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Посібник зі студентських робіт

John C. Calhoun

Ім'я Клас Дата

Джордж Пітер Олександр Хілі, John C. Calhoun (1845), Національна портретна галерея. Общедоступне надбання Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

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Автор
Джордж Пітер Олександр Хілі originaluniqueart.com/uk/artists/%D0%B4%D0%B6%D0%BE%D1%80%D0%B4%D0%B6-%D0%BF%D1%96%D1%82%D0%B5%D1%80-%D0%BE%D0%BB%D0%B5%D0%BA%D1%81%D0%B0%D0%BD%D0%B4%D1%80-%D1%85%D1%96%D0%BB%D1%96_uk/
Дати створення автором
1813 – 1894
Живопис
1845
Техніка виконання
Oil On Canvas
Початковий розмір
74 x 91 cm
Місце проведення
Національна портретна галерея originaluniqueart.com/uk/museums/%D0%BD%D0%B0%D1%86%D1%96%D0%BE%D0%BD%D0%B0%D0%BB%D1%8C%D0%BD%D0%B0-%D0%BF%D0%BE%D1%80%D1%82%D1%80%D0%B5%D1%82%D0%BD%D0%B0-%D0%B3%D0%B0%D0%BB%D0%B5%D1%80%D0%B5%D1%8F-%D0%BB%D0%BE%D0%BD%D0%B4%D0%BE%D0%BD_uk/
Artistic style
Portraiture
Influences
Sully
Notable elements
Formal pose, suit
Subject or theme
Political figure

У контексті

John C. Calhoun — Джордж Пітер Олександр Хілі

Який розмір?

Оригінальні розміри складають 74 × 91 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду — 0 при народженні, 81 на момент смерті.

Написано, коли художнику було 32. Митець дожив до 81 років. 16 із 119 датованих робіт цього митця в нашому каталозі були створені раніше.

Затінення: життя Джордж Пітер Олександр Хілі (1813–1894) ▲ ця робота, 1845 кожна картина з датуванням, десятиліття за десятиліттям

Перші роботи: до 1846 Основні роки творчості: 1846–1866 Пізні роботи: з 1866

Ці три сегменти поділяють роботи, датовані в цьому каталозі, на перший квартал, середину та останній квартал. Вони не є повним переліком творчості митця: певна прогалина може бути лише розривом у записах, а не періодом творчого затишшя. Роки, що переплітаються з життям митця

Порівняти з

  • Abraham Lincoln, 1887 originaluniqueart.com/uk/art/george-peter-alexander-healy-abraham-lincoln-D44SPN-en/
  • Abraham Lincoln, 1887 originaluniqueart.com/uk/art/george-peter-alexander-healy-abraham-lincoln-D43TCR-en/
  • John Tyler, 1859 originaluniqueart.com/uk/art/george-peter-alexander-healy-john-tyler-D44SPU-en/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що гармоніюють із цим: originaluniqueart.com/uk/art/similar/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/

Кольори

Виміряно за зображенням

    Основний колір

    Walnut #8b5a37

    Каталог палітр

    • #8B5A37
    • #1E181D
    • #D8A882
    • #473025

    Ці кольори в межах усієї палітри художника Шукати інші картини за кольором

    Назва основного кольору
    Walnut
    Насиченість
    Monochromatic Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Gentle Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Softly Mixed Palette Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Deep_shadow Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Muted Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    У яких куточках світу переглядають цю картину?

    • менше ніж 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% і більше
    Ця картина окремо має занадто мало зареєстрованих відвідувачів для створення карти, тому на плакаті представлено всі роботи Джордж Пітер Олександр Хілі за останні дванадцять місяців — загалом 5 країн. Джерела цих даних

    Десять провідних країн

    1. 1 Китай 69,8%
    2. 2 Сполучені Штати Америки 17,0%
    3. 3 Бразилія 5,7%
    4. 4 Японія 5,7%
    5. 5 Гонконг 1,9%

    Знайдіть на карті три найтемніші країни. Чи є серед них та, де розташований музей, у якому зберігається ця картина? Напишіть одну причину, чому люди з далеких країв можуть захотіти її подивитися.

