Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 21 робіт Bernice Cross у нашому каталозі
Коротко кажучи
На думку експертів галереї, найвідоміший витвір Bernice Cross — це Black Pitcher (1944), оригінал якого експонується в The Phillips Collection, Вашингтон, округ Колумбія. Melon Vendor (1934) та Sancho Panza (1938) доповнюють тріо, яке впізнає кожне око. З 21 робіт Bernice Cross у нашому каталозі галерея представляє 21 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · The Phillips Collection
12
ShowerThe Phillips Collection
13
Land of Cotton1938 · The Phillips Collection
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Georgetown Corner in the Rain1934 · Смитсонівський музей американського мистецтва
15
Strawberry Basket1943 · The Phillips Collection
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Pink Lemonade1941 · The Phillips Collection
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The Little Dove's Stove1940 · The Phillips Collection
18
Pansies and Pitcher1948 · The Phillips Collection
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Winter Light1951 · The Phillips Collection
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Royal Figure1953 · The Phillips Collection
21
Key Rack1949 · The Phillips Collection
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
2 музеїв, у яких зберігається більшість картин із цього списку.
| Музей | Місто | Твори Bernice Cross | Картини зі цього списку |
|---|---|---|---|
 The Phillips Collection |
Вашингтон, округ Колумбія | 18 | Black Pitcher, Sancho Panza, Seaside |
 Смитсонівський музей американського мистецтва |
Вашингтон, округ Колумбія | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), The Phillips Collection, Вашингтон, округ Колумбія. Далі йдуть Melon Vendor (1934) та Sancho Panza (1938).
32 років: Black Pitcher датована 1944 роком, а Bernice Cross народився(-лася) у 1912.
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress та Circus People Resting. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 21 робіт Bernice Cross, датованих періодом з 1934 по 1953.
Переважно в The Phillips Collection (Вашингтон, округ Колумбія) та Смитсонівський музей американського мистецтва (Вашингтон, округ Колумбія). У таблиці музеїв вище наведено їхній повний перелік.
У 1940s: 9 із 21 робіт на цій сторінці були створені тоді, серед них Black Pitcher.
На цій сторінці найдавніша робота датована Melon Vendor (1934), а найновіша — Royal Figure (1953).
Woman (2) та Wood grain (2), у 21 роботах на цій сторінці.
Oil On Canvas, для 3 із 21 робіт на цій сторінці.
Black Pitcher, Sancho Panza та Seaside: The Phillips Collection, Вашингтон, округ Колумбія зберігає 18 робіт із цієї сторінки.
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
