Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 41 робіт Езра Еймс у нашому каталозі
Коротко кажучи
На думку експертів галереї, найвідоміший витвір Езра Еймс — це Philip Van Cortlandt (1810), оригінал якого експонується в Метрополітен-музей, Нью-Йорк. Joseph Bradley Varnum (1819) та Theodore Sedgwick (1808) доповнюють тріо, яке впізнає кожне око. З 41 робіт Езра Еймс у нашому каталозі галерея представляє 41 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
A single folded document rests against the man's hand, its edge marked by a small red seal. This scrap of paper anchors the composition, suggesting a life bound to legalities and land. Philip Van Cortlandt sits in a three-quarter view, his presence defined by the heavy, dark fabric of a wool coat. The light enters from the upper left, catching the sharp ridge of his nose and the crisp, white…
In this oil on canvas, we encounter Joseph Bradley Varnum through a lens of quiet authority. The portrait, rendered around 1819, presents the subject in a bust-length composition, his body turned slightly to the left while his gaze remains fixed upon us. There is a certain weight to his presence, a gravity that comes from a lifetime of public service and private reflection. The lighting is deliberate, descending from the…
In this formal portrait, we encounter Theodore Sedgwick, a man whose presence commands a quiet, steady respect. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the viewer's left, though his eyes remain fixed forward. There is a certain gravity in his expression, a sense of a life lived within the spheres of law and governance. The lighting is deliberate, descending from the upper…
A quiet dignity settles over the oval frame, holding a man caught in a moment of composed stillness. He gazes forward, his expression carrying a hint of a smile that suggests a pleasant, perhaps even witty, demeanor. The portrait is a miniature, a tiny window into a life of standing and substance. He wears the hallmarks of his era: a crisp cravat, a waistcoat adorned with decorative buttons, and the…
In this 1802 portrait, we encounter Goldsborough Banyar Sr., a man whose very posture commands a quiet, settled authority. He is seated in a blue upholstered chair, his presence anchored by the heavy, theatrical weight of a crimson curtain that cascades behind him. To his side, a fluted classical column rises, providing a vertical stability that mirrors the sitter's own composed demeanor. The lighting, arriving softly from the upper left,…
In this formal portrait, we encounter George Clinton, a man whose presence commands the space through a quiet, Neoclassical dignity. He is presented in a three-quarter length view, his figure positioned with a deliberate stability that suggests both permanence and purpose. The lighting, descending softly from the upper left, carves the contours of his face and the heavy folds of his dark navy coat, creating a sense of tangible weight.…
A formal, three-quarter length portrait from 1810 captures a man of quiet importance. He is positioned slightly off-center, his gaze meeting the observer with a steady, direct presence. The composition relies on a somber, muted palette where deep blacks and dark earthy tones dominate the background, providing a stark contrast to the bright white of his voluminous cravat. This interplay of light and shadow defines the contours of his face…
A man sits in the quiet gravity of 1810. He is Ezra Ames, caught in a moment of stillness against a dark, atmospheric void. The light strikes the right side of his face, carving the contours of a jawline and a high forehead with a steady, singular focus. His eyes, a pale blue, look forward with a composed and serious expression. He wears a dark navy coat and a crisp…
Mrs. Daniel D. Tompkins (Hannah Minthorne, 1781–1829)1809 · New York Historical Society
12
James Rivington Sr. (ca. 1724–1802)1806 · New York Historical Society
13
Myron Holley (1779–1844)1820 · New York Historical Society
14
John Bryan (1765-1849)1815 · New York Historical Society
15
Mrs. Hooper Cumming and Daughter Harriet1818 · New York Historical Society
16
Mrs. John Bryan (Catharine Carmichael, 1773-1854)1815 · New York Historical Society
17
William James (1771-1832)1822 · Harvard Art Museums
18
Portrait of George Humphrey1819
19
Portrait of Eleanor Humphrey1819
20
Untitled (D2X2EM)1820
21
Mrs. Eleazer Burnham (Caroline Matilda Wood, ca. 1785–1832)1830 · New York Historical Society
22
Eleazer Burnham (1780–1867)1826 · New York Historical Society
23
Clarkson Crolius Sr. (1773–1843)1825 · New York Historical Society
24
Elkanah Watson (1758-1842)1809 · Albany Institute of History - Art
25
Governor John Tayler (1742-1829)1804 · Albany Institute of History - Art