    20 найбільш переглянутих робіт Джордж Пітер Олександр Хілі

    1. 1 Abraham Lincoln, 1887 6,6%
    2. 2 Abraham Lincoln, 1887 6,6%
    3. 3 Michel Musson (1812 85), (painting), 1860 6,6%
    4. 4 Franklin Pierce - 3,3%
    5. 5 Webster's Reply to Hayne, (painting) 3,3%
    6. 6 Sally Ward Lawrence Hunt (1830 1896), (painting), 1860 3,3%
    7. 7 James N. and James F. Paine, (painting), 1840 3,3%
    8. 8 Henry Clay, (painting), 1845 3,3%
    9. 9 Martin Van Buren - 3,3%
    10. 10 BENJAMIN FRANKLIN (1706 1790) 3,3%
    11. 11 Thomas Langrel Harris, (painting), 1852 3,3%
    12. 12 Portrait Of A Gentleman 3,3%
    13. 13 Henry Wadsworth Longfellow, (painting) 3,3%
    14. 14 Young Woman Playing a Guitar, (painting), 1834 3,3%
    15. 15 John Tyler, 1859 1,6%
    16. 16 John C. Calhoun, 1845 ця картина 1,6%
    17. 17 Mrs. Albert J. Myer (Catherine Walden), 1876 1,6%
    18. 18 Frances Wickham Graham, 1860 1,6%
    19. 19 George Peabody, 1854 1,6%
    20. 20 Harry Lockman Street (1871 1931), (painting), 1877 1,6%

    Разом ці роботи становлять 65,7% усієї уваги, яку приділяли картинам цього художника протягом останніх дванадцяти місяців. Каталог містить 211 робіт цього митця, з яких 41 були переглянуті принаймні один раз. Ця картина посідає 16 місце серед них, причому на неї припадає 1,6% цієї уваги. Показники не змінюються, місяць за місяцем

    Смужки вимірюють увагу, а не якість. Оберіть роботу на самому верху та цю: назвіть одну річ, яка може принести картині славу, окрім майстерності її виконання.

    Про цей витвір мистецтва

    John C. Calhoun — Джордж Пітер Олександр Хілі

    A Portrait of Power and Shadow: George Peter Alexander Healy’s John C. Calhoun

    George Peter Alexander Healy's 1845 portrait of John C. Calhoun is more than simply a likeness; it’s a carefully constructed visual argument, a window into the complex and often troubling currents of antebellum American politics. Painted during a period of intense debate over slavery and states’ rights, the image captures Calhoun not as a man, but as an embodiment of a particular ideology – one that simultaneously commanded respect and fueled division.

    Healy, a prolific portraitist known for his meticulous attention to detail and ability to imbue his subjects with personality, employed a classic, formal style reminiscent of the mid-19th century. The composition is deliberately restrained, focusing entirely on Calhoun himself. He sits in a simple chair, draped in dark, somber attire – a deep brown suit accented by a black tie – colors that immediately evoke seriousness and authority. His hands are clasped gently before him, projecting an image of quiet contemplation, yet also conveying a sense of contained power. The backdrop is equally understated: a muted wall and a book suggest intellectualism and the weight of accumulated knowledge, subtly reinforcing Calhoun’s position as a learned statesman.

    The Weight of States' Rights

    Calhoun’s posture and expression are key to understanding Healy’s intent. He isn’t smiling; there’s no overt warmth in his gaze. Instead, the portrait suggests a man deeply engaged in thought, wrestling with weighty issues. The slight furrow of his brow hints at the intellectual rigor required to defend his fiercely held beliefs. This is a man accustomed to debate and deliberation, yet also capable of unwavering conviction. The painting’s historical context is crucial: Calhoun was a leading voice for states' rights and nullification – doctrines that argued against federal overreach and asserted the sovereignty of individual states. Healy masterfully captures this intellectual stance, presenting Calhoun as a formidable advocate for a system increasingly threatened by the rising tide of abolitionism.

