Формат паперу

Посібник зі студентських робіт

The Cook

Ім'я Клас Дата

Арчимбольдо, The Cook (1570), Національний музей Швеції. Общественное достояние Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

Основна інформація

Автор
Арчимбольдо originaluniqueart.com/uk/artists/%D0%B0%D1%80%D1%87%D0%B8%D0%BC%D0%B1%D0%BE%D0%BB%D1%8C%D0%B4%D0%BE_uk/
Дати створення автором
1527 – 1593
Живопис
1570
Матеріал
Acrylic On Canvas
Початковий розмір
53 x 41 cm
Місце проведення
Національний музей Швеції originaluniqueart.com/uk/museums/%D0%BD%D0%B0%D1%86%D1%96%D0%BE%D0%BD%D0%B0%D0%BB%D1%8C%D0%BD%D0%B8%D0%B9-%D0%BC%D1%83%D0%B7%D0%B5%D0%B9-%D1%88%D0%B2%D0%B5%D1%86%D1%96%D1%97-%D1%81%D1%82%D0%BE%D0%BA%D0%B3%D0%BE%D0%BB%D1%8C%D0%BC_uk/
Artistic style
Composite head
Influences
Renaissance
Notable elements
Upside-down portrait
Subject or theme
Roasted meats/food

У контексті

The Cook — Арчимбольдо

Розмір

Оригінальні розміри складають 53 × 41 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1520
  2. 1530
  3. 1540
  4. 1550
  5. 1560
  6. 1570
  7. 1580
  8. 1590

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду — 0 при народженні, 66 на момент смерті.

Написано, коли художнику було 43. Митець дожив до 66 років. 36 із 119 датованих робіт цього митця в нашому каталозі були створені раніше.

Затінення: життя Арчимбольдо (1527–1593) ▲ ця робота, 1570 кожна картини з датою, десятиліття за десятиліттям

Перші роботи: до 1566 Основні роки творчості: 1566–1585 Пізні роботи: з 1585

Ці три сегменти поділяють роботи, датовані в цьому каталозі, на перший квартал, середину та останній квартал. Вони не є повним переліком творчості митця: певна прогалина може бути лише розривом у записах, а не періодом творчого затишшя. Ті самі роки, що переплітаються з життям митця

Схожі твори мистецтва

  • Вертумнus (Вертмуно), 1590 originaluniqueart.com/uk/art/%D0%B0%D1%80%D1%87%D0%B8%D0%BC%D0%B1%D0%BE%D0%BB%D1%8C%D0%B4%D0%BE-%D0%B2%D0%B5%D1%80%D1%82%D1%83%D0%BC%D0%BDus-%D0%B2%D0%B5%D1%80%D1%82%D0%BC%D1%83%D0%BD%D0%BE-8BWLKF-uk/
  • Літо 1, 1563 originaluniqueart.com/uk/art/%D0%B0%D1%80%D1%87%D0%B8%D0%BC%D0%B1%D0%BE%D0%BB%D1%8C%D0%B4%D0%BE-%D0%BB%D1%96%D1%82%D0%BE-1-8BWLJX-uk/
  • Осінь, 1572 originaluniqueart.com/uk/art/%D0%B0%D1%80%D1%87%D0%B8%D0%BC%D0%B1%D0%BE%D0%BB%D1%8C%D0%B4%D0%BE-%D0%BE%D1%81%D1%96%D0%BD%D1%8C-8XY5UD-uk/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: originaluniqueart.com/uk/art/similar/giuseppe-arcimboldo-the-cook-8XZ9DP-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Espresso #594935

    Збережена палітра

    • #594935
    • #9D6D2C
    • #A69F92
    • #23201A

    Ці кольори в межах усієї палітри художника Знайти інші картини за кольором

    Палітра
    Earthy Переважаюча колірна гама зображення.
    Назва основного кольору
    Espresso
    Інтенсивність
    Balanced Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Balanced Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Strong Color Unity Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Shadow Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Balanced Soft Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    У яких куточках світу переглядають цю картину?

