Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 223 робіт Генрі Ле Сіданер у нашому каталозі
Коротко кажучи
На думку експертів галереї, найвідоміший витвір Генрі Ле Сіданер — це A Beauvais Square by Moonlight (1900). Sunday (1898) та La Piazatta (1914) доповнюють тріо, яке впізнає кожне око. З 223 робіт Генрі Ле Сіданер у нашому каталозі галерея представляє 100 найвідоміших нижче — кожна з них є оригіналом із зазначенням року створення, музею та унікальних особливостей.
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A house sits anchored against the light, its facade defined by shutters of deep green. Vines climb the walls, tracing slow, organic paths toward the eaves. The structure feels settled, a permanent fixture in a world of shifting shadows. Two large windows face the viewer, their glass reflecting a stillness that suggests the interior is a sanctuary of silence. A doorway remains centered, a dark threshold leading into a private,…
Canal in Bruges by Henri Le Sidaner presents a serene view of a Belgian waterway, centered around a bridge spanning the canal. The composition is anchored by two boats resting upon the water; one is positioned near the left foreground, while the second is situated further back toward the right. This arrangement directs the eye through the depth of the canal scene.
In "The Quay in Twilight" by Henri Le Sidaner, a lively harbor scene unfolds under a hazy, diffused sky. The composition is dominated by the expansive water, which acts as a mirror for the world above. Buildings line the waterfront, their facades rendered in shifting shades of pink, red, yellow, and blue. These structures create a rhythmic boundary against the sky, while several boats are scattered throughout the scene, adding…
The oil on canvas titled Little place by the river was painted by Henri Le Sidaner in 1902. This work captures a quiet winter scene where the river flows through a landscape of snow. The artist, Henri Le Sidaner, uses the medium to fix a specific moment of seasonal stillness. Cold air and white drifts define the setting.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
In this work, titled Full Moon, the artist Henri Le Sidaner presents a quiet nocturnal landscape. Painted about 1909, the scene captures a moment of stillness under the influence of a luminous lunar presence. The composition centers on the interaction between the sky and the water, creating a sense of profound solitude.
The Lighted Window1906
12
The Italian Boutique1924
13
Landscape, Goose Girl1888 · musée Petiet de Limoux
14
The Bedroom (La Chambre à Coucher)1890 · Індіанапольський музей мистецтв
15
Blue River, Montreuil-Bellay1897 · Petit Palais
16
The Quay1898 · Groeningemuseum
17
Snowy Evening, Etaples1894
18
The Dessert1904 · Музей д’Орсе
19
Fountain in the Tuileries1900 · Музей Вальраф-Ріхтарта
20
The Stained Glass, Chartres1901 · Petit Palais
21
The Village, Twilight1902 · Dublin City Gallery The Hugh Lane
22
In the Garden1901 · Toledo Museum of Art
23
Boat on the Canal (Morning)1905 · Groeningemuseum
24
The Table in the White Garden at Gerberoy1900 · Музей красних мистецтв Гента (MSK)
25
Grand Trianon1905 · Музей образотв мистецтв
26
The Tuileries1902
27
The Tunnel1902
28
The Cathedral at Beauvais1900
29
Gerberoy in the snow1902
30
Orpheus Realizing the Loss of Eurydice1900
31
Snow in the Moonlight1903
32
The Pillar1901
33
The Canal, Snow1901
34
The Cradle1905
35
The Tuilleries1900
36
Terrace in Gerberoy1903
37
The House1901
38
Small house by the Eau River at Chartres1902
39
Le banc1903
40
The Belfry at Bruges, Belgium1900
41
The Snow1901
42
Terrace in Springtime1904
43
The Jet of Water1905
44
Dinner in the Garden1903
45
Moonlight at Gerberoy (Clair de Lune à Gerberoy)1904
46
Boats, Heyst1900
47
Old Houses1903
48
Le gouter au jardin1903
49
The House with the Green Shutters (Beguinage. Maisons à contre jour, Bruges)1899
50
The Bridge of Sighs1906 · Petit Palais
51
Roses and Wisterias on the House1907
52
Window with Carnations, Gerberoy1908 · Museum Barberini
53
The Garden of the Gerberoy House1909 · Cantor Arts Center at Stanford University
54
L'île Madre Clair de Lune1909 · Walker Art Gallery
55
Village at Bellay1911
56
Summer Afternoon at the palace of Hampton Court1908
57
Full Moon on the River1910
58
The Small Shop1906
59
Sunflowers1909
60
The Rose Window1908
61
The Ducal Palace1906
62
Garden at Hampton Court1908
63
The Canal1906
64
House by the Quentin Canal1910
65
The Gray Palace1906
66
The Suburbs1909
67
Plaza under Snow, Gerberoy1910
68
Unknown1910
69
Fishing Boats1910
70
The Wall, Autumn1910
71
Courtyard from a Window1910
72
The Red Palace in Venice1908
73
Rooftops in Moonlight1910
74
Small Villa in Afternoon1910
75
