Портрет George Beare

Картини George Beare: 15 найвідоміших у погляді галереї

Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 15 робіт George Beare у нашому каталозі

Коротко кажучи

На думку експертів галереї, найвідоміший витвір George Beare — це An Unknown Woman, Called Peg Woffington (1740), оригінал якого експонується в Yale Center for British Art, Нью-Хейвен. Portrait of a Woman (1740) та Portrait of a Lady Holding a Book (1740) доповнюють тріо, яке впізнає кожне око. З 15 робіт George Beare у нашому каталозі галерея представляє 15 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.

1725 – 1749 Найбільше робіт: Yale Center for British Art

Топ 10 картин художника George Beare у галереї

1
An Unknown Woman, Called Peg Woffington (1740) авторства George Beare

An Unknown Woman, Called Peg Woffington

1740 · Oil On Canvas · Yale Center for British Art, Нью-Хейвен

The light catches the soft, salmon-pink folds of a silk gown, pulling the viewer into a quiet, private moment from 1740. A woman sits poised, her presence defined by a calm and dignified expression that suggests a life lived in the public eye, yet here, she is captured in a moment of stillness. The deep black of the background recedes into shadow, pushing her figure forward through a masterful use…

2
Portrait of a Woman (1740) авторства George Beare

Portrait of a Woman

There is a quietude in this 1740 oil portrait that commands immediate attention. The subject, an older woman, is presented in a three-quarter view, her form emerging from a dark, undifferentiated background that lends her a profound sense of physical volume. The lighting is deliberate, streaming from the upper left to catch the delicate folds of her translucent white headscarf and the subtle textures of her skin. It is a…

3
Portrait of a Lady Holding a Book (1740) авторства George Beare

Portrait of a Lady Holding a Book

1740 · Oil On Canvas · Walters Art Museum, Балтимор

A single woman occupies the center of this 1740 oil on canvas, her presence defined by the quiet weight of a book held against her bodice. The light enters from the upper left, catching the sharp, white edges of her lace collar and the soft curve of her cheek. She is a figure of stillness. Her gaze is steady, meeting the viewer from an eye-level perspective that feels intimate rather…

4
Portrait of an Elderly Lady and a Girl (1747) авторства George Beare

Portrait of an Elderly Lady and a Girl

1747 · Oil · Yale Center for British Art, Нью-Хейвен

The oil painting titled Portrait of an Elderly Lady and a Girl was executed by the English artist George Beare in 1747. This work captures a quiet, generational intersection between two female figures. An elderly woman and a young girl occupy the center of the frame, their presence forming a silent link between different stages of life. The subject matter suggests a familial bond, likely representing a grandmother and her…

5
An Unknown Man (1746) авторства George Beare

An Unknown Man

1746 · Oil On Canvas · Yale Center for British Art, Нью-Хейвен

A single man occupies the center of an oval world. He is turned slightly, a three-quarter view that suggests a moment of quiet interruption. His face carries a soft, rosy flush against the pale cream of his skin, a warmth that contrasts with the cool, powdered white of his wig. The light falls from the upper left, carving the shape of his nose and the line of his jaw through…

Картини художника George Beare, від 11 до 15 місця в рейтингу

Теми, що привертали увагу George Beare

Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.

Музеї, у яких зберігаються оригінали George Beare

7 музеїв, у яких зберігається найбільша кількість картин із цього списку.

Музей Місто Твори George Beare Картини зі цього списку
Yale Center for British Art, Нью-ХейвенYale Center for British Art Нью-Хейвен 3 An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl, An Unknown Man
Salisbury - South Wiltshire Museum, СолсберіSalisbury - South Wiltshire Museum Солсбері 2 Sir Frederick Evelyn (1733 1734–1812), as a Boy, Miss Fort of Alderbury House, Wiltshire
Національна портретна галерея, ЛондонНаціональна портретна галерея Лондон 2 Francis Price, Thomas Chubb
Філадельфійський музей мистецтв, ФіладельфіяФіладельфійський музей мистецтв Філадельфія 1 Portrait of a Woman
Walters Art Museum, БалтиморWalters Art Museum Балтимор 1 Portrait of a Lady Holding a Book
Salisbury Guildhall, SalisburySalisbury Guildhall Salisbury 1 Thomas Chubb of Salisbury (1679–1747)
Bristol Museum - Art Gallery, БристольBristol Museum - Art Gallery Бристоль 1 Portrait of an Unknown Man in Brown

George Beare, знаковий живопис кожного року

Десятиліття, з 1740 по 1749, було достатньо для George Beare: галерея проходить крізь них рік за роком, один відомий оригінал за іншим.

Роботи за роками

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Картини George Beare: відповіді галереї

Яка картина George Beare є найвідомішою серед усіх?Дізнатися відповідь

An Unknown Woman, Called Peg Woffington (1740), Yale Center for British Art, Нью-Хейвен. Далі йдуть Portrait of a Woman (1740) та Portrait of a Lady Holding a Book (1740).

Скільки років було George Beare, коли він/вона завершив/завершила An Unknown Woman, Called Peg Woffington?Дізнатися відповідь

15 років: An Unknown Woman, Called Peg Woffington датована 1740 роком, а George Beare народився(-лася) у 1725.

Які 10 найкращих картин George Beare?Дізнатися відповідь

An Unknown Woman, Called Peg Woffington, Portrait of a Woman, Portrait of a Lady Holding a Book, Portrait of an Elderly Lady and a Girl, An Unknown Man, Sir Charles Clarke (1702–1750), Baron of the Exchequer (1743–1750), Thomas Chubb of Salisbury (1679–1747), Sir Frederick Evelyn (1733 1734–1812), as a Boy, Portrait of a Lady та Portrait of a Gentleman, possibly Hugh Marriott. У рейтингу вище вказано рік створення та музей для кожної картини.

