Dead Wildfowl
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Коротко кажучи
Dead Wildfowl (1674) — це картина Jacob Biltius, яка привертає найбільше уваги; оригінал зберігається в Statens Museum For Kunst, Копенгаген. Після цього погляд переходить на Dead Birds (1670) та Snip, hanging (1663). Серед 10 робіт Jacob Biltius у нашому каталозі ці 10 є найвідомішими: кожна з них — унікальний оригінал із зазначенням року створення, музею та причини її безсмертя.
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
3 музеїв, у яких зберігається більшість картин із цього списку.
| Музей | Місто | Твори Jacob Biltius | Картини зі цього списку |
|---|---|---|---|
| Копенгаген | 5 | Dead Wildfowl, Dead Birds, Wildfowl on a Wooden Table | |
| Льюварден | 2 | Snip, hanging, Dead Partridge, Hanging | |
| 1 | Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall |
Довга кар'єра у 17 роках, від 1663 до 1679: найвідоміші оригінальні роботи Jacob Biltius, представлені за роками.
Оберіть рік, щоб переглянути оригінали.
Більше від 1666
The stillness of Dead Birds meets the viewer through the meticulous hand of Jacob Biltius. This somber still life captures a quiet moment following a hunt, where the subjects rest in a heavy, atmospheric silence. The work carries the weight of the Dutch Golden Age, presenting a scene that feels both immediate and deeply still. Every feather and wooden grain exists in a space defined by shadow and light.
Більше від 1670
Jacob Biltius rendered Dead Wildfowl in oil on canvas. The work dates to about 1674. It measures 79.5 x 61.0cm. A heavy silence rests within the frame, held by the stillness of the subjects.
Dead Wildfowl (1674), Statens Museum For Kunst, Копенгаген. Далі йдуть Dead Birds (1670) та Snip, hanging (1663).
41 років: Dead Wildfowl датована 1674 роком, а Jacob Biltius народився(-лася) у 1633.
Dead Wildfowl, Dead Birds, Snip, hanging, Dead Partridge, Hanging, Wildfowl on a Wooden Table, A Dead Hare, A hunting still life with a partridge, a grouse, a hare and hunting paraphernalia, A still life of game and hunting acoutrements, on a stone ledge, Trompe-l'oeil of an arms rack with a leading staff, a partizan, a matchlock musket, a longbow, a fowling piece with pistols, game bags, dead game and other instruments of the chase hanging on a wall та Dead Wildfowl and a Huntsman's Net. Trompe l'oeil. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 10 робіт Jacob Biltius, датованих періодом з 1663 по 1679.
Переважно в Statens Museum For Kunst (Копенгаген), Fries Museum (Льюварден) та Kunsthandel P. de Boer. У таблиці музеїв вище наведено їхній повний перелік.
У 1663: 2 із 10 робіт на цій сторінці були створені тоді, серед них Snip, hanging.
На цій сторінці найдавніша робота датована Snip, hanging (1663), а найновіша — Dead Wildfowl and a Huntsman's Net. Trompe l'oeil (1679).
Feathers (2) та Dark background (2), у 10 роботах на цій сторінці.
Oil On Canvas, для 2 із 10 робіт на цій сторінці.
Dead Wildfowl, Dead Birds та Wildfowl on a Wooden Table: Statens Museum For Kunst, Копенгаген зберігає 5 робіт із цієї сторінки.
Jacob Biltius was a Dutch still life painter born in The Hague. He began his artistic training in The Hague, studying under the French painter Carel Hardy around 1651, and later trained with Pieter de Putter, who was known for his fish still lifes. His career saw him active in various locations, including The Hague, Amsterdam, Maastricht, Antwerp, Leeuwarden, and Bergen op Zoom. In 1660, he was admitted to the Confrerie Pictura.
Biltius married Adriana Proot van der Jeucht in 1653, and they had eight children, including two sons, Cornelis and Bartholomeus, who both became painters. His movements took him from Amsterdam to Maastricht, and eventually to Flanders, where he settled in Antwerp. While living in Antwerp, he and his wife were members of a secret society of local Calvinists known as de Consistorie van de Brabantsche Olijfberg. He was admitted to the Antwerp Guild of St Luke in the 1672–1673 guild year. He eventually moved to Bergen op Zoom, where he died.
The work of Jacob Biltius is characterized by his focus on still life subjects. He was specifically known for his:
Between 1663 and 1677, Biltius created many trompe-l'œil compositions, acting as a pioneer in the creation of the illusion of three-dimensional objects. His works are noted for a very accurate and precise representation of nature. Some of these compositions were of a large size, which contributed to their realism and illusionistic impact.