Trafalgar Square1908
76
The Old Palace, Moonlight, Venice1907
77
Port at Villefranche1911
78
The Great Gate at Hampton Court1908
79
Roses of Trianon1917 · Petit Palais
80
Versailles: Cour d'Honneur1912 · Національна галерея Ірландії
81
Country house among roses1913 · Музей Плантена–Моретуса
82
Canal in Autumn (Gisors)1913 · Клівлендський музей мистецтва
83
The Window at Croisic1915
84
Departure of Tobie1915
85
Steps at Chartes1913
86
Grand Canal in Venice1914
87
Neptune Fountain at twilight1916
88
Garden at Gerberoy1917
89
Snow at Chartres1914
90
The Grey Mill, Montreuil-Bellay1914
91
The Red Palace1914
92
Still Life1917
93
Garden in the full moon1914
94
A Window, Gisors1912
95
Spring Sky1913
96
The House in the Snow1913
97
The Pavillion and the Alley1916
98
The Ducal Palace1915
99
Sunset1913
100
Windows1915
Чотири сюжети, які найчастіше зустрічаються в цих оригіналах, кожен із найкращим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музей | Місто | Твори Генрі Ле Сіданер | Картини зі цього списку |
|---|---|---|---|
 Petit Palais |
Париж | 4 | Blue River, Montreuil-Bellay, The Stained Glass, Chartres, The Bridge of Sighs |
 Groeningemuseum |
Брюгге | 2 | The Quay, Boat on the Canal (Morning) |
 Musée des Beaux-Arts de Dunkerque |
Dunkirk | 2 | The Orphan Walk, Berck |
 Індіанапольський музей мистецтв |
Індіанаполіс | 2 | The Bedroom (La Chambre à Coucher) |
 Музей д’Орсе |
Париж | 2 | The Dessert |
 Музей Вальраф-Ріхтарта |
Кельн | 2 | Fountain in the Tuileries |
 Walker Art Gallery |
Ліверпуль | 2 | L'île Madre Clair de Lune |
 Musée de la Chartreuse |
Дюффель | 1 | Sunday |
Оберіть десятиліття, щоб побачити оригінальний твір, який його визначає.
In The Orphan Walk, Berck, Henri Le Sidaner organizes a horizontal landscape centered on a group of women in traditional regional French folk costume. These figures are distributed across the middle ground, their movement along a sandy coastal path or dunes guiding the viewer's eye through the terrain. The perspective is set at eye level, establishing an intimate connection with the subjects as they navigate the dunes. Depth is achieved…
A Moment of Tranquility: Henri Le Sidaner's "Sunday" Henri Le Sidaner’s “Sunday,” painted in 1898, is more than just a depiction of women gathered in a park; it’s an invitation to pause and absorb the quiet beauty of a fleeting moment. The canvas breathes with a soft, diffused light that suggests either dawn or dusk, bathing the scene in an ethereal glow. This isn't a bustling social gathering captured mid-conversation,…
A Beauvais Square by Moonlight1900 is a painting that captures a serene street scene under the soft glow of a moonlit atmosphere. The composition focuses on a grand building characterized by a large archway that serves as an entrance to a courtyard. The facade of this structure is detailed with numerous windows and doors, contributing to its imposing presence.
We are looking at La Piazatta, an oil on canvas painted by Henri Le Sidaner in 1914. This work captures a specific moment in the artist's career, rendered during his travels through Venice. It offers a view from inside St Mark's Square, looking out toward the architectural grandeur of the city. The scene is anchored by the presence of the Doge's Palace on the left and the Campanile of San…
A terrace waits in the soft light of 1927. Two plates sit upon the table, one toward the left and one toward the right, as if the diners have only just stepped away. Three wine glasses are positioned around the setting, catching the fading light. A single bowl rests near the center, a silent witness to the meal that was or is about to be. In the background, the silhouettes…
A Beauvais Square by Moonlight (1900). Далі йдуть Sunday (1898) та La Piazatta (1914).
38 років: A Beauvais Square by Moonlight датована 1900 роком, а Генрі Ле Сіданер народився(-лася) у 1862.
A Beauvais Square by Moonlight, Sunday, La Piazatta, Table on the Terrace, The House in Summer, Canal in Bruges, The Quay in Twilight, Little place by the river, The Orphan Walk, Berck та Full Moon. У рейтингу вище вказано рік створення та музей для кожної картини.
Наш каталог містить 223 робіт Генрі Ле Сіданер, датованих періодом з 1888 по 1927.
Переважно в Petit Palais (Париж), Groeningemuseum (Брюгге) та Musée des Beaux-Arts de Dunkerque (Dunkirk). У таблиці музеїв вище наведено їхній повний перелік.
У 1900s: 54 із 100 робіт на цій сторінці були створені тоді, серед них A Beauvais Square by Moonlight.
На цій сторінці найдавніша робота датована The Orphan Walk, Berck (1888), а найновіша — Table on the Terrace (1927).
Buildings (14), Sky (6) та Winter (6), у 100 роботах на цій сторінці.
Oil On Canvas, для 5 із 100 робіт на цій сторінці.