Скільки творів створив George Beare?Дізнатися відповідь

Наш каталог містить 15 робіт George Beare, датованих періодом з 1740 по 1749.

Де висять найвідоміші оригінали робіт George Beare?Дізнатися відповідь

Переважно в Yale Center for British Art (Нью-Хейвен), Salisbury - South Wiltshire Museum (Солсбері) та Національна портретна галерея (Лондон). У таблиці музеїв вище наведено їхній повний перелік.

Коли George Beare створив свої найвідоміші картини?Дізнатися відповідь

У 1747: 5 із 15 робіт на цій сторінці були створені тоді, серед них Portrait of an Elderly Lady and a Girl.

Які найранніші та найпізніші відомі роботи George Beare?Дізнатися відповідь

На цій сторінці найдавніша робота датована An Unknown Woman, Called Peg Woffington (1740), а найновіша — Portrait of a Lady (1749).

До яких сюжетів George Beare звертався найчастіше?Дізнатися відповідь

Woman (4), Lace (3) та White fabric (3), у 15 роботах на цій сторінці.

У якій техніці найчастіше працював George Beare?Дізнатися відповідь

Oil On Canvas, для 3 із 15 робіт на цій сторінці.

Які оригінальні роботи George Beare зберігаються в Yale Center for British Art?Дізнатися відповідь

An Unknown Woman, Called Peg Woffington, Portrait of an Elderly Lady and a Girl та An Unknown Man: Yale Center for British Art, Нью-Хейвен зберігає 3 робіт із цієї сторінки.

George Beare: художник

A Fleeting Glimpse: The Life and Art of George Beare

George Beare remains a somewhat enigmatic figure in the landscape of 18th-century English portraiture, a talent whose career blossomed briefly yet left behind a captivating legacy of refined skill and insightful character studies. Born around 1724 or 1725, his life is shrouded in relative obscurity, known primarily through the surviving corpus of his work and scattered historical records. He was active mainly in Salisbury, Wiltshire, where he established himself as an “eminent Face Painter,” a designation that speaks to the importance of portraiture within provincial society during this period. Tragically, Beare’s artistic journey was cut short by his untimely death near Andover in 1749, leaving behind approximately forty known paintings—a modest output, yet one brimming with quality and nuance.

The Provincial Portraitist: Style and Technique

Beare's art reflects the prevailing stylistic currents of the mid-18th century, drawing heavily from the traditions established by artists like Sir Godfrey Kneller and William Hogarth. However, he wasn’t merely an imitator; Beare possessed a distinctive sensibility that set his work apart. His portraits are characterized by their meticulous attention to detail—the delicate rendering of lace collars, the subtle sheen of silk fabrics, and the precise depiction of facial features. He favored a restrained palette, employing muted tones and soft lighting to create a sense of intimacy and psychological depth. Unlike some of his contemporaries who embraced flamboyant displays of wealth and status in their portraits, Beare’s subjects are often presented with quiet dignity and understated elegance. His brushwork is remarkably smooth, indicative of careful layering and glazing techniques—a testament to his technical mastery. He excelled at capturing not just the likeness of his sitters but also a sense of their inner character, imbuing each portrait with a unique personality.

Wiltshire Society and Notable Patrons

Beare’s clientele primarily consisted of members of the gentry and prosperous merchants in and around Salisbury. His paintings offer a fascinating glimpse into the social fabric of Wiltshire society during the Georgian era. Among his most celebrated works are portraits of Thomas Chubb, a renowned clockmaker and outspoken critic of religious hypocrisy, painted in 1747—a piece that showcases Beare’s ability to convey intellectual strength and moral conviction. Another notable commission was a portrait of Colonel George Treby, Mayor of Plympton, revealing the artist's skill in depicting authority and civic pride. These portraits weren’t simply exercises in representation; they were statements of social standing, expressions of personal identity, and enduring testaments to the lives of those who commissioned them. The Salisbury Civic Society has rightly recognized Beare’s importance through a commemorative plaque, acknowledging his contribution to the artistic heritage of the region.

A Brief but Impactful Career: Legacy and Rediscovery

Despite his short career, George Beare left an indelible mark on the local art scene. His paintings were highly sought after during his lifetime, and they continue to be admired for their technical brilliance and psychological insight. While he didn’t achieve widespread fame like some of his contemporaries, his work has experienced a resurgence in recent years, thanks to increased scholarly attention and growing appreciation for provincial portraiture. Art UK and the Tate Gallery have both included Beare in their online collections, making his art accessible to a wider audience.
  • His paintings provide valuable insights into 18th-century English society.
  • Beare’s meticulous technique and restrained style set him apart from many of his contemporaries.
  • The rediscovery of his work has shed light on the artistic landscape beyond London.

Beyond the Brush: Unanswered Questions

Much about Beare's life remains a mystery. The location of his studio, the extent of his formal training, and the full scope of his artistic influences are still subjects of ongoing research. However, the surviving paintings offer compelling evidence of a gifted artist who possessed a keen eye for detail, a sensitive understanding of human character, and a remarkable ability to capture the essence of his sitters. George Beare’s story serves as a reminder that artistic excellence can flourish even in the most provincial settings, and that every portrait—however modest—can hold a wealth of historical and cultural significance.