Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 10 робіт Антоніо Баділе у нашому каталозі
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З усіх оригінальних робіт, які залишив Антоніо Баділе, найвідомішою є Polyptych of the Four Crowned Saints, Simplicius (1552) із колекції Castelvecchio Museum, Верона. Слідом за ними йдуть Portrait of an unknown woman (1550) та The Virgin and Child with Saint John the Baptist (1550). Наш каталог містить 10 робіт Антоніо Баділе; галерея зберегла 10 найвідоміших у світі творів, кожен із яких представлений із датою створення, назвою музею та своєю історією.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
3 музеїв, у яких зберігається більшість картин із цього списку.
| Музей | Місто | Твори Антоніо Баділе | Картини зі цього списку |
|---|---|---|---|
 Castelvecchio Museum |
Верона | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Музей Прадо |
Мадрид | 1 | Portrait of an unknown woman |
 Національний музей мистецтва, архітектури та дизайну |
Осло | 1 | Portrait of a Musician |
Лише за десятиліття, з 1550 по 1560, цей період подарував світу кожну датовану оригінальну роботу Антоніо Баділе у цій добірці: ось вони, рік за роком.
Оберіть рік, щоб переглянути оригінали.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
Більше від 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
Більше від 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Верона. Далі йдуть Portrait of an unknown woman (1550) та The Virgin and Child with Saint John the Baptist (1550).
34 років: Polyptych of the Four Crowned Saints, Simplicius датована 1552 роком, а Антоніо Баділе народився(-лася) у 1518.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel та Saints Cecilia, Tiburtius, Valerian. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 10 робіт Антоніо Баділе, датованих періодом з 1550 по 1560.
Переважно в Castelvecchio Museum (Верона), Музей Прадо (Мадрид) та Національний музей мистецтва, архітектури та дизайну (Осло). У таблиці музеїв вище наведено їхній повний перелік.
У 1552: 4 із 10 робіт на цій сторінці були створені тоді, серед них Polyptych of the Four Crowned Saints, Simplicius.
На цій сторінці найдавніша робота датована Portrait of an unknown woman (1550), а найновіша — Tobias and the Angel (1560).
Man (4), Drapery (2) та Woman (2), у 10 роботах на цій сторінці.
Oil On Board, для 3 із 10 робіт на цій сторінці.
Renaissance, судячи з оригіналів на цій сторінці.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia та Polyptych of the Four Crowned Saints, Claudius: Castelvecchio Museum, Верона зберігає 7 робіт із цієї сторінки.