26
Peter Van Vechten Memorial1800 · Albany Institute of History - Art
27
Governor George Clinton (1739-1812)1813 · Albany Institute of History - Art
28
Maria Van Schaick (1782-1865)1808 · Albany Institute of History - Art
29
Edmond Charles Genet (1763-1834)1810 · Albany Institute of History - Art
30
Chancellor James Kent (1763-1847)1812 · Albany Institute of History - Art
31
Harriet Romeyn (Mrs. Spencer) Stafford (1792-1849)1807 · Albany Institute of History - Art
32
Maria Gansevoort Melvill (Mrs. Allan Melvill)1815 · Національна галерея мистецтв
33
Governor DeWitt Clinton (1769-1828)1818 · Albany Institute of History - Art
34
George Washington (1732-1799)1826 · Albany Institute of History - Art
35
Coat of Arms of the City of Albany1825 · Albany Institute of History - Art
36
Governor Enos T. Throop (1784-1874)1833 · Albany Institute of History - Art
37
Spencer Stafford (1772-1844)1807 · Albany Institute of History - Art
38
The Fondey Family1803 · Albany Institute of History - Art
39
Simeon de Witt1804 · Zimmerli Art Museum at Rutgers University
40
Governor Martin Van Buren (1782-1862)1828 · Albany Institute of History - Art
41
Mourning LocketAlbany Institute of History - Art
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Езра Еймс | Картини зі цього списку |
|---|---|---|---|
 Albany Institute of History - Art |
Олбані | 16 | Elkanah Watson (1758-1842), Governor John Tayler (1742-1829), Peter Van Vechten Memorial |
 New York Historical Society |
Нью-Йорк | 13 | Goldsborough Banyar Sr. (1724–1815), George Clinton (1739–1812), Henry Jones (1790-?) |
 Метрополітен-музей |
Нью-Йорк | 2 | Philip Van Cortlandt, Portrait of a Gentleman |
 Національна портретна галерея |
Вашингтон, округ Колумбія | 2 | Joseph Bradley Varnum, Theodore Sedgwick |
 Клівлендський музей мистецтва |
Клівленд | 1 | John Scoville |
 Yale University Art Gallery |
Нью-Хейвен | 1 | Judge Matthias Burnet Tallmadge (1774-1819), B.A. 1795 |
 Harvard Art Museums |
Кембридж | 1 | William James (1771-1832) |
 Національна галерея мистецтв |
Вашингтон | 1 | Maria Gansevoort Melvill (Mrs. Allan Melvill) |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
A quiet dignity settles over the oval frame, holding a man caught in a moment of composed stillness. He gazes forward, his expression carrying a hint of a smile that suggests a pleasant, perhaps even witty, demeanor. The portrait is a miniature, a tiny window into a life of standing and substance. He wears the hallmarks of his era: a crisp cravat, a waistcoat adorned with decorative buttons, and the…
In this formal portrait, we encounter Theodore Sedgwick, a man whose presence commands a quiet, steady respect. The composition is a bust-length study, positioning the subject slightly off-center as he gazes toward the viewer's left, though his eyes remain fixed forward. There is a certain gravity in his expression, a sense of a life lived within the spheres of law and governance. The lighting is deliberate, descending from the upper…
A single folded document rests against the man's hand, its edge marked by a small red seal. This scrap of paper anchors the composition, suggesting a life bound to legalities and land. Philip Van Cortlandt sits in a three-quarter view, his presence defined by the heavy, dark fabric of a wool coat. The light enters from the upper left, catching the sharp ridge of his nose and the crisp, white…
Philip Van Cortlandt (1810), Метрополітен-музей, Нью-Йорк. Далі йдуть Joseph Bradley Varnum (1819) та Theodore Sedgwick (1808).
42 років: Philip Van Cortlandt датована 1810 роком, а Езра Еймс народився(-лася) у 1768.
Philip Van Cortlandt, Joseph Bradley Varnum, Theodore Sedgwick, Portrait of a Gentleman, Goldsborough Banyar Sr. (1724–1815), John Scoville, Judge Matthias Burnet Tallmadge (1774-1819), B.A. 1795, George Clinton (1739–1812), Henry Jones (1790-?) та Self-Portrait. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 41 робіт Езра Еймс, датованих періодом з 1785 по 1833.
Переважно в Albany Institute of History - Art (Олбані), New York Historical Society (Нью-Йорк) та Метрополітен-музей (Нью-Йорк). У таблиці музеїв вище наведено їхній повний перелік.
У 1810s: 17 із 41 робіт на цій сторінці були створені тоді, серед них Philip Van Cortlandt.
На цій сторінці найдавніша робота датована Portrait of a Gentleman (1785), а найновіша — Governor Enos T. Throop (1784-1874) (1833).
Man (10), Portrait (9) та White cravat (6), у 41 роботах на цій сторінці.
Oil On Canvas, для 6 із 41 робіт на цій сторінці.
Neoclassicism, судячи з оригіналів на цій сторінці.
Elkanah Watson (1758-1842), Governor John Tayler (1742-1829) та Peter Van Vechten Memorial: Albany Institute of History - Art, Олбані зберігає 16 робіт із цієї сторінки.