    Symbolism and the Shadow of Slavery

    While the portrait primarily focuses on Calhoun’s physical presence, subtle details offer glimpses into the ideological landscape he represented. The book in the background, though not explicitly identified, likely references legal texts – a testament to his extensive knowledge of constitutional law. However, it's important to acknowledge the uncomfortable truth that Calhoun’s defense of states’ rights was inextricably linked to the institution of slavery. His staunch advocacy for white supremacy and the economic necessity of slavery in the South is a dark undercurrent within this portrait. Healy doesn’t directly address this aspect, but by presenting Calhoun as a figure of authority and intellect, he implicitly legitimizes his views – a troubling consequence of the era's political climate.

    A Legacy in Oil on Canvas

    Measuring 74 x 91 cm, the painting is currently housed at the National Portrait Gallery in London. Healy’s masterful use of oil paints creates a rich and textured surface, capturing the nuances of Calhoun’s face – the lines etched by age and thought, the subtle shifts in expression. The lighting is carefully controlled, emphasizing Calhoun's features and casting shadows that contribute to the portrait’s somber mood. Healy’s work reflects the artistic trends of his time while simultaneously offering a poignant reflection on a pivotal period in American history – a period defined by both ambition and moral compromise.

    Collecting a Piece of History

    Reproductions of Healy's John C. Calhoun offer an opportunity to own a tangible connection to this complex and consequential figure. Whether displayed in a study, a library, or a room dedicated to American history, this portrait serves as a powerful reminder of the debates that shaped our nation – debates that continue to resonate today. It’s not merely a painting; it's a historical document, a visual testament to the enduring power of ideas and the lasting legacy of John C. Calhoun.

    Митець та музей

    Автор

    Джордж Пітер Олександр Хілі

    Народився в Бостон, США

    George Peter Alexander Healy: A Chronicle of American Faces

    George Peter Alexander Healy, a name that resonates deeply within the annals of 19th-century American art, was far more than simply a painter of portraits. He was a meticulous observer of his time, a skilled craftsman who captured not just physical likenesses but also the very essence and spirit of those he depicted – presidents, dignitaries, and prominent figures who shaped the trajectory of a nation undergoing profound transformation. Born in Boston on July 15, 1813, Healy’s life was interwoven with both personal hardship and artistic triumph, ultimately culminating in a legacy defined by his remarkable ability to immortalize American history through the art of portraiture.

    Early Years and European Influences

    Healy's childhood was marked by an early loss – the death of his father, a merchant marine captain – which instilled within him a sense of responsibility and resilience from a remarkably young age. Forced to contribute financially to his family’s upkeep, he began drawing at sixteen, fueled by a nascent ambition to pursue art. A pivotal moment in his formative years came through the guidance of Jane Stuart, daughter of the celebrated Gilbert Stuart, who generously loaned him a copy of Guido Reni's “Ecce Homo,” which Healy meticulously reproduced in color and subsequently sold – an early demonstration of his talent and entrepreneurial spirit. This mentorship laid the foundation for his artistic development, introducing him to the principles of formal training under Thomas Sully, whose influence would profoundly shape his technique and approach.

    In 1834, at the age of twenty-one, Healy embarked on a transformative journey to Europe, an experience that spanned sixteen years and fundamentally altered the course of his artistic life. He immersed himself in the vibrant art scenes of Paris and Rome, studying under masters like Antoine-Jean Gros and Thomas Couture. These encounters exposed him to the academic traditions of French realism, fostering a deep appreciation for meticulous detail and historical narrative. The influence of these European masters is readily apparent in his work – a refined technique, a nuanced understanding of composition, and an ability to imbue his portraits with a sense of gravitas and authority. He received a third-class medal at the Paris Salon in 1840, a significant recognition of his burgeoning talent within the international art community. Further validation arrived in 1843 when he was elected as an honorary academician into the National Academy of Design, solidifying his position as a respected artist on both sides of the Atlantic. This extended period abroad wasn’t merely about acquiring technical skills; it was about absorbing the cultural currents and intellectual ferment that defined Europe at the time – elements which would later infuse his portraits with depth and historical context.

