтингу вище вказано рік створення та музей для кожної картини.

Скільки картин залишив Bartolomeo Passarotti?Дізнатися відповідь

Наш каталог містить 59 робіт Bartolomeo Passarotti, датованих періодом з 1550 по 1585.

У яких музеях виставляються шедеври Bartolomeo Passarotti?Дізнатися відповідь

Переважно в Музей Прадо (Мадрид), Kunsthistorisches Museum (Відень) та Галерея національного старовинного мистецтва (Рим). У таблиці музеїв вище наведено їхній повний перелік.

У які роки Bartolomeo Passarotti створив свої найвідоміші роботи?Дізнатися відповідь

У 1580s: 15 із 56 робіт на цій сторінці були створені тоді, серед них Portrait of an old woman.

Які перша та остання відомі оригінальні роботи Bartolomeo Passarotti?Дізнатися відповідь

На цій сторінці найдавніша робота датована The Anatomy Lesson (1550), а найновіша — Family Portrait (1585).

Які сюжети Bartolomeo Passarotti обирав найчастіше?Дізнатися відповідь

Man (15), Beard (7) та Book (6), у 56 роботах на цій сторінці.

Яку техніку найчастіше використовував(ла) Bartolomeo Passarotti?Дізнатися відповідь

Oil On Canvas, для 15 із 56 робіт на цій сторінці.

До якого художнього напряму належить Bartolomeo Passarotti?Дізнатися відповідь

Renaissance та Mannerism, судячи з оригіналів на цій сторінці.

Які роботи Bartolomeo Passarotti виставлені в Музей Прадо?Дізнатися відповідь

Male Nude, Copy of a Statue with A Female Nude From Back та Copy of the Good Thief, From the Last Judgement of Michelangelo: Музей Прадо, Мадрид зберігає 4 робіт із цієї сторінки.

Bartolomeo Passarotti: життя та творчість

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.