Impressionism, судячи з оригіналів на цій сторінці.
Blue River, Montreuil-Bellay, The Stained Glass, Chartres та The Bridge of Sighs: Petit Palais, Париж зберігає 4 робіт із цієї сторінки.
Henri Le Sidaner, a name synonymous with evocative domestic scenes and tranquil landscapes, was born on August 7th, 1862, in the vibrant port city of Port Louis, Mauritius. His origins were deeply rooted in Breton heritage – his father, Jean Marie Le Sidaner, worked as a ship inspector for Lloyd’s, a position that necessitated frequent travels and exposed the family to diverse cultures. The Le Sidaners' life took an important turn in 1872 when they relocated to Dunkerque, France, establishing a new home amidst the bustling coastal town. This move marked the beginning of Henri’s journey into the world of art, nurtured by his parents who recognized and encouraged his early artistic inclinations.
Henri's formative years were spent in Dunkerque, where he attended the Collège et Lycée Notre Dame des Dunes. It was here that a spark ignited within him – a passion for painting that would eventually define his entire career. The town’s atmosphere, with its blend of maritime traditions and burgeoning artistic circles, undoubtedly played a role in shaping his nascent talent.
Driven by an unwavering dedication to his craft, Henri secured a prestigious scholarship that enabled him to pursue his artistic ambitions in Paris. In 1880, at the tender age of eighteen, he enrolled at the École nationale supérieure des beaux-arts – a renowned institution that had nurtured generations of French artists. It was within these hallowed halls that he began his formal training under the tutelage of Alexandre Cabanel, a prominent figure in Belle Époque French painting. However, their artistic philosophies soon diverged, leading to a respectful but ultimately decisive separation. Le Sidaner’s early influences were profoundly shaped by the revolutionary techniques and aesthetics of Impressionism and Pointillism.
Artists like Édouard Manet, known for his bold departures from academic tradition, and Claude Monet, with his groundbreaking explorations of light and color, served as pivotal mentors. Furthermore, he was captivated by the innovative approach of the Pointillists – artists who employed tiny dots of pure color to create luminous effects. These diverse influences coalesced within Le Sidaner’s artistic vision, laying the foundation for his distinctive style.
Seeking further inspiration and collaboration, Henri joined the Colonie artistique d'Étaples – a collective of artists dedicated to honing their skills in the coastal town of Étaples. This environment fostered experimentation, camaraderie, and a shared pursuit of artistic excellence.
Le Sidaner’s artistic style is instantly recognizable for its subtle yet profound beauty. He eschewed bold brushstrokes and vibrant hues in favor of a muted palette dominated by subdued colors, nuanced greys, and delicate opals. His technique involved applying these pigments with uneven, dappled brushstrokes – a deliberate choice that created an atmosphere of gentle mystery and quiet contemplation. This masterful manipulation of light and shadow is particularly evident in his nocturnes, where he captured the ethereal beauty of twilight hours with remarkable sensitivity.
Over time, Le Sidaner’s style underwent a subtle but significant evolution. Initially influenced by Impressionism and Pointillism, he gradually developed a more personal aesthetic – one that blended these techniques with elements of Symbolism. This resulted in paintings that possessed both a sense of realism and an underlying emotional depth.
In 1905, Le Sidaner sought refuge from the Parisian bustle, establishing a home in Gerberoy, a charming village nestled in the Picardy countryside. It was here, amidst the ruins of a medieval fortress, that he created his most celebrated works – seductive views of meticulously cultivated gardens filled with roses and dappled sunlight. These paintings became synonymous with his artistic identity, solidifying his reputation as a master of atmospheric landscapes.
Throughout his prolific career, Henri Le Sidaner produced a remarkable body of work encompassing still lifes, domestic interiors, and evocative landscape scenes. Among his most celebrated paintings are "Still Life and a Window, Gisors," a captivating study of light and form, and “Table Au Clair De Lune,” which exemplifies his mastery of capturing the subtle nuances of twilight. His works have been exhibited in prestigious galleries across France and internationally, garnering critical acclaim and attracting discerning collectors.
Le Sidaner’s artistic achievements were formally recognized by the French government, culminating in a Legion of Honour award in 1913 – a testament to his enduring contribution to the world of art. His paintings are currently housed in museums across Europe, including the Musée des Beaux-Arts Tournai in Belgium, ensuring that his legacy will continue to inspire and delight for generations to come.
Henri Le Sidaner is often regarded as a pivotal figure bridging the gap between Impressionism and Post-Impressionism. His unique style – characterized by its subtle color harmonies, atmospheric depth, and intimate subject matter – distinguishes him from his contemporaries. He possessed an extraordinary ability to capture the essence of everyday life, transforming ordinary scenes into moments of profound beauty and emotional resonance.
Le Sidaner’s legacy extends beyond his individual works; he represents a culmination of artistic trends and influences, embodying the spirit of innovation and sensitivity that defined the late 19th and early 20th centuries. His paintings continue to resonate with viewers today, offering glimpses into a world of quiet contemplation and understated elegance.