    • менше ніж 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% і більше
    Ця картина окремо має занадто мало зареєстрованих відвідувачів для створення карти, тому на плакаті представлено всі роботи Арчимбольдо за останні дванадцять місяців — загалом 27 країн. Звідки беруться ці дані

    Десять провідних країн

    1. 1 Китай 35,6%
    2. 2 Італія 13,3%
    3. 3 Франція 11,3%
    4. 4 Сполучені Штати Америки 7,1%
    5. 5 Іспанія 6,4%
    6. 6 Гонконг 6,4%
    7. 7 Сінгапур 5,7%
    8. 8 Німеччина 2,7%
    9. 9 Швеція 2,2%
    10. 10 Польща 1,7%
    11. · 17 інші країни 7,6%

    Знайдіть на карті три найтемніші країни. Чи є серед них та, де розташований музей, у якому зберігається ця картина? Напишіть одну причину, чому люди з далеких країв можуть захотіти її подивитися.

    20 найбільш переглянутих робіт Арчимбольдо

    1. 1 Вертумнus (Вертмуно), 1590 16,1%
    2. 2 Літо 1, 1563 6,9%
    3. 3 Бібліотекар, 1566 5,5%
    4. 4 Осінь, 1573 4,0%
    5. 5 Полум'я 3,8%
    6. 6 Осінь, 1572 3,3%
    7. 7 Літо, 1563 3,3%
    8. 8 Зворотний Голова з Корзиною Фруктів, 1590 2,6%
    9. 9 Вогнь, 1566 2,6%
    10. 10 Квітнева сцена з зображенням портрета, 1591 2,4%
    11. 11 Зображення фруктового кошика, 1590 2,2%
    12. 12 Spring, 1573 1,6%
    13. 13 Літо, 1573 1,6%
    14. 14 The Vegetable Gardener, 1587 1,5%
    15. 15 Summer (detail), 1563 1,5%
    16. 16 Sketch for a Visored Helmet, 1585 1,5%
    17. 17 Earth, 1566 1,3%
    18. 18 Повітря, 1566 1,1%
    19. 19 Winter, 1573 1,1%
    20. 51 The Cook, 1570 ця картина 0,4%

    Разом ці роботи становлять 64,3% усієї уваги, яку приділяли картинам цього художника протягом останніх дванадцяти місяців. Каталог містить 168 робіт цього митця, з яких 114 були переглянуті принаймні один раз. Ця картина посідає 51 місце серед них, причому на неї припадає 0,4% цієї уваги. Те саме значення, місяць за місяцем

    Смужки вимірюють увагу, а не якість. Оберіть роботу на самому верху та цю: назвіть одну річ, яка може принести картині славу, окрім майстерності її виконання.

    Про цей витвір мистецтва

    The Cook — Арчимбольдо

    A Culinary Portrait: Giuseppe Arcimboldo’s “The Cook”

    Giuseppe Arcimboldo's "The Cook," painted around 1570 and now residing in the Nationalmuseum of Stockholm, isn’t merely a still life; it’s an audacious visual riddle, a meticulously constructed portrait that simultaneously depicts a roasted fowl and a human face. Turning the canvas upside down unlocks this hidden image – a striking testament to Arcimboldo's mastery of trompe-l'oeil and his profound understanding of Renaissance symbolism. This work transcends simple representation, becoming a meditation on identity, transformation, and the very nature of perception.

    The painting itself is dominated by an abundance of autumnal bounty: plump pears, glistening cherries, roasted meats arranged with theatrical precision, and a scattering of herbs and vegetables. Arcimboldo’s technique is remarkably detailed; each fruit and vegetable is rendered with painstaking accuracy, capturing their textures and colors with astonishing realism. The oil paint application is smooth and luminous, creating an almost tactile quality that draws the viewer into the scene. He doesn't simply arrange these objects; he orchestrates them, building a complex composition where every element contributes to the overall effect.

