Edward Collier
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Коротко кажучи
На думку експертів галереї, найвідоміший витвір Еверт Коллієр — це Edward Collier (1683). Still Life with a Volume of Wither's 'Emblemes' (1696) та Vanitas Still-Life (10) (1697) доповнюють тріо, яке впізнає кожне око. З 53 робіт Еверт Коллієр у нашому каталозі галерея представляє 46 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
Vanitas Still-Life (10) is an oil on canvas work by Evert Collier, executed in 1697. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708, leaving behind a body of work defined by the meticulous observation of material objects and their symbolic weight.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
Trompe l'oeil still-life of a letter rack is an oil on canvas work by Evert Collier, dated 1684. The artist, born in Breda, Netherlands, in 1642, was a prominent figure of the Dutch Golden Age. Collier lived until 1708.
The scene unfolds within Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, a work that invites a quiet contemplation of existence. Evert Collier presents this still life as a meditation on the fleeting nature of life and the weight of human achievement. Every object rests upon a red velvet tablecloth, waiting for the viewer to notice the subtle interplay of shadow and light.…
The scene unfolds within Vanitas with Books, Instruments, and an Astronomical Globe on a table, a work that captures a quiet, heavy moment of contemplation. Created around 1688, this painting presents a collection of objects that whisper of human knowledge and the inevitable passage of time. Every item resting upon the draped surface invites a gaze into the depths of the Dutch Golden Age, a period where the pursuit of…
This portrait of Charles I is a work by the Dutch Golden Age artist Evert Collier. Created in 1698, the piece captures the monarch in a manner that reflects the artist's specific technical interests. Collier, who was born in Breda, Netherlands, in 1642, brought a particular sensibility to this depiction, shaped by his training and his later movements through the artistic centers of Europe.
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Еверт Коллієр | Картини зі цього списку |
|---|---|---|---|
| Денвер | 2 | Charles I, A vanitas | |
| Нью-Йорк | 1 | Vanitas Still Life | |
| Будапешт | 1 | A Vanitas Still Life | |
| Лейпциг | 1 | Vanitas with Books, Instruments, and an Astronomical Globe on a table | |
| Х'юстон | 1 | Still Life: The Smell | |
| Гаага | 1 | Vanitas Still Life | |
| Сан-Франциско | 1 | Vanitas still life with coins and other objects on a table | |
| Helsinki | 1 | Vanitas |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
The scene unfolds through Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus. This composition emerges from the hand of Evert Collier, an artist born in Breda. The objects rest in a quiet, heavy atmosphere, as if caught in a moment of profound stillness. Every item, from the…
This work, titled Vanitas Still Life, was executed by Evert Collier in 1662. It is an oil on wood painting that measures 94 x 112 cm. The piece belongs to the Dutch Golden Age, a period when Collier began establishing his reputation for meticulous detail and symbolic depth.
A Vanitas Still Life is an oil on canvas work by Evert Collier. Executed about 1675, the painting belongs to the Dutch Golden Age. The artist, born in Breda, Netherlands, in 1642, utilized the vanitas genre to contemplate the transience of earthly existence through a dense arrangement of symbolic objects.
The oil on canvas titled Edward Collier is a work by Evert Collier. This specific piece is dated 1683. It measures 44 x 53 cm. The surface holds a quiet stillness, a captured moment of a man in a red robe.
Still Life with a Volume of Wither's 'Emblemes' is an oil on canvas painting executed by Evert Collier in 1696. The work originated during the artist's period of activity in England, following his arrival from the Netherlands in 1693. Collier, born in Breda, Netherlands, spent his final years in London, where he died in 1708.
A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife emerges from the shadows, inviting the eye to believe in its physical presence. This work, painted by Evert Collier, captures a moment of suspended animation where stationery and tools rest against a dark void. The scene feels immediate, as if the viewer has just stepped into a private study where correspondence remains half-finished…
Edward Collier (1683). Далі йдуть Still Life with a Volume of Wither's 'Emblemes' (1696) та Vanitas Still-Life (10) (1697).
41 років: Edward Collier датована 1683 роком, а Еверт Коллієр народився(-лася) у 1642.
Edward Collier, Still Life with a Volume of Wither's 'Emblemes', Vanitas Still-Life (10), Vanitas still life with an upturned lute, a globe turned to the Pacific Ocean, an open copy of Rider Cardanus' The British Merlin , and an engraving of Caesar Octavianus Augustus, Vanitas Still Life, A Vanitas Still Life, Trompe l'oeil still-life of a letter rack, Vanitas Still Life with a Statuette of an Antique Athlete and a Print of Michelangelo, Vanitas with Books, Instruments, and an Astronomical Globe on a table та Charles I. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 53 робіт Еверт Коллієр, датованих періодом з 1650 по 1706.
Переважно в Денверський художній музей (Денвер), Метрополітен-музей (Нью-Йорк) та Музей мистецтв Будапешта (Будапешт). У таблиці музеїв вище наведено їхній повний перелік.
У 1660s: 8 із 46 робіт на цій сторінці були створені тоді, серед них Vanitas Still Life.
На цій сторінці найдавніша робота датована Vanitas still life with a globe, books, and a box of jewels all resting on a draped table (1650), а найновіша — A trompe l'oeil of a letter rack with a print, a quill, sealing wax and a knife (1706).
Life (12), Books (8) та Skull (6), у 46 роботах на цій сторінці.
Oil On Canvas, для 7 із 46 робіт на цій сторінці.
Baroque, судячи з оригіналів на цій сторінці.
Charles I та A vanitas: Денверський художній музей, Денвер зберігає 2 робіт із цієї сторінки.
Evert Collier, born circa 1642 in Breda, Noord-Brabant, emerged as a prominent figure within the Dutch Golden Age artistic landscape—a period characterized by unparalleled innovation and opulent patronage. His early training in Haarlem under Vincent Laurensz van der Vinne instilled foundational principles of observation and draughtsmanship, shaping his distinctive approach to still life painting.
Collier distinguished himself from many of his contemporaries through his masterful execution of trompe-l'œil—a technique designed to deceive the eye by creating illusions of depth and dimensionality on a flat surface. Unlike conventional realism, trompe-l'œil prioritized visual trickery over accurate representation, transforming ordinary objects into captivating spectacles.
Collier’s still lifes transcended mere depiction; they functioned as meditations on mortality—a central preoccupation within the vanitas genre prevalent during his era. Each element meticulously chosen conveyed a profound message about decay, remembrance, and the inevitability of death.
Collier’s artistic legacy extends beyond his individual oeuvre—he exerted considerable influence on subsequent generations of Dutch painters, particularly those exploring the trompe-l'œil technique. His works are housed in prominent museums worldwide, including the Rijksmuseum (Amsterdam), Tate London, Denver Art Museum and Honolulu Museum of Art, ensuring that his visionary artistry continues to inspire admiration and scholarly inquiry.
Sources: Bryan’s Dictionary of Painters and Engravers; Netherlands Institute for Art History; Biographical Notices from Various Art Historical Databases