    Capturing American Identity: Presidential Portraits

    Upon his return to the United States in 1855, Healy quickly established himself as a leading portraitist, renowned for his ability to capture not just physical likenesses but also the character and essence of his sitters. He was immediately sought after by prominent figures – John C. Calhoun, James Buchanan, and many others – who recognized his skill in conveying authority and presence. However, it was his series of presidential portraits that truly cemented his legacy. Commissioned for the Corcoran Gallery in Washington, D.C., Healy meticulously immortalized every U.S. president from John Quincy Adams to Ulysses S. Grant, creating a visual record of American leadership during a period of immense transformation and national growth. These weren’t simply flattering depictions; they were insightful studies of personality and authority, offering glimpses into the lives and minds of those who shaped the nation's destiny. His portrait of Abraham Lincoln stands as an iconic representation of the 16th president – a powerful image that captures his solemnity, unwavering resolve, and profound humanity during a time of national crisis.

    Beyond Likeness: Historical Narrative and *The Peacemakers*

    While celebrated for his portraits, Healy’s artistic ambition extended beyond mere representation. He sought to capture moments of historical significance, imbuing his canvases with narrative power. His most ambitious undertaking in this regard was The Peacemakers (1868), a monumental painting depicting a strategy session between Abraham Lincoln and his advisors following the end of the Civil War. This work is not just a depiction of a meeting; it’s a poignant meditation on peace, reconciliation, and the weight of leadership – a complex exploration of the challenges inherent in rebuilding a nation after devastating conflict. The Peacemakers showcases Healy's remarkable ability to orchestrate complex compositions, convey emotional depth through carefully considered gestures and expressions, and weave historical context into his artistic vision. It remains a powerful testament to his skill as a historical painter, offering a visual window into a pivotal moment in American history.

    A Lasting Legacy: Chicago and Remembrance

    In 1892, Healy returned to Chicago, spending his final years surrounded by family and continuing to paint prolifically. He passed away on June 24, 1894, leaving behind an extensive body of work that continues to captivate and inspire art enthusiasts worldwide. His autobiography, Reminiscences of a Portrait Painter, published posthumously, provides invaluable insights into his life, artistic philosophy, and the world he inhabited – a deeply personal account filled with anecdotes and observations gleaned from decades spent observing human nature and capturing the essence of American society. Healy’s legacy rests not only on the sheer volume of his output but also on the quality and historical significance of his paintings. He was a master of realism, a keen observer of human nature, and a skilled storyteller who used his art to document the lives and times of those who shaped America. His portraits remain treasured artifacts – enduring reminders of the individuals who left their mark on history and offering a poignant glimpse into the past.

    Further Information

    Smithsonian American Art Museum: https://americanart.si.edu/artist/george-peter-alexander-healy-2141

    Wikipedia: https://en.wikipedia.org/wiki/George_Peter_Alexander_Healy

    Музей

    Національна портретна галерея

    Виставлено в Лондон, Великобританія

    A Chronicle Woven in Faces: Exploring the National Portrait Gallery’s Enduring Dialogue

    Stepping through the grand entrance of the National Portrait Gallery is akin to entering a meticulously curated hall of memory – not merely a display of painted likenesses, but an immersive journey through the heart of British identity. More than just a repository for portraits, it's a vibrant dialogue spanning centuries, where brushstrokes and gazes speak volumes about ambition, struggle, social shifts, and the very soul of a nation. The Gallery doesn’t simply present art; it offers a profound understanding of how Britain has perceived itself, evolving alongside its complex social, political, and artistic landscapes. From the enigmatic allure of William Shakespeare to the resolute strength of Winston Churchill, each portrait whispers stories – glimpses into a person's life, their aspirations, their challenges, and ultimately, their lasting impact on the world.