    The Renaissance Mind: Symbolism and Allegory

    Arcimboldo’s work is deeply rooted in the intellectual currents of the late 16th century. During this period, there was a renewed interest in classical philosophy, particularly Neo-Platonism, which explored the interconnectedness of all things – the idea that the visible world is merely an imitation of a higher realm. Arcimboldo’s portraits, especially those constructed from inanimate objects, can be interpreted as allegorical representations of power and status. The choice of elements—the meats, for instance—suggested abundance, wealth, and the responsibilities associated with leadership. The inverted image, when revealed, subtly hints at the duality inherent in human nature: the animalistic instincts alongside the rational intellect.

    Furthermore, Arcimboldo’s work reflects a fascination with metamorphosis – the ability of things to transform into something entirely different. The “Cook” embodies this concept perfectly; it is both a literal depiction of food and a symbolic representation of a human figure. This blurring of boundaries was not uncommon in Renaissance art, where artists often sought to challenge conventional notions of reality.

    A Masterpiece of Illusion

    The brilliance of "The Cook" lies not only in its subject matter but also in the sheer artistry involved in creating this illusionistic masterpiece. Arcimboldo’s skill as a painter is evident in his ability to seamlessly integrate disparate elements into a cohesive whole. The composition is carefully balanced, with each object placed deliberately to contribute to the overall effect. The use of light and shadow further enhances the sense of depth and realism.

    Beyond its technical virtuosity, “The Cook” possesses a captivating charm. It’s a playful invitation to engage in visual problem-solving, rewarding the viewer with a hidden image that delights and surprises. The painting speaks to our innate desire to find patterns and connections, suggesting that even the most mundane objects can hold profound meaning when viewed through the right lens.

    Collecting and Displaying Arcimboldo’s Legacy

    Reproductions of “The Cook” offer a beautiful way to bring this iconic artwork into your home or office. Consider framing it in a simple, elegant frame that allows the vibrant colors and intricate details of the painting to shine through. The piece would complement a variety of interior design styles, from classic to contemporary. Its intriguing subject matter makes it an excellent conversation starter, inviting viewers to contemplate the artistry and symbolism behind this remarkable creation.

    Митець та музей

    Автор

    Арчимбольдо

    Місце народження Мілан, Італія

    Giuseppe Arcimboldo: A Master of Illusion and Symbol

    Giuseppe Arcimboldo, a name that echoes through the halls of art history, conjures images both delightfully whimsical and profoundly enigmatic. Born in Milan in 1527, his life unfolded against the backdrop of a Europe brimming with intellectual curiosity, religious upheaval, and an insatiable desire to understand the natural world. Initially recognized for his skill in creating frescoes for cathedrals and portraits adhering to established courtly standards, Arcimboldo’s enduring legacy rests upon a series of astonishing composite heads—masterpieces constructed entirely from meticulously arranged objects: fruits, vegetables, flowers, books, musical instruments, and even entire animals. These weren't mere playful tricks; they were complex allegories, imbued with layers of symbolism that resonated deeply within the Renaissance worldview and continue to captivate viewers today. His father, Biagio Arcimboldo, a painter in the service of the Milanese Duomo, provided young Giuseppe with his early artistic training, likely instilling a foundational appreciation for detail and design—qualities that would become central to his distinctive style.

    Courtly Patronage and the Birth of a Unique Vision

    Arcimboldo’s career trajectory took a dramatic turn in 1562 when he was appointed court portraitist to Ferdinand I, the Archduke of Austria, at the Habsburg court in Vienna. This appointment marked a pivotal moment, catapulting him into an environment of refined taste and intellectual ferment—a setting perfectly suited to his burgeoning artistic vision. Over the next two decades, he served three successive Habsburg rulers: Maximilian II, Rudolf II, and ultimately, Ferdinand III. Beyond simply painting portraits – though even these often possessed subtle eccentricities – Arcimboldo’s duties encompassed costume design for elaborate court festivals, the creation of stunning stage sets, and the organization of the imperial collections, which included a vast array of exotic artifacts, rare animals, and precious artworks. It was within this stimulating atmosphere that his signature style began to truly flourish. The Habsburg court's demand for novelty and spectacle provided an ideal breeding ground for experimentation, allowing Arcimboldo to move beyond traditional portraiture and explore the possibilities of creating entirely new forms of representation. He drew inspiration from a variety of sources—Renaissance trompe l’oeil techniques, classical mythology, and the burgeoning interest in alchemy and symbolism—weaving them together into a unique visual language that challenged conventional notions of beauty and realism.

