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На думку експертів галереї, найвідоміший витвір Angelo Caroselli — це Wenceslaus I, Duke of Bohemia (1628), оригінал якого експонується в Kunsthistorisches Museum, Відень. Saint Jerome in the Wilderness (1625) та Singing man, possibly a self-portrait (1620) доповнюють тріо, яке впізнає кожне око. З 14 робіт Angelo Caroselli у нашому каталозі галерея представляє 14 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The oil painting titled Saint Jerome in the Wilderness is a Baroque work by the Roman artist Angelo Caroselli. Created in Rome, Italy, the piece dates to about 1620-1630. It captures the theologian St. Jerome, who lived from approximately 340 to 420, during a period of intense spiritual focus.
A bearded man is captured in a moment of intense musical concentration, his gaze fixed upon a piece of sheet music held before him. The composition is an intimate close-up, focusing on the upper torso and head. A single light source cuts through the darkness, illuminating the side of his face and his hands while casting the rest of the figure into deep shadow. This use of chiaroscuro creates a…
Angelo Caroselli executed Madonna and Child with St. Lawrence and St. Stephen as a devotional work of religious art. The composition centers on the Virgin Mary and the Christ Child, flanked by the two saints. This piece belongs to the Baroque period, reflecting the stylistic shifts occurring in Rome during the seventeenth century.
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
Angelo Caroselli captured the essence of the harvest in this Allegory of Autumn, a work dating to about 1630. The painting functions as one half of a seasonal dialogue, created as part of a pair alongside the work titled "Printemps." Together, these figures trace the cyclical movement of the year through the quietude of their gestures and the weight of their presence.
We are looking at the Allegory of Vanitas, a work painted by Angelo Caroselli in 1637. This piece is an oil on panel, a medium that allows for a specific kind of depth and texture in the rendering of skin and fabric. It is currently held within the collection of the Museum Boijmans Van Beuningen in Rotterdam, Netherlands.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Angelo Caroselli’s "Rest on the Flight into Egypt" is not merely a depiction of a biblical passage; it is an immersive journey into the heart of Baroque drama, rendered with profound tenderness. The scene captures that pivotal moment when Mary cradles the infant Jesus amidst the arduous trek to Egypt. One can almost feel the dust of the road and hear the hushed whispers of the accompanying figures. Caroselli masterfully…
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
7 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Angelo Caroselli | Картини зі цього списку |
|---|---|---|---|
 Kunsthistorisches Museum |
Відень | 2 | Wenceslaus I, Duke of Bohemia, Singing man, possibly a self-portrait |
 Walters Art Museum |
Балтимор | 2 | Saint Jerome in the Wilderness, Madonna and Child with St. Lawrence and St. Stephen |
 Musée Fesch |
Екс-ан-Провенс | 2 | Allegory of Spring, Allegory of Autumn |
 Музей Бойманса-ван-Бёнінгена |
Роттердам | 1 | Allegory of Vanitas |
 Museo Civico |
Анкона | 1 | The necromancer |
 Галерея національного старовинного мистецтва |
Рим | 1 | Rest on the Flight into Egypt |
 Національна галерея |
Лондон | 1 | The Plague at Ashdod ( Poussin) |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Wenceslaus I, Duke of Bohemia (1628), Kunsthistorisches Museum, Відень. Далі йдуть Saint Jerome in the Wilderness (1625) та Singing man, possibly a self-portrait (1620).
43 років: Wenceslaus I, Duke of Bohemia датована 1628 роком, а Angelo Caroselli народився(-лася) у 1585.
Wenceslaus I, Duke of Bohemia, Saint Jerome in the Wilderness, Singing man, possibly a self-portrait, Madonna and Child with St. Lawrence and St. Stephen, Allegory of Spring, Allegory of Autumn, Allegory of Vanitas, The necromancer, Rest on the Flight into Egypt та Portrait of a Young Man in Armor, as Saint George. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 14 робіт Angelo Caroselli, датованих періодом з 1620 по 1649.
Переважно в Kunsthistorisches Museum (Відень), Walters Art Museum (Балтимор) та Musée Fesch (Екс-ан-Провенс). У таблиці музеїв вище наведено їхній повний перелік.
У 1620s: 4 із 14 робіт на цій сторінці були створені тоді, серед них Wenceslaus I, Duke of Bohemia.
На цій сторінці найдавніша робота датована Singing man, possibly a self-portrait (1620), а найновіша — The necromancer (1649).
Woman (5), Man (4) та Beard (2), у 14 роботах на цій сторінці.
Oil On Canvas, для 4 із 14 робіт на цій сторінці.
Baroque, судячи з оригіналів на цій сторінці.
Wenceslaus I, Duke of Bohemia та Singing man, possibly a self-portrait: Kunsthistorisches Museum, Відень зберігає 2 робіт із цієї сторінки.
Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.
Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.
Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.
Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.
While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.