    The Gallery’s collection is a breathtaking tapestry woven from diverse artistic approaches. Early portraits, dating back to the 16th century, reveal a society steeped in symbolism – elaborate costumes, carefully chosen poses, and allegorical settings designed to convey status and virtue. Consider, for instance, the intricate detailing of John Singleton Copley’s portrait of William Murray, 1st Earl of Mansfield, a study in aristocratic dignity that reflects the influence of classical ideals on British artistic taste. The meticulous rendering of fabrics, the subtle nuances of expression – all served to communicate power and authority within the confines of established social norms. However, as you move deeper into the galleries, a remarkable transformation begins to unfold. Artists increasingly sought to capture not just likeness but also the inner life of their subjects, mirroring broader societal changes toward greater empathy and understanding. This shift is powerfully illustrated by Charles Jervas’s portrait of William Shakespeare – a remarkably intimate depiction that captures the playwright's intellectual intensity and shrewd observation.

    The transition from formal representation to psychological insight marks a pivotal moment in portraiture history, mirroring broader societal changes toward greater empathy and understanding. The inclusion of photographic studies alongside traditional paintings is particularly noteworthy, reflecting a deliberate embrace of evolving artistic mediums and demonstrating an awareness of how portraiture itself was changing. Marcus William Adams’s early photographs of royal families, with their unprecedented detail and experimentation with color – a bold step away from the monochrome traditions of earlier eras – represent this evolution brilliantly. Alison Watt's contemporary sculptures further exemplify this spirit of innovation, exploring themes of materiality and perception in ways that resonate powerfully with modern audiences, challenging viewers to consider the very nature of representation itself. The Gallery’s commitment to showcasing both historical masterpieces and contemporary works ensures a dynamic and engaging experience for all.

    The Building as a Narrative: A Victorian Masterpiece

    Integral to the National Portrait Gallery's narrative is its magnificent building, designed by E.M. Barry and opened in 1856. The Portland stone façade exudes an air of stately elegance, its intricate detailing mirroring the complex social fabric of Victorian Britain. Originally conceived as a grand statement of national pride, the gallery’s architecture embodies the ambition and confidence of the era. However, the Gallery's story doesn't end with its initial opening. Over decades, it has expanded thoughtfully, adapting to accommodate its growing collection and evolving visitor needs. The recent renovations completed in June 2023 represent a remarkable achievement – creating more welcoming spaces, improving accessibility, and meticulously preserving the building’s historic character while embracing modern design principles. This careful balance between preservation and innovation ensures that the National Portrait Gallery remains a dynamic cultural hub, capable of engaging new audiences and showcasing both historical masterpieces and contemporary works.

    The original layout, with its grand halls and intimate galleries, invites contemplation and encourages visitors to linger before each portrait, absorbing not just the visual details but also the implied history behind it. Strategic placement of key artworks – such as John Singer Sargent’s stunning depiction of Hercules Brabazon Brabazon – creates a deliberate flow through the collection, guiding viewers on a journey through British history. The building itself becomes part of the narrative—a fitting backdrop for the stories unfolding within, reinforcing the connection between art and its historical context.

    A Legacy of Portraits: Notable Exhibitions and Artistic Movements

    The National Portrait Gallery’s collection isn't static; it actively engages with contemporary art and fosters dialogue across generations. The annual BP Portrait Prize competition serves as a vibrant testament to this ongoing conversation – a showcase of emerging talent pushing boundaries and redefining what constitutes “portraiture” in the 21st century. Past exhibitions have explored diverse artistic movements, from the Pre-Raphaelites’ romantic idealism to the bold experimentation of the early 20th-century avant-garde. The Gallery has also hosted significant retrospectives dedicated to influential artists like John Singer Sargent and Marcus William Adams, offering deeper insights into their creative processes and lasting legacies.

    Furthermore, the gallery's commitment extends far beyond traditional painting, embracing photography as an equally powerful medium for capturing likeness and conveying personality. Early photographic portraits by Mathew Brady captured the solemn dignity of Civil War soldiers – a stark contrast to the opulent formality of Victorian portraiture. Today’s exhibitions explore diverse artistic perspectives, highlighting artists like Alison Watt who challenge conventions and engage with complex themes. The National Gallery in Oslo and Prague offer complementary experiences showcasing European masterpieces alongside innovative architectural designs, enriching the broader understanding of portraiture across cultures.