    Decoding the Language of Objects: Symbolism and Allegory

    Arcimboldo's portraits are not simply visually arresting; they are rich in symbolic meaning. Each object carefully selected, laden with layers of interpretation related to the sitter’s character, profession, or social status. Consider The Librarian (1566), a portrait seemingly constructed entirely from books—a clever commentary on scholarly pursuits and the accumulation of knowledge. The rows of stacked volumes aren't merely decorative; they represent the weight of learning, while the scattered papers suggest the chaos of intellectual inquiry. Similarly, his portraits of the seasons – particularly Vertumnus, depicting Emperor Rudolf II as the Roman god of gardens and change – are brimming with botanical symbolism, reflecting the emperor’s patronage of science and natural history. The arrangement of fruits, flowers, and vegetables isn't arbitrary; it speaks to the cyclical nature of life, the abundance of the harvest, and the interconnectedness of all things. Arcimboldo wasn’t simply creating pretty pictures; he was crafting complex allegories designed to provoke contemplation and invite viewers to unravel layers of meaning hidden within the seemingly playful arrangement of objects. The very act of constructing a human likeness from inanimate matter served as a meditation on the fundamental principles of Renaissance philosophy—the belief in an underlying harmony of the universe, accessible through careful observation and symbolic representation.

    The Influence of Mannerism and Beyond

    Arcimboldo’s style is often categorized within the broader movement of Mannerism, characterized by its emphasis on artificiality, exaggeration, and a deliberate departure from naturalistic representation. However, his work transcends simple categorization, incorporating elements of both Renaissance humanism and proto-Surrealist aesthetics. He drew inspiration from earlier artists who experimented with trompe l’oeil effects and distorted perspectives, but he synthesized these influences into something entirely his own—a unique visual language that challenged conventional notions of representation. His work also reflects the influence of Renaissance Neoplatonism, which emphasized the interconnectedness of all things through a shared divine source. The meticulous arrangement of objects in his portraits can be interpreted as an attempt to recreate this harmonious order, reflecting the underlying unity of the universe. Furthermore, Arcimboldo’s innovative use of perspective and spatial illusion foreshadowed developments in later artistic movements, particularly Surrealism, which embraced dreamlike imagery and unexpected juxtapositions.

    Legacy and Rediscovery: A Precursor to Surrealism

    Despite his considerable success during his lifetime, Arcimboldo's reputation waned considerably after his death in 1593. His work was often dismissed as mere curiosities—appreciated for its technical skill but lacking serious artistic merit. It wasn’t until the early 20th century that a renewed appreciation for his art emerged, fueled by the rise of Surrealism. Artists like Salvador Dalí recognized in Arcimboldo a kindred spirit—a visionary who dared to challenge conventional perceptions and explore the subconscious through unexpected juxtapositions of imagery. The influence of Arcimboldo can be seen in Dalí’s own dreamlike compositions and his fascination with metamorphosis and illusion. Today, Giuseppe Arcimboldo is celebrated as a pivotal figure in art history—a precursor to Surrealism whose innovative use of symbolism and playful distortion continues to inspire artists and captivate audiences worldwide. His paintings are housed in prestigious museums such as the Kunsthistorisches Museum in Vienna and the Louvre in Paris, ensuring that his unique vision will continue to resonate for generations to come. *His legacy stands as a testament to the enduring power of imagination and the ability of art to transform our understanding of the world around us.*

    Музей

    Національний музей Швеції

    Експонується в Стокгольм, Швеція

    A Chronicle of Swedish Identity: Unveiling the Nationalmuseum

    Nestled within Stockholm’s vibrant heart, on the serene Blasieholmen peninsula, lies the Nationalmuseum – a place far more than just a repository for art; it's a living chronicle of Sweden’s entire cultural journey. Established in 1792 as Kungliga Museet, the Royal Museum, its story is inextricably woven with the nation’s evolution, from the delicate artistry of medieval times and the patronage of aristocratic families to the bold embrace of contemporary expression that defines it today. Stepping through its grand doors is akin to embarking on an immersive exploration – a journey into the very soul of Sweden, where European artistic traditions intertwine seamlessly with uniquely Swedish sensibilities.