    Beyond Likeness: Photography and Contemporary Voices

    The gallery’s dedication to reflecting a diverse range of voices is evident in its ongoing efforts to expand its photographic collection. Early photographic portraits by Marcus William Adams captured the solemn dignity of Civil War soldiers – a stark contrast to the opulent formality of Victorian portraiture. Today's exhibitions explore diverse artistic perspectives, highlighting artists like Alison Watt who challenge conventions and engage with complex themes. The National Gallery in Oslo and Prague offer complementary experiences showcasing European masterpieces alongside innovative architectural designs, enriching the broader understanding of portraiture across cultures.

    The gallery’s website offers a wealth of resources for visitors, including detailed information about individual portraits, thematic exhibitions, and educational programs. It's a testament to the National Portrait Gallery’s commitment to making art accessible to all, fostering a deeper appreciation for British history and culture through the captivating power of portraiture.

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    QR-код, що веде на сторінку завантаження John C. Calhoun

    originaluniqueart.com/uk/art/download/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/

    Як цитувати цей твір

    MLA
    Хілі, Джордж Пітер Олександр. John C. Calhoun. 1845, Національна портретна галерея. https://originaluniqueart.com/uk/art/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/
    APA
    Хілі, Джордж Пітер Олександр (1845). John C. Calhoun [Painting]. Національна портретна галерея. https://originaluniqueart.com/uk/art/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/
    Chicago
    Джордж Пітер Олександр Хілі. John C. Calhoun. 1845. Національна портретна галерея. https://originaluniqueart.com/uk/art/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/
    Harvard
    Хілі, Джордж Пітер Олександр (1845) John C. Calhoun. Національна портретна галерея. Available at: https://originaluniqueart.com/uk/art/george-peter-alexander-healy-john-c-calhoun-D43TGZ-en/

    Придивіться уважніше

    John C. Calhoun — Джордж Пітер Олександр Хілі

    Придивіться ближче

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: american politics, antebellum south, slavery. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до розгляду Abraham Lincoln (1887), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. Джордж Пітер Олександр Хілі було близько 32 років, коли була створена ця робота. Що саме в ній вказує на такий етап творчості митця?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, використовуючи факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    John C. Calhoun — Джордж Пітер Олександр Хілі

    Наскільки добре ви знаєте цей витвір мистецтва?

    Оберіть одну правильну відповідь на кожне з 5 запитань нижче. Кожне з них має лише одну вірну відповідь.

    1. 1. What was John C. Calhoun’s primary political role during the time this portrait was painted?

      • A He was a military general leading troops in the Civil War.
      • B He served as Vice President of the United States.
      • C He was a prominent abolitionist advocating for immediate emancipation.
    2. 2. The portrait depicts John C. Calhoun wearing what type of attire?

      • A A military uniform with epaulettes.
      • B A formal suit with a black tie.
      • C Simple robes reflecting his religious beliefs.
    3. 3. According to the description, what was Calhoun’s stance on slavery?

      • A He vehemently opposed it and advocated for its immediate abolition.
      • B He believed it was essential to the Southern economy and supported its continuation.
      • C He remained neutral on the issue, advocating for a gradual transition.
    4. 4. Who painted this portrait of John C. Calhoun?

      • A Thomas Sully
      • B George Peter Alexander Healy
      • C Gilbert Stuart
    5. 5. In what year was this portrait created, according to the provided information?

      • A 1825
      • B 1845
      • C 1865

    Мій результат: ____ із 5

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    1A · 2A · 3A · 4A · 5A

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    Де я можу завантажити «John C. Calhoun» роботи Джордж Пітер Олександр Хілі?

    Цифрову копію роботи «John C. Calhoun» роботи Джордж Пітер Олександр Хілі можна завантажити на сторінці Завантажити цифрове зображення, обравши варіант завантаження цифрового зображення високої роздільної здатності.

    Коли було створено та до якого стилю належить твір «John C. Calhoun» роботи Джордж Пітер Олександр Хілі?

    «John C. Calhoun» роботи Джордж Пітер Олександр Хілі датований 1845 роком і належить до Historical Portraiture.

    Якою технікою виконано "John C. Calhoun" та який його розмір?

    «John C. Calhoun» виконана в техніці Oil On Canvas, її оригінальний розмір становить 74 x 91 cm.