    The museum’s architectural heart beats strongly within the building itself, a magnificent testament to Northern Italian Renaissance design conceived by the German architect Friedrich August Stüler. This deliberate choice, reflected in the restrained façade, belies an astonishingly spacious interior – a bold statement of ambition and a commitment to creating a truly democratic space for all Swedes. The dramatic flight of stairs, ascending towards the uppermost galleries, isn’t merely a functional element; it's a powerful symbol, representing an ascent into the realm of artistic contemplation, inviting visitors to pause and absorb the beauty surrounding them. This architectural narrative speaks volumes about the museum’s transformation – from its origins as a royal collection showcasing regal treasures to its current role as a vibrant public institution dedicated to the nation’s entire artistic heritage.

    A Panorama of Artistic Voices

    The Nationalmuseum's collection is an astonishing panorama, spanning centuries and encompassing a breathtaking diversity of artistic voices. The painting galleries offer a sweeping journey through time, beginning with the delicate religious scenes of the Renaissance – masterpieces that evoke a profound sense of faith and devotion, showcasing artists like Jan van Eyck and Rogier van der Weyden. As you move deeper, the collection culminates in the masterful chiaroscuro of Rembrandt, his dramatic use of light and shadow captivating viewers with its emotional intensity, alongside the emotionally charged canvases of Goya, whose works explore themes of war, suffering, and human resilience. Juxtaposed against these international luminaries are Swedish national treasures – pivotal works that define Swedish artistic heritage, including masterpieces by Carl Larsson, Anders Zorn, and Ernst Josephson.

    Beyond the European giants, the museum champions Swedish artists across various periods and movements. The landscapes of Albert Rydberg capture the raw beauty of Sweden’s wilderness, while the poignant portraits of Carl Larsson offer intimate glimpses into Swedish family life. The sculpture section is equally impressive, featuring classical pieces alongside more experimental forms reflecting evolving artistic sensibilities – a testament to Sweden's engagement with both established traditions and innovative approaches. And within the applied arts and design collection, visitors can trace the evolution of Swedish aesthetic ideals through meticulously crafted furniture embodying functional beauty and understated elegance, ceramics imbued with symbolic meaning, and textiles woven with intricate patterns, revealing how artistry seamlessly blended with practicality throughout history.

    A Living Museum: Exhibitions and Engagement

    The Nationalmuseum isn’t merely a static display of masterpieces; it's a dynamic cultural hub actively engaging with contemporary issues. Recent exhibitions have demonstrated this commitment to dialogue and reflection – most notably, “Hanna Hirsch Pauli – The Art of Being Free,” an exploration of artistic expression as a tool for confronting societal challenges. This exhibition, and others like it, highlight the museum’s dedication to fostering critical thinking and inspiring visitors to engage with art in new ways.

    The museum consistently seeks to broaden access to art education, offering engaging programs for visitors of all ages – from family workshops that spark creativity in young minds to lectures and tours designed to deepen understanding. Furthermore, ongoing initiatives aim to connect diverse communities with cultural heritage, ensuring that the Nationalmuseum remains a vital force in shaping Sweden’s cultural landscape. The commitment to accessibility is evident in its free admission on Thursdays and for visitors under 20 – a gesture reflecting a deep-seated belief in the importance of art for all.

    A Legacy Preserved, A Future Embraced

    Ultimately, the Nationalmuseum distinguishes itself through its unwavering commitment to preserving Sweden’s artistic heritage while simultaneously embracing innovation. The architectural grandeur serves as a tangible connection to history, inviting visitors to contemplate the enduring power of art and design – a space for contemplation, discovery, and inspiration. The museum's ongoing renovation project, completed in 2018, has not only modernized its facilities but also reaffirmed its commitment to serving future generations of art lovers. With its rich collection, stunning architecture, and dynamic programming, the Nationalmuseum stands as a beacon of Swedish culture – a place where history comes alive and artistic expression continues to inspire.

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    QR-код, що веде на сторінку завантаження The Cook

    originaluniqueart.com/uk/art/download/giuseppe-arcimboldo-the-cook-8XZ9DP-en/

    Цитування цього твору мистецтва

    MLA
    Арчимбольдо. The Cook. 1570, Національний музей Швеції. https://originaluniqueart.com/uk/art/giuseppe-arcimboldo-the-cook-8XZ9DP-en/
    APA
    Арчимбольдо (1570). The Cook [Painting]. Національний музей Швеції. https://originaluniqueart.com/uk/art/giuseppe-arcimboldo-the-cook-8XZ9DP-en/
    Chicago
    Арчимбольдо. The Cook. 1570. Національний музей Швеції. https://originaluniqueart.com/uk/art/giuseppe-arcimboldo-the-cook-8XZ9DP-en/
    Harvard
    Арчимбольдо (1570) The Cook. Національний музей Швеції. Available at: https://originaluniqueart.com/uk/art/giuseppe-arcimboldo-the-cook-8XZ9DP-en/

    Придивіться уважніше

    The Cook — Арчимбольдо

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: portrait, food, head. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до розгляду Вертумнus (Вертмуно) (1590), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. Арчимбольдо було близько 43 років, коли була створена ця робота. Що саме в ній вказує на такий етап творчості митця?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, спираючись на факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    The Cook — Арчимбольдо

    Наскільки добре ви знаєте цей витвір мистецтва?

    Оберіть одну правильну відповідь на кожне з 5 запитань нижче. Кожне з них має лише одну вірну відповідь.

    1. 1. What is the primary subject depicted in Giuseppe Arcimboldo’s ‘The Cook’?

      • A A portrait of a noblewoman holding bowls of food.
      • B An upside-down human face formed by arranged fruits, vegetables, and meats.
      • C A landscape scene featuring a kitchen garden.
    2. 2. In what year was ‘The Cook’ likely painted?

      • A 1580
      • B 1570
      • C 1600
    3. 3. Giuseppe Arcimboldo is most known for his portraits constructed primarily from:

      • A Oil paints and canvas.
      • B Fruits, vegetables, flowers, and other everyday objects.
      • C Marble sculptures and bronze castings.
    4. 4. What historical period does Arcimboldo’s work primarily reflect?

      • A The Baroque era.
      • B The Renaissance.
      • C The Rococo period.
    5. 5. The image of ‘The Cook’ is notable for its use of pareidolia. What does this term refer to?

      • A A technique used to create realistic textures in painting.
      • B The ability to see patterns or familiar shapes in random or ambiguous stimuli.
      • C A method of distorting perspective to create an illusion of depth.

    Мій результат: ____ із 5

    Відповіді на запитання — для вчителя

    Це починається з окремої друкованої сторінки, тому її можна просто не включати до копій.

    1B · 2B · 3B · 4B · 5B

    Перевірте будь-яку відповідь за каталожним описом цієї картини

    Запитання та відповіді

    Як поєднуються техніка та стиль у "The Cook"?

    У творі "The Cook" техніка Acrylic On Canvas поєднується з напрямом Renaissance Mannerism.

    До якого стилю належить "The Cook"?

    Мистецький напрям, до якого належить «The Cook» Арчимбольдо, — це Renaissance Mannerism. Така класифікація дозволяє розмістити цей твір у контексті суміжних художників та творів мистецтва.

    Який рекомендований розмір друку для «The Cook» Арчимбольдо?

    Для роботи "The Cook" рекомендується розмір друку Medium. Також доступні інші розміри з тими ж пропорціями.